Category: Image Comics

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Graphic Spotlight – SNOTGIRL VOL. 1: GREEN HAIR DON’T CARE

Bryan Lee O’Malley‘s new series is #BuyMeNow

It’s finally here! Let’s face it, we’ve all kind of been spoiled with Bryan Lee O’Malley’s previous cult hits that include the never duplicated Scott Pilgrim series and his masterful OGN Seconds. Here’s a creator where we’re used to getting a big chunk of awesomeness at once but this time, O’Malley opted to do his first monthly series. At long last, the first volume if this #addictedtofabulous tale of Lottie Person is available in trade paperback form.

For those of you living in a superhero bubble, you’re probably wondering, “Who is Lottie Person?” That’s a rather complicated and, thus far, very fun question to answer. Lottie Person is an influential fashion blogger. She has a “[redacted] number of followers and is always on forefront of what’s hot and what’s not. As far as the digital world’s concerned, she’s the epitome of a fun-loving celebrity social media star. Every pic of her is fierce and fabulous. All of her [redacted] followers hang on her every post. Except the reality might be a little less glam-tastic. What the world doesn’t see is that Lottie suffers from ridiculously severe allergies. Which is what makes her the eponymous #Snotgirl. It’s a world of snot, blood, tears, and where nothing is exactly as it appears.

Mr. O’Malley’s brought on a newcomer for art duties in Leslie Hung. While some were at first a little disappointed that he wouldn’t be the one behind the pencils and inks, there’s no denying he’s picked a perfect collaborator to capture the complex and duplicitous world of Lottie Person.

Collects Snotgirl 1-5 for only $9.99!

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Graphic Spotlight: SEVEN TO ETERNITY VOL. 1- THE GOD OF WHISPERS

This week we put the spotlight on Rick Remender‘s latest sci-fi sensory overload!

Rick Remender is no stranger to crafting amazing science fiction stories. If you haven’t read FEAR AGENT then you’re missing out on the greatest space western of all-time (yeah, I’m looking at you Firefly and Cowboy Bebop). In 2016 Remender brought us a vast amount of genre treasures in SEVEN TO ETERNITY. This week, the first arc of one of 2016’s best series comes out in trade paperback with an accessible price tag of only $9.99!

Do you love space operas like SAGA? BLACK SCIENCE? PROPHET? Do you love characters whose backs are against the proverbial wall pinned down by overwhelming enemies? Are you a fan of crazy ridiculously beautiful artwork that will expand your mind with new worlds? Then get to know the seven who will hold the fate of a world in their hands with what they do, what secrets they keep, and how fast they can do whatever’s necessary.

A paranoia has spread to every part of the kingdom of Zhal. It destroys like a plague of fear whose source is the God of Whispers. His spies hid in ever hall spreading mistrust, fear, and breeding acts of cruelty that destroy communities and even families. Adam Osidis, a dying knight from a disgraced house is put to a dangerous choice: Will he help a band of hopeless and homeless band of magic users in their attempts to free the world of this evil God? Or will Adam give into what his heart most desires, accepting a promise from the God of Whispers himself. Free the world or free yourself?

Writer RICK REMENDER reteams with collaborators JEROME OPEÑA (UNCANNY X-FORCE, FEAR AGENT) and MATT HOLLINGSWORTH (TOKYO GHOST, WYTCHES) take you down a hard read where men have surrendered their freedom to fear and one last free man is left to choose. Collects SEVEN TO ETERNITY #1-4.

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Gods Come To Texas in GOD COUNTRY #2

Finally, the next chapter of this Gods among us epic is here!

In case you missed it (if you did, go get a copy of God Country #1 immediately), one of the best new series has its next issue coming out this New Comic Book Day. It’s rare when a book this good comes along. Do you like Southern Bastards? Thor? Epic mythological tales with heartbreaking family drama? Then you’ve no excuse not picking up God Country #2 this week.

Donny Cates (Buzzkill, The Ghost Fleet) might just be making a cult favorite. In the first issue we learned some of the deep and mythology busting secrets of Emmett Quinlan and his family. Having returned home to take care of his aging and mentally deteriorating father, Emmett was putting his wife and child through the ringer. His wife had had enough of Emmett’s dad’s cruelty and Emmett’s stubbornness to put his father in a home where he could be cared for properly. For some reason, still to be further explored, Emmett couldn’t bare to “give up” on his dad. Meanwhile, a twister was getting set to touch down. Little did we know this was no ordinary tornado and that it carried within it the key to unlocking mysteries of Emmett and his father.

After the amazing reveal at the end of the first issue, Emmett will continue to attempt to rebuild his family in the wake of the storm that broke them. Meanwhile, something otherworldly screams through the sky under a banner of war. The Gods have touched down in Texas and they are not going to leave empty handed. Why are you still reading?!?Buy your copy and get in on this at the ground floor.

Not sure if you can make it Wednesday? Sign up for a subscription box and put it on your pull list! This is one journey you don’t want to be left behind for.

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Image Comics Day 2017 at Forbidden Planet NYC

Wednesday February 1st is Image Comics Day, in honor of the revolutionary publisher’s 25th anniversary, and Forbidden Planet’s joining the celebration with a bunch of great offers and specials and a huge jam-signing with Image creators!

Image Comics Day giveaways and signings New York City Forbidden Planet Paper Girls Cliff chiang Karen Berger Sale,

Lemme sum up the details of FPNYC’s participation on 2/1:

  • 8am-midnight FREE copy of Walking Dead #163 for all (or at least everybody we can while supply lasts – a few thousand should last though).
  • 8am-midnight 40% OFF all in-stock Image comics and graphic novels! In-store and online at fpnyc.com
  • 8am-midnight Giveaway contests for Image stuffs run all day in-store and on the @FPNYC Twitter account.
  • 6-8pm Creator Signing with 11 of Image’s most dynamic and best-selling writers and artists.

Hope to see you ’round the shop on the 1st!

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Chris’ Comics: The Top 4 (and a Hawkguy) Finale

At last, it’s time for my final article for the Daily Planet. Instead of reviews, I’m going to recommend 4 series to you (plus Hawkeye, because we all know that’s coming) that are some of my favorite comics. There’s a few “well duh” choices on the list, but hopefully someone will find a new favorite on this list, or at least think I have excellent tastes in comics.

DCD5297571) Batgirl: Year One (Chuck Dixon, Scott Beatty, Marcos Martin) The only way you can buy Batgirl: Year One these days is in a trade packaged with the also great Robin: Year One. But Batgirl: Year One is arguably my favorite story featuring my favorite DC character. It’s a nice re-imagining of her origin from pre New 52 times, from a writer who wrote a good portion of the best Babs Gordon stories in the 90s. Marcos Martin later blew up on books like Spider-Man and Dr. Strange: The Oath, but this is where the Martin hype train officially began. A gorgeous story that does wonders for one of the most iconic superheroes out there, Batgirl: Year One is the one DC story I can’t recommend enough.

DCD4061942) Phonogram: The Singles Club  (Kieron Gillen, Jamie McKelvie, Matthew Wilson). While I absolutely adore this team’s work on The Wicked + The Divine and Young Avengers, P:TSC is my next pick, which was the first time Wilson joined Gillen and McKelvie on a creator owned joint. Set over the course of a single night, each issue in this trade tells a different story, focusing on a different character, and occasionally crossing over. My personal favorite of the various stories is the finale, a relatively silent story that focuses on Kid-With-a-Knife, one of the more simplistic but exciting characters in the series. While it’s technically the second part of the Phonogram trilogy, it’s by far the most accessible, and an excellent entry point for Gillen/McKelvie/Wilson’s indie work.

15958246263) The True Lives of the Fabulous Killjoys (Gerard Way, Shaun Simon, Becky Cloonan). I really wanted to throw a Grant Morrison penned story on this list, but honestly, there’s enough best of/recommendation lists out there featuring his work on All Star Superman, JLA, Doom Patrol, etc. Instead I’ve opted for a comic featuring a character played by Morrison in the My Chemical Romance music videos this comic series is based on/a sequel to. While being familiar with said music videos/album helps. Killjoys is good enough to enjoy on it’s own, thanks to Cloonan’s gorgeous art, and Way’s sensational and kinda out there scripts. While you can make an argument that both creators have stronger work on the market, this is a favorite of mine, and it’s definitely worth your time if you’re a fan of either creators.

07851983934) NEXTWAVE: Agents of H.A.T.E. (Warren Ellis, Stuart Immonen) Also known as my favorite comic series before Hawkguy was a thing. Warren Ellis’ funniest book to date, in which his team of super hero pirates fight an evil corporation profiting from a war they’ve created. A cult favorite that’s influenced so many books, NEXTWAVE was at one point the weirdest but also one of the best looking books Marvel had ever published thanks to Stuart Immonen’s art. Assuming you haven’t read it, you should, unless you hate nuclear puppies, flesh eating koalas and dragons that wear shorts.

 

 

0785192190Hawkguy) Hawkeye (Matt Fraction, David Aja, Annie Wu, Matt Hollingsworth, and various) And here it is, my obvious favorite that I’ve never shut up while writing for Forbidden Planet NYC. Hawkeye was a game changer for Marvel, and is easily the best for-hire work Fraction and Aja have done, possibly ever. The creative team makes walking dumpster fire Clint Barton one of the most relatable characters in comics, while making Hawkeye Kate Bishop a break out star. From the Pizza Dog issue to the Sandy relief issue, there’s some many amazing, genre defining comics that show that you can do big 2 comics with an indie comics sensibility. No comic series has affected as much as this book has, and there’s never going to be a time where I won’t recommend it.

And with that, I take my leave. I’d like to thank everyone who’s read my work, my fellow contributors, and the fine folk at Forbidden Planet for giving me a stage over these last years to talk about comics, and toys. I’ve had a blast, and if you care to see what I’m doing post Forbidden Planet, give me a follow on twitter (@theanarchris). Thanks for the memories FPNYC faithful!

 

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Chris’ Comics: Batgirl #2 & Snotgirl #2

Batgirl_002_2016_2_covers_Digital_Zone_EmBatgirl #2

Hope Larson, Rafael Albuquerque, Dave McCraig

DC, $2.99 

Batgirl #2 takes Babs to Singapore this month, where she attempts to up her hero game by learning mixed martial arts, while also trying to discover what kind of secrets her friend Kai is keeping, plus a dabbing of some romance. It’s a dense, but fun issue that offers very little time for Batgirl in costume, but a ton of focus on Barbara Gordon.

Hope Larson and Rafael Albuquerque‘s 2nd issue is a delight, as their take on Batgirl is a lot of fun. Larson’s voice for Barbara reads like someone in their early 20s, and captures the intelligence and spunk you’d expect from the character. She’s also genuinely funny in a way that she hasn’t before, almost in a classic Peter Parker way. And I like how the plot manages to weaves between multiples threads, without ever getting too overwhelming.  It’s a nice blend of romance, mystery and action that should appeal to old and new fans of the character.

While Rafael Albuquerque doesn’t have a breakout scene this month, is art is gorgeous none the less. I love, LOVE his facial expressions, and how he draws Babs’ MMA sequences. She looks like a legit brawler, never too sexy or frail, and the composition of the pages with the fight scenes are insanely good. Dave McCaig‘s colors are stunning as well, as he plays some bright colors off of white space.

Batgirl #2 is a another good comic from a team who’s doing some great work. It’s been awhile since I’m seen new creators excel so much after following a fan favorite run, and I’m glad to see Larson, Albuquerque and company hit the floor running.

Snotgirl_02-1Snotgirl #2

Bryan Lee O’Malley, Leslie Hung

Image Comics, $2.99

The cool thing about Snotgirl so far is that it’s the type of book that will keep you guessing. From the solicits and early previews, it was safe to assume Snotgirl was a comic about a fashion blogger with a nasty allergy, while also being a discussion about identity on the internet. Then the ending hit, and well, the only thing that was safe to say there’s more going on then I had initially imagined.

Issue two deals with the fall out of the previous issue’s ending, while raising a few more questions. We’re also introduced to a pair of intriguing new characters, and reminded that our lead and her friends are still some of the most shallow characters in comics.

Despite some more intentional confusion and leads that are hard to rally behind, Snotgirl remains one of the best new books on the stands. Bryan O’ Malley‘s script and dialogue ooze of the type of creativity that he can only bring to a comic. Oh sure you may not like Lottie, but you’ll be drawn into her world all too easily. As for the art by Leslie Hung, the best way to describe it is like a Korean drama with L.A. sensibilities. It’s bright, gorgeous, loose and expressive, perfect for a book that in some ways is about fashion and a vapid existence.

Snotgirl #2 is a treat for anyone who enjoys the comic medium and isn’t afraid of trying new things. Buy on sight.

 

 

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Chris’ Comics: The Wicked & The Divine #22

 

TheWickedAndTheDivine_22-1The Wicked & The Divine #22

Kieron Gillen, Jamie McKelive, Matt Wilson, Clayton Cowles

Image $3.99

The timing of this issue of The Wicked + The Divine couldn’t be better, given the current drama surrounding the Steve Universe fandom.  Toxic Fandoms are something that affect comics on the regular, i.e. anytime a creator gets death threats for taking a book in an unpopular direction, and it’s cool to see WicDiv attempting to have another discussion about that while pushing it’s narrative forward.

The Wicked & The Divine #22 wraps up the current arc, with an ending that can be best described as “THIS IS FINE!” While I won’t be spoiling the ending here, I’m glad to say the finale of this arc isn’t as much as of endgame for the series as I previously imagined. Yes it definitely wraps up this action heavy arc, but how this book ends sets up a few more arcs nicely. The downside is that the potential for disaster for these gods remains YoUChildrenat an all-time high, as someone may have bitten off a little more then they can chew.

Matt Wilson and Jamie McKelvie’s art for this arc has been nothing short of career defining, and this issue is no different. We get the artistic duo’s most graphically violent scene to date, and I say that well aware that this is a book where heads and people explode on a semi-regular basis. There’s also an amazing double spread (accompanied by some choice Kieron Gillen dialogue) and a nice visual callback to another character at the end that will have long time readers worried about the remaining cast members. McKelvie’s lay out and facial expression are top notch as always, but Wilson really takes things to the next level. “Neon ultra violence” is the best way to describe the colorist’s contributions to this book, with blood reds playing off of bright greens, blues, pinks and whites.  Issue 22 is another gorgeous issue, and it’s hard to imagine a better artist/colorist duo working in comics than McKelvie and Wilson.

Writer Kieron Gillen is also doing some amazing stuff with this book’s dialogue. The humor in this book is great, being perfectly self-aware when it needs to be and completely devastating for maximum effect. There’s a bit where a character does something absolutely savage, but the reasoning behind it is all too sound. It’s shades of gray characterization like that make Gillen such a fantastic writer, and makes the book all the more compelling. There’s also a bit of running gag between Amaterasu and the Norns this issue that’s simultaneously funny, but also manages to show wickedandivine26 (1)how immature and naive Ammy is. Again, I adore how complex and layered this cast is, and am fully expecting to feel all sorts of awful once the creative team starts killing them off.

The Wicked + The Divine is a rare book that somehow gets better with every arc. While this issue ends one threat, it unintentionally sets up so many other potential problems, which is both exciting and terrifying to me as a reader. It’s a book that continues to be a fantastic read every issue as well as incredibly topical in an era where some fans have problems accepting actors/actresses based solely on their skin color or sex.

Christopher Troy is a freelance writer/editor/snarky jerk on the internet. He can be found here weekly, on Twitter@TheAnarCHris, and is the co-creator/writer the webcomic “In The Name of Thy Mother”. Please don’t @ him with your scorching hot film TAKES.

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Chris’ Comics: Snotgirl #1

STL011624Snotgirl #1

Bryan Lee O’Malley, Leslie Hung, Mickey Quinn, Mare Odomo

Image $2.99

Snotgirl #1 is not only the first time Scott Pilgrim/Seconds creator Bryan Lee O’ Malley has delved into a monthly comic, but it also marks the first time someone else is drawing his work. Making her comics debut is Leslie Hung, who teams with O’Malley to tell the story of one Lottie Person. Lottie is 25 year old Fashion blogger who lives in L.A., and is crazy popular on the internet. Her personal life is a bit of a mess though as her friends are constantly flaking out on her, her love life is  a mess, suffering from serious allergies. Also she’s not exactly the nicest person, as O’Malley and Hung have made her a very shallow and self absorbent lead who at times deserves the hand she’s dealt. Having a unlikable character as your lead is a risky move, but it works, thanks to the talent involved.

If there’s anything that you can compare Snotgirl to, it’s shoujo-manga (I.E. manga that’s aim specifically at women). Both the dialogue and manga feel very breezy and flowery, which Snotgirl03I’m sure is intentional; after all given o’ Malley love of manga. It’s also an incredibly smart comic, hidden behind a paper-thin lead. Aside from Lottie dealing with her problems, this book serves as both  commentary and a critique on social media careers while examining the duality of having a online and offline personality.

I absolutely adore the art team of Leslie Hung and Micky Quinn. Hung’s art is gorgeous, well except for the parts where our lead is dripping excessive snot from her nose. It’s manga with a touch of Babs Tarr, meaning it looks VERY 2016. My only nitpick is that there’s a pair of panels at the end of the comic that’s very vague, and I can’t tell if that’s intentional or not. Quinn’s colors are fantastic; very bright and clean, capturing the LA feel of the book exceptional well. Bryan Lee O’ Malley comics always look good, and Snotgirl is no exception to that. I also don’t want to over look Mare Odomo, who handles the letters. Odomo isn’t the first letterer who’s had to work emojis/text messages into a comic book’s narration, but this comic is some of the best use of it I’ve seen in awhile.

Speaking of O’ Malley, I love what he’s down with this debut. He manages to make Lottie snotgirl01-review05really polarizing, but also someone you’ll want to read about. Every time the character has a moment that makes her the least bit tolerable, O’ Malley makes sure there’s a moment that completely undoes that. That’s not to say that there’s nothing endearing about the book’s cat, but O’ Malley throws out a last minute twist that puts and end to that.

Snotgirl is book unlike anything else out. It’s hard to explain why it’s such a amazing read without spoilers, but given the fact that it’s Bryan Lee O’ Malley’s first attempt at a 20 page comic, that’s all you need. But the book doesn’t succeed due to his talents alone,  as Hung, Quinn and Odomo all excel at their respected roles. Snotgirl #1 is fantastic comic with a unique premise, and it’s something you should be reading now versus waiting for the trade.

 

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The Wicked + The Divine #21

TheWickedAndTheDivine_21-1The Wicked + The Divine #21

Kieron Gillen, Jamie McKelvie, Matt Wilson, Clayton Cowles

Image $3.99

While The Wicked + the Divine has definitely had its share of fight scenes in the past, I can’t recall there being an arc that has been this heavy on action. That’s not a critique mind you, as artist/co-creator Jamie McKelvie’s ability to draw pretty people hurting each other, with breathtaking colors from Matt Wilson, is something I enjoy immensely.

WicDiv #21 sees bitty demi-goddess Minerva returned to Ananke and Woden, which is less than great for her, as the duo has some less than great plans for the wee deity. Obviously this does not sit well with Laura/Persephone and her allies, which means fighty time, fighty time, blood blood blood! This is not exactly the deepest issue of WicDiv, but again, McKelvie and Wilson excel at drawing fight scenes, and writer Kieron Gillen does a Wicked+Divine21_01damn fine job with the dialogue that it’s still a super fun read.

“Fun” may be the wrong word to use. Two minor characters meet their untimely fates in this issue, but since they weren’t exactly the most fleshed out nor beloved, their deaths seem to serve no purpose other than a reminder that Ananke isn’t a nice lady. But this more restrained Kieron Gillen thrives with his abrupt, straight to the point, dialogue, Baphomet and Baal have been bitter opponents throughout this arc, but their beef may finally be squashed when Baphomet drops 16 words that completely changes his opponent’s views. Dionysus finally has a break out moment, and it’s a less than 20 word affair. And my personal favorite is an exchange between Ananke and Woden, in which she #micdrops him in 10 words. It’s quick brutal and and a fine example how good Kieron Gillen’s dialogue is. Clayton Cowles also deserves props for his lettering contributions, especially when it comes to font choices and word balloon placement. Letterer’s are often the unsung heroes of the medium, and considering what Cowles brings to this book, creators like him deserve more recognition.

That being said, McKelvie and Wilson’s art is the real selling point of this issue. McKelvie once against manages to draw some brutal fight scenes, mixing what he did with Young Avengers with a heavy manga influence. And Wilson is incredible this issue, from his ability to set scenes with his palette choices, to incorporate some many effects into the art. Wicked+Divine21_03As well choreographed as Dionysus’ scenes are by McKelvie, Wilson’s colors bring those pages to a different level, injecting a level of energy very few colorists are able to. Woden and Dionysus alone are proof of that, but when you factor in the other 4 characters with their own signatures palette and visual effects, it speaks volume about Wilsons talents. Also best nicks and bruises in the business.

The Wicked + The Divine #21 is a VERY good fight comic which some fantastic visuals. It’s the type of comic that really takes advantage of the medium, overloading the reader’s eyes with fantastic and colorful visuals. It also feels like working towards an endgame of sorts, which is odd, because the end of the book hasn’t been announced. It’s the type of comic that will leave you both satisfied with what you got, but will leaving you dying for more.

 

 

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Chris’ Comics: Paper Girls #7 & The Fix #4

PaperGirls_07-1Paper Girls #7

Brian K Vaughan,  Cliff Chiang, Matt Wilson, Jared K. Fletcher

Image $2.99

What I like about this current arc of Paper Girls is that it’s taking a lot of time travel cliches and having fun with them. So many stories involving time traveling embrace a certain set of rules (Don’t interact with your past/future self, don’t tell people things that haven’t happen yet) that it feels like there’s a certain checklist you have to embrace to tell they type of story. Luckily the team of Brian K Vaughan, Cliff Chiang, Matt Wilson and Jared K. Fletcher play by their own rules, and it makes for a fascinating read.

As anyone who’s read Saga or anything else BKV has written, you know that he’s quite capable of doing emotional moments well. There’s two in this issue that are on the complete opposite end of the spectrum, but they’re both written so incredible well. Of course the credit due is split between Vaughan and artists Chiang and Wilson who excel at body language and mode coloring. Their pacing is great, as one scene goes from super cute to pretty funny in a blink of an eye, while the other drags out just the right amount of time for maximum devastation.

While I was pretty hit or miss on the initial arc, Paper Girls #7 is a great read by a creative team that can’t seem to do any wrong this time around. Everything from the art to the dialogue to the placement of the word balloons seems perfect and significant, and it’s proof that these creators are onto something truly special with this title.

TheFix_04-1The Fix #4

Nick Spencer, Steve Lieber,Ryan Hill, Nic J Shaw

Image $3.99

Sadly, the events on that rad as all hell cover do not take place in this issue.

Mac Brundo is the lead for this issue, a nice change of pace from the last few Roy-centric issues. While he’s no angel, Mac is a little more likable then Roy, and this issue does a good job of making the reader emphasize with him. We also get introduced a character who may or may not have something to do with the events of the last issue, as well as checking in with character find of the year, Pretzels.

Also it’s the first comic I’ve read in recent history where FAP is used as a sound effect, and yes, if you know what that refers to, it’s for those exact reasons. Props to Nic J Shaw for making those fonts large enough for extra comedic effect.

Steve Lieber‘s art thiis month is a little more exaggerated than usual, and it works well for this issue. It never clashes with Lieber’s more realistic style, and when paired with some great sights gags and razor sharp dialogue from Nick Spencer, it results in laughs.

The Fix #4 is another hilarious read from a team of creators who excel at the ridiculous. Between genital based humor, pets, and several threats of violence, it’s hard for me to not love this comic.

 

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Chris’ Comics: The Fix #3

TheFix_03-1The Fix #3

Nick Spencer, Steve Lieber, Ryan Hill, Nic J Shaw

Image $3.99

I’ll be honest; for a hot minute, I almost didn’t review this comic. Given what went down in Orlando this past weekend,  the events in The Fix #3 made my reading experience uncomfortable. That is not the fault of Nick Spencer, Stever Lieber, Ryan Hill or Nic J Shaw in ANY shape or from mind you, as there was no way they could predict was would offer a few days after the book’s release. I will point everyone to this tweet, and encourage anyone who can afford to give to do so.

The Fix #3 sees our lead Roy putting in some overtime, which he scored in the most horrible of ways, poor Pete. Body-guarding musician Elaina seems like a sweet gig for him at first, but things quickly spiral out of control, leading is an ending you won’t see coming.

Nick Spencer is currently know by the majority of comics readers as the guy who did some bad things to Captain America (The Steve Rogers flavor). In this comic though, Spencer is providing some commentary on what fame and the music industry can do to a person. The character of Elaina can be easily called a stand in for a Lindsey or a Brittany,  and what they endured once becoming household names. Spencer may be taking some of the plot points straight from the headlines, but he manages to stay away from becoming too preachy at any given point, which is appreciated.

Steve Lieber’s art is impressive as per usual on this third issue. His work is so expressive, and it definitely helps set up several gags in this issue. Lieber knows exactly when to exaggerate character’s faces for maximum comedic effect, and his body language is just as fantastic. He knows how the switch up the tone on the fly, which really helps keep readers on the edge of their seats. Ryan Hill’s colors are superb, giving this book the proper Shane 3074774-007_fix03Black feeling this book deserves. The constant presence of orange/red colors helps create an environment that appears to be welcoming, but there’s that feeling of tension bubbling underneath. Nic J Shaw, just feels like the right guy to be lettering this book, especially come the finally pages of the book where multiple types of fonts are required. Despite being only 3 issues in, it’s scary how good this art team is, and how well the collaborate.

Further proof of this creative team’s brilliance comes early in the issue, where Roy and his pal Donovan are having a conversation about Elaina. Not only is it a nice bit of exposition, but there’s an amazing gag towards the end that works due to the pacing of the dialogue, Lieber’s page layout, and a killer line at the very end. It’s definitely a tad crude, as is the conversation leading up to it, but given the type of people involved in this scene, it’s completely in character, and serves as a reminder that they’re not exactly the best of folk. It’s something Lieber and Spencer did in SUP FOES a lot, and it’s good to see it return, turned up to 11, here.

The Fix #3 may have be a victim of unfortunate timing, but I can still recognize how excellent this comic is.  It’s a a perfect blend of action, comedy and drama that’s really unlike any comic out there, and by an writer/artist team that’s a proven commodity.

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Chris’ Comics: Paper Girls #6

PaperGirls_06-1Paper Girls #6

Brian K Vaughan, Cliff Chiang, Matt Wilson, Jared K. Fletcher

Image $2.99

After a brief hiatus, Paper Girls returns, with our girls no longer in the mid to late 80s, but now in June 2016. Also from this point on, I’m going to get deep into spoilers, so if you’re a trade waiter or behind, know that this is a solid comic and move on.

Anywho, spoilers. Now in the year 2016, the girls come across a 40 year old Erin Tieng, whom I can relate to in the worst sort of ways. Things get kind of X-men-y as we have both a teen and middle age incarnation of a character running around, but Brian K Vaughan and Cliff Chiang keep things relatively grounded, or at least as grounded as you can when time travel is involved.

First and foremost, I love how modern day/future Erin Tieng is portrayed. You rarely see middle aged women drawn as middle aged women in comics, lets along be put in starring rolls. But Chiang doesnt shy away from Erin’s age, giving her wrinkles, a bit of a belly, and Screenshot-31body language that shows that she’s been through some stuff. It also raises some interesting questions about her younger counterpart’s trip into the future goes, especially with the arrival of a new, yet familiar looking character halfway through the issue.

And while Paper Girls has yet to hook me (or emotionally devastate me) like BKV’s other hit comic Saga, the series has definitely excelled at being an extremely well put together comic book. Colorist Matthew Wilson is known for his vibrant, dynamic colors on books like The Wicked and the Divine and Thor. Much like his work on Daredevil, Wilson’s color choice are more subdued here, but still striking by using more unusual color choices to set scenes like purples and pinks. It’s very much in style with Chiang’s style and help keeps the book looking unique.

Also I’m not sure who decided to have the fan letter’s page ALSO go from the 80s to 2016, but it’s a fun bit of meta storytelling that I dig. Speaking of things I dig, Jared K Fletcher’s design work remains top notch. I really enjoy what he and Vaughan have been doing with language and the book’s dialogue, be it the raw but totally fitting choice in fonts and how the time-travelers(?) language is used. If I’m not mistaken (famous last words), the visitors Screenshot-30weird, broken language is getting clearer with every passing issue, which I think is a neat way of making the reader feel more familiar with these characters. This issue in general also feels more restrained for character building, which is something I very much appreciated.

Paper Girls is a very unique read with an excellent sense of design. It’s easy to see that it’s very much  the product of creators who love the medium, and want to use it to tell a story that perfect for this format. Again Paper Girls isn’t my favorite book on the stands by BKV or Matt Wilson, BUT it’s so rewarding on a technical level, not to mention captivating as hell, I can’t help but to buy it on sight.

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Chris’ Comics: The Fix #2 & Gotham Academy #18

STL004569Gotham Academy #18

Brenden Fletcher, Steve Orlando, Adam Archer, Sandra Hope, Moritat, Serge La Pointe, Minkyu Jung, Natasha Aletrici, Faith Erin Hicks

DC $2.99

Gotham Academy #18 has a story written and drawn by Faith Erin Hicks. If this was a CBR/IGN type site, that’s the sort of thing that would make me give this comic a 10/10.

Issue 18 is not only the final installment of the Yearbook arc, but also the final issue of this volume. The title will be taking a brief hiatus as Rebirth kicks off, and will return with an annual come August, follow by the 2nd volume starting up in September. So what this issue does is wrap up a plot point for season 1, and give this volume a nice cute ending.

Aside from the 2 page Hicks penned and drawn issue that I’ve clearly enjoyed, Brenden Fletcher also wraps up the scrapbook/Damian story arc with Adam Archer and Sandra Hope, plus checks in on another semi-forgotten character with Moritat. The team of Steve Orlando and Minkyu Jung get in on the fun with Maps and another super obscure DC character, and Natasha Aletrici does a cute 6 page story featuring on Pom and her never seen before mother. While these creators all bring their own respected voices to the book, it’s impressive how all these stories fit the tone of Gotham Academy.

With a lot of the weirder, off-bea DC books wrapping up, I’m glad Gotham Academy will be back in a few months. This arc was neat, and it super cool to see so many different creators come together and play in this sandbox. I’m now I’m eager for the original creative team come back and tell more stories with these creators.

 

 

CoverThe Fix #2

Nick Spencer, Steve Lieber, Ryan Hill, Nic J Shaw

Image $3.99

Nick Spencer and Steve Lieber need to be on this book for forever. Also if you want to put that on the trade jacket, y’all more than welcomed to do

Issue #2 of the new crime-comedy comic is just as incredible as the first. Our leads are in a bit of predicament after went down in the first issue, so they hatch up a scheme to deal with their problems. Said scheme involves shooting one of themselves in the hand, and ruining an innocent man’s life. Officers Roy and Brundo are terrible people.

And that’s why this book is so great! Like Superior Foes of Spider-Man, you SHOULD dislike our two dirty cop leads, as they are very bad people, and have yet to do a single thing to change that. But Spencer and Lieber have made a pair of character who are very charismatic, and placed them in a very funny book, so it’s all good. At least that is what I tell myself, truth be damned.

What’s really great about this issue is that everyone is putting 100% into this issue. Artist Steve Lieber not only draws a ludicrous number of panels per page, but Nick Spencer makes sure to fill them full of dialogue. Which means letter Nic J. Shaw has his work cut out for him, and does a excellent job of fitting all that dialogue onto the page without running much interference on the art. And Ryan Hill‘s colors are perfect for Lieber’s are, giving the book a nice warm, California feel.

The Fix #2 is great, simple as that. There’s a reason why this book is flying off the shelves, and it’s because the creators on this title are doing some career defying work. This is not a title you’re not going to want to trade wait for. Buy on sight.

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Chris’ Comics: The Unbeatable Squirrel Girl #7 & Saga #36

ofcqtec1mz6l9xiwi8lgThe Unbeatable Squirrel Girl #7

Ryan North, Erica Henderson, Rico Renzi

Marvel $3.99

The Unbeatable Squirrel Girl #7 isn’t writer Ryan North’s first attempt at “Chose Your Own Adventure” fiction, but none the less it’s one of the most technical impressive comics of this year so far. North dabbed in the subgenre a few years back with his choose your own adventure take on Romeo and Juliet, and it hilarious, much to no one’s surprise. This month, he and artist Erica Henderson swap out Shakespeare for Squirrels and the Swarm, a move that I fully support and dare call brilliant.

Henderson and Rico Renzi deserve a lot of praise for this issue, as the choose the story narrative demands numerous panels that require a ton of variation. And while you can see the demand take it’s toll on the art towards the end of the issue, the bulk of this comic is drawn extremely well. Considering this team is also working on several projects, it’s perfectly fine to overlook them taking some shortcuts here and there.

The Unbeatable Squirrel Girl #7 is a genius comic that experiments with how to tell a story in this medium. It’s the perfect done in one that showcases this creative teams talents, and should be read for (successfully) taking such a risk.

Saga_36-1Saga #36

Fiona Staples, Brian K Vaughan

Image $2.99

Ah Geez, Saga’s gone and made my all emotional in the face this month.

The conclusion of this current arc is an assault on readers and their emotions. Fiona Staples and Brian K Vaughan give readers a moment we’ve been waiting for months, as well as a development no one saw coming, and it is a massive game changer. In addition to all of that, we get to see my personal favorite Ghus leap into action for the first time, and the results are shocking to say the least. I wasn’t prepared for the mixture of brutality and cuteness from that particular fight, but that’s what I got and I LIKE IT!

Fiona Staples remains an incredibly artistic tour de force. Nothing new on that front, but the way she does so much with seemingly such little effort is absolutely mind blowing. There’s 2 panels involving Prince Robot in towards the end of this issue that show some incredible growth for the character, with none of the dialogue pointing it out, just letting the body language do all the work. Not only does it show how impressive of a story teller she issue, but it shows how much BKV trusts her to convey these emotions to the reader.

That being said, if you don’t tear up come page 12, something is wrong with you.

BKV is real good on putting word on paper, this is fact. But God, he’s on top of his game with this particular issue. As great as Staples art is, the dialogue and narration he provides for this issue really enhance the emotional beats, especially on pages 10 and 11. These two creators are fantastic, and Saga’s repeatedly excellence is due to the bound these two have.

Saga #36 is a fantastic finale to this volume. It manages to surprise readers by being incredibly upbeat, something we as readers aren’t use to, and takes the book in an absolutely fascinating direction. For once I’m glad for break, because I want to take some time to enjoy this comic, before Vaughan and Staples do something to get me mad and or sad again.

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Chris’ Comics: The Fix #1

TheFix_01-1The Fix #1

Nick Spencer, Steve Lieber, Ryan Hill, Nic J Shaw

Image $3.99

I am grateful for Marvel’s The Superior Foes of Spider-Man for a number of reasons, some of the being the head of crime boss Silvermane in both KISS make up and on top of a remote control car. But the biggest reason I loved that book was seeing creators Steve Lieber and Nick Spencer work together and create a comedy comics with lead characters who are quite the jerks. With SUP FOES ending last year, the creative team has reunited and created The Fix, which is published through Image, and debuted this past week. While Superior Foes excelled while playing within the confines of the Marvel Universe, The Fix being creator owned allows Spencer and Lieber to do and say things that are VERY not main Marvel continuity approved.

The Fix’s premise is very at home for anyone who loved SUP FOES; only thing time around, instead of super villains, we get 2 small time criminals who are also cops. A pair of Boomerangs if you will (i.e. likable, but also the worst type of people), Roy and Mac are trying to make an easy buck in a number of illegal ways; robbing nursing home residents, pqeleyk6dqxzsbtu0walillegal robot fights, letting a “producer” off the hook after a bath salt induced rampage for a cut of his profits. Somehow, they’re super charismatic despite all of this, but I guess that’s because they’re surrounded by folk who are somehow worse. Come the end of the book, we’re finally introduced to a character who is actually morally upstanding, but there’s bit of bit of twist involved that’s super hilarious.

Nick Spencer is an excellent writer who does a lot of  genres quite well, but I find him the most enjoyable when he’s writing crime comedy. It’s a little off-putting at first to see him drop F-bombs and tell stories about accidentally swallowing things that I can’t mention here, but it’s so funny that you’ll get over it fast. Nick is definitely one of the smartest 002_thefix01dudes I currently follow on Twitter, so this script and the dialogue being as clever as it is comes as no shocker (no pun intended). Read the pages where we meet crime boss Josh and see what I mean.

Steve Lieber’s art is as equally inspiring. There’s a flashback involving a Bath Salt induced rampage, and there’s maybe all of 2 dudes in comic who could even come close to capturing this short of insanity/depravity as well as he does. His ability to convey comedy is spectacular, and I absolutely adore how Steve draws facial expressions. In short, Lieber’s art is absolutely terrific. Coloring Lieber’s art is  Ryan Hill, whom I’m not too familiar with, but absolutely kills in this first issue. He manages to nail the sleeze and grit you would expect from a crime drama extremely well, but keeps things bright enough to remind you that this whole shebang takes place in sunny California.

The Fix is incredible. I’ve loved a lot of Image #1s over the last few years. but it’s been a good while since I’ve been tickled by a book this much. If there’s any justice in the world, The Fix will be the next big thing at Image, so you should get on it NOW.

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