Category: Daily Planet

Chris’ Comics: Invincible Iron Man #1

New York Comic Con is a thing that happened, and a thing that made me grateful I have PTO at my day job, as I did not get out of bed until 10am this morning. It was a massive show that was super fun, I got to see a bunch of great folks, talk comics, and attend some neat panels. Now let us never speak of it again, unless it’s relevant to a comic book I’m discussing.

unnamed-138879Invincible Iron Man #1

Brian Michael Bendis, David Marquez, Justin Ponder

Marvel $3.99


Marvel’s made it no secret that they’re out to make Iron Man their flagship character these days, undoubtedly inspired by the success of the character on the big screen. A move I’m sure that will work, much like the Inhumans replacing the X-men-oh.

Snark and Bleeding Cool rumors aside, Marvel Comics has enlisted a team of top notch creators to make Iron Man their premiere super hero title; Brian Michael Bendis, who’s written the character numerous times in the past, David Marquez, a top talent who’s been a very good artist  for the last few years, and Justin Ponder, and excellent colorist in his own right. No disrespect to the previous creative teams, but this is by far the strongest group of creators Tony Stark has had since Matt Fraction was attached to the book several years ago.

IIM-Preview01-58c53Assigning David Marquez and Justin Ponder to this book was a brilliant move. Aside from already having a solid working relationship with Bendis, the pair of artists create a gorgeous looking book that says “This is an Iron Man comic for 2015″. Marquez’s style is perfect for a character like Tony Stark, blending Robert Downey Jr’s good looks with a new suit of armor that feels new and refreshing. I dug how detailed, not to mention how cool, his armoring up sequences where in this book, as well seeing the new suit flying around. Sadly most of the action scenes were limited to another long time Iron Man villainess who also gets a slight redesign, but I’m sure Bendis will give Marquez a chance to blow our minds somewhere down the line.  Justin Ponder’s colors are incredibly strong in the comic. Bendis and Marquez give Ponder a number of locations and characters to work with in this issue, and he absolutely nails the environments and lightening perfectly. These two creators have given us a great looking book, and I’m excited to see more from them on this title.

Invincible_Iron_Man_1_Preview_3I believe this comic marks the first time long time Marvel comics Brian Michael Bendis has tackled Tony Stark in a solo capacity, only writing him as a part of team or in crossovers. Bendis’ take on Stark is very much influenced by RDJ as well, which is good, because this book is suppose to be super accessible to new readers. That being said, his take on the character is still pretty faithful to the core of the character, so long time fans won’t be put off by it. Bendis does an excellent job creating a new status quo for Iron Man, and manages to craft a post-Secret Wars comic that doesn’t spoil the event much, if at all. The much hyped final page is cool, and definitely lets reader know that this is VERY much a Marvel Universe with Iron Man at the center of things. And I REALLY like the 2 new female characters introduced in this issue, and hope they stick around for the long haul My only compliant is that the book feels brief, which is more of a nitpick I guess, because it definitely has me wanting to read more.

Invincible Iron Man certainly has the potential to be one of the biggest Marvel books of the year in terms of sales and excitement. Will it dethrone Star Wars or the surprisingly wonderful new Amazing Spider-Man is yet to be seen, but also not a concern of mine. It’s a good comic that I dug, with a fantastic creative team who can hopefully give us the best run of solo Iron Man stories since the last incarnation of an Invincible Iron Man book.


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Chris’ Comics: X-Men ’92 #4

SHILL ALERT:  New York Comic Con is this week, and I’ll be there all 4 days as an attendee, which is the first time in forever. As usual, you can follow my nonsense on Twitter and Instagram, at @theanarchris. WARNING: I GET KINDA NSFW/ CURSE HAPPY WHEN I START DRINKING/GETT ANNOYED, SO HEAD’S UP THERE. Anywho on to #content

backgroundX-men ’92 #4 (of 4)

Chad Bowers, Chris Sims, Scott Koblish, Matt Milla

Marvel $4.99

For the record, if X-men ’92 wasn’t already confirmed for a returning on-going next year, I would have probably spent half this article pleading for people to go buy X-men ’92, because it was an incredibly fun book. Fun and X-men rarely go hand to hand these days (see the OTHER X-Men Secret Wars tie-ins, and the upcoming solicits for the All New Marvel Now stuff), making X-men ’92 a bit of a  rarity. A welcomed one at that, taking one of the most recognizable incarnations of the X-men, and setting them up in a world that loves and adores them for a change, all while injecting with a ton of humor and fan service into the story.


X-Men_92_4_2The final issue of the mini-series sees the X-men and their various allies fight the dreaded X-Sentinel, while Professor Xavier battles the Shadow King. Artist Scott Koblish does an incredible job drawing the massive fight scenes, having to draw and impressive amount of characters several times throughout the book, and never once dialing down the detail or the acting. The sense of scale and action he manages to portray is fantastic, and it’s cool to see him be able to switch up between action, comedy, and drama without skipping a beat. His character work is super expressive, and he manages to sneak in his fair amount of inside jokes and reference just as well as his writers, while perfecting capturing the excess of the nineties without going overboard.  Matt Milla, the book’s colorist is also as impressive, managing to set the scenes perfect with some excellent lighting and palette choices. While the books character designs are very much stuck in the 90s (because again, X-men 92), the coloring looks like a book from today.

Writers Chris Sims and Chad Bowers, do a fantastic job wrapping up this mini on a high note. The writing is superb in this issue, making sure every core character gets their moment to shine, and having some fun while doing so. The dialogue is especially strong XMEN92-004-01this issue, be it Gambit and Rogue being….well Gambit & Rogue (something 90s X-fans will get says Buzzfeed), an insanely hilarious scene featuring Wolverine, and a touching end bit with Storm and Cyclops being the personal highlights of this issue. As I’ve said in the past I love how the use some of the obscure and insane elements of X-men history, and play it straight. The final fight has not one, but 2 bonkers bits that had my cackling like a mad man as I read this book, and am I grateful for them.


X-men ’92 was a mini that was welcomed for a number of reasons; one of them being one of the few Secret Wars tie ins that shipped on time for the most part. It was also a legitimately fun read that looked great and celebrated the X-men at the peak of the popularity, while poking some fun at it without coming off as mean spirited. I encourage anyone who grew up on the 90s animated series and found the comics too daunting to give this book a shot, especially since it basically laid the groundwork for the new ongoing next year.

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Chris’ Comics: Zodiac Starforce 1 & 2

28942Zodiac Starforce 1 & 2

Kevina Panetta, Paulina Ganucheau, Savanna Ganucheau

Dark Horse $3.99

I’ll be honest; I initially wrote off Zodiac Starforce, mostly because it really didn’t seem like my thing. I have a passing familiarity with Sailor Moon, and gave it a go plenty of times while growing up, but it was something that never caught my interest the way Dragon Ball Z or Gundam Wing did. I recognize it as an important work that obviously connected with a ton of people globally, but ultimately not my thing, especially when it’s called Sailor Moon Crystal.

My wife on the other hand, is very much a fan of the one they call Sailor Moon. So when she passed the Zodic Starforce banner at the Dark Horse booth during Rose City Comic Con, she made it a point to pick up the first issue. Issue 2 dropped this week, and since my pull list was light, I figured I would read issues 1 and 2 give it a shot.

zodsf1p5Zodiac Starforce has a cool enough concept. The premise is that a bunch of Zodiac related teenage magical girls have been retired for the last 2 years, and have grown slightly apart. However the threats they thought they vanquished have apparently returned, and one of their own life is now endangered. Writer Kevin Panetta masterfully injects a healthy dose of drama and mystery surrounding the plot, casually dropping hints as to what events cause the group to slip apart, all while fleshing out the characters. Sadly some of the dialogue feels stiff and forced sometimes, but never to the point where the book is unreadable. But I REALLY dig the premise, and I hope Panetta continues to flesh out the world and it’s inhabitants more as the mini series continues.

The one area where Zodiac Starforce does suffer sadly is in the visuals. While the colors by Savanna Ganucheau are bright, clean and occasionally psychedelic in cool way, the art by Paulina Ganucheau is more stiff and uneven. I don’t generally mind manga-influence art, I mean have you’ve seen my reviews for Babs Tarr works for crying out loud, but Paulina’s stuff looks more like faux-Anime influence (think Totally Spies, or other mid 2000s cartoon trying to ape anime), with some awkward posing and facial expressions. It improves a bit in issue 2, especially towards the end of the book, so hopefully that trend will ydq1bp7zlbfrrneuqggrcontinue as the book moves forward. But having talented artists like Kevin Wada and Marguerite Sauvage contribute wonderful covers doesn’t help the interior art out at all. It’s also important to recognize that this is her first big comics work, so maybe I could ease up on it a bit.

Zodiace Starforce is a book that my wife really digs and I’m warm towards, but would have probably waited for a trade to read. Then again, I’m not exactly the targeted demographic, so your mileage may vary, especially if you’re into Sailor Moon or Buffy the Vampire Slayer. But as someone who really digs comparable and excellent works like Lumberjanes, Fresh Romance, and Batgirl, Zodiac Starforce didn’t do much for me, even with some really cool and fun stuff scattered about the first 2 issues.



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Chris’ Comics: Grayson Annual #2

Hey FPNYC Faithful! Today we’re going to look at Grayson Annual #2, also known as the comic that lead to a review that will definitely get me accused of being on DC’s payroll at some point in the near future.

c605f48685e9ad51a71938ba3f74ee18Grayson Annual #2

Tim Seeley, Tom King, Alvaro Martinez, Raul Fernandex, Jeromy Cox

DC, $4.99

It hard to think of a comic that’s been unintentionally directed solely at me and my interests in recent history.  Directly following up to the recent events in Grayson (as well as some recent shenanigans and revelations over in the Superman titles), this comic sees Dick Grayson encountering Superman for the first time since his “death”, and defining what their relationship is like in the current DC Universe. When this book was first solicited, the cover implied some fun team up times, which I’m about. But what I wasn’t expecting was a sly shout out to the Chuck Dixon/Scott McDaniel Nightwing run of the 90s, which was my first real exposure to the character. Schilling alert: This is where I start gushing about this comic.

329f976b4ebe90282f0b04c8bb8f7c22Last week’s Grayson was light on the punching and heavy on emotional assault (the Feels, if you will). This time around, writers Tim Seeley and Tom King flip the script around a bit, giving us some pretty happy emotional beats, and ton of high octane action. There’s definitely a sense this book was written shortly after the writers saw the recent Mad Max movie, which is fine with me, as Fury Road is on my short list of things I’ve loved about this past year. And much like said week old comic, the pair of writers manage to establish a half-decade long history in the span of a single issue with ease. The book starts off with a fun flashback showing that Dick Grayson (as Robin) thinking Superman is the coolest thing, and Superman is definitely down with Batman’s little buddy. King and Seeley also put their spin on the whole “Nightwing got his handle from Kryptonian  lore”, which is a fun little bit of comics history that I’m a fan of. Once again the writers incorporate a bunch of material established before the reboot 4 years again, and once again I am loving it. The dialogue is also fantastic, as King & Seeley give our heroes some fun back and forth banter, and absolutely nail the voice of the OTHER book’s guest star, who’s identity I won’t spoil here.

I’ve done a pretty crappy job of not mentioning the book’s art yet, so let’s change that.  Mikel Janin, Grayson’s regular artist, only handles the cover on this book, which is a tad creepy dude to Clark and Dick suffering from same face syndrome. The interior art is actually handled by Alvaro Martinez, whose’s previous work I’m unfamiliar with, but has done a Comics093015-Graysonnumber of one shots and single issues for DC over the last 2 years. Martinez reminds me a lot of legendary artist Alan Davis, given how clean and straight forward his art is. Having to follow up to an artist like Janin who’s art reeks of sexy isn’t an easy task, but he does a serviceable job on putting his own spin on the characters. Ultimately, Martinez’s work is perfectly serviceable, although I wish he made Superman look a little older than Robin, and some of his poses weren’t as stiff as they were. But overall, it’s good stuff, especially with Raul Fernandez‘s inks being so clean and Jeromy Cox‘s colors being on point.

Grayson Annual #2 is the best issue of the Brave and the Bold we’ve gotten in years. It’s a fun book that ties nicely into the current on-going of the proper title, but it’s something you need to caught up on to enjoy. It’s old school execution, but feels fresh and fun. It’s a must read if you’ve been enjoying Grayson, Action Comics, or Superman, or just enjoy fun DC comics.


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Chris Comics: Batgirl #44

4815993-bg_cv44_dsBatgirl #44

Cameron Stewart, Brenden Fletcher, Bengal, Serge Lapointe

DC, $2.99

I’m not entirely sure if it’s a coincidence or the work of Bat-Group editor Mark Doyle, but I can help but notice that the 3 DC books I read every month have really great alternative artist to fill in for their respect books. Bengal, previoulys seen on the Batgirl: Endgame one shot and the lead story in this year’s often-mentioned-by-me-Batgirl Annual, fills in for the first time on Batgirl proper, and delivers some fantastic visuals. While he’s not as experimental or fashion savvy as regular series artist Babs Tarr, Bengal’s more traditional lay outs and strong body language make for a good looking comic none the less. Bengal’s style is comparable to Tarr’s in that they’re obviously from a generation of artist raised on anime and manga, but where as Babs is Shoujo Manga/Anime, Bengal is very much shonen. This is evident in the big fight scene in the issue, which is the bulk of Bengal’s best art is present thanks to incredibly well choreographed panels. And even though some of the character heads are a little too lumpy or round at times,  my biggest fault with the art doesn’t lie with Bengal. I felt the pale colors provided by usual on point colorist Serge Lapointe take a bit away from the visuals. Batgirl has been a book which has been visually define by being kinetic and bright, but the muted colors take things back a notch this time around.


4815995-bg_44_2Brenden Fletcher and Cameron Stewart (as well as previous series writer Gail Simone) deserve a decent amount of praise for giving Babs a wonderfully diverse cast of supporting characters. Despite living in the fictional area Burnside, based on super gentrified real life areas like Portland and Brooklyn, Fletcher and Stewart have surrounded Babs with some wonderful characters from various walks of life, and quickly made them stand out in a number of fascinating ways. It’s a shame the same can’t be said about this month’s villain, who felt rather disposable and a bit of an afterthought. I understand it’s hard to build upon on of the strongest collection of villains in comics when you’re NOT Grant Morrison, and that the team is channeling Batman 66 as well as Batman The Animated Series, but it would be nice to see Batgirl face a more formidable foe instead of another throw away villain who wears an absurd amount of eye shadow. My issues with the Velvet Tiger aside, the writing in this comic is still pretty great. Barbara’s various relationships with her friends all fell genuine thanks to the superb dialogue, and while there’s plenty of talk, it never feels like too overbearing. Fletcher and Stewart also know when to dial back and let Bengal and letterer Steve Wands handing all the heavy lifting with the fight scenes, leaving the slick action sequences relatively uncluttered.

CQAMp_kUcAA1KmPDespite my various critiques/nit-picks with the comic, Batgirl #44 is ultimately another fun issue of this great run. Bengal’s art is quite solid, and the writing is on par as usual, and I really felt like I got my $3 bucks worth with all the content crammed into 20 pages. Between this and the previously reviewed stellar Grayson installment, it was a good week for Bat-Family fans.


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Chris’ Comics: Grayson #12

Hey look it’s me, Chris, I’m back now. Rose City Comic Con was a delightful little show, and Seattle was a nice city that I’m sure Amazon will continue to ruin over the next few years. And now that I’ve dispensed some hot takes, let’s get to comics talk!

ff33f701f2ec2c8518ab96fd2acf9cc3Grayson #12

Tom King, Tim Seeley, Mikel Janin, Hugo Petrus, Juan Castro

DC $3.99

Every once in awhile I read a comic that ends with me standing up and doing and happy little boogey, or screaming something incoherent which results in my wife questioning as to why she married me. Grayson #12 resulted in both, because man, this comic was a hoot.


For most of this book’s existence, Grayson has resided in it’s own little corner of the Bat-universe by itself, only more recently having the title character show up in other books like that Batgirl annual from a few weeks back, random cameos in various Batman books and the  Midnighter spin off series. Aside from being a spy, a job that requires a low profile and less spandex, the main reason for Dick’s limited appearances was him “dying” in Forever Evil, a dumb comic you should not waste your time on unless you’re super into reading comics that were not particularly good. But now Dick is at a cross roads of sorts, and has decided it’s time to  go back to Gotham to catch up to the “family” he left behind, which of course is more complicated than he imagined. One being the fact that SPYRAL the espionage group Dick has been recently working for isn’t quite done with him yet,  and second, most of the family thinks he’s dead.  You know, typical comics drama.


grayson12_1While co-writer Tim Seeley has some experience writing the other Robins, Alfred, and Batgirl thanks to Batman Eternal, this is the first time we’ve seen Tom King handle the extended Bat-family. And it’s wonderful, as he manages to give each Robin their own distinct voices that captures their personality perfectly. Same with Batgirl, Alfred and the man who sent Dick to SPYRAL, but now has no recollection of doing so, or even who Dick Grayson is. It’s an bit of an emotional issue, light on the punching and heavy on the history of the character, and one that sets up the next arc of the book perfectly. And despite the new 52 world only being around for 5 years or so, Seeley & King draw upon Grayson’s 75 years of existence via the use of various dialogue from dozens and dozens of comics old and new.  It’s a wonderful use of continuity, giving long time readers some fan service without alienating newer readers, while explaining the bonds between these characters. It’s all very compelling and fun to read, and I really dug the Damian and  Dick reunion, especially after recently re-reading the Grant Morrison run on Batman and Robin.


GRAY_12_2Mikel Janin being as good as he is on this book comes as no surprise, but man his take on the Bat Family is stunning in a way I couldn’t have predicted. Everyone looks great, even the Robins with terrible costumes ( cough Jason and Tim ), and its fun too see Janin transition from sexy spy stuff to sexy super hero stuff. He has a great handling on the characters costumes old and new, and the body language his characters emote is fantastic. The coloring really empathizes the bright, fun colorful costumes, which contrast nicely with the mostly back background. Janin doesn’t get to experiment with layouts and positioning as much in this issue as he has in the past, but the brief action scenes still look amazing, and the talking head scene are as equally stunning. He gets some help with colors this month from Hugo Petrus & Juan Castrobut they ape his style so well you can’t tell. Janin and company continue to excel on this title, and the art he’s produced his book is arguably some of the best coming out of DC today.


GRAY_12_1I REALLY dug this Grayson #12. It was a brief but fun visit to Gotham, and I enjoyed seeing Dick interact with the other Bat characters for the first time in forever. The issue is chock full of fun little character moments, the return of a great gimmick from a previous issue, and a fun new M.O. for our lead character. It’s a fantastic done in one that showcases the entire creative teams talents, and a great start for what’s next.


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Chris’ Comics: Ms Marvel #18

Just a head’s up everyone: After this review, expect some radio science for a week or two. You’re truly and his wife are taking a trip to the Pacific Northwest, and won’t be back until the last week of the month. We’ll be hitting up Rose City Comic Comic in Portland, and be taking in the sights in Seattle. You can follow my nonsense on Twitter and Instagram ( @theanarchris), and if you’re at RCC or a native or either city, let me know, I’m always up for saying hi and giving out fresh high fives!


4791321-18Ms Marvel #18

G. Willow Wilson, Adrian Alphona, Ian Herring

Marvel $2.99

I want to hug this comic.

Ms Marvel #17 is a surprisingly upbeat comic that takes place at the end of the world. We get to see the young Ms Marvel continue to work alongside her idol Carol Danvers (who is THE BEST in this issue) as the final Incursion (remember, SECRET WARS) draws near, all while dealing with the fact that she may not be the only Inhuman in her family. The creative team throws a lot of content at readers, but all of it is so good, it’s hard to mind so much info and drama to process.

This creative team has displayed the fact that their very talented a number of times throughout the book’s lifespan, but it’s the little things in that issue that really shined through to me. For example, there’s some fantastic facial expressions drawn by  Adrian Alphona in this issue. The slightly exaggerated look of frustration when Kamala is talked down to twice is hilarious to look at, which I included in this review (Source: Tumblr) And there’s a scene dealing with super powers (sort of) that’s a twist on Kamala’s origin story, but plays out in a completely different manner. Writer G Willow Wilson gives the scene some really intense and smart ms-marvel-18-2-carol-danversdialogue that fleshes out a supporting cast member in fascinating way, making the character all the more likable than they’ve been portrayed in the past. It give the chance to relate to Kamala and see this character in a whole new light, which I appreciate.  The bombshell cliffhanger ending, something the series has done a lot with this arc, is also pretty great, hitting a major emotional note and will definitely change how Kamala interacts with an important cast member in the future. And colorist’s Ian Herring muted colors give the book an nice dark look, reminding us that this whole thing is going down in the middle of the night. There’s really not much to complain about in this issue, aside from Alphona’s sort of lanky Captain Marvel. I like my Carol Danver looking she can lay out dinosaurs with a single bunch, sorry dude.

tumblr_nufpnxW26C1ufs2h7o1_r1_1280The next issue should wrap up this volume of Ms Marvel before a 1 month break that will see the book get a new number one and bump in price. I have zero problem with having to pay $4 for this book in the future, because issues like this are common for Wilson, Alphona and Herring. They’re arguably one of the most consistent teams in comics, let alone at Marvel, and they’ve make this new character super endearing and ultra-relatable in less than 2 years. Ms Marvel #18 may not be my favorite issue of the series to date, but it damn may be the best one.



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Chris’ Comics: Diesel #1

4741654-diesel_001_main_hesseDiesel #1

Tyson Hesse

Boom/Boom! Box, $3.99

Writer/Artist Tyson Hesse is a creator I’m familiar with from his late webcomic Boxer Hockey, but I was sold on this new mini series, Diesel, the minute the preview art hit the internet. Completely missing out on his run on The Amazing World of Gumball, it’s nice to see Hesse’s art improve so much since the last installment of Boxer Hockey. Diesel #1 is a gorgeous book, just one that’s a little light on content.

Diesel tells the tale of Dee Diesel, who’s apparently the heir to a awesome airship that also doubles as a small mobile community. The book reads like a Miyazaki movie, only less whimsical and more sarcastic and comical. The majority of the book introduces us to the cast of the book, and a hint of backstory, but mostly focuses on Dee. Dee is a fun lead, and a lot of the humor associated with her is solid, but she also reads a lot like the cliche bratty lead who’s got a gift but is also kind of a pain due to her over confidence. Diesel wears a lot of it’s influences on it’s sleeves, and while the premise is near and a lot of the jokes land, it also feels very familiar.

That being said, the book looks great. Tyson Hesse, with help from Mariel Cartwight, create a fun world with characters who are very expressive and animated. The character’s “acting” go a long well to help sell the jokes, and the visuals are very clean and fluid. The art really does a lot for this book, making it an entertaining read.

I understand that first issues are difficult to nail, so I hope this promising start improves with it’s next issue. Diesel is a great looking and funny book, it’s just a little light on the story. With the cast now introduced, I expect great things from future installment. It’s a cool all ages book with some charm, and fan of The Legend of Korra and Japanese role playing video games ought to check it out.

Phonogram_vol3_02-1Phonogram: The Immaterial Girl #3

Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles

Image, $3.99

Jamie McKelvie y’all.

Phonogram: The Immaterial Girl #2 is the comic Jamie McKelvie drew “for real” this past week and my god, it’s gorgeous. Given arguably the MOST Kieron Gillen script in some time, McKelvie not only draws fantastic looking characters with gorgeous outfits, but also pays homages to 2 iconic music videos in this issue and completely nails it. His character’s acting is flawless, perfectly capturing the look and energy the 2 videos he pays homage to, but also puts his own feels to it. It’s incredibly good looking, and impressive how he can change his style mid book and then go back to his default setting with no problem. And as someone who’s read the previous installment of Phonograns, I’m amused of how we get to see David Kohl aged and become more Gillen-esque in appearance with every passing volume.

Helping Jamie set the mood as per usual is colorist Matthew Wilson, who’s also having an amazing week. If killing it on WicDiv wasn’t enough for Mr Wilson, he also changes up his palettes multiple times in this comic, and it all looks terrific in the end. Same with letter Clayton Cowles, who swaps up the fonts to help differentiate the narrators. This may be Kieron Gillen’s semi-autobiographical story about critics, but the artists are clearly having a blast telling this story, having the freedom to experiment with their styles as they see fit.

Phonograms: TIG isn’t any more accessible than the first issue, but you don’t have to be in the loop to appreciate how good this book it. It’s brilliant even if you don’t get the references without the help of glossary, which I am grateful for. Plus the gorgeous back up illustrated by Jamaica Dyer is worth your time and money. It’s certainly not a book for everyone, the the 2nd issue of The Immaterial Girl is a terrific experience for the target audience.

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Chris’ Comics: The Wicked and the Divine #14

tumblr_inline_nueywojFWZ1r77eon_540The Wicked and the Divine #14

Kieron Gillen, Jamie McKelvie, Matthew Wilson

Image, $3.99

If team WicDiv were dinosaurs, they would all be Raptors, because this team is all a bunch of clever girls.

…somewhere out there, a version of this joke that actually works exists, and I really wish I had access to it.

 The Wicked and the Divine #14 is part TV clip show, part remix album, all Saga-levels of shock, heartbeat and revelations. Using the Tron/Daft Punk inspired demigod Woden as a lead, we finally learn who set up Lucifer back at the end of the 1st issue, and that this particular dem-god is a bit of a scumbag. He’s aware of that fact by the way, but Woden does not particularly care of what others think of him.

The-Wicked-and-The-Divine-14-2-940x1442WicDiv artist and co-creator Jamie McKelvie is the credited penciler for this issue, and while that’s technically correct, it’s also a tad misleading. While every page of this book is in fact drawn by McKelvie, the vast majority of the content is recycled. A lot of it is actually old art from previous issues remixed by colorist Matthew Wilson, with some retouches by him and McKelvie. It sounds lazy, but seeing it in action will make you realize that it’s actually really freaking clever, as the new colors and words by Kieron Gillen give these scenes entirely new meanings. It’s actually brilliant, and explained how McKelvie managed to work on WicDiv and a new issue of Phonograms Volume 3 in the same month. And while McKevlie isn’t exactly the first artist to attempt this, he’s the first one to pull it off in quite some time.

The definitive proof of this issue comes from another comic that had some fun at this comic expense, and completely reworking it to Wid Div #14’s advantage. For all of you not reading Sex Criminals, there was a bit in the 2nd volume which poked fun at 2 of the WicDiv characters in that special Matt Fraction & Chip Zdarsky way. Kieron, Jamie and Matt fire back at the SexCrimz team buy making that joke canon, taking Chip’s art and reworking it, stripping away any relation it had to the event in Sex Criminals, and giving it a completely haunting narrative delivered by Woden. In a way the team is taking the hide road with it’s use, but it’s also a testament to the team that they managed to rework a joke a like that.

tumblr_nufxm5M9v71qhppfvo1_1280Speaking of haunting, Kieron Gillen’s voice for Woden is down right creepy. While his ambitions are relatively low key, he’s written as SUCH a scumbag you’ll love to hate him real quick. Gillen had some impressive work on super villains over at Marvel, so what he does with Woden isn’t exactly the biggest surprise, but with Woden we have a different type of villain. His goals and motives are very realistic, so while there’s some degree of reliability with the character, he’s also a massive scum lord when it comes to his actions and logic. It makes for an incredibly  compelling character to read, even if you’re rooting for him to fail.

Wicked and the Divine #14 will have fans talking feverishly for the next 30 days. Between the big reveal and the experimental story telling, there’s a lot to take in with this very satisfying installment.

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Chris’ Comics: Wytches Volume 1

wytchesvol1_hirescoverWytches Volume 1

Scott Snyder/ Jock/ Matt Hollingsworth/ Clem Robins

Image $9.99


For those who’ve been reading my material for awhile, you may recall me writing about Wytches last year when the first issue debuted. It was a great read, but something I could ultimately wait on to be collected, since my comics budget only allows for a set amount of comics per month. I’m glad I did, because aside from reading as one big story, I’m sure the wait between months would have drove me insane.

Wytches is a Stephen King-esque tale by the acclaimed team of Scott Snyder and Jock, whom I know from the excellent Batman: The Black Mirror. Joining them is acclaimed colorist Matt Hollingsworth and letter Clem Robins. This collaboration leads to an comic that’s absolutely horrifying, but also genuinely amazing. The story takes place in a small remote town in New Hampshire, with a family of 3 with their share of secrets.Not to be outdone, the town of Litchfield also has it’s own secret, in the form of the Wytches, an ancient evil which can make your dreams come true for a price. Needless to say, the two cross paths and a number of bad things happen. Yes I know that’s not exactly the most detailed description, but I want to keep this thing light on spoilers.

Wytches_04-1As someone who was introduced to Jock’s work on the excellent Losers, I’m not entirely sure if this is his first journey into the horror genre. If it indeed is, whoever decided to put him on a horror book is a genius. His art is perfect for this time of story, mixing realistic looking characters with some horrifying designs for the Wytches. The book has a tight, claustrophobic feel to it, and it’s more than appropriate. And the build up to actually seeing what the wytches look like is handled so well, making it all the more scarier when you finally get to see them in up close. There’s some brutal stuff in here, which a lot of sick moments involving things twisting and contorting themselves in ways they shouldn’t. What I’m saying is that if you don’t like ultra violence and grotesque moments, maybe stay away from this book.  It also has a dark, slickly look thanks to Hollingsworth colors. I’m not sure exactly how to describe the filter he used for Wytches, but it makes the book look diseased, making me really unclean and kind of uneasy while reading it. You know, the sort of thing absolutely perfect for this type of book. These two give us some brutal and wicked imagery, making this book a frightening, yet strangely good looking head. I also like the choice of Robin’s jagged fonts, give the book a sense of urgency, keeping the reader on their toes at all times. In addition to that, the more bombastic sound effects uses for the Wytches themselves will send a chill down you spine.

wytches1bSnyder himself is no stranger to horror, weaving all sorts of supernatural elements into his current Batman run, not to mention his previous Image mini-series Severed. Here he’s channeling Stephen King to the fullest, giving the readers a brutal read, with some clever twists both in the narrative and on familiar horror tropes. The dialogue in Wytches is perfect, and the horror feels all too real. Scott makes his leads very likable, so every twist and secret revealed feels like a massive betrayal to the reader. The pacing is spot on as well, building moment to the explosive conclusion, which would either be a solid ending for this story, or be a really good set up for a sequel of sorts.


Wytches is a horror comic overflowing with concepts and lore. Snyder, Jock and Hollingsworth drop a lot on the reader, warranting multiple re-reads, and even include all the back end material from the single issues. For those not in the know, those sort of extras are usually dropped from the $10 trades, so it only makes the complete package all the more attracted. For $10, Wytches is a hard book to resist. It’s gripping complete story that will keep you on the edge of your seat, and will haunt you for day. The book  channels a lot of horror movie troupes, yet gives you a fresh and original terror in the end. Buy on sight if you’re into scary comics, because I imagine it’s going to be hard to find once Halloween grows closer. It’s a horror book that embraces the medium to the fullest, something I have seen since Locke and Key.



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Chris’ Comics: Batgirl #43

BG-Cv43-ds-dd959-600x923Batgirl #43

Cameron Stewart, Brenden Fletcher, Babs Tarr, Michel Lacombe, Serge Lapointe

DC $2.99

Batgirl #43 is a frustrating comic (but at least that David LaFuente cover is rad). On the narrative end of this book, it’s hard to find fault with this issue, which really comes as no surprise. Writers Brenden Fletcher & Cameron Stewart give us an narrative with plentiful content, juggling multiple characters and plot lines with little to no problem. It’s impressive considering 3.5 new characters are added/reintroduced to the mix and are given plentiful face time, in addition getting some cool moments with Babs’s roommate Frankie and another supporting character in my favorite scene in the book. All of this, plus a cool murder mystery involving tigers! Stewart and Fletcher really make me  feel like I’m really got my money’s worth with this book, which I appreciate.The various relations between all the characters make the book that much more enjoyable, and the mystery while a tad bizarre is also a ton of fun. That quality writing also makes me feel a little bad that I’m about to be a little harsh on the book’s art.

bg-43-2-148685-320x180As I said last review, Babs Tarr is responsible for the layout/breakdown for this book now that Cameron Stewart is off drawing Fight Club 2. In the span of the last 3 issues we’ve seen Tarr handle the bulk of the art either by herself, or with a guest artist. Issue 43 continues the trend with Michel Lacombe helping with breakdowns, and Juan Castro inking some of the final few pages. This is where the problems lie, as the book looks different from page to page at times, with the art either looking really good, or incredibly rushed. Some of the blame can be placed on colorist’s Serge Lapointe‘s shoulders, as some pages have a weird glow to them, and there even panels where the colors are darker than the previous ones for no reason. See the panel I’ve included; the lighting on the forearms/hands makes zero sense given where the direction of the light is coming from. There’s a few panels like that which really took me out of the 4767224-bg_43_4experience. The addition of Castro’s ink is interesting, as it gave Babs’ art a little more of a finished look, but it also clashes with her looser, sketchier style. The middle section of the comic is ultimately where the book looks it’s best, but again, the odd changes in the hue takes away from the stronger portions of Tarrs and Lacombe’s art.

Batgirl #43 is a fun comic that’s hampered by an unfortunate amount of art issues. I probably wouldn’t mind it as much as I do if we were dealing with a multi issue run, but we’re only 3 issues in after a 2 month hiatus. Hopefully Editorial can find someone who can help Tarr with breakdowns on a more regular basis, because seeing the book hampered by inconsistent art is extremely annoying. Hopefully, much like this month’s Gotham Academy, this is a rare misstep but a member of proven creative team, and thing will be back on track next issue.

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Chris’ Comics: Spider-Woman #10 & X-men ’92 #3

Spider-Woman_Vol_5_10Spider-Woman #10

Dennis Hopeless/ Natasha Bustos/Vero Gandini

Marvel $3.99

Going into this issue knowing regular series artist Javier Rodriguez would not be drawing it, I was expecting myself to enjoying this issue of Spider-Woman a little less than usual. Nothing against guest artist Natacha Bustos, but the shadow Rodriguez casts on this book is MASSIVE, and it’s a hard to follow.

However, most of my issues with #10 aren’t with Bustos. She kills it with this issue, channeling Rodriguez while giving the book a softer, more manga-influenced look. Natacha never gives us any crazy, hyperactive layouts we’ve gotten in the past, but she does a fine enough job with the issue. It’s a shame that Vero Gandinis color pallet is so pale, otherwise I would have zero complaints with the art. Sadly, aside from his beautiful night skies,  his use of light colors irk me, making the final product look cheaper. I was willing to chalk it up to a printing error, but after looking at the digital copy, it’s definitely the shade. The day scenes are well lite enough, but it takes away from the night time scene.

CNWcZSSW8AAR1_CMy other issue with this comic was it being forced into being a Secret Wars: Last Days tie-in. 1/4 of the book is spent setting up Jessica’s appearance in Secret War #1, and it feels so forced, with an overly aggressive Black Widow that’s incredibly unlikable. It’s rare to see writer Dennis Hopeless slip up like this, but given how poor the Spider-Verse stuff was handled, it doesn’t come as a surprise. The book is at it’s best when it’s dealing with the A plot, which involves such greatness as HULK CATTLE and the Porcupine going full O.M.A.C. (Happy birthday Jack Kirby!), and could have used five more pages of that then lining up the events of a 4 month old comic.

Spider-Woman #10 is the uneven conclusion to a pretty great run of Spider-Woman comics. The book will be back in November with the Javier Rodriguez, and Natcha Bustos will be off drawing the All New Devil Dinosaur series. I’m excited for both titles, and I hope this next volume of Spider-Woman will be free of crossovers. Hopeless and Jessica are best when they’re left to their own devices, despite the chance of boosted sales thanks to being a major event tie in

X-Men_'92_Vol_1_3_TextlessX-men ’92 #3

Chad Bowers/Chris Sims/ Scott Koblish 

Marvel $4.99

Nothing says 90s X-men like X-Force. The New Mutants went from being the 2nd X-men book to being a sales juggernauts, launching the careers of both Rob Liefield and Greg Capullo, and introducing Marvel icons like Cable and Deadpool. It comes as no surprise that Sims and Bowers decided to use these characters for this title, and the results of pretty great.

X-Men ’92 #3 collects the 5th and 6th installments of the digital version of X-Men ’92, which are both the best and worst chapters of this series so far. The first half of this book sees X-Force off to save the captive X-men, all while Casanova Nova finds herself struggling against the combined might of Cyclops and Jean Grey. The 2nd of the half explains Casanova’s end game, ties the book back to Secret Wars, and is kind of all over the place. You can tell writers Chad Bowers and Chris Sims are having a blast with this book when their focusing on the characters, which is where is when the book really shines. It’s an extremely fun fiction of sorts, and I wish these two could continue to have their fun instead of having to wrap this thing up so the 616 X-men can pal around with the Inhumans or whatever.

004085411ce2dfd3afbf59c707e7fe85Sadly the artist Scott Koblish‘s art isn’t as solid this time around. While he manages to draw some ridiculous guns and pouches this issue, some of the pages feel rush, and the art feels less parody and more cheap 90s licensed merchandise at times.

The good more than out weight the bad in X-men ’92 #3. Its an incredibly fun and exciting read that hits a few snags, but is worth the cover price. It’s been a while since we’ve had a light-hearted X-men book on the stands, and hopefully these creators will have a chance to work their magic again after Secret Wars.


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Chris Comics: Welcome Back #1

STK678250Welcome Back #1

Christopher Sebela, Jonathan Brandon Sawyer, Carlos Zamudio

Boom $3.99

Sorry for the delay gang, someone had a birthday this week (it was me, I berfed), and a busted modem (also me), so interneting was hard.

Last week was an odd week for me  when it came to buying comics, as none of my usual pulls dropped, and the mountain of trades I have to get through are quite dated (no longer the case by the way, again, due to berf). Not wanting to leave Forbidden Planet NYC stranded on hashtag content, or drop $5 on a Marvel book, I decided to see what the indies had to offer. As luck would have it, the fine folks at Boom! Studios released Welcome Back, the first of 4 issue mini series with some slick twists I will attempt to not spoil in this review.


WelcomeBack_001_PRESS-8Welcome Back is written by Christopher Sebela, who’s work I’m not too familiar with outside of co-writing some comics with Matt Fraction and Kelly Sue Deconnick, but his High Crime series from Monkeybrain/Dark Horse is supposed to be really good. I have zero familiarity with artist Jonathan Brandon Sawyer, but man, his stuff is great. He’s a nice blend of artists like Chris Bachalo, Becky Cloonan and Sean Murphy. His line work is sharp and jagged, and fully of energy like Murphy, with his character designs and layouts very much in the graffiti and manga-influenced styles we get from Chris and Becky. And if Sawyer’s Murray in this scenario, then colorist Carlos Zamudio would be the next generation Matt Hollingsworth. The choices of colors in Welcome Back remind me a lot of Hollingsworth works on books like The Wake and Hawkeye, only not as muted. Welcome Back is easily one of the best looking books I’ve seen from a relatively new creative team in some time.

On the words side of things, I get why Sebela’s gotten a ton of praise for his indie comics. Welcome Back is wordy, but never overcrowded. It’s heavy on the dialogue and narration, but flows effortlessly, with everything coming across relatively natural sounding. Some of the stuff WelcomeBack_001_Interiors-1spoken during the action scene is a little clique and hokey, but aside from that, it’s relatively solid. My only real complaint other than that is the use of block, flat fonts for the sound effect by letter  Shawn Aldridge. It really clashes with the art, and it’s weird to see that sort of thing when the narration boxes and dialgoue balloons are position correctly. But those are only some small things that I’m sure that will improve in time, and don’t take much away from the rest of the book.

Welcome Back was a surprisingly great debut that I wish I could go into more but won’t, because again, there are some great twists that work if you go in blind. That’s what I did for the most part, and I enjoyed the book all the more. If you’re looking for something fresh and different, or just tired of one of your favorite being held up by delays, I can’t recommend giving Welcome Back enough. It’s a cool melting pot of ideas with an relatable lead character, and I’m excited to see how this all plays out.

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DMC at FPNYC September 2nd!

DMCPosterWEBDarryl “DMC” McDaniels of the legendary hip-hop group Run DMC will be appearing at Forbidden Planet NYC on Wednesday September 2nd from 5-7 for the debut of the all new single issue DMC #1.5!  This new comic will be exclusively available at Forbidden Planet until NYCC, so get the jump on the newest release from DMC and meet a living legend in the process!


DMC #1.5: LAK6 REMIXED! As promised by our publisher Darryl DMC McDaniels we are expanding the DMC universe! In DMC #1 we were introduced to 13 year old Leticia aka LAK6, the graffiti writer brave enough to take on Mr. Marx and guide Charlie Cooper throughout the city to track down the mysterious b-boy hero DMC! In this special issue LAK6 suits up to become the next superhero in the DMC universe! Written by Amy Chu, illustrated by Allison Smith, graffiti by Lady Pink, colored by Kristin Sorra, lettered by Kyung Jeon-Miranda based on a story by Edgardo Miranda-Rodriguez. Cover art by Tula Lotay! Character design by Tula Lotay and Edardo Miranda-Rodriguez! This issue feature a short story and bonus content featuring character designs, poster and a sneak peak to DMC #2 written by Amy Chu and illustrated by Juan Doe!

So you want a signed copy but can’t make it to the event because you live on Antarctica, have a funeral to attend or are just all around lazy… well you can still get your hands on a copy of DMC #1.5 signed by Darryl “DMC’ McDaniels by pre-ordering it from All pre-orders will be mailed out after the event, and If you haven’t picked up a copy of the DMC GN #1 why not pre-order one as well and we’ll also have that signed!


So one more time…

Darryl “DMC” McDaniels  signing DMC #1.5 & DMC GN #1
Wednesday September 2nd 5-7PM
Forbidden Planet NYC 832 Broadway NYC
Can’t make it? Pre-order singed copies by clicking the following links.

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Chris’ Comics: Phonogram: The Immaterial Girl #1

STK680389Phonogram: The Immaterial Girl #1

Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles

Image $3.99

Phonograms has a special place in my heart. I bought both previous collected volumes of the series directly from creators Kieron Gillen, Jamie McKelvie and Matthew Wilson several years ago, and I’ve made it a point to re-read the 2nd volume at least once a year ever since. I’ve been asking Gillen about the long teased 3rd volume at conventions as far back as 2012, and I’m beyond thrilled that it’s finally here.

That being said, if you’ve never read Phonogram before, this is not the book to jump on with. Gillen has said the series is always been a mixture of self-indulgence and autobiographical, and that’s very much the case with the first issue of The Immaterial Girl. Gillen points out that this issue is probably the most read single issue of Phonograms to date, which is ironic to me, because I honestly think you need to read The Singles Club (volume 2) at the very least to get a basic idea what’s going on with this book.

759ad8c5-f0a0-4de9-812b-189563614783-bestSizeAvailableAs someone who’s read both volumes, I was very pleased with what I got, despite it feeling weird to be reading this book in a single issue format. The Immaterial Girl’s lead is Emily (or possibly Claire, it’s complicated to explain without getting into spoiler territory), who got obsessed with music videos at an early age, and struck some sort of deal with a magical deity. In case you’re not in the know, music is a type of literal magic in the world of Phonograms, and mucking with it tends to lead to bad times.

Jamie McKelvie and Matthew Wilson skills have come a long way since the last installment of Phonograms, so this book looking as good as it does doesn’t come as surprise at all. While it’s been cool to see McKelvie delve into super heroes over the last few year, seeing him draw an urban fantasy book like this just feels right to me. Wilson has always killed on whatever he’s colored, but him working with Jamie usually results in the best things from the both of them. What I found interesting about this collaboration is that for the most part it’s actually pretty straight forward & traditional story telling, versus some of the more experimental stuff that we’ve seen from the pair on Young Avengers and The Wicked + The Divine. That is until we hit the final 2 pages of this book, where McKelvie completely changes his style to channel a iconic music video. It’s incredible, caught me completely off guard, despite it being something set up early in the book.

tumblr_nsxedorfil1qav783o1_1280As for the words, as I said earlier, this is Kieron Gillen at his most Grant Morrison. He assumes everyone is operating on the same level as he is, with little disregard for those who aren’t. I love it when creators expect readers to get on their level, as the comics that result from those expectations are generally excellent. In Gillen’s defense, he does include a glossary at the end of the issue to explain some locations and bands he name drops in this comic, BUT it doesnt cover everything and everyone. BUT if you’re caught up to Phonograms at this point, you should be able to enjoy this book well enough, even with it being VERY much part autobiography. Letterer Clayton Cowles is put to task this issue, but he absolutely delivers, and does some cool things with the narration boxes that falls together nicely towards the end of the book. Cowles, along with Kelly Fitzpatrick and Sarah Gordon contribute to some fun and brief B-stories at the end of the issue, which are cool little additions to this comic.

The first issue of The Immaterial Girl is a incredibly well crafted comics that’s for serious Gillen/McKelvie/Wilson/Cowles fans only. I adored it, but I imagine not everyone is going to spend some time of Spotify researching the bands name dropped in this game. But if you’ve read Rue Britannia and The Singles Club, get on it ASAP, unless you’re waiting for the trade or some junk.




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