Belated post once again, this time due to NYCC. Con was great, and I saw many a fine folk. Last week was also a really great week for comics too, but I’m only going to highlight 2 of them today, because they are arguably the most important. I’m sure Sex Criminals will be fine.
Brenden Fletcher/Cameron Stewart/Babs Tarr
::: Cut and pastes last week’s Gotham Academy review, changes a few names, call it a day :::
So yeah, despite there being no shortage of dope comics released this year, THIS is the book I wanted more than anything after it was announced. Barbara Gordon is my number 1 with a bullet favorite DC character, and I haven’t been excited for the character in quite some time. No offense Gail Simone, you’re still rad.
But man, that Cameron Stewart/Babs Tarr new costume effect. Stewart’s drawn many a fine comic in his career, and Tarr has been one of my favorite people since I met her at Heroescon this PAST summer. And that new costume is all sorts of dope, which btw if you’re paying attention DC Collectibles, new Babs figure ASAP. A statue is fine as well.
So yeah, I went into this book a little excited. And much like Gotham Academy before it, it exceeded my expectations. Tarr, Stewart and Brenden Fletcher crafted a comic that felt like the sort of book the new 52 should have been in the first place. It’s refreshingly modern, in both tone and style. Burnisde may be a Gotham-stand in for Portland or North Brooklyn but its the plot that really make this book stand out. Not too many mainstream comics are willing to tackle revenge porn and privacy invasion, but team Batgirl 2k14 do so, and kick it straight in the face.
Batgirl is another example of DC actually getting it. Gotham Academy is a great book, but Batgirl is an A list character that non-comics people are familiar. This is the type of book that should be an entry gate to DC Comics/Comics in general, and it’s off to a damn good start.
(Somehow) it is October, which means SPOOKY comics are a plenty this month. Oh and hilariously named donuts like “Boston Screme”. Both are things that I like, but only the former involves the talents of creators Scott Snyder & Jock, at least as far as I know.
The pair released Wytches last week, and the hype for that book was nearly comparable to Barbara Gordon’a new look. Snyder may be sitting on top of the comics world due to Batman ( rightfully so mind you), but Wytches serves as a reminder on how well this dude does horror. The first few pages of this book are horrific, which is something I imagine one would want from a spooky-scary comic.
And then there’s Jock. Easily one of the most interesting and talented artists working in comics today, Jock’s art is phenomenal in this debut. Paired with colorist extraordinar Matt Hollingsworth, the pair set the tone of the book perfectly. The book looks great when the characters are suffering the most, which I know makes me sound like a sociopath, but it’s true. It’s a great looking book featuring terrible things happening to questionable people.
I also really like the hook for Wytches. Said Witches are far from the black hat/cat cauldron troupe, and are hardly the worst thing in the book. I refuse to say more due to fear of spoilers, but Snyder/Jock/Hollingsworth have something special going on in this book. Wytches does for witches what The Wake did for mermaids.
Wytches is off to an impressive start, and has me rethinking my pull list in order for me to buy it monthly. It’s a stellar debut, something Image has become notorious for, and it’s great to see one of the industry’s biggest name flex his horror muscles again with a fantastic art team.
Whoaaaa doggy! You read that right!
Forbidden Planet will be enjoying the haunting season the fright way… with a maniacal Misfits Records in-store event!
Meet Jerry Only, Dez Cadena and Eric “Chupacabra” Arce of the The Misfits and John Cafiero of Osaka Popstar on Monday October 27th from 7 to 9 PM.
What makes October 27th so special? Well it’s the release date for the Expanded Edition of Project 1950 which the fiends will have on hand for you to get signed! But that’s not all… we’re gonna have more Misfits and Osaka Popstar related CDs, vinyl, toys, and merch than you can shake a devilock at and yes the guys will sign it all for you!
Can’t make it to the signing but still wanna snag some sweet signed Misfits Records swag? Forbidden Planet has always got your back! Here is a list a stuff you can pre-order from our site that we will make sure to have the guys autograph for you on October 27th before we ship it out to you.
So if you can make it, let’s party! If you can’t? Party with us from home!
Also make sure to keep your eyes peeled to our various social media outlets for more Misfits Records event info !
It’s a DC heavy week you guys, the first time since…well I think ever. Making history y’all.
Becky Cloonan/ Brenden Fletcher/Karl Kerschl/Geyser/Dave McCaig
Holy cats, that’s a lot of creators.
The minute Gotham Academy was announced a few month ago, I was instantly BOUT this book. As someone who enjoys quirky books about TEENS in weird schools somehow related to Superheroes (see Wolverine and the X-men), G-Academy sounded like the type of book that I needed from DC. It’s a fun and well crafted all-ages book by a bunch of underrated talents telling the types of stories usually not associated with Batman. I went into this book with high expectations (Expect to read this description again next week when Batgirl #35 drops by the way), which were met in some of the best ways possible.
First and foremost, this book is gorgeous. I’ve never seen art by Karl Kerschl that I didn’t like, so the good looking visuals didn’t exactly come as a surprise. But the colors by Geyser and Dave McCaig really complete the visual experience. I’m not used to seeing this side of Gotham, given how bright and colorful this book is, but it somehow fits into the larger Batman Universe without any problems. The visuals remind me a of very stylized hand drawn Disney film, with very bright and expressive characters against detailed and gorgeous background. There’s an brief action piece at the end of the book that looks gorgeous, quickly shifting from a tight dark environment to a bright, colorful environment. I can’t even begin to describe how refreshing this book is on a artistic level.
And while I can’t desrcibe how pretty the pictures in this funny book are, I can sing the praises of the writers Becky Cloonan and Brendan Fletcher! I’ve been a fan of Cloonan for years, and really enjoyed a number of her past works, so seeing her and Fletcher (whom I only know from Twitter sadly) launch a new book in the proper DCU got me excited. And they cam through, introducing a bunch of awesome new characters, dropping some interesting mysterious and carving out a nice littler corner for themselves in Gotham.
With female-written books like Lumberjanes and Ms Marvel becoming break out hits, it’s nice to see DC do something to appeal to the female audience and succeed for all the right reasons. Gotham Academy is a delight, and it’s the type of comic that makes me appreciate what the medium is capable of.
Tom King/Tim Seeley/Mikel Janin/Jeromy Cox
DC Comics $2.99
Now that we’re done with crossovers and gimmick covers month, we’re back on track to addressing the fact that the former Nightwing is now a spy. Which means a member of the Bat-family has to get familiar with a gun, something very un-Batman like. Needless to say, drama ensues in Grayson #3.
In less capable hands, this book would have been a hot mess. Justifying gun violence in today’s society isn’t exactly the easiest job in the world, but writers Tim Seeley and Tom King deliver a script that addresses that problem head on, and the results are great for the reader and bad for our hero.
This month’s “monster of the week” is also insane in the best sort of way. Grayson tends to riff/channel some Grant Morrison-type weirdness, but in the best sorts of way. I’m not sure if the insanity revolving around the villiain’s gimmick was intentionally over the top, but I certain think it is and enjoyed it. In addition to that, we actually get to see some other Spyral agent, expanding Dick’s cast a bit. Artist Mikel Janin’s art is perfect for this book, as he can adept at capturing both the sexier and weirder sides of this book incredibly well. Much like the writers, his in an important part of this comic, and the book is all the better because of his presence.
Grayson is a surprisingly smart and deep book that does a lot of different things right. It’s a little bit of high-octaine action mixed with some intrigue, with a dash of sexiness met with genuine human interactions. There’s even some room for debate that Dick’s constant flirting and making kissy faces with the ladies makes up for the void in his life formerly occupied by his Bat-family. Regardless if you buy into that or not, at the end of the day Grayson is an incredibly well crafted comic that shows just how well the comics coming out of the Bat-offices are these days.
Yes, ALL of those folks.
Get ready! Forbidden Planet NYC will have the following
stellar bodacious lineup of guests appearing at the shop on Wednesday 10/8 at 6pm:
Rick Remender/Wes Craig/ Lee Loughridge
For my birthday this year, my wife (he said in a dated Borat voice) ordered me a bunch of trades off of my Amazon wish list. My TPBs backlog is already about several comics deep and includes an X-men omnibus I should probably get around to reading, but the gifts were welcomed none the less, because comics are GREAT. I had a flight to Atlanta recently, so grabbing a few birthday trades to read on the flight sounded like a great plan. It was by the way, go team me.
One of the trades was the first volume of Deadly Class by Rick Remender and Wes Craig. I’m a fan of Remender, who’s personally sold me a bunch of creator own series that I really dug in the past. I somehow missed Deadly Class when it dropped initially, probably due to like 500 Image #1s dropping with a ton of hype surrounding them this year alone. All I know was that the early buzz for this series was good, so it ended up on my Amazon wish list.
And now that I’ve read it, I can see why Deadly Class got all that comics internet hype, and can agree that it deserves it. While the concept reminds me a lot of Jimmie Robinson’s Five Weapons ( Both heavily feature schools for assassins ), Deadly Class is a more mature & “realistic” take on the concept, and one that uses the 1980s as a backdrop. It’a a period piece of sorts, “steeped in the music and pop culture of that time” according to David Lapham in the foreword. The quickest way to summarize the plot is that in 1987 our homeless lead Marcus Lopez is invited to join the Kings Dominion Atelier of the Deadly Arts (takes a breath). It’s a high school that bunch of bad people around the world send their childrens to in order to train them to become assassins. Which is fine for Marcus, as he has his mind set on revenge for the man responsible for the death of his parents. Oh and his past is coming for him, as he was kinda a dick prior to the beginning of the series and now it’s back to haunt him. Luckily for Marcus, he makes a bunch of new friends all representing various 80s cliches and stereotypes. I kid, having a multi-racial cast is nice, especially with a lead who’s not another sad white kid.
The first thing I want to point out about this book is how great it looks. This is (probably) the first time I’ve exposed to Wes Craig‘s art and it reminds me a lot of what David Aja‘s work over on Hawkeye (with shades of Frank Miller and Paul Pope as well) . That probably has something to with colorist Lee Loughridge’s flat colors plaette being so similar to Matt Hollingsworth’s work. Which I’m 1000% okay with. The final product is incredible, thanks to Craig’s non- traditional layouts and simplistic but stylized characters. And the colors do end up adding a lot to it, especially when it comes to a few fights scenes, a flashback and most importantly an acid trip. The choice to use flat colors was wise, and I’m glad to see it being used so well in this book.
I also really like how dedicated Remender and Craig are to ensure this book looks and feels era appropriate. From everything from sports and political references, as well as the fashion, the book really captures the looks and sound of the 80s well, without out it being to over the top or cheesey.
And what ultimately sold me on this trade was the type of emotion Remender poured into it. The book definitely has elements of his upbringing in it, but not in an autobiographical sort of way, unless Remender is an assassin with the oddest day job. The book feels more genuine, despite it’s ultra violent premise, and the characters feel incredible fleshed out. It’s like Kick Ass in a way, where it’s the type of thing that could happen, but without being a terrible and offensive comic.
I may be bit biased towards Deadly Class, since I’m genuinely a big fan of Remender’s work. But I had zero exceptions of this book going into it and I ended up loving it. It’s arguably he’s strongest creator owned work since Fear Agent, and I wish I read more of Wes Craig’s work prior to this trade. If you don’t mind some ultra violence and adult language, it’s definitely a book worth your time.
Last Monday when I got to work, fellow manager Justin greeted me with a “There’s a book for you coming out this week.” Which can mean one of two things… either there is actually something that I will be excited about, or it’s something really stupid that can be used to make fun of my interests. My taste is simple but specific. I like sex, violence, horror, exploitation and satire. Find me some media with the right mix of all those things and I’m beyond stoked! Unfortunately for every honestly suggested upcoming release (Dinosaurs Attacks, Rue Morgue Special), the crew likes to mock my interests with a skewed version of what you could call a “Matt D book” with less than exciting suggestions (Zombie Tramp, GFT anything). This time was a bit of both…
Justin continues “SuperTrash Hermaphro Chic, Movie Fetish, 21st Century Anxiety. At first I thought it was a book about Hermaphrodite Porn, but it’s a sequel to a movie poster book. Either way I figured you would buy it.” Hermaphrodite Porn joke aside, he was right! I thought Jacques Boyreau’s Portable Grindhouse The Lost Art of the VHS was fine, was blown away by his Sexytime The Post-Porn Rise of the Pornosseur and I loved his Trash The Graphic Genius of Xploitation Movie Posters, the book that first put Boyreau on my radar. A sequel to Trash? … how could I not give the fine people at Fantagraphics my money. Well I obviously already knew SuperTrash was hitting shelves soon, and yet still thanked Justin for the backhanded suggestion.
Fast-forward to Tuesday afternoon as we open the Diamond shipment and uncover the anticipated tome. SuperTrash delivers! I’m talking a pop culture cornucopia packed from cover to cover with vibrant violent pulp images! Consisting of movie posters, trading cards, magazine covers, comic book art, record sleeves and so much more from the realm under appreciated forms of art, throw in some words of wisdom explaining the Art Trash mindset so even the most mainstream minded can try to wrap their head around the concept of Hermaphro Chic and you have more of an experience than an art book. To me, a flip through SuperTrash is kinda like hanging out at a really cool old school comic shop and just rapping about all the weird items you uncover in those boxes that are under other boxes that are used to prop up the new release shelf.
I’ve been working here at Forbidden Planet for what seems to be almost nine years…. I think, and recently my imprint on the store has been summed up in two words scrawled next to my name on a piece of paper taped to the wall above the desk in the shipping department. To put the words in context, the paper is a list of what type of e-mails should be forwarded to who or what department… it reads as follows.
Toys – Toys (Alec)
Donations – Garbage
Esoteric Stuff – Matt D
I take that as a compliment I guess…
Maybe I should pitch Fantagraphics a book that contains photos of my collection. Well until you can grab a copy of Matt Desiderio’s Esoteric Stuff dig into SuperTrash!
Photos are from the Fantagraphics facebook page.
Before I start screaming about this month’s issue of Saga, I just wanted to give y’all (all 3 of you) a head’s up with what to expect over the next few weeks. Aside from weekly reviews, expect to see a few advanced reviews, a NYCC preview, and hopefully a toy review or two in the coming weeks. I’m excited to share all of this with you the reader, because I like to talk about some (hopefully) cool shit.
Brian K Vaughan/Fiona Staples
SPOILER WARNINGS: HEAVY SPOILERS IN THIS REVIEW BE WARNED.
First off, I just wanted to say how much I dig the use of yellow on the front, back and interior covers of this book. It looks really sharp and stands out a lot. Aside from being a well crafted comic, Saga is also a brilliantly designed book, something I appreciate bunches.
So if you’re caught up with this book (HERE COME THE SPOILERS Y’ALL), Brain K Vaughan and Fiona Staples have been teasing the split up of our leads for the last few months. Ever since the announcement via narration, they’ve been dropping a ton of hints of how it was going to go down, killing me slowly. Well this is the issue that is goes down, and when it looks something we’ve been expecting to happen to go down…
Vaughan and Staples pull a 360.
The split still happens I’m sad to say. But not in a way you’re (probably) expecting. And it hurts, believe you me, but the bait and switch does leave some hope. It’s brilliant, as we see why Vaughan used certain words in the way he did. And then the ending hits and we’re given something that’s been building since issue one. It’s an awesome ending that sets the stage of this volume’s end next month all to well.
And while BKV delivers top notch dialogue, Fiona Staples continues to show why she’s won a bunch of awards for this book. The body language, page and panel composition, the colors, the facial expressions-EVERYTHING-is done for a reasons and executed flawlessly. It’s fantastic.
It’s no surprise that Saga #23 delivers. Every issue of has Saga has delivered so far, so why would things be any different this month. It’s HOW the book delivers that makes it stand apart from previous installments of the book. Another flawless installment by arguably the only perfect comic series on the stand today, I cannot stress enough how great this book is.
ENDS OF SPOILERS DON’T WORRY YOU CAN READ THE REST OF THE COLUMN!
Ales Kot/Micahel Walsh/ Matthew Wilson
SHAMELESS PLUG: This book’s writer (Ales Kot) will be signing his new Marvel title (Bucky Barnes: The Winter Soldier) at the store this Wednesday at 6pm. You should probably swing by and tell him how much you love his work and buy a bunch of his comics.
So yeah, in case the cover didn’t tip you off, it’s a MODOK heavy issue of Secret Avengers, one that fills in some gaps between the previous series and this one. It also reveals some answers to questions raised in the first seven issues of this book, reveals some cosmic horror and has some genuinely laugh out loud moments (especially with that last page).
Something I like about this title is how weird it can be at times without pointing it out. Ales Kot, Michael Walsh and Matthew Wilson (who’s does some amazing things with colors this months) blend espionage with humor and some really gonzo elements of the Marvel Universe that remind you that this is a spy comic that takes place in a world of spandex wearing heroes. It’s not afraid to not take itself seriously at times, and look great while doing so.
Secret Avengers is a book that feels like Warren Ellis and Jim Steranko tackled a Avengers book set in the movie’s continuity but were given free range to do whatever they wanted. The end results are as equally bizarre as they are amazing.
Jason Latour/Robbi Rodriguez/Rico Renzi
As someone who got into comics when he was younger due to Spider-Man, it’s funny how very little I actually read about the Wall-Crawler these days. I haven’t bought a physical issue of a Spider-book in some time, and I’m only catching up on Superior Spider-Man now via the Marvel Unlimited app.
That being said, when Gwen Stacy: Spider-Woman was first announced, I was more than ready to spend money on this comic. The design by Robbi Rodriguez was hot to death, and the concept of having Gwen get bit instead of Peter really appealed to me. I’m not to interested in Spider-verse all that much, but I figured picking up this one shot couldn’t hurt.
Now that I have the issue in my hand and have read it a few times over, I have to admit I’m a little disappointed by it. I hate to toss shade at writer Jason Latour, but he played it a little too safe this debut issue. There’s a lot of cool stuff introduced and I lot of concepts I like, I’m just bummed out that we may not see any of play out fully in the near future. I know Spider-Gwen is going to be popping up all over the Spider-Verse event and the tie ins, but I want to know more about her world. It’s a good script, and it did a find job of leaving me wanting more, I just wish I was a little more satisfied with what I got to begin with.
That being said, visually the book looks great. Robbi Rodgriguez and Rico Renzi were the perfect artists to handle this one shot, as this story has all the pop and flair you want form a Spider-book. Gwen looks fantastic in action, and her amazing (UGH BAD PUN) costume really stands out. On a visual level I couldn’t be more satisfied with EoSM 2.
But yeah. Edge #2 is a good comic, but I was expecting a great comic. Hopefully Latour, Rodriguez & Reniz will have a chance at Spider-Gwen again sometime in the future.
Brian Michael Bendis.Kris Anka
Chris Bachalo‘s cover is easily one of the best UXM has been grace with since this 2013 relaunch. I really like it,(it serves as an excellent looking methaphor for the inner demons Cyclops is battling), so it may sound weird that I’m about to say that I’m glad he didn’t handle the interior art for this issue.
Uncanny X-men #26 addresses the fallout from 25 and how it’s gonna haunt the modern X-men. An uneasy alliance form, and questions and doubts rise in a really emotional issue of Uncanny X-men.
Which is why I’m glad Kris Anka drew this issue. Anka’s the type of artist you want to convey emotion in your comic, and he does a great job of selling Brian Michael Bendis‘ dialogue. He managed to hit the action pieces just as well, and the end result is a finely crafted comic, especially when you factor in how great the coloring is too.
Bendis by the way does an excellent job of writing an side of Bobby Drake we’ve never seen, as well as a Cyclops at his lowest. This was the sort of emotional baggage that should have been addressed sooner, but with Anka and Bendis handling it so well now, I’m okay with the wait.
If you hit the shop this week you may noticed that All New X-men dropped as well. I’m done with the book for this time being opting to go the trade route with it. Uncanny X-men, on the other hand, has become the X-book I don’t want to trade wait for. Between the 2 different art teams and Brian Michael Bendis’ solid scripts, it’s easily the superior X-book on the stands.
Kieron Gillen/Jamie McKelvie/Matthew Wilson/Clayton Cowles
Getting real tired of coming up with ways to praise this book. Part of me just wanted to leave it at “buy this book I already hit 500 words, just trust me”, but that’s kinda half assing things. So instead I’ll do a handy little checklist as you why you should read it if you’re not.
Is Wicked+ Div still a gorgeous looking book thanks to the talents of Jamie McKelvie & Matthew Wilson? YES
Is Kieron Gillen‘s dialogue still incredibly clever and hilarious? YES
Is Wic+Div still the type of book that asks a little more from it’s reader instead of dumbing it down for mass appeal? YES
Is the murder mystery involving gods still incredibly compelling? Also are said gods also super interesting and insanely well designed? YES, although this issue is heavy on the Tron homage.
So yeah, The Wicked + The Divine is still great, in case I wasn’t clear enough above. It’s American Gods meets Phonograms, which is the type of mash up I live for. It arguably has the most diverse cast in comics outside of Saga or Mighty Avengers, and some of the best character interactions in comics today.
G. Willow Wilson/Adrian Alphona/Ian Herring
Look at that cover. It is a cover that is made of 100% pure joy, as well as paper and probably some chemicals.
Ms. Marvel has been a delight since day 1, but issue 8 may just be my favorite issue to date. As you can tell from the cover, Lockjaw of the Inhumans shows up, possibly in the most amazing and adorable fashion. Which I think is ultimately why I liked this issue so much, because it is the cutest thing to ever cute a cute. G Willow Wilson has done a lot to make Kamala not a stereotypical teenage girl character, so seeing the new Ms Marvel actually go head over feet for her new pet is more of a delight than it is insulting. Her Ms Marvel is a character that’s very 3 dimensional, so seeing her a different side of her every so often is fun.
Issue 8 also sees the return of artist Adrian Alphona, who absolutely owns his return. The book’s art certainly didn’t suffer during his break, especially with master colorist Ian Herring on colors but Alphona’s style is unique, so having him back just feels right. And we as readers are rewarded to some great art that’s beautifully weird, and packed full of small details and hidden jokes. It’s also great to see how Adrian illustrates the use of Ms Marvel’s powers, leading to some cool and hilarious visuals.
Ms Marvel continues to be one of the best books on the stands today, and it’s mostly due to the level of talent and dedication the creative team brings to this book. From cover to cover, the book is a refreshing alternative to most super hero books and is a ton of fun.
Matt Fraction/Annie Wu. Matt Hollingsworth
With the release of issue 20, we only have 2 issues of Hawkeye left. I am the saddest of Chris’ over this fact. The 3 sad faces above prove that.
Issue 20 is artist Annie Wu‘s final issue on the series, and ultimately wraps up Kate Bishop’s California adventure. A lot of questions are resolved and a few reveals are had, making for a satisfying, but not necessarily the happiest of endings.
While the book is a bit of a downer at times, the creators do a fantastic job on this comic. Annie Wu’s art is super expressive, and the range of emotions she can put into her characters and environments is impressive. Poor Kate Bishop takes a beating in this issue, and Wu does a bang up job of showing it, with some nasty bruises, bandages and messed up hair. But her Hawkeye is a warrior, and the final 2 pages show how much of a bad ass Katie-Kate can be when push comes to shove. Matt Hollingsworth’s colors really do Annie Wu pencils justice, mixing a lot of bright colors you’d associate with California with the traditional Hawkeye purple. It’s the same flat coloring style you see when David Aja is drawing the book, but it’s different enough to compliment Annie Wu’s style in all the right ways.
Matt Fraction‘s script of course brings the entire package together. His dialogue is sharp, the reveals he drops land and nothing feels out of place. It’s impressive to see how much he got out of Kate’s “new” supporting cast in such a brief period of time spent with them, but they all feel so fleshed out. And his Kate also remains a fun character that you can help but cheer for, especially when some of the shit hits the fans. He’s done wonders for the character, and I consider him the definitive voice of Kate, despite having nothing to do with her creation.
With this and Superior Foes of Spider-Man wrapping up soon, I’m really bummed to see 2 of my favorite books come to an end. However much like SUP FOES, Hawkeye’s ending seems like it’s coming to a natural ending point, and I’m sure the creators will stick the landing. The Kate Bishop California adventure does suffer a bit due to countless delays, but ultimately it does it’s job of ending one story and setting up the final story. I don’t want this book to end y’all, but I’m eager to see what Fraction, Hollingsworth and David Aja do with the final 2 issues after this issue.
Here we have the more “Affordable” $3 and $4 books. Insert back in my day rant here.
Sam Humphries, Paco Medina, Juan Vlasco, David Curiel
Light Spoiler Warning: Kitty Pryde appears in a banana suit in this comic. 10/10, Book of the Month.
I’m not sure how much access Sam Humphries had to James Gunn’s GOTG script before the movie and this comic launched, but I would not be surprised if you told me he knew everything about the movie’s plot before writing this book. This Star Lord feels a lot like the movie version, only with an updated taste in music.
This third issue of GOTG is a hoot. It’s a nice little done and one that expands Quill’s support cast, and undoubtedly plans a seed or 2 for future stories. Paco Diaz, Juan Vlasco and David Curiel still continue to deliver month after month, making this book look as good as it deserves to. Legendary Star Lord is a ton of fun, and I’m glad the success of the Guardians movie allowed this book to happen.
Tom King/Tim Seeley/Stephen Mooney
On paper I should hate this comic. The art is barely serviceable, it’s a tie-in to an event book/weekly series I’m not reading, and it’s starts on a major downer. In a way, it comes off as the type of comics that’s kept me away from DC in that past.
Despite a lot working against it, I ended up LOVING Grayson: Future’s End. It’s Batman meets Momento, where the book continuously flashing back to the past, ending at a beginning. Tim Seeley and Tom King take a risk with the plot of this comic, and despite all odds, pull it off with some incredible results.
It’s just a shame that this book doesn’t look as good as it has in the past. I’m not sure why regular series artist Mikel Janin isn’t present, but guest artist Stephen Mooney doesn’t posses the same talent. It also worries me that we’re having guest artists only 3 issues in.
Ultimately this book is saved by the story and dialogue. King’s own spy experience comes into play here, and you’ll want to re-read this issue once you figure out a certain plot element. Im also curious as to see if a few of the plot points introduced in this book are going to play out in the future of this book or not.
I encourage anyone who’s enjoyed the first 2 issues of Grayson to pick up this issue. Despite the dip in the quality of art, it’s still a good book that’s worth the $3.
Nick Spencer, Steve Lieber, Rachelle Rosenberg
Anyone who’s been reading SUP FOES for the last year could tell you the formula of this book. The previous ending is address in the first few pages, the Sinister
6 5 get out of one jam and into another, things look up for the team and the final page blows that to hell, setting up the next issue.
With the book wrapping up at #17, this issue turns the dial up to 11. The Sinister
5 4, chalk up several wins this time around, which only means things are going to get real bad for them real quick. This arc is called “Gang War” for a few reasons and readers will know why by the time they hit page 20.
Creators Nick Spencer, Steve Lieber and Rachelle Rosenberg are doing some career defining stuff with this book. We finally get to set the Sinister ( insert number here) work together as a team, but the creators have been on same page since day one, making this one of the most constantly great book on the stands.
Superior Foes of Spider-Man continues to be everything I want from a comic: humor, action and fully fleshed out characters. Issue 15 is all of that, and as sad as I am to see this book wrapping up, I have no doubt it will absolutely stick it’s landing.
Hey y’all. I just spent the last 5 days in Atlanta, attending DragonCon and attempting to find Ludacris. I was not very successful in the later, unless Luda was disguised as an otter at the Atlanta Aquarium. Which I sadly doubt was the case. Anywho, I’m back, so comics time is now.
Jim Zub/ Steve Cummings/ John Rauch/ Marshall Dillon
It’s rare for my wife to beat me to the punch when it comes to launch of new comics, but it was the case with Wayward‘s debut. Apparently one of the covers (there’s roughly a million of them btw) caught her attention months ago via Tumblr, and it made a big enough impression on her that she made sure I picked it up for her last week.
There’s a lot to like in this debut issue of Wayward. It has a cool story hook, solid art by Steve Cummings, fresh dialogue by Jim Zubb, and John Rauch‘s outstanding coloring that really makes this book pop out at times. It’s not exactly the deepest read, but a cute and fun debut with some ultra violence.
My only problem with Wayward is that there’s a character who comes off as several manga/anime cliches rolled into one. Hopefully the character will be developed more as the series continues, but her debut leaves something to be desired. Aside from that it’s a fun read, assuming you go into it thinking it’s the next Saga or The Wicked + The Divine. The book certainly doesn’t pretend to be, and it’s ultimately stronger for it.
Brian Michael Bendis/ Mahmud Asar/ Marte Gracia
Mahmud Asar comes back this month to launch the newest story arc in All New X-men, and his art here is much stronger than his previous fill in from earlier in the year. Issue 31 sees the team go after a new mutant all by themselves, and results in the 5 young X-men ending up in another Marvel universe. Which one you may ask? One that writer Brian Michael Bendis has been heavily involved in for years.
Asrar’s art is solid, but I think it’s a bit of a step down from the previous issue. His art isn’t as dynamic as Immonen or Pichelli’s, and a lot heavier on the black inks than the two of them, but still is serviceable. He handles the few actions scenes well, and his final page is particularly solid, definitely getting the reader hyped for what’s to come.
And even with a new artist, Bendis and series colorists Marte Gracia strive, making ANXM #31 another enjoyable issue. I’m curious to see what this storyline has in store for the readers, and am hoping that it continues to upkeep the level of excellence brought to this book by Stuart Immonen.
Brian K Vaughan/Fiona Staples
The painful event we knew was going to happen finally hits critical mass in Saga #22. BKV and Fiona Staples have been slowly been building up to it for months, but now the poop has hit the fan something fierce and things are going to get real bad real quick.
It’s impressive what Brian K Vaughan and Staples can do and do so well in a 22 page comic. We’re finally introduced to a long teased character, reintroduced to a few returning favorites and still have plenty of room for the story to advance. And by advance I mean destroy the readers in a mere 4 pages.
And those 4 pages man. Everything from the body language to the dialogue is perfect, making this, what is surely the first of several heart crushing blows, all the more devastating.
They say it’s always darkest before dawn, but man, this sort of darkness makes me sad. A great comic none the less, just one that you should not read without something to hug near by.
Hey today’s my birthday! Totally not relevant to anything we’re going to discuss tonight, except for like 1 gag, but you can wish me a happy birthday in the comments section if you dare!
Ales Kot/Michael Walsh/Matthew Wilson
Deadpool and Hawkeye team-up time is exactly the type of birthday gift I wanted. Thank you team Secret Avengers.
Deadpool is a character that if not handled properly can ruin your story and bringing any momentum to a screeching halt. Luckily, that’s not the case for Secret Avengers #7, where Deadpool’s 4th Wall breaking and straight up insanity makes for a hell of a read. It also helps that Ales Kot’s version of the character is genuinely funny here, using himself to interact with Wade on the page.It’s not the first time we’ve gotten such, but it’s certainly the best execution of it in awile.
Michael Walsh, Matthew Wilson & VC’s Clayton Cowles also get in on the fun, providing some hilarious (and sometimes chicken-based) visual gags and sound effects. The book has been plenty funny in the past, but this issue really takes things to the next level all while advancing the plot. Walsh and co also do a lot of experimenting with layouts, using double spreads, pages with 10+ panels and some other interesting choices that I rather not spoil. It’s the title of art that deserves more praise than it’s getting.
Secret Avengers was a great book in a week that saw a lot of strong releases. It’s the type of Marvel Comic that justified the $4 price tag.
G. Willow Wilson/ Jacob Wyatt/ Ian Herring
Jacob Wyatt‘s 2 issue guest stint on Ms Marvel returns this week with a delightful wrap of. Kamala’s team up with Wolverine has the pair fight a giant alligator and deal with a classic death trap while discussing Ms. Marvel’s new career path. Under lesser creators, this book would risk being preachy, almost a “very special episode” type of book. Luckily for us, the readers, the creative team remains flawless, and the end result is a very good comic.
I’m the type of dude who doesn’t like Wolverine, as I’ve suffering from Wolverine exhaust ever since I got into comics. That being said, Wolverine hanging out with teen lady super heroes is something I like…..oh man, I just re-read that past sentence, I apologize how creepy it sounds. Sorry :/
Creepy-ass commentary is now over. And since G Willow Wilson is pretty much perfect on this issue, which ends on a super fun note, we’ll talk about Jacob Wyatt some more. I really loved his art during this arc, as he was just as expressive and animated as regular artist Adrian Alphona, but very much of his own style. His Khamala is adorable, which….nope, no more creepy as commentary, sorry.
But yeah, another enjoyable Ms Marvel, with some great art, fantastic dialogue and the set up for some really awesome guest stars. All under a highly amusing cover by Jamie McKelvie that dropped right during selfie-month in DC. Forbidden Planet’s best selling series is a best seller for a reason, and the quality seen in this issue is proof of that.
Kieron Gillen/Jamie McKelvie Matthew Wilson/Clayton Cowles.
Brilliant, simply brilliant.
Much like the first 2 issues, the Wicked + the Divine is a gorgeous books that has some of the best dialogue in comics. It’s also incredible smart, and isn’t afraid to challenge the readers, making you wanting to re-read it several time to pick up on everything.
Also the Stephanie Hans variant is gorgeous and continues my streak of buying variant covers for this series.
And it’s just not Kieron Gillen and Jamie McKelvie doing some career defining stuff. Matthew Wilson (again) color’s are the realness, and Clayton Cowle‘s lettering is the type that you stand up and take notice off. It’s several creators coming together to make a fantastic comic.
Wicked/Divine is one of those books that makes picking out a favorite Image book difficult. While it may initally come across as collections of Gillen’s greatest hits (Music and Gods as themes), it’s definitely taken it’s own form and the results couldn’t be better. It’s an amazing comics, one that stands out among a week of fantastic releases.
A solid week for trades, and a solid week from Oni Press. I guess all books are solid though. Their matter through chemical bonding, organic material, etc. Good thing books aren’t metal! Cause then I’d have to explain the Fermi Surface principle, and we really just don’t have time for quantum solids theory. But you can probably figure it out from this:
We’ll discuss it next week. Instead, here’s a book about a cat…
I Was the Cat by Paul Tobin and Ben Dewey- Last night, I had a dream I was a cat. Everything was cat perspective, but I was aware of myself as something I normally was not. It wasn’t a long dream; I just did a bunch of exploring and typical cat things, nothing special. But my journey doesn’t have to end. I can imagine myself as the best cat around thanks to a new hardcover book out this week from Oni Press. Imagine that every major event in history involved one cat living each of his nine lives hidden in between the pages of every textbook, and you get Burma the cat. Reaching the end of his life, he reaches out to journalist Allison Breaking to make his last mark in society. But there are some pieces he’d rather leave uncovered. Tobin has written more books than I can name, and the same can be said for artist Benjamin Dewey. But their collaboration is something is the beginning of a magical cat romp through life.
Henry and Glen Forever and Ever TP by Tom Neely- Neely, of course, isn’t the only credit in this book. A labor of love about two domestic lovers who labor over their mothers, defeating cults, and sometimes going to therapy to help keep their eternal rocking passion alive. If you’ve picked up the minis when then came out, or you’re just curious about what this curious little world is about, you can now HAVE IT ALL! I got to peep an early release one this past week in San Diego, and just the painted American Gothic cover is worth picking this book up. Plus, Neely is working on a new Image book, and will soon be the coolest kid in town, so get his stuff while you still can.
Steven Universe #1 by Jeremy Sorese and Coleman Engle- Rebecca Sugar has done amazing work making the titular cartoon network show a hit amongst the little tweens, and the older stoners who enjoy the colors and bubbliness of the show. Steven is the youngest in a family of universal guardians, and while he’s trying to figure out the superhero gig, he’s also trying to figure out his coming-of-age emotions and pains of getting older. But in his first comic, Steven is all about having fun, and riding bikes. Though nothing is ever simple for Steven, and he gets in over his head. The former Adventure Time writer set the stage for an amazing cartoon that will surely win over the hearts and minds of all my other childish contemporaries.
Trillium TP by Jeff Lemire- You’ve probably been following this story all along, which I have, but you probably haven’t seen the flipbook madness collected all in one place, which I have not. That’s why this trade is so important to pick up this week. Between the distant past, and the far future, Lemire weaves a half love, half adventure story that delineates the space-time continuum. And the literal flipbook he uses to visually illustrate just how far apart our protagonists are can only be put to better use in a full collection of their love story that seeks the end the universe.
Bunker TP by Joshua Hale Fialkov and Joe Infurnari- Look. Let’s get real. Fialkov is one of the most inventive writers currently writing inventive books. And Infurnari compliments this inventiveness with dreamlike art that mimics the surreal landscape in which the characters of The Bunker must traverse; past, present, and future. Investigating the moral grounds of whether messing with the past will beget a brighter future, the characters of The Bunker are deeply flawed, all while trying to do the best they can to save humanity (and themselves) with only the information that has been left for them from the future. As a psychological thriller fan, this goes greatly in tandem with those who are fans of shows like The Leftovers, Under the Dome, etc. It’s really a comic perfect for anyone who enjoys a story, like a real story. A story that twists and turns, and leaves you with unexpected feelings of alliance and betrayal.