Category: Christopher Troy

Troy’s Toys but with Comics: Girls and their dogs

ms-marvel-8-cover1Ms. Marvel #8

G. Willow Wilson/Adrian Alphona/Ian Herring

Marvel $2.99

Look at that cover. It is a cover that is made of 100% pure joy, as well as paper and probably some chemicals.

Ms. Marvel has been a delight since day 1, but issue 8 may just be my favorite issue to date. As you can tell from the cover, Lockjaw of the Inhumans shows up, possibly in the most amazing and adorable fashion. Which I think is ultimately why I liked this issue so much, because it is the cutest thing to ever cute a cute. G Willow Wilson has done a lot to make Kamala not a stereotypical teenage girl character, so seeing the new Ms Marvel actually go head over feet for her new pet is more of a delight than it is insulting. Her Ms Marvel is a character that’s very 3 dimensional, so seeing her a different side of her every so often is fun.

Issue 8 also sees the return of artist Adrian Alphona, who absolutely owns his return. The book’s art certainly didn’t suffer during his break, especially with master colorist Ian Herring on colors but Alphona’s style is unique, so having him back just feels right. And we as readers are rewarded to some great art that’s beautifully weird, and packed full of small details and hidden jokes. It’s also great to see how Adrian illustrates the use of Ms Marvel’s powers, leading to some cool and hilarious visuals.

Ms Marvel continues to be one of the best books on the stands today, and it’s mostly due to the level of talent and dedication the creative team brings to this book. From cover to cover, the book is a refreshing alternative to most super hero books and is a ton of fun.

hawkeye-020-001Hawkeye #20

Matt Fraction/Annie Wu. Matt Hollingsworth

Marvel $3.99

:( :( :(

With the release of issue 20, we only have 2 issues of Hawkeye left. I am the saddest of Chris’ over this fact. The 3 sad faces above prove that.

Issue 20 is artist Annie Wu‘s final issue on the series, and ultimately wraps up Kate Bishop’s California adventure. A lot of questions are resolved and a few reveals are had, making for a satisfying, but not necessarily the happiest of endings.

While the book is a bit of a downer at times, the creators do a fantastic job on this comic. Annie Wu’s art is super expressive, and the range of emotions she can put into her characters and environments is impressive. Poor Kate Bishop takes a beating in this issue, and Wu does a bang up job of showing it, with some nasty bruises, bandages and messed up hair. But her Hawkeye is a warrior, and the final 2 pages show how much of a bad ass Katie-Kate can be when push comes to shove. Matt Hollingsworth’s colors really do Annie Wu pencils justice, mixing a lot of bright colors you’d associate with California with the traditional Hawkeye purple. It’s the same flat coloring style you see when David Aja is drawing the book, but it’s different enough to compliment Annie Wu’s style in all the right ways.

Matt Fraction‘s script of course brings the entire package together. His dialogue is sharp,  the reveals he drops land and nothing feels out of place. It’s impressive to see how much he got out of Kate’s “new” supporting cast in such a brief period of time spent with them, but they all feel so fleshed out. And his Kate also remains a fun character that you can help but cheer for, especially when some of the shit hits the fans. He’s done wonders for the character, and I consider him the definitive voice of Kate, despite having nothing to do with her creation.

With this and Superior Foes of Spider-Man wrapping up soon, I’m really bummed to see 2 of my favorite books come to an end. However much like SUP FOES, Hawkeye’s ending seems like it’s coming to a natural ending point, and I’m sure the creators will stick the landing. The Kate Bishop California adventure does suffer a bit due to countless delays, but ultimately it does it’s job of ending one story and setting up the final story. I don’t want this book to end y’all, but I’m eager to see what Fraction, Hollingsworth and David Aja do with the final 2 issues after this issue.

 

 

 

 

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Troy’s Toys But with Comics Big Week part 2!

Here we have the more “Affordable” $3 and $4 books. Insert back in my day rant here.

53ea63633a61fLegendary Star-Lord #3

Sam Humphries, Paco Medina, Juan Vlasco, David Curiel

Marvel, $3.99

Light Spoiler Warning: Kitty Pryde appears in a banana suit in this comic. 10/10, Book of the Month.

I’m not sure how much access Sam Humphries had to James Gunn’s GOTG script before the movie and this comic launched, but I would not be surprised if you told me he knew everything about the movie’s plot before writing this book. This Star Lord feels a lot like the movie version, only with an updated taste in music.

This third issue of GOTG is a hoot. It’s a nice little done and one that expands Quill’s support cast, and undoubtedly plans a seed or 2 for future stories. Paco Diaz, Juan Vlasco and David Curiel still continue to deliver month after month, making this book look as good as it deserves to. Legendary Star Lord is a ton of fun, and I’m glad the success of the Guardians movie allowed this book to happen.

GalleryFuturesEnd_1900x900_GRAYFE_Cv1_A_53763827398858.73816675Grayson: Future’s End #1

Tom King/Tim Seeley/Stephen Mooney

DC, $2.99/$3.99

On paper I should hate this comic. The art is barely serviceable, it’s a tie-in to an event book/weekly series I’m not reading, and it’s starts on a major downer. In a way, it comes off as the type of comics that’s kept me away from DC in that past.

Despite a lot working against it, I ended up LOVING Grayson: Future’s End. It’s Batman meets Momento, where the book continuously flashing back to the past, ending at a beginning. Tim Seeley and Tom King take a risk with the plot of this comic, and despite all odds, pull it off with some incredible results.

It’s just a shame that this book doesn’t look as good as it has in the past. I’m not sure why regular series artist Mikel Janin isn’t present, but  guest artist Stephen Mooney doesn’t posses the same talent. It also worries  me that we’re having guest artists only 3 issues in.

Ultimately this book is saved by the story and dialogue. King’s own spy experience comes into play here, and you’ll want to re-read this issue once you figure out a certain plot element.  Im also curious as to see if a few of the plot points introduced in this book are going to play out in the future of this book or not.

I encourage anyone who’s enjoyed the first 2 issues of Grayson to pick up this issue. Despite the dip in the quality of art, it’s still a good book that’s worth the $3.

 

backgroundSuperior Foes of Spider-Man #15

Nick Spencer, Steve Lieber, Rachelle Rosenberg

Marvel $3.99

Anyone who’s been reading SUP FOES for the last year could tell you the formula of this book. The previous ending is address in the first few pages, the Sinister  6 5 get out of one jam and into another, things look up for the team and the final page blows that to hell, setting up the next issue.

With the book wrapping up at #17, this issue turns the dial up to 11. The Sinister 5 4,  chalk up several wins this time around, which only means things are going to get real bad for them real quick. This arc is called “Gang War” for a few reasons and readers will know why by the time they hit page 20.

Creators Nick Spencer, Steve Lieber and Rachelle Rosenberg are doing some career defining stuff with this book. We finally get to set the Sinister ( insert number here) work together as a team, but the creators have been on same page since day one, making this one of the most constantly great book on the stands.

Superior Foes of Spider-Man continues to be everything I want from a comic: humor, action and fully fleshed out characters. Issue 15 is all of that, and as sad as I am to see this book wrapping up, I have no doubt it will absolutely stick it’s landing.

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Troy’s Toys but with Comics: Big week was big part1

Oh snap, it’s a two part review article for this week! I pulled a whopping 5 books , as well as a few trades, so expect ALL COMICS ALL THE TIME articles for the next 2 weeks. Yeah I know, that’s kind of business as usual for me, but I’m choosing to do that over word- vomiting over the release of TWO new Cyclops action figures, so pretend it’s special this time around.

I’ve divided the books up as the following: Comics that cost $5 and comics that don’t cost $5. We’ll be looking at the $5 books first (which unsurprisingly are both Marvel books), because…well because I said so dammit.

detail Hawkeye vs Deadpool #0

Gerry Duggan/Matteo Lolli/Cristiane Peter

Marvel $4.99

I’ll be honest, this  book was a tough sell for me when it was initially announced. I haven’t bought a straight-up Deadpool book in years, and I tend to be very weary of books starring Hawkeye not written by Matt Fraction or Ales Kot. The $5 price tag certainly did help things either, and I figured that is it was good, trade waiting it would be a valid option.

HOWEVER, after flipping through the first issue of said at the shop, I ended up liking what I saw and decided to take a chance on it. And you know what, I’m glad it did, but this book hit me in all the right ways. Gerry Duggan has proven he can tell a good Deadpool story plenty of times in the proper Deadpool series, and while Matteo Lolli is no David Aja, his art definitely works for this story.

 

4063285-hawkvsdp2014000_int2-page-002The plot summary is as following: it’s Halloween night, and Deadpool and some folk familiar to both books are out trick or treating in a certain Avenger’s building. One of Hawkguy’s tenants has got himself in some trouble, so now Wade and Clint have some super heroing to do. The only problem is that don’t necessary want to work together as bro,s bros.

That by the way, brings me to my sole issue with this comic. We’ve seen Deadpool and Hawkeye work together in the past, last year in A+X, and currently in Secret Avengers. I may be playing the role of TURBO NERD here, but there’s material currently being published ( Thunderbolts, Hawkeye, the just mentioned Secret Avengers) thatclashes with this book. Maybe it with all make sense once those stories are all told, but only time will tell.

Continuity-nerd-issues aside, the book itself is fun. Both Lolli and Duggan obviously have some experience with Deadpool with past works, so it’s no surprise that the Deadpool stuff is handled really well. A little head’s up though, this book is DEEP into the current events of the main Deadpool series, so you may be a little confused about a thing or two if you’re not caught up on it.

That being said,  the big surprise is how well the Hawkeye side of things are managed is handled. There are a lot of clever nods to Fraction/Aja’s run, including 2 double spreads that parody the 2 most celebrated issues of Hawkeye.

Obviously any encounter between Hawkeye and Deadpool should be humorous, and the jokes do not disappoint. Duggan knows how to handle mixing humor and action well, and the laughs land more than miss. Visually,  Lolli and color artist Cristiane Peter are great, giving the book a clean, bright look that reminds me a lot of the late and great Mike Wieringo’s work.

 

Ultimately, this book isn’t going to win any awards or redefine the medium, but it’s a fun read for fans of the characters. If you’ve been enjoying Hawkeye and/or Deadpool, you’re sure to enjoy this double sized debut. If you want this to be your entry book to both characters though, you may want to look elsewhere.

 

123px-Uncanny_X-Men_Vol_3_25_TextlessUncanny X-men #25

Brian Michael Bendis/Chris Bachalo/ Several Inkers

Marvel $4.99

I’ll be honest, this book can be summed up as a double sized issue where the X-men stand around and react to a retcon. That may not be your cup of tea, especially when you factor in that it’s $5 and there’s still a chapter in this arc to go.

That being said, if you don’t mind that sort of thing, it’s a compelling as hell issue. Chris Bachalo returns to draw the hell out of this issue, despite him not knowing how Kitty’s Pryde modern costume works at times, or Cyclops mask reappearing at random.

Uncanny_X-Men_25_Preview_2Those minor issues aside, the book looks great. The army of inkers complement Bachalo’s pencils and colors well, giving the book a crisp, bold, cohesive look. Cohesive and GREAT mind you, as Bachalo delivers some really powerfully scene, both emotionally and action wise. Also the way he colors Iceman is great, as it looks like actual ice.

 

Brian Michael Bendis isn’t a slouch either mind you, but your opinion on the script may be different from mine. I’m a fan of the retcons he’s introducing, but it’s bringing Xavier into some scorched earth territory. If you’re an Charles Xavier fan, you may have a bone or two to pick with these reveals, but I’m strictly on Team Cyclops Was Right, and am digging Bendis doing some new stuff here.

Again, at $5, this issue of Uncanny X-men comes down to a matter of taste. If you’ve been a fan Uncanny’s direction since the Bendis relaunch, you’ll probably like issue 25. If you’re only thinking of jumping aboard because Original Sin is on the cover, you can skip it.

 

 

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Troy’s Toys, but with Comics: Late Edition 2

Hey y’all. I just spent the last 5 days in Atlanta, attending DragonCon and attempting to find Ludacris. I was not very successful in the later, unless Luda was disguised as an otter at the Atlanta Aquarium. Which I sadly doubt was the case. Anywho, I’m back, so comics time is now.

wayward01b-alinaurusovWayward #1

Jim Zub/ Steve Cummings/ John Rauch/ Marshall Dillon

Image $3.50

It’s rare for my wife to beat me to the punch when it comes to launch of new comics, but it was the case with Wayward‘s debut. Apparently one of the covers (there’s roughly a million of them btw) caught her attention months ago via Tumblr, and it made a big enough impression on her that she made sure I picked it up for her last week.

There’s a lot to like in this debut issue of Wayward. It has a cool story hook, solid art by Steve Cummings, fresh dialogue by Jim Zubb, and John Rauch‘s outstanding coloring that really makes this book pop out at times. It’s not exactly the deepest read, but a cute and fun debut with some ultra violence.

My only problem with Wayward is that there’s a character who comes off as several manga/anime cliches rolled into one. Hopefully the character will be developed more as the series continues, but her debut leaves something to be desired. Aside from that it’s a fun read, assuming you go into it thinking it’s the next Saga or The Wicked  + The Divine. The book certainly doesn’t pretend to be, and it’s ultimately stronger for it.

 

 

All-New_X-Men_Vol_1_31_TextlessAll New X-men #31

Brian Michael Bendis/ Mahmud Asar/ Marte Gracia

Marvel $3.99

Mahmud Asar comes back this month to launch the newest story arc in All New X-men, and his art here is much stronger than his previous fill in from earlier in the year. Issue 31 sees the team go after a new mutant all by themselves, and results in the 5 young X-men ending up in another Marvel universe. Which one you may ask? One that writer Brian Michael Bendis has been heavily involved in for years.

Asrar’s art is solid, but I think it’s a bit of a step down from the previous issue. His art isn’t as dynamic as Immonen or Pichelli’s, and a lot heavier on the black inks than the two of them, but still is serviceable. He handles the few actions scenes well, and his final page is particularly solid, definitely getting the reader hyped for what’s to come.

And even with a new artist, Bendis and series colorists Marte Gracia strive, making ANXM #31 another enjoyable issue. I’m curious to see what this storyline has in store for the readers, and am hoping that it continues to upkeep the level of excellence brought to this book by Stuart Immonen.

 

SagaSaga  #22

Brian K Vaughan/Fiona Staples

Image $2.99 

WHELP!

The painful event we knew was going to happen finally hits critical mass in Saga #22. BKV and Fiona Staples have been slowly been building up to it for months, but now the poop has hit the fan something fierce and things are going to get real bad real quick.

It’s impressive what Brian K Vaughan and Staples can do and do so well in a 22 page comic. We’re finally introduced to a long teased character, reintroduced to a few returning favorites and still have plenty of room for the story to advance. And by advance I mean destroy the readers in a mere 4 pages.

And those 4 pages man. Everything from the body language to the dialogue is perfect, making this, what is surely the first of several heart crushing blows, all the more devastating.

They say it’s always darkest before dawn, but man, this sort of darkness makes me sad. A great comic none the less, just one that you should not read without something to hug near by.

 

 

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Troy’s Toys But with Comics: BERFday edition.

Hey today’s my birthday! Totally not relevant to anything we’re going to discuss tonight, except for like 1 gag, but you can wish me a happy birthday in the comments section if you dare!

portrait_incredibleSecret Avengers #7

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

Deadpool and Hawkeye team-up time is exactly the type of birthday gift I wanted. Thank you team Secret Avengers.

Deadpool is a character that if not handled properly can ruin your story and bringing any momentum to a screeching halt. Luckily, that’s not the case for Secret Avengers #7, where Deadpool’s 4th Wall breaking and straight up insanity makes for a hell of a read. It also helps that Ales Kot’s version of the character is genuinely funny here, using himself to interact with Wade on the page.It’s not the first time we’ve gotten such, but it’s certainly the best execution of it in awile.

Michael Walsh, Matthew Wilson & VC’s Clayton Cowles also get in on the fun, providing some hilarious (and sometimes chicken-based) visual gags and sound effects. The book has been plenty funny in the past, but this issue really takes things to the next level all while advancing the plot. Walsh and co also do a lot of experimenting with layouts, using double spreads, pages with 10+ panels and some other interesting choices that I rather not spoil. It’s the title of art that deserves more praise than it’s getting.

Secret Avengers was a great book in a week that saw a lot of strong releases. It’s the type of Marvel Comic that justified the $4 price tag.

portrait_incredible (1)Ms Marvel #7

G. Willow Wilson/ Jacob Wyatt/ Ian Herring

Marvel $2.99

Jacob Wyatt‘s 2 issue guest stint on Ms Marvel returns this week with a delightful wrap of. Kamala’s team up with Wolverine has the pair fight a giant alligator and deal with a classic death trap while discussing  Ms. Marvel’s new career path. Under lesser creators, this book would risk being preachy, almost a “very special episode” type of book. Luckily for us, the readers, the creative team remains flawless, and the end result is a very good comic.

I’m the type of dude who doesn’t like Wolverine, as I’ve suffering from Wolverine exhaust ever since I got into comics. That being said, Wolverine hanging out with teen lady super heroes is something I like…..oh man, I just re-read that past sentence, I apologize how creepy it sounds. Sorry :/

Creepy-ass commentary is now over. And since G Willow Wilson is pretty much perfect on this issue, which ends on a super fun note, we’ll talk about Jacob Wyatt some more. I really loved his art during this arc, as he was just as expressive and animated as regular artist Adrian Alphona, but very much of his own style. His Khamala is adorable, which….nope, no more creepy as commentary, sorry.

But yeah, another enjoyable Ms Marvel, with some great art, fantastic dialogue and the set up for some really awesome guest stars. All under a highly amusing cover by Jamie McKelvie that dropped right during selfie-month in DC. Forbidden Planet’s best selling series is a best seller for a reason, and the quality seen in this issue is proof of that.

 

tumblr_n5xgrzsXkf1tuoa2wo1_500The Wicked + The Divine #3

Kieron Gillen/Jamie McKelvie Matthew Wilson/Clayton Cowles.

Image $3.50

Brilliant, simply brilliant.

Much like the first 2 issues, the Wicked + the Divine is a gorgeous books that has some of the best dialogue in comics. It’s also incredible smart, and isn’t afraid to challenge the readers, making you wanting to re-read it several time to pick up on everything.

Also the Stephanie Hans variant is gorgeous and continues my streak of buying variant covers for this series.

And it’s just not Kieron Gillen and Jamie McKelvie doing some career defining stuff. Matthew Wilson (again) color’s are the realness, and Clayton Cowle‘s lettering is the type that you stand up and take notice off. It’s several creators coming together to make a fantastic comic.

Wicked/Divine is one of those books that makes picking out a favorite Image book difficult. While it may initally come across as collections of Gillen’s greatest hits (Music and Gods as themes), it’s definitely taken it’s own form and the results couldn’t be better. It’s an amazing comics, one that stands out among a week of fantastic releases.

 

 

 

 

 

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Troy’s Toys But With Comics: Feel Good Inc.

 

Hell of a week y’all. Talking comics today is a welcome distraction after everything we’ve see go down over the last couple of days

 

STK644079All New X-Men #30

Brian Michael Bendis/Sara Pichelli/Marte Gracia

Marvel $3.99

 

Call it a breather issue. Much like Chris Claremont before him, Brian Michael Bendis uses this issue of All New to do some character building, with Angel taking X-23 out on the town, Emma Frost beginning Jean Grey’s training and Kitty Pryde taking a holographic phone call from her kinda boyfriend Peter Quill. It’s a very cute script, and it’s something needed to cleanse the palette after all that time travel shenanigans.

 

With the previous issue seeing the departure of series regular artist Stuart Immonen (who’s stick around to handle this book’s cover), Bendis is joined by his former Guardians of the Galaxy artist Sara Pichelli. Immonen is a difficult artist to follow up to, but Pichelli, who has some experience drawing these characters, makes a strong debut. For a mostly taking heads issue, Pichelli’s facial expressions and body language really sells the book, especially with the few pages that are dialogue free. The one area she actually surpasses Immonen in is having this cast look like teenagers, something Stuart struggled with, especially when their older counterparts were also on the page. She’s a welcomed addition to this book, and I’m excited to see her draw more of it.

 

My only real beef with this issue is that the final page’s cliffhanger is tied into the last 2 issues of Uncanny X-men , and will probably play out over there instead of this book. If you’re like me and buy both Bendis X-books this isn’t much of an problem, but those not may be disappointed to have to track down a pair of issue that shipped before this one. Ultimately, I dug the hell out of this comic. It was cute, good looking and chock full of fun moments. These sort of one offs are appreciated, and it’s a nice break before another famous Bendis/Pichelli shows up next month.

 

 

sexcriminals_07Sex Criminals #7

Matt Fraction/ Chip Zdarsky

Image $3.50

The letters section for this issue alone is worth the $3.50. There I just saved you 2 minutes of reading.

Oh you stuck around! Really? Did you not read what I wrote above? Oh you want more reasons? Yeah okay sure, I suppose I can help you there.

Sex Criminals is probably my wife’s favorite comic not called Saga. Which means my wife has great taste in both comics and men. But the opening sequence of this book really impressed her this week, as there’s something that Suzie, our female lead, is suffering from that my wife knew all too well. It’s a testament to both Matt Fraction and Chip Zdarsky, who managed to hit the symptoms of said problem dead on, despite being dudes. It’s also a reason why this book is such a hit.

 

Issue 7 is a return to form for Sex Criminals. Not that issues 5 or 6 were bad, but they were heavier on the serious side. This one is chocked full of humor, including the use of a word that makes me giggle every time I read/hear it because I am 12. There’s even a bit of action and suspense too, making it a nice balanced read.

 

I’ve already sung Fraction’s praises plenty of times in the past between this book and Hawkeye, so I’m gonna talk Chip Zdarsky for a bit. First off, that cover. Extremely sharp and a very cool design. Zdarsky’s always been a bit experimental with the covers, and the results are great. But this is kinda next level for the ol Chipper, and I hope it continues. Then there’s in the interiors. I had to re-read some sections and few times just to catch all the gags hidden in the background. It’s a shame that some of this Easter eggs and gags are sacrificed for word balloons, but it’s nice to see Chip put so much effort into something a lot of people not named Matt Fraction aren’t going to see.

 

Sex Criminals seven is the result of 2 creators having a blast creating a comic. Which is great for the reader, because the ends results are stupendous. Combined with a first-class letters column that’s as insightful and hilarious as the interior, Sex Criminals #7 is another can’t miss comic from Fraction and Zdarsky.

 

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Review: Hawkeye #19

HAWKEYE2012017_COVHawkeye #19

Matt Fraction/David Aja Hollingsworth

Marvel $3.99

WARNING: This review will continue spoilers for previous issues of Hawkeye, as well as this one. Read at your own risk.

So yeah, remember back in 2013 when Hawkeye #11 dropped and everyone one was like “WHELP, here’s an Eisner winner in 2014″? And then that happened? Replace #11 with #19 and the year 2015, because it’s going to happen again.

10527365_10100404509314752_8992801137704805022_n-300x160The last time we saw Clint Barton and his brother Barney(back in like…March? Possibly April, it’s been awhile), they were shot up pretty bad by an assassin. This issue is the fallout of said shooting, and we find that Barney can’t walk and Clint’s deaf. The deaf thing (apologies if that’s offensive by the way, I not exactly sure what the correct terminology is to be honest)  by the way is a nice reference to the character’s history, something older fans would know and newer fans are brought up to speed with via flashback early in the issue. This leads to most of the interactions between Clint and Barney being done through sign language, something not seen in a lot of comics, but makes for some rather interesting results given how comics is kinda a visual heavy medium.  Matt Fraction, David Aja, and Matt Hollingsworth being the creative tour de force they are, consulted with specialist Rachel Coleman and Dr. Larry Thomas to ensure that the signing was correct, which leads to David Aja drawing a lot of signing charts. This sort of dedication to detail is why Aja and Fraction win Eisners people.

It’s also not the first time we’ve seen the team experiment with language in comics. There’s the Tracksuit’s “Bro”-usage, and the award winning Pizza Dog issue, in which the story is told via a Dog’s POV. It’s interesting that Hawkeye of all books is the comic experimenting with language in comics.

 

Hawkeye #19 Page 2Aja’s art is stunning. The way the characters “act” and their body language comes across so genuine and real. The guilt and pain Clint carries in the early part of this issue is clearly expressed on his face, as is the anger Barney shows towards his brother stubbornness. Aja even goes as far as to letter some of his own art, and is so skilled at it I couldn’t tell what he contributed and what series regular letterer Chris Eliopoulos did. It’s damn good, and the end result made the delays for this book well worth the dollar increase in price.

As for the story, it’s the typical act 3 of any Western/Action movie you’ve seen. The hero (Clint) is at a lost, buried in guilt and defeat, despite having plenty of people to turn to for help. Hawkguy’s stubbornness has been a theme for most of this book, and it plays off of the plot of issue 17′s Christmas special. And much like that issue, Clint gets some sense knocked into him (literally) and he gets his stuff together, rallies the troops and goes on the offensive. It may be a bit cliche, but Fraction and Aja handle it so well, you can’t help but find yourself pumped up by the end of the issue.

imagesAnd that’s what ultimately makes Hawkeye as good as it is. The Matts and David make you emotionally invested in these characters, so that when they actually get a win, there’s a genuinely sense of happiness the reader gets from the book. It’s an incredible feeling, and speaks a lot about the talent the creative team posses .

Hawkeye seems to be coming to in a end in a few issues, and I’ll be sad to see it go. Aside from it being my favorite comic from one of my favorite creative teams working in comics today, it’s book I can always rely on to being nothing short of amazing. I’ll be sad to see it go, but excite to see how everything wraps up over the upcoming months.

 

 

 

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Troy’s Toys, but with Comics-Shorty got Low Low Low (and some other books)!

I could easily talk about the new issue of Hawkeye in 500+ words. But I won’t because this was a damn fine week for comics, and the other books that I pulled are also worth discussing. Plus Hawkeye’s return may warrant a separate review column (spoilers: it will!).

Uncanny-X-Men-24-cover-artUncanny X-men #24

Brian Michael Bendis/Kris Anka

Marvel, $3.99

A few weeks ago, Kris Anka spoke about this very issue of UXM on Pat Loika’s Loikamania podcast. During the podcast, Anka pointed out that there’s a moment that Emma Frost has a reaction that she’s only capable of having that was a delight to draw. I’m not saying that specific moment is worth the $4, but it’s easily the best 2 panels in this issue, so yeah, it really is the best reason to drop $4 on this book.

After what I felt was a phoned in issue from Brian Michael Bendis last time around, he and Anka deliver the goods with issue 24. The script is a vast important, as one of the promised SEKKKKRETTTSSS of Charles Xavier is relieved and it’s a massive one. Bendis actually hinted at it a few months ago over in All New X-men, and this reveal takes away the grossness of that scene, clearing things up nicely. You can tell Bendis has been influenced by the last 2 X-films, and what element from the films he chooses to incorporate should lead to some interesting stories.

The only thing that irks me about UXM #24 is the handling of Dazzler’s new ( and awesome) look. The motivation behind it last issue explains why she’s now all faux-hawked out, but there’s no explanation as to how she got a new costume, and there’s zero reaction from the other X-men she’s been hanging with. Considering it’s the focus of the cover, not addressing it at all is kind of a cop-out in my opinion. That being said, I’m glad to see thing improve all over this issue, and I’m excited for issue #25 and how the big reveal is going to play out.

portrait_incredible (4)Secret Avengers #6

Ales Kot/Michael Walsh/Matthew Wilson

Marvel, #3.99

Oh look, another Marvel book that double shipped this month, goodbye money.

Coming off of a relatively dark issue #5, issue 6 is a step back in the fun, action direction the earlier issue of Secret Avengers were. This incredibly dense issue sees an awesome Black Widow/Lady Bullseye rematch (and yes, the video game motif returns this time it’s fighting games), Hawkeye step up for Maria Hill, and most importantly, MODOK rocking a monocle.

Another beautiful issue under Michael Walsh and Matthew Wilson, writer Ales Kot does some really cool things with the narration boxes and editorial notes. They kinda break the 4th wall a bit, but it all makes sense once the issue wraps. I dug it a bunch, as it’s tricky technique that actually works here, given one of the characters involved.

I really feel bad for the creative team on Secret Avengers. It’s a really smart and fun book that doesn’t get enough hype for whatever reason. I urge anyone who digs Marvel’s quirkier tittles to give this book a chance. If you’re down won over by M.O.D.O.K. discussing sex with one of his minions, then I don’t know what to tell you.

Low_01-1Low #1

Rick Remender/Greg Tocchini

Image $3.99

The last time I read a story by Rick Remender & Greg Tocchini, it was a relatively underwhelming arc of Uncanny X-Force from a few years back. I always felt Tocchini was a little mismatched for the spandex world, and this debut issue of Low is proof of that.

Low is a gorgeous looking book that benefits from Tocchini inking and coloring his own art. It reminds me a lot of Sean Murphy on  The Wake in a way, given that their both heavy on the aquatic stuff,  but ultimately it’s a different type of beast all together. Both artists are heavy on the inks, but Tocchini’s style is smoother and cleaner overall. It reminds me a lot the Bioshock video game series in away, which is good, because I love those games.

Despite the relatively grim premise of the book, (Mankind is forced to live under the sea after the Sun goes supernova, and the search for a new planet to live on isn’t going well) our female lead Stel Caine is an eternal optimist determined to work everything out. Upbeat female leads is something Rick Remender hasn’t done at all in his creator owned books, and it’s a nice alternative from the usual grizzled and jaded male character that stars in his creator owned stuff. He’s caught some flack with his handling of female characters as of late, and it’s nice to see address them in the best manor possible: by creating great comics.

Low is off to a great start, continuing Remender’s creator owned hot streak at Image. It’s a beatiful looking book, and I hope this level of quality continues throughout the series.

 

 

 

 

 

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Troy’s Toy, but with Comics: Afterlife Saga

LAST WEEK’S LATE REVIEW:

Secret-Avengers-2014-5Secret Avengers #5

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

First and foremost, that cover is dope. Tradd Moore’s covers for this series have pretty top-notch so far, but when you toss in ammo crate in goat form with a Wolverine-fish, you get points in my book.

That being said, this book isn’t as light in tone as the cover suggests. There’s a murder mystery aboard the Helicarrier, and one of the Secret Avengers may be guilty. Also one of them may be getting a new super power while another one of them may be suffering from PTSD. There’s a ton of mistrust amongst the team, and this may not end well for S.H.I.E.L.D. once everything is said and done.

Issue 5 is particularly dark, but also incredibly smart. There’s a conversation between Maria Hill and M.O.D.O.K. that shows that Ales Kot isn’t afraid to draw parallels to the current state of the US Military and some of the ugliness that they can be capable of. It puts some blood on S.H.I.E.L.D.’s hand, making the organization a little more grey and grounded than it’s use to.

So yeah, this issue of Secret Avengers isn’t exactly a feel good issue, but it successfully builds tension and leads to interesting character interactions. Well worth the $4.

saga_21Saga #21

Brian K Vaughan/Fiona Staples

Image $2.99

Team Saga won a number of Eisners again this past Friday, much to the surprise of no one. Brian K Vaughan and Fiona Staples have yet to disappoint with this title,  and all acclaim given has definitely been earn.

That being said, this new issue of Saga isn’t the most upbeat of issues. There’s a great moment with Hazel, and some sexy times, but for the most part, it’s all building up for some bad stuff. BKV and Staples have been carefully building to an event spoken on the final page of the first chapter of this arc, driving us, the readers insane. The first hints were given last issue, and here they’re expanded up further, making the turning of each page each more dramatic. There’s also a new element tossed in, which is definitely not going to end well for our lead couple.

But like a car wreck on a highway or NASCAR racing event, you can’t help  but watch. It’s done so well, and we already know how it ends, and it’s going to be terrible. But again, BKV and Staples are on top of their games and the end product is craft so well.

Ultimately Saga continues to be great but, but ultimately one that’s going to send me to my grave early, weeeeeeeee!

 

Sabrina02Afterlife with Archie #6

Roberto Aguirre-Sacasa/Francesco Francavilla

Archie $2.99

Spoilers: This was not the happiest of weeks for comics

A lot of comics fall into the habit of being cliche and predictable. You can see the outcome early  in an arc, the status quo is maintained, no one ever stays dead, etc.

Afterlife with Archie is not that book. It is the book that plays a zombie outbreak in Riverdale straight and has lead to some amazing moments. This issue is a done in one focused on Sabrina, the teenage witch. Sabrina is partially responsible for this mess, has been exiled from our realm, and wakes up in a nice house with padded walls.

And the final 2 pages of this story is amazing. There’s a huge twist that’s definitely setting up something big down the road in AwA and Francesco Francavilla draws the hell out of it. And the twist itself is brilliant. You can kind of see it coming if you’re familiar with a partial horror writer, but  it doesn’t take away from the final reveal, especially with how good it looks.

There’s also a preview of a Sabrina solo book by Aguirre-Sacasa, which looks neat as well. It’s weird to see a spin off of a book that’s only six issues deep, but it makes sense once you read everything.

Afterlife with Archie continues to impress, and this is arguable the best looking comic of the year so far. Buy volume 1, and the pick up this issue immediately if you want to be caught up with one of the best horror books on the stands.

 

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Review: Seconds

51kMcl9F-rL._SX258_BO1,204,203,200_Seconds

Bryan Lee O’Malley

Ballantine Books, $25

 

Bryan Lee O’Malley’s Seconds is a difficult book to review. As a dude who gets paid to review comics, it’s sometimes hard to be critical and fair of the material from creators that you really dig. You have to separate the fan from the professional, and all that junk, or risk losing whatever credibility with have.

It’s also difficult to review Seconds because it’s really friggin good, and now I have to stretch that point out for 500 words without the end result sounding like an ad for the book.

Seconds is the Hayao Miyazaki movie for adults that I’ve always wanted. And note, I don’t mean it’s mature in the sense of violence, adult language and sexy time stuffs (although there is some of the cursing and sexy times). It’s very much a story that someone like myself who in his early 30s can appreciate and relate to.

secondsupdateThe story of Seconds is this, and I apologize in advance for some of the brief but potential light spoilers brought up ONLY in this paragraph. Our lead Kate Bish is a talented young chef on the cusp of 30. She has plans to open a new restaurant, but her world and plans are quickly rocked  by several different problems that spring up all at once. Kate’s offered a chance to fix these problems with access to time travel via a strange mushroom offered by a even stranger woman, but is given some rules to follow. Kate also immediately breaks these rules and that’s going to be a problem obviously.

10546680_488378454642240_696561942_nLet’s talk about O’Malley’s art first. Assisted by Jason Fischer and colored by Nathan Fairbairn, O’Malley’s style reminds me of a Super Nintendo era Japanese Role Playing game set in the world of Scott Pilgrim. That’s like several levels of references, I understand that, but honestly that’s the best way to describe it. That being said, the end results are beautiful, especially when O’Malley tries something different and goes full Miyazaki. There’s also some really strong horror manga moments to this book, which really work thanks to Fairbairn’s colors. This is my first time experiencing O’Malley’s interior work in color ( long side note: he’s done some Kieron Gillen/Jamie McKelvie comic covers in color that I’m aware of, but I’m skipping over the colored versions of Scott Pilgrim because $$$) and I’m really digging it. There’s a lot of use of the color red in this book, which I think is intentional and may have some deeper meaning, but I’m still trying to figure that out. Luckily, Seconds is the type of book that encourages re-reads, despite the plot being relatively straight forward and easy to understand.

seconds-preview2In terms of plot and dialogue, Seconds is also pretty great. The story, according to O’Malley on a Nerdist podcast, is heavily influenced by the film Inception, but it definitely stands on it own. The dialogue is also very natural, not unlike Scott Pilgrim before it, and is incredibly charming. Watching Kate development relationships with her cast is as delightful as her time traveling/altering misadventures, and ultimately makes her a more relatable lead.

Seconds is arguably one of the most, if not the most important comics released in 2014, and it’s something you can’t afford to miss. Bryan Lee O’Malley is easily one of the most talented people working in the medium today, and Seconds a fantastic read. I cannot recommend you reading this book soon enough.

 

 

 

 

 

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Troy’s Toys But With Comics: The Wicked + Doge

Before I start yakking about comics, I just wanted to say I also picked up Secret Avengers #5 this past week and dug it. But I’m saving the proper review for next week, as Saga’s the only book I’m picking up, and I would like to talk more than just one book.

 

detailMs. Marvel #6

G. Willow Wilson/Jacob Wyatt/Ian Herring

Marvel $2.99

Behold, the first use of the Doge meme in a Marvel Comic.

Jacob Wyatt swings by to lend a hand with the art this arc, where Ms. Marvel takes the fight to her new arch nemesis The Inventor. We get some answers as to WHY the Inventor is exactly is the way he is, and I could not be happier with the answers. Over the top super villains are my jam, and this is VERY much an over the top super villain which an insane origin.

Kamala also has her first big-time team up with a major Marvel hero, and responds in the most adorable fan girlish way possibly. For hints as to who this character is, buy the comic, or IDK, google the cover for issue #7. And without spoiling much, I like the reasons why said hero is here, and the chemistry written between the two of them is perfect. As is the such of said Doge meme, which is the most Reddit comment I could make.

Wyatt and series regulars G. Willow Wilson and Ian Herring continue this book’s hot streak, perfectly blending our heroes’ personal life with PUNCHING EVIL ALLIGATORS. Wyatt’s art is a little different from what we’re used to, but it’s still very expressive, with detailed backgrounds and very animated characters. It’s very much another indie/alt comic vibe that Marvel has been excelling at for the last couple of years. Herring’s color pallet keeps the book looking good as per usual, and Wilson’s script hits all the right notes, being equal parts charming, sincere and action packed.

I’m once again finding myself at a lose of words when it comes to finding new ways to praise Ms. Marvel and it’s creative team. It may end up surpassing Hawkeye and Superior Foes of Spider-Man as the best book Marvel puts out if it can continue to maintain this level of quality.

comics-the-wicked-and-the-divine-2-coverThe Wicked + the Divine #2

Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles

Image $3.50

WEEKLY CONFESSION: I was willing to wait for the first volume of Wic+Div to hit trade, as that’s what I did with Phonograms, but then Chip Zdarsky (Sex Criminals) went and did the variant covers for issue 2, so…..

And I’m glad I did! Issue 2 contains some AMAZING dialogue by Kieron Gillen that can’t help but make you fall in love with the cast. Luci (aka Lucifer) shines the brightest among the cast. There’s a scene in particular that takes place in a prison that contains some hilarious dialogue, and does a great job of fleshing out the character that’s justifies the $3.50. One of the reaosns it works so well is the fantastic art from Jamie McKelvie and Matthew Wilson, that’s up there with their Young Avengers stuff. There’s a few pages in the book where McKelive and Wlison experiment with colors and layout that are fresh and amazing looking, and I’m  glad to see them to continue to experiment and innovate with their styles.

But ultimately what wins me move over with this title is how refreshing and honest it is. It’s about people and gods in a terrible world doing things that they didn’t entirely think out, and will have to eventually answer for them. It’s fantastic, and the type of comics I’m not surprised is coming out from Image and this particular creative team.

uncx2013023-dc11-page-001-102321Uncanny X-men #23

Brian Michael Benid/Kris Anka

Marvel $3.99

This is going to sound harsh and a bit manchildish, but ugh, what a waste of Kris Anka.

Anyone who’s been reading this column for the last year can confirmed that I’m bee quite ‘BOUT Uncanny X-men as of late.  Brian Micahel Bendis and his art team have been  moving the story along quite nicely. But this issue man. Ugh.

And again, I place the blame entirely at Bendis’ feet. Anka’s art was great, especially the bit where Dazzler is having a mental breakdown in a bathroom. But this script is a mess. The cover implies that this is a Original Sin tie-in, and the solicit promises an earth shattering change to the X-men.

And despite Emma Frost actually appearing in the proper Original Sin book, there’s nothing that ties this is issue into it. And there’s no reveal of any sort regarding this will, except for a weak as hell cliffhanger. Instead we get the introduction of a new character complete with a cliche origin story, an extended She Hulk cameo and teasing some other mysteries without any resolve. It’s something that Bendis has been guilty of in the past and I find it quite irksome. I’m not saying the book has to be slavishly devoted to the solicitation, but c’mon, this was nearly a completely book than what we were promised.

So yeah, Uncanny looked better than it read. A shame, and hopefully something that will be fixed next issue.

 

 

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Troy’s Toys: Actually about Toys this time!

Hey look, I’m taking a break from screaming about comics books to scream about comic book toys! How fortunate for all of you, right?

1395362963_HAS23670Marvel Universe Infinite Figures

Wave 1 & 2

Hasbro, $11.99 each

I’d make a snarky comment that a infinite series of figures contains 5 reissues, but I’d like to think that I’m better than that. I’m not, but I enjoy lying to myself.

I’m not exactly sure why the MU  toyline has been rebranded, but I’m okay with this. Since the Legends line is hella expensive/focused on movie-related properties and character for the most part, I need a toy line decided to 616 stuffs. Which despite the numerous and outdated reissues ( Heroic Age Iron Man and  Steve Rogers haven’t appeared in those uniforms for over 2 years at this point in), the NEWER releases are really cool. The Marvel NOW! Hulk is arguably the best Hulk figure to be released in the 3.75″ scale, and it’s cool to see more female figures with good sculpts with the release of Red She Hulk and the Wasp. And if you want obscure comics-only character, Infinite Waves 1 and 2 give up Hyperion, Grim Reaper, Whirlwind and friggin Death’s Head! Kieron Gillen is a far more powerful mage than I thought. There’s also a  Eric Materson version of Thor, which is a cool little throwback to 80s/90s Marvel Comics.

marvel-avengers-universe-infinite-3-75-inch-action-figure-series-2-set-of-7-pre-order-ships-tbd-2014-6The reissues are as following: the aforementioned Cap and Iron Man, another classic Captain America, Beta Ray Bill, and Yellowjacket. 2 Caps being re-released makes sense in this, the year of the Winter Solider, but it’s nice to see Hasbro go a little more obscure with Bill and Yellowjacket. I’m also just happy that it’s just not another Wolverine figure. And most importantly we have Hank Pym and Janet available in the same scale for the first time in FOREVER.

In terms of quality, these 2 waves are really good looking and as possible as you’d expect MU figures to be. The important thing is that the female faces don’t look like total butt, because that’s what I care about when it comes to action figures apparently. And at least half of the figures come with an accessory of some sort, which is neat. Overall, I’m pleased with this selection, and eagerly await for wave 3, because Cyclops.

San-Diego-Comic-Con-2013-First-Look-DC-Comics-Greg-Capullo-Batman-Designer-Series-Action-Figures-Batman-Nightwing-TalonDC Comics Designer Figures Greg Capullo

Wave 1

DC Collectibles, $24.99

 

I’ll be honest, I could not even begin to tell you how many Batman figures are out there on the shelves today. DC, as well as Mattel, Square Enix, Lego and a few Japanese companies all have the rights to make Bat-merch. So as a result, I’ve lost count of what the fresh hell has been going on with these figures sometime back in early 2013.

That being said, I’m WELL aware of Greg Capullo‘s art on the ongoing Batman comic, and know that it is very much the business. So DC Collectibles making toys based on his work is a smart-ass move, because Capullo’s art translates into toy form quite well.

dc-comics-designer-series-1-greg-capullo-riddler-action-figure-pre-order-4The first wave (I believe 3 waves in total have been announced so far) consists of Batman, The Riddler, Talon and Nightwing. While the articulation is SLIGHTLY better than post DCC figures, they look a ton better than anything Mattel or Square’s released recently. Capullo’s a fantastic veteran artist, and this figures looked like they popped up from the pages of the comic. And I REALLY like the choice of packaging, as it looks super sharp and clean.

This is easily the best debut for a new line of DC Collectibles in some time. I’m eager to see more of the Capullo stuff get the plastic treatment, as well as other artists getting the spotlight. Hopefully it will expand past Batman titles at some point too.

 

 

 

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Troy’s Toys, but with Comics: All New, Superior Review Spread (also something about Dick Grayson)

What I want to do this week: Dedicate 500 words on how rad that new Batgirl design is.

What I’m going to do this week: Dedicate those words to reviewing comics. Consider yourselves lucky. :/

tumblr_inline_n7pxrxoy321qbujoxGrayson #1

Time Seeley/Tom King/Mikel Janin

DC Comics $2.99

I’ll be honest, 2/3rd of that final issue of Nightwing really had me worried about Grayson. The last chapter of that comic was promising, and luckily, that quality carried over to the first issue of this new series, which was an excellent debut.

Dick Grayson’s got a new gig as a spy for Spyral, whom you may remember from Grant Morrison‘s Batman Incorporated run. And if you don’t hey no worries, the organization gets a good introduction, so you really don’t need to read that (which you should) or Forever Evil (Thank God) to get the full story. He’s partnered with Helena Bertinelli (she was the Huntress pre new 52 kids!) and is set to retrieve a Meta Human Bio Weapon from another shady organization because that’s the type of thing you do when you’re a super hero spy I guess.

Like I said above, it’s a great book. Tim Seeley and Tom King‘s script is fun and clever, which is the type of thing you want from a spy book. And Mikel Janin has come a long way from when I last saw him on Justice League Dark, providing some really good looking pencils and ink for the book (colored nicely by Jeromy Cox). It’s a bright, clean and colorful book, which seems to be the polar opposite of most DC titles and their Jim Lee-inspired house style. With my concerns put to bed, I’m quite pleased with this issue and am excited for a DC ongoing for the first time in forever.

3886216-all-new_x-men_29_coverAll New X-men #29

Brian Micahel Bendis/Stuart Immonen/ Wade Von Grawbadger/ Marte Gracia

Marvel $3.99

80% of this book is really good. It’s fun, good looking, and a nice little ending to this current arc of All New X-men. But man, there’s some things involving time travel and mind control that are a tad hazy, and I’m not sure if it’s on Bendis or Immonen. It’s unfortunate, because there are plenty of cool moments from this comic, and it’s rare to see this creative team not synch up 100% all of time. Overall a great, read, it’s a shame it stumbles a bit towards the end.

Spread-01-cover-kyle-strahm-felipe-sobriero-530x815Spread #1

Justin Jordan/Kyle Strahm/Felipe Sobeiro

Image $3.50

The first issue of Spread does not shy away from it’s influences. Writer Justin Jordan name drops Mad Max on the letter’s page, and you can tell the team also drew influence from the legendary manga Lone Wolf and Cub, fellow Image mega-hit the Walking Dead, and maybe not intentionally, Marvel’s last Cable solo series. That being said it’s a great read that proudly wears it’s influences on it’s sleeve.

Kyle Strahm reminds me a lot of mangaka Tsutomu Nihei (Blame! and the new Netflix anime Knight of Sidonia) in terms of style. The world of blame is disgusting and brutal, and Strahm’s art hammers that point across quite efficiently. The Spread monsters are made of pure nightmares, and there’s several panels/pages that really made me do a double take at what I was looking at.

The Spread isn’t the most original comic on the stands this week, but if you’re in the mood for something fun and horror-related, you could do a lot worst. That may sound like faint praise, but I assure you, I dug the hell out of the book, and this may end up being Justin Jordan’s equivalent to Fear Agent in a few issue.

SMFOES2013013-cov-8ab5aThe Superior Foes of Spider-Man #13

Nick Spencer/Steve Lieber/Rachelle Rosenberg

Marvel $3.99

So by now everyone knows that I like my super hero books to have some humor in them. Grimmdark too-serious comics are not my thing, which is why I favor things like Hawkeye to the bulk of the DC Comics library. So it should go without saying that I loved this issue of SUP FOES.

That’s not to say that Superior Foes of Spider-Man #13 doesn’t have some more serious moments to it. There’s a cool action piece featuring the Shocker, and this issue’s cliffhanger is fairly dramatic. But said action piece is also chocked full of little one liners, ans there’s a bull in chinashop bit earlier in the issue that’s also great.

So yeah, another funny and exceptionally well crafted  issue by Spencer, Lieber, Rosenberg. Also look at that cover, it’s super villains cosplaying other super villains. If that’s not your jam, I don’t even want to know you.

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Review: Wolverine & The X-Men Volume 8

300px-Wolverine_and_the_X-Men_Vol_1_38Wolverine and the X-Men vol 8
Jason Aaron w/ Nick Bradshaw, Pepe Larraz, Todd Nauck and more
Marvel $14.99

Ever since Days of Future Past dropped a few weeks back, I’ve been reading a lot of older X-Men comics these days. The Chris Claremont era is considered by many as  the golden age of X-Men, and up until this summer, I had only read the Dark Phoenix Saga, Days of Future Past, and a bunch of stuff involving Arcade, because I’m the type of dude who likes Arcade. So I fired up the ol’ Marvel Digital App and decided to do some summer reading.

I’m definitely digging what Claremont, David Cockrum, John Byrne and Paul Smith have done with the X-Men and all the drama and high stake action that ensued. But there’s a lot fun and light hearted characters moments in those issues as well, which I really like. Which is why I think is one of the reasons I’ve really dug what Jason Aaron’s done on Wolverine and the X-Men.  Aaron’s chose to channel the more fun and insane of Claremont’s X-Men run, and it makes for a much more different and off beat type of X-Men that what I’m used to.

xmenDon’t get me wrong. The Grant Morrison run of New X-Men is still my favorite era of X-books, but that book was pretty dark most of the time. Unless your idea of fun is psychic affairs, which is only excusable if your name is Emma Frost. Which if it is, please contact me, I have about a dozen or so questions.  Aaron’s WaTXM was a book that wasn’t afraid to take chances, be it bring back and semi-redeem some terrible villains (terrible in the sense of both morality and quality!) or turn Wolverine into a clown in Frankenstein’s monster’s MURDER CIRCUS!

Also if you’re not down with a monster owning a Murder Circus, we can never be friends.

wolverine_3The  final volume of Aaron’s run tells 2 tales: the A plot involving the students of the Jean Grey Academy befriending two new students who are secretly spies reporting to Mystique. The B plot involves Wolverine investing the idea of SHIELD producing mutant hunting Sentinels, which brings him face to face with Cyclops, whom he hasn’t been on the best of terms with in forever, despite the fact that CYCLOPS WAS RIGHT! #biased. In addition to those stories, Aaron wraps up a few other lingering plot lines of the junior X-Men graduate into full fledge X-Men, in a cute story that MORE IMPORTANTLY involves Doop vs Nazi Bees. Or and there’s an Infinity tie in annual starring Kid Gladiator drawn by Nick Bradshaw that a fun done in one that really showcases how in sync theses 2 creators are with each other. Plus Kid Glad has run ins with Bruce Banner and Thor, which goes as exactly as you would hope it would.

Aaron’s scripts are also blessed by some fantastic artists in this final volume. The aforementioned Nick Bradshaw and Chris Bachalo swing by to draw a few pages, as do other returning artists like Ramon Perez and Tim Townsend, but the bulk of this trade is drawn by Pepe Larraz. Larraz’s art reminds me a lot of Alan Davis, only a little more looser and raw. I’m excited to see what he’s capable of in the future with more experience.

wolverine_xmen_1Since Aaron’s departure, Wolverine and the X-men was relaunched under Jason Latour, who’s working with Aaron on “Southern Bastards” for Image. Aside from writing that book, Aaron is still working on Thor: God of Thunder, the Original Sin maxi-event, and recently wrapped up his time with the X-men with the first arc of Amazing X-Men. I haven’t read the new series yeah, but Aaron’s going to be a hard act to follow up on. His run on Wolverine and the X-men was strange and wonderful, and Volume 8 is really a celebration of that. I’m hoping we get to see this side of Jason Aaron again sometime down the road.

 

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Troy’s Toys, but With Comics: Rocket Reviews

 

000_4318.jpeg.square-true_maxheight-285_size-285 STK644226Legendary Star Lord/Rocket Raccoon #1

Sam Humphries/Paco Diaz (LSL)/ Skottie Young (RR)

Marvel $3.99 each

In case you somehow missed it, or are still in denial (which yo, I GET), Marvel/Disney has a Guardians of the Galaxy movie coming out next month. This usually results in a title reboot, but since the proper GOTG book is only 2 years old, Marvel has decided to go the always questionable spin off route, and give both Peter Quill & Rocket Raccoon books. And given the fact that Rocket Racoon’s preorder numbers were somewhere in the 300k range (100k from Loot Crate), that was an incredible smart move by Marvel.

And what’s the most surprisingly about these titles is how great they are while being so incredibly different. The Legendary Starlord is easily the best Han Solo comic on the market, (sorry not sorry Firefly) until Marvel puts out a proper Han Solo book next year, and Rocket is space adventure under a Chuck Jones filter, (if Daffy Duck was a raccoon that murdered people). Both are great debuts, which is no surprise given the talent involved.

Skottie Young, who’s finally on everyone’s radar thanks to those Young aka Baby Variants that Marvel’s been putting out over the last 2.5 years, is a fantastic fit for Rocket Raccoon. The script is fun, and it’s nice to see Young get a chance to flex his writing muscles for a chance, as the results are very much what I wanted. It’s a super-cartoony looking book, which only proves how diverse and wonderful Marvel’s current crop of artists are, as Rocket #1 ends up being a species swapped Scott Pilgrim of sorts. It’s very loosely tied into the current events of GOTG, making it perfect for new readers not reading Bendis’ book. As far as debuts go,  Rocket’s up there with Ms Marvel with Marvel’s most accessible and fun book launched in 2014.

The Legendary Starlord, by the talented team of Sam Humphries and Paco Diaz, is a little more  rooted in current Marvel continuity, and looks more like a traditional Marvel book, but isn’t any less enjoyable. Humphries’ dialogue is slick, and he balances action, humor and Quill’s tragic past quite nicely. Diaz’s art is slick and clean, making it look a gorgeous looking book. Hopefully Sam and Paco will stick around on this title for awhile, because this take on Starlord is off to a great start.

 

Both Rocket and Starlord are super fun books that are accessible and worth checking out if you’re looking for some fun books to add to your pull list.

 

Woods_003_coverA-620x400The Woods #3

James Tynion IV/ Michael Dialynas

Boom!, $3.99

If case you missed it, I really liked the second issue of the Woods, but found it heavy on the tropes. Luckily, that’s not the case for issue 2.

Issue 3 is very much more in the vein of the 1st issue, which makes for a happy Chris. There’s some horrifying visuals, one involving a weird growth that has more or less confirmed my belief that nature is evil. There’s more character growth that’s shown by actions and not spelled out for the reader which I appreciate. Oh and more Space Bears, which is VERY important to me.

It’s the type of horror comic I want to be reading at the moment, which is a credit to Tynion, Dialynas and BOOM!. The cast is likeable (well most of them at least), the hook is solid, and it looks and reads great. There’s some brutal stuff in it, but nothing that turns me off from reading it. And some really weird things that make sense, given how gonzo the premise is. The Woods is the type of book I expect from Image, but am glad to see a company like BOOM put out. More awesome creator owned books by different publishers is always good for comics.

 

 

 

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