Category: Christopher Troy

Copra_RoundOneCover_LargeCOPRA Round 1

Michel Fiffe

Bergen Street Press $19.99

Fuck, and Yes.

Every so often a book hits the stands and comics internet blows up. It’s impossible to find in print, so you usually have to either hit up Comixology or wait for the trade and get it that way. See Saga, Sex Criminals, the Walking Dead, basically any “IT” Marvel, DC or Image book that’s dropped over the last 2 years. It’s convient and helps put the book in people’s hands.

copraprev04But that’s not the case today. Not every book has that sort of corporate backing. Some dudes are so DYI you can only buy it at one retailer, or in this case, one retailer and Etsy, because everything from the writing to the actual assembling of the book is handled by one dude.

That book is Copra, by Michel Fiffe. You may remember Fiffe’s name from Marvel’s crazy good All New Ultimates title, but Copra is the book that got everything started for the creator. It’s a parody/homage of the John Ostrander-era Suicide Squad book from DC, where no character was safe and anything could happen. It’s a “Super Hero Revenge” story that was nearly impossible to get your hands on over the last few years, unless you were willing to drop $36 dollars on reprinted compendiums from Bergen Street Comic‘s website, Fiffe’s Etsy store, and if you here on the right day, Forbidden Planet NYC.

At first, Copra may not sound like anything special. The elevator pitch makes the book sound like a cross between the Andy Diggle/Jock reimagining of The Losers and the aforementioned Suicide Squad. And while yes, it does feel very similar to those books (intentionally) as well as several other Marvel and DC characters both popular and obscure, it’s still a VERY good story, and arguably one of the best comics to come out in recent history.

copra01 While the plot is very by the numbers (team of government sponsored bad guys are betrayed by one of their own, now they’re wanted and seek revenge), the execution is everything but not. Fiffe channels some very early Frank Miller with his art, which is impressive considering Miller had some very talented people backing him up. Again, Fiffe handles everything by himself, and does some really neat things with layouts, coloring and inks, resulting is some cool 3d effects and ink-washed explosions. Copra has a very cool old school vibe to it, and it a very impressive tribute to the 80s comic scene.

copra-1-action-sequenceAnd because it’s a dedicated letter to one of the best runs of a DC comics, there’s plenty of cool nods that fans of the Suicide Squad will pick up on. There’s some obvious homages to big-name characters like Deadshot and Amanda Waller,  but then you have some more obscure ones like Dr. Light and Duchess. And in true Suicide Squad fashion, the lot of them get murdered within the 6 issues collected here, so don’t get too attached to any of them.

As someone who’s loved both the classic Suicide Squad run, as well as it’s spiritual sequel in the form of Gail Simone‘s Secret Six, I can’t recommend Copra enough to anyone who digs ultra violent action comics. It’s so indie it hurts, but in a good way. Everything from the binding to the paper choice is charming, and it’s really something special, and completely trippy. It’s easily the best 20 bucks you can spend at the store, assuming you can find a copy.

 

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Troy’s Toys But with Comics: ALL HAIL THE HYPNO SLOTH!

Hey FPNYC faithful, before we go into this week’s round of reviews, I just wanted to point out that The Wicked + The Divine #5 also dropped this past Wednesday and it is super great. I’ll probably go back a look at the first five issues as a whole once the trade drops next month, so y’all can look forward to that I guess.

 

portrait_incredibleSecret Avengers #9

Ales Kot, Micahel Walsh, Matthew Wilson

Marvel $3.99

This issue has Hawkeye and Deadpool fight an Eco-Terrorist version of the Ultimate Warrior and an All Star Superman parody featuring MODOK. It’s a Nextwave appearance short of being everything I want from a Marvel comic.

 

Secret Avengers continues to be a weird sci-fi spy comic who’s jokes aren’t afraid to punch up. It takes some weird chances, not giving the reader a dumbed down product, and it’s all the better for it. Weird things happen for a reason, and while the answers to certain questions always doesn’t come immediately, when they are addressed it’s a win for readers. Ales Kot is a smart dude who balances a ton of different type of storytelling elements well, & Michael Walsh and Matthew Wilson continue to amaze on visuals, especially with the last few pages, mixing some serious strangeness with some great character work and expressions. Not to mention doing some cool David Aja-esque panel breakdowns revolving around Hawkeye shooting off some arrows.

There’s also no less than 3 pin up pages in this book, something unusual for Secret Avengers. As someone who’s read comics in the 90s, it’s really hard for me to be impressed by that sort of thing, but seeing how they’ve been used so sparingly before in SA, the get the desired effect in issue #9. They’re all bold, mostly dialogue free, and contain really striking imagery. Props to the creative team for doing that sort of thing right.

Secret Avengers is basically more of the same. The same being a smart, engaging, weird and hilarious book that has Tradd Moore  and Wilson  some fantastic work on the covers every month. It’s also worth nothing that the first 6 issues are now available in trade, so if you wanted to jump on the book, now’s the time to do so.

 

 memetic1Memetic #1

James Tynion IV/Eryk Donovan

BOOM! Studios/ $4.99

A few months back, (possibly around San Diego Comic Con time) Boom send out an image of the Good Times Sloth, with little to no context. I remember being excited to find out what the deal was with said GT sloth, and then promptly forgot about it because that is how I roll.

 

However, a recent interview with the creative team on Comics Alliance reminded me of said sloth and learned me good of it’s origins (bad grammar was intentional BTW), and I was instantly hook on it’s origins and the book it would be appearing it. The book is called Memetic, and holy hell, is the a really good horror book.

 

For all of you not in the know, Memetic’s plot is as such: The Good Time Sloth image goes viral on the internet, setting all sorts of records and becomes a global phenomenon. Oh and then drives anyone who looks at it insane, and brings about the apocalypse. The book starts off 3 days into the end of times, and then jumps back to the beginning of the outbreak, just as the meme go viral and shit goes down.

It’s the type of high concept horror that made me a fan of James Tylon IV’s work earlier this year. His work on The Woods, Tylon’s OTHER BOOM horror book, was my proper introduction to his creator owned work, and Memetic’s double sized review is as good, if not better than that book. The concept is unique and fresh, the world building and character development is believable, and the social commentary is smart, but not pandering.

In addition to the a great script, Memetic looks fantastic. Erik Donovan style is sketchy and exaggerated, but considering the story revolves around a meme bringing about the end of the world, it makes sense. It actually reminds me a lot of Axe Cop’s creator Ethan Nicolle’sstyle, just a little bit looser. Adam Guzowski‘s colors are also great, as they can shift from dark to bright with no problem.

This 3 issue mini series does look like it’s going to end well, and I’m thrilled to be able to read it. Between this and Wytches, it’s been a great month for horror comics from non big-2 publishers.

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Troy’s Toys But With Comics: Of Foes and X-Men

The_Superior_Foes_of_Spider-Man_Vol_1_16_TextlessSuperior Foes Of Spider-Man #16

Nick Spencer/Steve Lieber/Rachelle Rosenberg

Marvel $3.99

It’s funny. I’ve been lamenting over the fact that SUP FOES is ending for months, but if this issue was the last one, I’ld be strangely okay with that.

It’s certainly not something I’m saying based on the book’s quality. Oh no, this issue is great, successfully capturing everything I love about this book in 20 pages. It’s more the fact that one of the Foes gets a win, and Nick Spencer and Steve Lieber have made this character so likable, you  cant help but be happy for them. Is this was the final issue Id be 1000% okay with that, despite the fact that said character has done some truly terrible things over the course of the series and would get getting away with a lot.

 

Of course, there’s an issue left and there’s still plenty of things that can go wrong. Spencer, Lieber and colorist Racelle Rosenberg introduce a number of elements that can still come back and bite this character in the ass. 2 of them justified, 1 of them a surprise of sorts, but great and welcomed none the less. Also given the fact that we’ve yet to see a proper appearance from Spider-Man himself in this book, I wouldn’t be surprised if he were too show up in the final issue.

 

But enough with speculation. This issue, much like every other issue of this series is great. The humor is second to none, and the return of a gag from a previous issue is just as funny this time around. The action piece when the poop the hands is surprisingly brutal, but successfully maintains the tone of the book. And then there’s ending. Smart, kinda cruel, but perfectly in line with the character’s actions. And you may find yourself wanting said character to get away with it, but we all know he won’t. It’s bittersweet in a way, but also something he’ll deserve.

 

There’s no question in my mind that this book will stick it’s landing. The real question is HOW it’s going to all go down, and if any of the Sinister Five are going to get away with it. I’m very excited to see it all plays out, and welcome this book’s end.

 

 

background (2)Uncanny X-Men #27

 Brian Michael Bendis/Chris Bachalo/ Tim Townsend

Marvel $3.99

Between the change in colorists that goes down halfway through this book and the most cliché of bad things to happen to S.H.I.E.L.D., I should by all means dislike this issue of Uncanny X-Men. However, even with those 2 massive flaws, this comic is really solid, continuing the book’s hot streak for nearly an entire year.

 

While Kris Anka has done great things with this book recently, Chris Bachalo is a perfect for Brian Michael Bendis’ script. Bendis writes a big action piece for this issue and crams a ton of characters into it, catering to Bachalo’s strengths. The end result shows just how in sync these 2 creators are, which works out in the reader’s favor.

 

Given the fact that he’s heavily featured on the beautiful illustrated cover, it comes as no surprise that Cyclops plays a big role in this issue (in addition to another X-man who definitely deserves more screen time) Bendis continues to handle the character well, although his intention at the end raise some questions. It’s the sort of drama the X-men became famous for in the 80s, with a hint of modern flair. It’s something I’m all about.

 

While Im less than thrilled that this arc proably stil has another chapter or two left before it’s over, I’m enjoying the ride. Uncanny X-men is far from perfect, but it’s definitely a fun read.

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Troy’s Toys But with Comics: Late, yet again.

Belated post once again, this time due to NYCC. Con was great, and I saw many a fine folk. Last week was also a really great week for comics too, but I’m only going to highlight 2 of them today, because they are arguably the most important. I’m sure Sex Criminals will be fine.

 

586cfd30a87203654de3e206e1093d7dBatgirl #36

Brenden Fletcher/Cameron Stewart/Babs Tarr

DC $2.99

::: Cut and pastes last week’s Gotham Academy review, changes a few names, call it a day :::

So yeah, despite there being no shortage of dope comics released this year, THIS is the book I wanted more than anything after it was announced. Barbara Gordon is my number 1 with a bullet favorite DC character, and I haven’t been excited for the character in quite some time. No offense Gail Simone, you’re still rad.

But man, that Cameron Stewart/Babs Tarr new costume effect. Stewart’s drawn many a fine comic in his career, and Tarr has been one of my favorite people since I met her at Heroescon this PAST summer. And that new costume is all sorts of dope, which btw if you’re paying attention DC Collectibles, new Babs figure ASAP. A statue is fine as well.

So yeah, I went into this book a little excited. And much like Gotham Academy before it, it exceeded my expectations. Tarr, Stewart and Brenden Fletcher crafted a comic that felt like the sort of book the new 52 should have been in the first place. It’s refreshingly modern, in both tone and style. Burnisde may be a Gotham-stand in for Portland or North Brooklyn but its the plot that really make this book stand out. Not too many mainstream comics are willing to tackle revenge porn and privacy invasion, but team Batgirl 2k14 do so, and kick it straight in the face.

Batgirl is another example of DC actually getting it. Gotham Academy is a great book, but Batgirl is an A list character that non-comics people are familiar. This is the type of book that should be an entry gate to DC Comics/Comics in general, and it’s off to a damn good start.

 

WYTCHES_webWytches #1

Scott Sndyer/Jock

Image $2.99

(Somehow) it is October, which means SPOOKY comics are a plenty this month. Oh and hilariously named donuts like “Boston Screme”. Both are things that I like, but only the former involves the talents of creators Scott Snyder & Jockat least as far as I know.

The pair released Wytches last week, and the hype for that book was nearly comparable to Barbara Gordon’a new look. Snyder may be sitting on top of the comics world due to Batman ( rightfully so mind you), but Wytches serves as a reminder on how well this dude does horror. The first few pages of this book are horrific, which is something I imagine one would want from a spooky-scary comic.

And then there’s Jock. Easily one of the most interesting and talented artists working in comics today, Jock’s art is phenomenal in this debut. Paired with colorist extraordinar Matt Hollingsworth, the pair set the tone of the book perfectly. The book looks great when the characters are suffering the most, which I know makes me sound like a sociopath, but it’s true. It’s a great looking book featuring terrible things happening to questionable people.

I also really like the hook for Wytches. Said Witches are far from the black hat/cat cauldron troupe, and are hardly the worst thing in the book. I refuse to say more due to fear of spoilers, but Snyder/Jock/Hollingsworth have something special going on in this book. Wytches does for witches what The Wake did for mermaids.

Wytches is off to an impressive start, and has me rethinking my pull list in order for me to buy it monthly. It’s a stellar debut, something Image has become notorious for, and it’s great to see one of the industry’s biggest name flex his horror muscles again with a fantastic art team.

 

 

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Troy’s Toys, but with Comics: Of Spies and School

It’s a DC heavy week you guys, the first time since…well I think ever. Making history y’all.

STK652755Gotham Academy #1

Becky Cloonan/ Brenden Fletcher/Karl Kerschl/Geyser/Dave McCaig

DC $2.99

Holy cats, that’s a lot of creators.

The minute Gotham Academy was announced a few month ago, I was instantly BOUT this book. As someone who enjoys quirky books about TEENS in weird schools somehow related to Superheroes (see Wolverine and the X-men), G-Academy sounded like the type of book that I needed from DC. It’s a fun and well crafted all-ages book by a bunch of underrated talents telling the types of stories usually not associated with Batman. I went into this book with high expectations (Expect to read this description again next week when Batgirl #35 drops by the way), which were met in some of the best ways possible.

 

First and foremost, this book is gorgeous. I’ve never seen art by Karl Kerschl that I didn’t like, so the good looking visuals didn’t exactly come as a surprise. But the colors by Geyser and Dave McCaig really complete the visual experience. I’m not used to seeing this side of Gotham, given how bright and colorful this book is, but it somehow fits into the larger Batman Universe without any problems. The visuals remind me a of very stylized hand drawn Disney film, with very bright and expressive characters against detailed and gorgeous background. There’s an brief action piece at the end of the book that looks gorgeous, quickly shifting from a tight dark environment to a bright, colorful environment. I can’t even begin to describe how refreshing this book is on a artistic level.

And while I can’t desrcibe how pretty the pictures in this funny book are, I can sing the praises of the writers Becky Cloonan and Brendan Fletcher! I’ve been a fan of Cloonan for years, and really enjoyed a number of her past works, so seeing her and Fletcher (whom I only know from Twitter sadly) launch a new book in the proper DCU got me excited. And they cam through, introducing a bunch of awesome new characters, dropping some interesting mysterious and carving out a nice littler corner for themselves in Gotham.

With  female-written books like Lumberjanes and Ms Marvel becoming break out hits, it’s nice to see DC do something to appeal to the female audience and succeed for all the right reasons. Gotham Academy is a delight, and it’s the type of comic that makes me appreciate what the medium is capable of.

 

GRAY_Cv3_53bd7c6b2566a1.03372938Grayson #3

Tom King/Tim Seeley/Mikel Janin/Jeromy Cox

DC Comics $2.99

 Now that we’re done with crossovers and gimmick covers month, we’re back on track to addressing the fact that the former Nightwing is now a spy. Which means a member of the Bat-family has to get familiar with a gun, something very un-Batman like. Needless to say, drama ensues in Grayson #3.

In less capable hands, this book would have been a hot mess. Justifying gun violence in today’s society isn’t exactly the easiest job in the world, but writers Tim Seeley and  Tom King deliver a script that addresses that problem head on, and the results are great for the reader and bad for our hero.

 

This month’s “monster of the week” is also insane in the best sort of way. Grayson tends to riff/channel some Grant Morrison-type weirdness, but in the best sorts of way. I’m not sure if the insanity revolving around the villiain’s gimmick was intentionally over the top, but I certain think it is and enjoyed it. In addition to that, we actually get to see some other Spyral agent, expanding Dick’s cast a bit. Artist Mikel Janin’s art is perfect for this book, as he can adept at capturing both the sexier and weirder sides of this book incredibly well. Much like the writers, his in an important part of this comic, and the book is all the better because of his presence.

 

Grayson is a surprisingly smart and deep book that does a lot of different things right. It’s a little bit of high-octaine action mixed with some intrigue, with a dash of sexiness met with genuine human interactions. There’s even some room for debate that Dick’s constant flirting and making kissy faces with the ladies makes up for the void in his life formerly occupied by his Bat-family. Regardless if you buy into that or not, at the end of the day Grayson is an incredibly well crafted comic that shows just how well the comics coming out of the Bat-offices are these days.

 

 

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Daily Remender Part 1: Deadly Class volume 1

deadlyDeadly Class Volume 1

Rick Remender/Wes Craig/ Lee Loughridge

Image $9.99

For my birthday this year, my wife (he said in a dated Borat voice) ordered me a bunch of trades off of my Amazon wish list. My TPBs backlog is already about several comics deep and includes an X-men omnibus I should probably get around to reading, but the gifts were welcomed none the less, because comics are GREAT. I had a flight to Atlanta recently, so grabbing a few birthday  trades to read on the flight sounded like a great plan. It was by the way, go team me.

8263bf56731f11c8f22dcbd7a86add62One of the trades was the first volume of Deadly Class by Rick Remender and Wes Craig. I’m a fan of Remender, who’s personally sold me a bunch of creator own series that I really dug in the past. I somehow missed Deadly Class when it dropped initially, probably due to like 500 Image #1s dropping with a ton of hype surrounding them this year alone. All I know was that the early buzz for this series was good, so it ended up on my Amazon wish list.

 

 

 

deadly-class-cliquesAnd now that I’ve read it, I can see why Deadly Class got all that comics internet hype, and can agree that it deserves it. While the concept reminds me a lot of Jimmie Robinson’s Five Weapons ( Both heavily feature schools for assassins ), Deadly Class is a more mature & “realistic” take on the concept,  and one that uses the 1980s as a backdrop. It’a a period piece of sorts, “steeped in the music and pop culture of that time” according to David Lapham in the foreword. The quickest way to summarize the plot is that in 1987 our homeless lead Marcus Lopez is invited to join the Kings Dominion Atelier of the Deadly Arts (takes a breath). It’s a high school that bunch of bad people around the world send their childrens to in order to train them to become assassins. Which is fine for Marcus, as he has his mind set on revenge for the man responsible for the death  of his parents. Oh and his past is coming for him, as he was kinda a dick prior to the beginning of the series and now it’s  back to haunt him. Luckily for Marcus, he makes a bunch of new friends all representing various 80s cliches and stereotypes. I kid, having a multi-racial cast is nice, especially with a lead who’s not another sad white kid.

Deadly-Class-1-Two-PageThe first thing I want to point out about this book is how great it looks. This is (probably) the first time I’ve exposed to Wes Craig‘s art and it reminds me a lot of what David Aja‘s work over on Hawkeye (with shades of Frank Miller and Paul Pope as well) . That probably has something to with colorist Lee Loughridge’s flat colors plaette being so similar to Matt Hollingsworth’s work. Which I’m 1000% okay with. The final product is incredible, thanks to Craig’s non- traditional layouts and simplistic but stylized characters. And the colors do end up adding a lot to it, especially when it comes to a few fights scenes, a flashback and most importantly an acid trip. The choice to use flat colors was wise, and I’m glad to see it being used so well in this book.

Deadly-Class-04-01I also really like how dedicated Remender and Craig are to ensure this book looks and feels era appropriate. From everything from sports and political references, as well as the fashion, the book really captures the looks and sound of the 80s well, without out it being to over the top or cheesey.

And what ultimately sold me on this trade was the type of emotion Remender poured into it. The book definitely has elements of his upbringing in it, but not in an autobiographical sort of way, unless Remender is an assassin with the oddest day job. The book feels more genuine, despite it’s ultra violent premise, and the characters feel incredible fleshed out. It’s like Kick Ass in a way, where it’s the type of thing that could happen, but without being a terrible and offensive comic.

I may be bit biased towards Deadly Class, since I’m genuinely a big fan of Remender’s work. But I had zero exceptions of this book going into it and I ended up loving it. It’s arguably he’s strongest creator owned work since Fear Agent, and I wish I read more of Wes Craig’s work prior to this trade. If you don’t mind some ultra violence and adult language, it’s definitely a book worth your time.

 

 

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Troy’s Toys, but with Comics: So many things

Before I start screaming about this month’s issue of Saga, I just wanted to give y’all (all 3 of you) a head’s up with what to expect over the next few weeks. Aside from weekly reviews, expect to see a few advanced reviews, a NYCC preview, and hopefully a toy review or two in the coming weeks. I’m excited to share all of this with you the reader, because I like to talk about some (hopefully) cool shit.

Saga-23-90332Saga #23

Brian K Vaughan/Fiona Staples

Image $2.99

SPOILER WARNINGS: HEAVY SPOILERS IN THIS REVIEW BE WARNED.

First off, I just wanted to say how much I dig the use of yellow on the front, back and interior covers of this book. It looks really sharp and stands out a lot. Aside from being a well crafted comic, Saga is also a brilliantly designed book, something I appreciate bunches.

So if you’re caught up with this book (HERE COME THE SPOILERS Y’ALL), Brain K Vaughan and Fiona Staples have been teasing the split up of our leads for the last few months. Ever since the announcement via narration, they’ve been dropping a ton of hints of how it was going to go down, killing me slowly. Well this is the issue that is goes down, and when it looks something we’ve been expecting to happen to go down…

Vaughan and Staples pull a 360.

The split still happens I’m sad to say. But not in a way you’re (probably) expecting. And it hurts, believe you me, but the bait and switch does leave some hope. It’s brilliant, as we see why Vaughan used certain words in the way he did. And then the ending hits and we’re given something that’s been building since issue one. It’s an awesome ending that sets the stage of this volume’s end next month all to well.

And while BKV delivers top notch dialogue, Fiona Staples continues to show why she’s won a bunch of awards for this book. The body language, page and panel composition, the colors, the facial expressions-EVERYTHING-is done for a reasons and executed flawlessly. It’s fantastic.

It’s no surprise that Saga #23 delivers. Every issue of has Saga has delivered so far, so why would things be any different this month. It’s HOW the book delivers that makes it stand apart from previous installments of the book. Another flawless installment by arguably the only  perfect comic series on the stand today, I cannot stress enough how great this book is.

 

ENDS OF SPOILERS DON’T WORRY YOU CAN READ THE REST OF THE COLUMN!

background (1)Secret Avengers #8

Ales Kot/Micahel Walsh/ Matthew Wilson

Marvel $3.99

SHAMELESS PLUG: This book’s writer (Ales Kot) will be signing his new Marvel title (Bucky Barnes: The Winter Soldier) at the store this Wednesday at 6pm. You should probably swing by and tell him how much you love his work and buy a bunch of his comics.

So yeah, in case the cover didn’t tip you off, it’s a MODOK heavy issue of Secret Avengers, one that fills in some gaps between the previous series and this one. It also reveals some answers to questions raised in the first seven issues of this book, reveals some cosmic horror and has some genuinely laugh out loud moments (especially with that last page).

Something I like about this title is how weird it can be at times without pointing it out. Ales Kot, Michael Walsh and Matthew Wilson (who’s does some amazing things with colors this months) blend espionage with humor and some really gonzo elements of the Marvel Universe that remind you that this is a spy comic that takes place in a world of spandex wearing heroes. It’s not afraid to not take itself seriously at times, and look great while doing so.

Secret Avengers is a book that feels like Warren Ellis and Jim Steranko tackled a Avengers book set in the movie’s continuity but were given free range to do whatever they wanted. The end results are as equally bizarre as they are amazing.

 

 

 

 

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Troy’s Toys but with Comics: Girls and their dogs

ms-marvel-8-cover1Ms. Marvel #8

G. Willow Wilson/Adrian Alphona/Ian Herring

Marvel $2.99

Look at that cover. It is a cover that is made of 100% pure joy, as well as paper and probably some chemicals.

Ms. Marvel has been a delight since day 1, but issue 8 may just be my favorite issue to date. As you can tell from the cover, Lockjaw of the Inhumans shows up, possibly in the most amazing and adorable fashion. Which I think is ultimately why I liked this issue so much, because it is the cutest thing to ever cute a cute. G Willow Wilson has done a lot to make Kamala not a stereotypical teenage girl character, so seeing the new Ms Marvel actually go head over feet for her new pet is more of a delight than it is insulting. Her Ms Marvel is a character that’s very 3 dimensional, so seeing her a different side of her every so often is fun.

Issue 8 also sees the return of artist Adrian Alphona, who absolutely owns his return. The book’s art certainly didn’t suffer during his break, especially with master colorist Ian Herring on colors but Alphona’s style is unique, so having him back just feels right. And we as readers are rewarded to some great art that’s beautifully weird, and packed full of small details and hidden jokes. It’s also great to see how Adrian illustrates the use of Ms Marvel’s powers, leading to some cool and hilarious visuals.

Ms Marvel continues to be one of the best books on the stands today, and it’s mostly due to the level of talent and dedication the creative team brings to this book. From cover to cover, the book is a refreshing alternative to most super hero books and is a ton of fun.

hawkeye-020-001Hawkeye #20

Matt Fraction/Annie Wu. Matt Hollingsworth

Marvel $3.99

:( :( :(

With the release of issue 20, we only have 2 issues of Hawkeye left. I am the saddest of Chris’ over this fact. The 3 sad faces above prove that.

Issue 20 is artist Annie Wu‘s final issue on the series, and ultimately wraps up Kate Bishop’s California adventure. A lot of questions are resolved and a few reveals are had, making for a satisfying, but not necessarily the happiest of endings.

While the book is a bit of a downer at times, the creators do a fantastic job on this comic. Annie Wu’s art is super expressive, and the range of emotions she can put into her characters and environments is impressive. Poor Kate Bishop takes a beating in this issue, and Wu does a bang up job of showing it, with some nasty bruises, bandages and messed up hair. But her Hawkeye is a warrior, and the final 2 pages show how much of a bad ass Katie-Kate can be when push comes to shove. Matt Hollingsworth’s colors really do Annie Wu pencils justice, mixing a lot of bright colors you’d associate with California with the traditional Hawkeye purple. It’s the same flat coloring style you see when David Aja is drawing the book, but it’s different enough to compliment Annie Wu’s style in all the right ways.

Matt Fraction‘s script of course brings the entire package together. His dialogue is sharp,  the reveals he drops land and nothing feels out of place. It’s impressive to see how much he got out of Kate’s “new” supporting cast in such a brief period of time spent with them, but they all feel so fleshed out. And his Kate also remains a fun character that you can help but cheer for, especially when some of the shit hits the fans. He’s done wonders for the character, and I consider him the definitive voice of Kate, despite having nothing to do with her creation.

With this and Superior Foes of Spider-Man wrapping up soon, I’m really bummed to see 2 of my favorite books come to an end. However much like SUP FOES, Hawkeye’s ending seems like it’s coming to a natural ending point, and I’m sure the creators will stick the landing. The Kate Bishop California adventure does suffer a bit due to countless delays, but ultimately it does it’s job of ending one story and setting up the final story. I don’t want this book to end y’all, but I’m eager to see what Fraction, Hollingsworth and David Aja do with the final 2 issues after this issue.

 

 

 

 

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Troy’s Toys But with Comics Big Week part 2!

Here we have the more “Affordable” $3 and $4 books. Insert back in my day rant here.

53ea63633a61fLegendary Star-Lord #3

Sam Humphries, Paco Medina, Juan Vlasco, David Curiel

Marvel, $3.99

Light Spoiler Warning: Kitty Pryde appears in a banana suit in this comic. 10/10, Book of the Month.

I’m not sure how much access Sam Humphries had to James Gunn’s GOTG script before the movie and this comic launched, but I would not be surprised if you told me he knew everything about the movie’s plot before writing this book. This Star Lord feels a lot like the movie version, only with an updated taste in music.

This third issue of GOTG is a hoot. It’s a nice little done and one that expands Quill’s support cast, and undoubtedly plans a seed or 2 for future stories. Paco Diaz, Juan Vlasco and David Curiel still continue to deliver month after month, making this book look as good as it deserves to. Legendary Star Lord is a ton of fun, and I’m glad the success of the Guardians movie allowed this book to happen.

GalleryFuturesEnd_1900x900_GRAYFE_Cv1_A_53763827398858.73816675Grayson: Future’s End #1

Tom King/Tim Seeley/Stephen Mooney

DC, $2.99/$3.99

On paper I should hate this comic. The art is barely serviceable, it’s a tie-in to an event book/weekly series I’m not reading, and it’s starts on a major downer. In a way, it comes off as the type of comics that’s kept me away from DC in that past.

Despite a lot working against it, I ended up LOVING Grayson: Future’s End. It’s Batman meets Momento, where the book continuously flashing back to the past, ending at a beginning. Tim Seeley and Tom King take a risk with the plot of this comic, and despite all odds, pull it off with some incredible results.

It’s just a shame that this book doesn’t look as good as it has in the past. I’m not sure why regular series artist Mikel Janin isn’t present, but  guest artist Stephen Mooney doesn’t posses the same talent. It also worries  me that we’re having guest artists only 3 issues in.

Ultimately this book is saved by the story and dialogue. King’s own spy experience comes into play here, and you’ll want to re-read this issue once you figure out a certain plot element.  Im also curious as to see if a few of the plot points introduced in this book are going to play out in the future of this book or not.

I encourage anyone who’s enjoyed the first 2 issues of Grayson to pick up this issue. Despite the dip in the quality of art, it’s still a good book that’s worth the $3.

 

backgroundSuperior Foes of Spider-Man #15

Nick Spencer, Steve Lieber, Rachelle Rosenberg

Marvel $3.99

Anyone who’s been reading SUP FOES for the last year could tell you the formula of this book. The previous ending is address in the first few pages, the Sinister  6 5 get out of one jam and into another, things look up for the team and the final page blows that to hell, setting up the next issue.

With the book wrapping up at #17, this issue turns the dial up to 11. The Sinister 5 4,  chalk up several wins this time around, which only means things are going to get real bad for them real quick. This arc is called “Gang War” for a few reasons and readers will know why by the time they hit page 20.

Creators Nick Spencer, Steve Lieber and Rachelle Rosenberg are doing some career defining stuff with this book. We finally get to set the Sinister ( insert number here) work together as a team, but the creators have been on same page since day one, making this one of the most constantly great book on the stands.

Superior Foes of Spider-Man continues to be everything I want from a comic: humor, action and fully fleshed out characters. Issue 15 is all of that, and as sad as I am to see this book wrapping up, I have no doubt it will absolutely stick it’s landing.

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Troy’s Toys but with Comics: Big week was big part1

Oh snap, it’s a two part review article for this week! I pulled a whopping 5 books , as well as a few trades, so expect ALL COMICS ALL THE TIME articles for the next 2 weeks. Yeah I know, that’s kind of business as usual for me, but I’m choosing to do that over word- vomiting over the release of TWO new Cyclops action figures, so pretend it’s special this time around.

I’ve divided the books up as the following: Comics that cost $5 and comics that don’t cost $5. We’ll be looking at the $5 books first (which unsurprisingly are both Marvel books), because…well because I said so dammit.

detail Hawkeye vs Deadpool #0

Gerry Duggan/Matteo Lolli/Cristiane Peter

Marvel $4.99

I’ll be honest, this  book was a tough sell for me when it was initially announced. I haven’t bought a straight-up Deadpool book in years, and I tend to be very weary of books starring Hawkeye not written by Matt Fraction or Ales Kot. The $5 price tag certainly did help things either, and I figured that is it was good, trade waiting it would be a valid option.

HOWEVER, after flipping through the first issue of said at the shop, I ended up liking what I saw and decided to take a chance on it. And you know what, I’m glad it did, but this book hit me in all the right ways. Gerry Duggan has proven he can tell a good Deadpool story plenty of times in the proper Deadpool series, and while Matteo Lolli is no David Aja, his art definitely works for this story.

 

4063285-hawkvsdp2014000_int2-page-002The plot summary is as following: it’s Halloween night, and Deadpool and some folk familiar to both books are out trick or treating in a certain Avenger’s building. One of Hawkguy’s tenants has got himself in some trouble, so now Wade and Clint have some super heroing to do. The only problem is that don’t necessary want to work together as bro,s bros.

That by the way, brings me to my sole issue with this comic. We’ve seen Deadpool and Hawkeye work together in the past, last year in A+X, and currently in Secret Avengers. I may be playing the role of TURBO NERD here, but there’s material currently being published ( Thunderbolts, Hawkeye, the just mentioned Secret Avengers) thatclashes with this book. Maybe it with all make sense once those stories are all told, but only time will tell.

Continuity-nerd-issues aside, the book itself is fun. Both Lolli and Duggan obviously have some experience with Deadpool with past works, so it’s no surprise that the Deadpool stuff is handled really well. A little head’s up though, this book is DEEP into the current events of the main Deadpool series, so you may be a little confused about a thing or two if you’re not caught up on it.

That being said,  the big surprise is how well the Hawkeye side of things are managed is handled. There are a lot of clever nods to Fraction/Aja’s run, including 2 double spreads that parody the 2 most celebrated issues of Hawkeye.

Obviously any encounter between Hawkeye and Deadpool should be humorous, and the jokes do not disappoint. Duggan knows how to handle mixing humor and action well, and the laughs land more than miss. Visually,  Lolli and color artist Cristiane Peter are great, giving the book a clean, bright look that reminds me a lot of the late and great Mike Wieringo’s work.

 

Ultimately, this book isn’t going to win any awards or redefine the medium, but it’s a fun read for fans of the characters. If you’ve been enjoying Hawkeye and/or Deadpool, you’re sure to enjoy this double sized debut. If you want this to be your entry book to both characters though, you may want to look elsewhere.

 

123px-Uncanny_X-Men_Vol_3_25_TextlessUncanny X-men #25

Brian Michael Bendis/Chris Bachalo/ Several Inkers

Marvel $4.99

I’ll be honest, this book can be summed up as a double sized issue where the X-men stand around and react to a retcon. That may not be your cup of tea, especially when you factor in that it’s $5 and there’s still a chapter in this arc to go.

That being said, if you don’t mind that sort of thing, it’s a compelling as hell issue. Chris Bachalo returns to draw the hell out of this issue, despite him not knowing how Kitty’s Pryde modern costume works at times, or Cyclops mask reappearing at random.

Uncanny_X-Men_25_Preview_2Those minor issues aside, the book looks great. The army of inkers complement Bachalo’s pencils and colors well, giving the book a crisp, bold, cohesive look. Cohesive and GREAT mind you, as Bachalo delivers some really powerfully scene, both emotionally and action wise. Also the way he colors Iceman is great, as it looks like actual ice.

 

Brian Michael Bendis isn’t a slouch either mind you, but your opinion on the script may be different from mine. I’m a fan of the retcons he’s introducing, but it’s bringing Xavier into some scorched earth territory. If you’re an Charles Xavier fan, you may have a bone or two to pick with these reveals, but I’m strictly on Team Cyclops Was Right, and am digging Bendis doing some new stuff here.

Again, at $5, this issue of Uncanny X-men comes down to a matter of taste. If you’ve been a fan Uncanny’s direction since the Bendis relaunch, you’ll probably like issue 25. If you’re only thinking of jumping aboard because Original Sin is on the cover, you can skip it.

 

 

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Troy’s Toys, but with Comics: Late Edition 2

Hey y’all. I just spent the last 5 days in Atlanta, attending DragonCon and attempting to find Ludacris. I was not very successful in the later, unless Luda was disguised as an otter at the Atlanta Aquarium. Which I sadly doubt was the case. Anywho, I’m back, so comics time is now.

wayward01b-alinaurusovWayward #1

Jim Zub/ Steve Cummings/ John Rauch/ Marshall Dillon

Image $3.50

It’s rare for my wife to beat me to the punch when it comes to launch of new comics, but it was the case with Wayward‘s debut. Apparently one of the covers (there’s roughly a million of them btw) caught her attention months ago via Tumblr, and it made a big enough impression on her that she made sure I picked it up for her last week.

There’s a lot to like in this debut issue of Wayward. It has a cool story hook, solid art by Steve Cummings, fresh dialogue by Jim Zubb, and John Rauch‘s outstanding coloring that really makes this book pop out at times. It’s not exactly the deepest read, but a cute and fun debut with some ultra violence.

My only problem with Wayward is that there’s a character who comes off as several manga/anime cliches rolled into one. Hopefully the character will be developed more as the series continues, but her debut leaves something to be desired. Aside from that it’s a fun read, assuming you go into it thinking it’s the next Saga or The Wicked  + The Divine. The book certainly doesn’t pretend to be, and it’s ultimately stronger for it.

 

 

All-New_X-Men_Vol_1_31_TextlessAll New X-men #31

Brian Michael Bendis/ Mahmud Asar/ Marte Gracia

Marvel $3.99

Mahmud Asar comes back this month to launch the newest story arc in All New X-men, and his art here is much stronger than his previous fill in from earlier in the year. Issue 31 sees the team go after a new mutant all by themselves, and results in the 5 young X-men ending up in another Marvel universe. Which one you may ask? One that writer Brian Michael Bendis has been heavily involved in for years.

Asrar’s art is solid, but I think it’s a bit of a step down from the previous issue. His art isn’t as dynamic as Immonen or Pichelli’s, and a lot heavier on the black inks than the two of them, but still is serviceable. He handles the few actions scenes well, and his final page is particularly solid, definitely getting the reader hyped for what’s to come.

And even with a new artist, Bendis and series colorists Marte Gracia strive, making ANXM #31 another enjoyable issue. I’m curious to see what this storyline has in store for the readers, and am hoping that it continues to upkeep the level of excellence brought to this book by Stuart Immonen.

 

SagaSaga  #22

Brian K Vaughan/Fiona Staples

Image $2.99 

WHELP!

The painful event we knew was going to happen finally hits critical mass in Saga #22. BKV and Fiona Staples have been slowly been building up to it for months, but now the poop has hit the fan something fierce and things are going to get real bad real quick.

It’s impressive what Brian K Vaughan and Staples can do and do so well in a 22 page comic. We’re finally introduced to a long teased character, reintroduced to a few returning favorites and still have plenty of room for the story to advance. And by advance I mean destroy the readers in a mere 4 pages.

And those 4 pages man. Everything from the body language to the dialogue is perfect, making this, what is surely the first of several heart crushing blows, all the more devastating.

They say it’s always darkest before dawn, but man, this sort of darkness makes me sad. A great comic none the less, just one that you should not read without something to hug near by.

 

 

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Troy’s Toys But with Comics: BERFday edition.

Hey today’s my birthday! Totally not relevant to anything we’re going to discuss tonight, except for like 1 gag, but you can wish me a happy birthday in the comments section if you dare!

portrait_incredibleSecret Avengers #7

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

Deadpool and Hawkeye team-up time is exactly the type of birthday gift I wanted. Thank you team Secret Avengers.

Deadpool is a character that if not handled properly can ruin your story and bringing any momentum to a screeching halt. Luckily, that’s not the case for Secret Avengers #7, where Deadpool’s 4th Wall breaking and straight up insanity makes for a hell of a read. It also helps that Ales Kot’s version of the character is genuinely funny here, using himself to interact with Wade on the page.It’s not the first time we’ve gotten such, but it’s certainly the best execution of it in awile.

Michael Walsh, Matthew Wilson & VC’s Clayton Cowles also get in on the fun, providing some hilarious (and sometimes chicken-based) visual gags and sound effects. The book has been plenty funny in the past, but this issue really takes things to the next level all while advancing the plot. Walsh and co also do a lot of experimenting with layouts, using double spreads, pages with 10+ panels and some other interesting choices that I rather not spoil. It’s the title of art that deserves more praise than it’s getting.

Secret Avengers was a great book in a week that saw a lot of strong releases. It’s the type of Marvel Comic that justified the $4 price tag.

portrait_incredible (1)Ms Marvel #7

G. Willow Wilson/ Jacob Wyatt/ Ian Herring

Marvel $2.99

Jacob Wyatt‘s 2 issue guest stint on Ms Marvel returns this week with a delightful wrap of. Kamala’s team up with Wolverine has the pair fight a giant alligator and deal with a classic death trap while discussing  Ms. Marvel’s new career path. Under lesser creators, this book would risk being preachy, almost a “very special episode” type of book. Luckily for us, the readers, the creative team remains flawless, and the end result is a very good comic.

I’m the type of dude who doesn’t like Wolverine, as I’ve suffering from Wolverine exhaust ever since I got into comics. That being said, Wolverine hanging out with teen lady super heroes is something I like…..oh man, I just re-read that past sentence, I apologize how creepy it sounds. Sorry :/

Creepy-ass commentary is now over. And since G Willow Wilson is pretty much perfect on this issue, which ends on a super fun note, we’ll talk about Jacob Wyatt some more. I really loved his art during this arc, as he was just as expressive and animated as regular artist Adrian Alphona, but very much of his own style. His Khamala is adorable, which….nope, no more creepy as commentary, sorry.

But yeah, another enjoyable Ms Marvel, with some great art, fantastic dialogue and the set up for some really awesome guest stars. All under a highly amusing cover by Jamie McKelvie that dropped right during selfie-month in DC. Forbidden Planet’s best selling series is a best seller for a reason, and the quality seen in this issue is proof of that.

 

tumblr_n5xgrzsXkf1tuoa2wo1_500The Wicked + The Divine #3

Kieron Gillen/Jamie McKelvie Matthew Wilson/Clayton Cowles.

Image $3.50

Brilliant, simply brilliant.

Much like the first 2 issues, the Wicked + the Divine is a gorgeous books that has some of the best dialogue in comics. It’s also incredible smart, and isn’t afraid to challenge the readers, making you wanting to re-read it several time to pick up on everything.

Also the Stephanie Hans variant is gorgeous and continues my streak of buying variant covers for this series.

And it’s just not Kieron Gillen and Jamie McKelvie doing some career defining stuff. Matthew Wilson (again) color’s are the realness, and Clayton Cowle‘s lettering is the type that you stand up and take notice off. It’s several creators coming together to make a fantastic comic.

Wicked/Divine is one of those books that makes picking out a favorite Image book difficult. While it may initally come across as collections of Gillen’s greatest hits (Music and Gods as themes), it’s definitely taken it’s own form and the results couldn’t be better. It’s an amazing comics, one that stands out among a week of fantastic releases.

 

 

 

 

 

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Troy’s Toys But With Comics: Feel Good Inc.

 

Hell of a week y’all. Talking comics today is a welcome distraction after everything we’ve see go down over the last couple of days

 

STK644079All New X-Men #30

Brian Michael Bendis/Sara Pichelli/Marte Gracia

Marvel $3.99

 

Call it a breather issue. Much like Chris Claremont before him, Brian Michael Bendis uses this issue of All New to do some character building, with Angel taking X-23 out on the town, Emma Frost beginning Jean Grey’s training and Kitty Pryde taking a holographic phone call from her kinda boyfriend Peter Quill. It’s a very cute script, and it’s something needed to cleanse the palette after all that time travel shenanigans.

 

With the previous issue seeing the departure of series regular artist Stuart Immonen (who’s stick around to handle this book’s cover), Bendis is joined by his former Guardians of the Galaxy artist Sara Pichelli. Immonen is a difficult artist to follow up to, but Pichelli, who has some experience drawing these characters, makes a strong debut. For a mostly taking heads issue, Pichelli’s facial expressions and body language really sells the book, especially with the few pages that are dialogue free. The one area she actually surpasses Immonen in is having this cast look like teenagers, something Stuart struggled with, especially when their older counterparts were also on the page. She’s a welcomed addition to this book, and I’m excited to see her draw more of it.

 

My only real beef with this issue is that the final page’s cliffhanger is tied into the last 2 issues of Uncanny X-men , and will probably play out over there instead of this book. If you’re like me and buy both Bendis X-books this isn’t much of an problem, but those not may be disappointed to have to track down a pair of issue that shipped before this one. Ultimately, I dug the hell out of this comic. It was cute, good looking and chock full of fun moments. These sort of one offs are appreciated, and it’s a nice break before another famous Bendis/Pichelli shows up next month.

 

 

sexcriminals_07Sex Criminals #7

Matt Fraction/ Chip Zdarsky

Image $3.50

The letters section for this issue alone is worth the $3.50. There I just saved you 2 minutes of reading.

Oh you stuck around! Really? Did you not read what I wrote above? Oh you want more reasons? Yeah okay sure, I suppose I can help you there.

Sex Criminals is probably my wife’s favorite comic not called Saga. Which means my wife has great taste in both comics and men. But the opening sequence of this book really impressed her this week, as there’s something that Suzie, our female lead, is suffering from that my wife knew all too well. It’s a testament to both Matt Fraction and Chip Zdarsky, who managed to hit the symptoms of said problem dead on, despite being dudes. It’s also a reason why this book is such a hit.

 

Issue 7 is a return to form for Sex Criminals. Not that issues 5 or 6 were bad, but they were heavier on the serious side. This one is chocked full of humor, including the use of a word that makes me giggle every time I read/hear it because I am 12. There’s even a bit of action and suspense too, making it a nice balanced read.

 

I’ve already sung Fraction’s praises plenty of times in the past between this book and Hawkeye, so I’m gonna talk Chip Zdarsky for a bit. First off, that cover. Extremely sharp and a very cool design. Zdarsky’s always been a bit experimental with the covers, and the results are great. But this is kinda next level for the ol Chipper, and I hope it continues. Then there’s in the interiors. I had to re-read some sections and few times just to catch all the gags hidden in the background. It’s a shame that some of this Easter eggs and gags are sacrificed for word balloons, but it’s nice to see Chip put so much effort into something a lot of people not named Matt Fraction aren’t going to see.

 

Sex Criminals seven is the result of 2 creators having a blast creating a comic. Which is great for the reader, because the ends results are stupendous. Combined with a first-class letters column that’s as insightful and hilarious as the interior, Sex Criminals #7 is another can’t miss comic from Fraction and Zdarsky.

 

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Review: Hawkeye #19

HAWKEYE2012017_COVHawkeye #19

Matt Fraction/David Aja Hollingsworth

Marvel $3.99

WARNING: This review will continue spoilers for previous issues of Hawkeye, as well as this one. Read at your own risk.

So yeah, remember back in 2013 when Hawkeye #11 dropped and everyone one was like “WHELP, here’s an Eisner winner in 2014″? And then that happened? Replace #11 with #19 and the year 2015, because it’s going to happen again.

10527365_10100404509314752_8992801137704805022_n-300x160The last time we saw Clint Barton and his brother Barney(back in like…March? Possibly April, it’s been awhile), they were shot up pretty bad by an assassin. This issue is the fallout of said shooting, and we find that Barney can’t walk and Clint’s deaf. The deaf thing (apologies if that’s offensive by the way, I not exactly sure what the correct terminology is to be honest)  by the way is a nice reference to the character’s history, something older fans would know and newer fans are brought up to speed with via flashback early in the issue. This leads to most of the interactions between Clint and Barney being done through sign language, something not seen in a lot of comics, but makes for some rather interesting results given how comics is kinda a visual heavy medium.  Matt Fraction, David Aja, and Matt Hollingsworth being the creative tour de force they are, consulted with specialist Rachel Coleman and Dr. Larry Thomas to ensure that the signing was correct, which leads to David Aja drawing a lot of signing charts. This sort of dedication to detail is why Aja and Fraction win Eisners people.

It’s also not the first time we’ve seen the team experiment with language in comics. There’s the Tracksuit’s “Bro”-usage, and the award winning Pizza Dog issue, in which the story is told via a Dog’s POV. It’s interesting that Hawkeye of all books is the comic experimenting with language in comics.

 

Hawkeye #19 Page 2Aja’s art is stunning. The way the characters “act” and their body language comes across so genuine and real. The guilt and pain Clint carries in the early part of this issue is clearly expressed on his face, as is the anger Barney shows towards his brother stubbornness. Aja even goes as far as to letter some of his own art, and is so skilled at it I couldn’t tell what he contributed and what series regular letterer Chris Eliopoulos did. It’s damn good, and the end result made the delays for this book well worth the dollar increase in price.

As for the story, it’s the typical act 3 of any Western/Action movie you’ve seen. The hero (Clint) is at a lost, buried in guilt and defeat, despite having plenty of people to turn to for help. Hawkguy’s stubbornness has been a theme for most of this book, and it plays off of the plot of issue 17′s Christmas special. And much like that issue, Clint gets some sense knocked into him (literally) and he gets his stuff together, rallies the troops and goes on the offensive. It may be a bit cliche, but Fraction and Aja handle it so well, you can’t help but find yourself pumped up by the end of the issue.

imagesAnd that’s what ultimately makes Hawkeye as good as it is. The Matts and David make you emotionally invested in these characters, so that when they actually get a win, there’s a genuinely sense of happiness the reader gets from the book. It’s an incredible feeling, and speaks a lot about the talent the creative team posses .

Hawkeye seems to be coming to in a end in a few issues, and I’ll be sad to see it go. Aside from it being my favorite comic from one of my favorite creative teams working in comics today, it’s book I can always rely on to being nothing short of amazing. I’ll be sad to see it go, but excite to see how everything wraps up over the upcoming months.

 

 

 

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Troy’s Toys, but with Comics-Shorty got Low Low Low (and some other books)!

I could easily talk about the new issue of Hawkeye in 500+ words. But I won’t because this was a damn fine week for comics, and the other books that I pulled are also worth discussing. Plus Hawkeye’s return may warrant a separate review column (spoilers: it will!).

Uncanny-X-Men-24-cover-artUncanny X-men #24

Brian Michael Bendis/Kris Anka

Marvel, $3.99

A few weeks ago, Kris Anka spoke about this very issue of UXM on Pat Loika’s Loikamania podcast. During the podcast, Anka pointed out that there’s a moment that Emma Frost has a reaction that she’s only capable of having that was a delight to draw. I’m not saying that specific moment is worth the $4, but it’s easily the best 2 panels in this issue, so yeah, it really is the best reason to drop $4 on this book.

After what I felt was a phoned in issue from Brian Michael Bendis last time around, he and Anka deliver the goods with issue 24. The script is a vast important, as one of the promised SEKKKKRETTTSSS of Charles Xavier is relieved and it’s a massive one. Bendis actually hinted at it a few months ago over in All New X-men, and this reveal takes away the grossness of that scene, clearing things up nicely. You can tell Bendis has been influenced by the last 2 X-films, and what element from the films he chooses to incorporate should lead to some interesting stories.

The only thing that irks me about UXM #24 is the handling of Dazzler’s new ( and awesome) look. The motivation behind it last issue explains why she’s now all faux-hawked out, but there’s no explanation as to how she got a new costume, and there’s zero reaction from the other X-men she’s been hanging with. Considering it’s the focus of the cover, not addressing it at all is kind of a cop-out in my opinion. That being said, I’m glad to see thing improve all over this issue, and I’m excited for issue #25 and how the big reveal is going to play out.

portrait_incredible (4)Secret Avengers #6

Ales Kot/Michael Walsh/Matthew Wilson

Marvel, #3.99

Oh look, another Marvel book that double shipped this month, goodbye money.

Coming off of a relatively dark issue #5, issue 6 is a step back in the fun, action direction the earlier issue of Secret Avengers were. This incredibly dense issue sees an awesome Black Widow/Lady Bullseye rematch (and yes, the video game motif returns this time it’s fighting games), Hawkeye step up for Maria Hill, and most importantly, MODOK rocking a monocle.

Another beautiful issue under Michael Walsh and Matthew Wilson, writer Ales Kot does some really cool things with the narration boxes and editorial notes. They kinda break the 4th wall a bit, but it all makes sense once the issue wraps. I dug it a bunch, as it’s tricky technique that actually works here, given one of the characters involved.

I really feel bad for the creative team on Secret Avengers. It’s a really smart and fun book that doesn’t get enough hype for whatever reason. I urge anyone who digs Marvel’s quirkier tittles to give this book a chance. If you’re down won over by M.O.D.O.K. discussing sex with one of his minions, then I don’t know what to tell you.

Low_01-1Low #1

Rick Remender/Greg Tocchini

Image $3.99

The last time I read a story by Rick Remender & Greg Tocchini, it was a relatively underwhelming arc of Uncanny X-Force from a few years back. I always felt Tocchini was a little mismatched for the spandex world, and this debut issue of Low is proof of that.

Low is a gorgeous looking book that benefits from Tocchini inking and coloring his own art. It reminds me a lot of Sean Murphy on  The Wake in a way, given that their both heavy on the aquatic stuff,  but ultimately it’s a different type of beast all together. Both artists are heavy on the inks, but Tocchini’s style is smoother and cleaner overall. It reminds me a lot the Bioshock video game series in away, which is good, because I love those games.

Despite the relatively grim premise of the book, (Mankind is forced to live under the sea after the Sun goes supernova, and the search for a new planet to live on isn’t going well) our female lead Stel Caine is an eternal optimist determined to work everything out. Upbeat female leads is something Rick Remender hasn’t done at all in his creator owned books, and it’s a nice alternative from the usual grizzled and jaded male character that stars in his creator owned stuff. He’s caught some flack with his handling of female characters as of late, and it’s nice to see address them in the best manor possible: by creating great comics.

Low is off to a great start, continuing Remender’s creator owned hot streak at Image. It’s a beatiful looking book, and I hope this level of quality continues throughout the series.

 

 

 

 

 

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