Category: Contributors

Troy’s Toys But With Comics: Star Wars References edition

STK671573Saga #28

Fiona Staples/ Brian K Vaughan

Image, $2.99

It’s been awhile since Saga’s crippled me emotionally. But we’re 4 issues deep into this current arc, so I guess it was due, and  yes, that is my spoiler warning for this review.

Issue 28 sees another cast member die.  Granted there’s a very small chance it’s a fake out, it seems very final, given  how it plays out. Oddly enough, the scene is actually pretty hilarious, especially with the final words being what they are (I will not reprint them here due to not wanting to spoil the death, and also because a naughty word is featured prominently). But that’s the thing about Saga; Brian K Vaughan and Fiona Staples are great storytellers, so getting a range of emotions from me out of a single scene isn’t exactly a shocker. I am curious if the 3 final word of this issue were drawn by Staples, or was the work of Saga’s letter Fonografiks, but either way the fonts nicely match the illustration.

In addition to a funny yet still tragic death, Saga #28 has the poop hitting the fan for our cast. The majority of the lead characters find themselves in various types of trouble, and those who aren’t will be soon enough. What has started as a simple Romeo and Juliet in Star Wars story has expanded into so much more, without being too bloated or confusing, and having plenty of character defining moments.

After a relatively slow and safe start, Saga is back to being the monthly tear jerker I’ll gladly drop $3 on. It’s another fine issue that I’m sure is going to play out great, as it has time and time again. Also that is sarcasm.

 

 

STK670957Ms Marvel #15

G Willlow Wilson/Takeshi Miyazawa/Ian Herring

Marvel $2.99

My friend Ashley recently described Ms Marvel as being cuter than several baby snow owls . She’s not wrong mind you, but this issue is equally parts adorable in some areas as it is a ::: channels his inner Stan Lee ::: action packed thrilling adventure in the Mighty Marvel Manner. Also Jack Kirby did nothing when we we-okay, that’s enough Stan the Man channeling.

Ms Marvel #15 wraps up the “Crushed” arc, a three part saga which saw Ms Marvel fall for a boy and get dragged into whatever the heck has been happening in those Inhuman comics I don’t read. Khamala has to deal with a betrayal and some crushed emotions, while her BFF Bruno attempts to save the day.

Writer G Willow Wilson‘s dialogue continues to be as fresh at it is clever. Some of the jokes may feel dated in a few years, but for the time being they work and feel relevant. Also Ms Marvel does some growing in this issue (both literally and figuratively), and when she learns her lesson, it feels genuine, without every coming across too hokey after school special. Also much like Captain Marvel this week, Wilson sneaks in a very cute Star Wars reference, as one that’s bound to lead to some major repercussions soon.

On the visuals, fill-in artist Takeshi Miyazawa pencils and inks are really something. Miyazawa style is very much more looser and detailed oriented this time around, making it look like the book’s regular art style, but more expressive and Manga-liked. It’s great, and Ian Herring‘s colors keep it looking fresh.

Ms Marvel is an absolute delight of a comic, which is nothing new for this series. Things are getting pretty serious for our lead, but the book remains faithful to it’s youthful and fun vibe. Secret Wars tie in time is around the corner though, so I’m curious to see if this will keep up, and more importantly, to see Ms Marvel FINALLY meet her idol.

 

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Take a Comic Book History Tour of New York City

New York City is the birthplace of the comic book, and I’m pleased as punch to announce that Forbidden Planet’s sponsoring a series of walking tours in which you can experience the medium’s rich history firsthand. The folks over at ETC Custom Events are offering the following sojourns, titled “New York is Comic Book Country.” There’s an email address at the end of this article. Reach out to them if you’re interested in any or all of these fascinating tours.

ETC Custom Events,walking tour, geek tour, comic book tour, new york city tours

It Started on Yancy Street

Ranging from the birthplace and childhood neighborhood of “King of Comics” Jack Kirby — co-creator of Captain America, the Fantastic Four, the X-Men and scores more — to the laboratory of Doc Ock in Spider-Man 2, this tour through the Lower East Side and Greenwich Village shows guests a veritable history of comic-book lore in New York. You’ll see Peter Parker’s pad in Spider-Man 2 and Spider-Man 3, the site of Dr. Strange’s Sanctum Sanctorum, the original home of both All-American Comics (where the Flash, Green Lantern, Wonder Woman and the Justice Society of America all began) and EC (Tales from the Crypt, Mad), the campus of Marvel’s “Empire State University” and much more. The tour ends at Forbidden Planet, the be-all and end-all of comic books, graphic novels and comics collectibles. We’ve got some surprises in store (pun intended), both along the way and at the final stop. This is a great one for all comics True Believers.

Look — Up in the Sky!

The amazing lobby of the skyscraper where Timely (later Marvel) Comics began sets the stage for our midtown Manhattan tour, which takes sightseers to such venues as the W.R. Grace building (site of the Silver Surfer’s flight from the Human Torch in Fantastic Four: Rise of the SilverSurfer), the lair of Superman’s Lex Luther below Grand Central Terminal, and the home of the famed Daily Planet. Along the way, you’ll peek into Midtown Comics, see the sites of the Baxter Building and the Stark Tower (film version), and maybe even hang out right where the Avengers staged an epic battle. We’ll see where DC Comics got started and where the original Captain Marvel (Shazam), Human Torch and Sub-Mariner were born — not to mention Superman and Batman. Bank on a few surprise extras and a bunch more stops en route. Want even more? For the true devotee (or those with extra-sturdy sneakers) this one has several optional stops — ask us about them.

Avengers Assemble!

Stan Lee’s inspiration for the Avengers Mansion came from a real mansion right here in New York, and it’s the first stop on our uptown comic-book themed tour. Learn about the current headquarters of Marvel (you’ll even pop into a Marvel staff hangout). You’ll pass the former homes of two comics superstars, mosey on over to the site of Stark Tower (which might now be under construction), wander by the art studio of a brilliant but reclusive comics legend, and see other cool stuff as you explore the comic-book world here in NY. Ask us about a special add-on: A visit to MoCCA (the Museum of Comic and Cartoon Art) for a brief tour.

All tours available Wednesdays and Thursdays.

Feeling devil-may-care and spontaneous? Email us about our next-day tours, Thursday-Monday: Book a tour the following day for a 10-percent discount. Email us: eventsbyetc@gmail.com for info and to book a tour!

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Troy’s Toys but with WAUGH: Howard the Duck #3 edition

DIG057129_1Howard the Duck #3

Chip Zdarsky/Joe Quinones/Joe Rivera/Rico Renzi

Marvel $3.99

Things I didn’t know I wanted from comics: Howard the Duck teaming up with Aunt May.

Things I now have from comics: Take a guess genius, and then read 500 words about Howard the Duck #3, which is easily the funniest comics numbered 3 that I’ve read this year.

Creators Zhip Cdarsky (spelling Chip’s name wrong is always cool and funny according to Sex Criminal Solicits and Tumblr!) and Joe Quinones’ take on Howard the Duck continues to impress with this third issue, in which said Duck and said Aunt attempt to solve some crime after the time honored traditional fight/robbery at gun point (I swear that all makes sense in context, read the book and see how right I am). This collaboration involves going under cover, fighting the elderly, and more Spider-Man crying, three things that continue to make this book sound like a fever dream, but are real and also quite enjoyable.

Joe Quinones is a talent artist who I’ve seen drawn many a pretty lady throughout his career, but apparently he’s also good at drawing old people, all types of  ducks and Z-list Marvel villains. It shouldn’t come as a complete surprise that his talents allow him to blend all these things together without anything sticking out, but it’s constantly impressive. Quinones usually handles pencils and inks by himself, but he’s joined by Joe Rivera this month, something I wouldn’t have know if it wasn’t listed in the credits. Rivera’s matches Quinones’ style perfectly, and I could not tell who inked what. Rico Renzi’s coloring is also fantastic, giving the characters a cool 3-D effect that makes them pop out from the pages a bit, and stand out from their environments.

This month they’re joined by Jason Latour, who also did some fun stuff with Aunt May this month (FYI I resisted making so many May puns) in Spider-Gwen last week. Jason draws a backup story that’s so New York you would swear it was written by a Gothamist columnist. Latour’s style is a lot more pulp and abstract compared to Quinones, but is great looking none the less. Also his take on a certain iconic Marvel character is rad as hell, and I want to see him draw him more in the future.

Chip Zdarsky is a NICE boy who is also hilarious and Canadian. His comedic writing skills are in full force here, giving the readers a ton of content to digest. There’s a ton of humor and character development crammed into this book, but none of it feels forced. We’re beginning to see some running gags form, and they still seem fresh, even though some of them are related to some deep cuts from Marvel’s past.  Chips shows some amazing amount of restrain, even with everything coming at the reader so fast, and the comic is better for it.

Howard the Duck is not unlike Chip’s other big book Sex Criminals in a few ways, as both are great looking, hilarious, and have a surprising amount of heart at times. Oh as of issue 3, lead characters who are often naked. It’s well worth your time and money, despite how I’m making the wholw thing sound.

 

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Troy’s Toys But with Comics: Walking in the Spider Webs edition.

Spider-Gwen_Vol_1_4_TextlessSpider-Gwen #4

Jason Latour/Robbi Rodriquez/Rico Renzi

Marvel $3.99

Spider-Gwen #4 aka, the issue where writer Jason Latour gets a lot of mileage from a bunch of dead people.

In a relatively quiet installment of Spider-Gwen, as we have our lead hanging out with May and Ben Parker, two characters who’ve played massive parts in Peter’s life but rarely got interact the world around them as a living couple. Here we get to see the two of them bounce off of Gwen in a world where Peter is dead, and even with that in mind, the results are really heart warming. While we’ve seen a similar Peter-less Gwen/May dynamic explored before in Ultimate Spider-Man, but things play out slightly different here. The Ben/Gwen stuff is great, despite it being a quick scene. Latour’s wonderful dialogue and Robbi Rodriquez‘s art really make it a memorable, and I’m excited to see these characters in the book more in the future. We also get some more Captain Jean DeWolffe, a long gone Spider-Man supporting character who’s given a new dynamic thanks to these talented creators.

Half the fun of Spider-Gwen is seeing how different the world she habits is from the 616. And while it hasn’t stopped being charming, it’s nice seeing these characters form deep relationships and bonds in a short amount of time. It continues to be a great looking book that’s equally charming and emotionally, not unlike the classic Lee/Dikito Spider-Man run.

SWOMAN2014007_CovSpider-Woman  #7

Dennis Hopeless/ Javier Rodriguez/Alvardo Lopez/Muntsa Vicente

Marvel $3.99

Speaking of Spider-Woman, here were have the O.G. Spider-lady Jessica Drew. We’re 3 issue into this run (ignore that number seven), and I am still marveling over how much this book has improved now that Javier Rodriguez has taken over artistic duties.

It’s rare to have a comic have something impressive about every page in it, but that’s the only fair description of Rodriguez’s contributions to this comic. We got a hints on how great his panel placement and layouts during his guest stint as a penciler on Daredevil and his work on AXIS: Hobgoblin, but his art is on a whole other level here. It’s equal parts Chris Samnee and Marcos Martin, but still it’s own style. Rodriguez is the next big thing in term of comics art, and Spider-Woman #7 is proof of that.

As good as Javier is, he obviously not the only reason why this book is as good as it is. Alvardo Lopez’s inks are tight and clean, perfectly in sync with Rodriguez’s line art. And Munsta Vincete‘s contributions as colorist are crucial, as he gives the book a clean and bright look with some really bold imagery at times. The art is on POINT, as is Dennis Hopeless‘ writing. Hopeless’s dialogue sounds as good as the book looks, as the arc takes an interesting turn, and introduces a fantastic new locale to the Marvel Universe.

Under a lesser creative team, a book like Spider-Woman would risk being redundant, especially with Spider-Gwen and Silk being as good as they are, especially in the visuals department. But this team has made this book both the heir to the Waid/Samnee Daredevil run as well as the Spencer/Lieber Superior Foes of Spider-Man. It’s visually amazing, hilarious, clever and slowly becoming the book I read first when I buy my comics.

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Troy’s Toys But with Comics: Batman #40

Happy May Forbidden Planet Faithful! Hopefully you had a fine Free Comic Book Day, and found Avengers: Age of Ultron enjoyable as I did. I’m going to do something different this week, as 2 stories that I’ve dug wrapped up, and I’m dedicating an article each to them. First off, let’s take a look at arguably the biggest release of the week, DC Comics’ Batman #40!

Batman_Vol_2_40_ComboBatman #40

Scott Snyder/Greg Capullo/Danny Miki/FCO Plascencia

DC, $4.99

Here we have me being made in to a liar. The type of liar who was willing to drop $5 on a comic, which I’m sure also makes me a double liar of sorts.

As stated here and here, I am not a dude who reads Batman monthly. I am a dude who trade waits it, because it’s very good and reads extremely well collected. HOWEVER, the hype for this issue was insane, the leaks/spoilers for the next arc are as equally crazy, and it was a slow release week. Also I’m bad with money, so I figured why not spend 5 bucks on a comic that is the ending to an arc I’ve only read 1 chapter and two tie in.

Even with putting myself at a disadvantage, I still found myself really loving Batman #40. Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia are in the middle of a legendary run, and this final issue is a brutal emotional experience that really rewards those who’ve been with the book for a while. The Endgame arc has been building up since issue one of the series, with the creative team revealing their hand , showing exactly what from what arcs lead to these events.

For those out of the loop, here’s the general premise of Endgame (also, here be spoilers): The Joker did not take the events of 2012’s Death of the Family too well and has decided to end his beef with Batman once and for all. What this means is turning his infamous laughing gas into a biological weapon, Jokerizing most of Gotham, and the Justice League. Batman managed to stop the JLA, taking them off the playing field for a week, but now has to face a city turned against him while looking into the revelation that the Joker may be some sort of immortal boogeyman. With the odds stacked against him, Batman #40 see the Dark Knight being  forced to make several strange alliances while working with some of his more traditional allies, or risk losing everything.

Scott Snyder holds nothing back with this issue, dropping bombshell after bombshell without giving the reader a chance to recover from any of them. There’s several callbacks his own work on the characters, as those who became before him, including a delightful twist that had me quite pleased. It’s smart and engaging script, which is nothing new for Snyder, but is appreciated none the less, as he does “dark” comics right. They feel important with the stakes raised, but never soul crushing (at least without a good reason).

But ultimately, this comic is Greg Capullo, Danny Miki and FCO Plascenica’s finest hour, as their combined efforts make for an incredible visual experience. Capullo’s panels pack a real punch to them, as his brutal, chaotic and stylized pencils will make you cringe from the violence, yet respect the talent and skill involved. And the way he draws character’s body language and expression helps conveys the emotions so well, it’s like he reading Snyder’s script to you in person.  Danny Miki‘s inks are equally impressive, with his use of heavy black ink giving this book a creepy, yet slick look. And Plascenica really brings everything together, with his palette giving this book an emotional weight it needs to convey the story it’s telling properly.

With 30 something issues under their belts (there’s been a few guests artists and writers), it’s impressive how good this creative team has been on this title. There’s a reason why Batman is the flagship DC book, and it’s nice to see this team tell the type of stories they want to tell with little to no editorial interference. Endgame is yet another triumph for Snyder, Capullo and friends, and it’s exciting to see what they’ll do next come June.

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Troy’s Toys, But with Comics: Yet more Image debut editions

Kaptara-coverKaptara #1

Chip Zdarsky/Kagan McLeod

Image $3.50

KAPTARA: The comic where you come for Chip Zdarsky’s action figure fan fiction but stay for the gorgeous art by Infinite Kung Fu’s Kagan McLeod….as well as for the insanity of Churp’s action figure fan fiction.

“When Kaptara was first announced, I didn’t know what to make of it except for GAY SAGA will read many a comic journalist review of this book. I may be paraphrasing, but it did honestly feel like Zdarsky and McLeod were relatively tight lipped about the book until its release. Which I’m fine with, I don’t need the damn thing spoiled and dissected before it comes out (see: Avengers: Age of Ultron).

That being said, Kaptara isn’t as strong script wise as Howard the Duck was. Our main lead isn’t exactly the most likable, which I’m fine with, as I dig flawed main characters. That being said, not much of the supporting cast has much to going on either, so it’s kind of a drag in that department. It does pick up once things are planet-side, and once the series’ premise is explained a bit more, Kaptara’s cast and narrative  get FAR more interesting. It also helps that McLeod gets to flex his artistic muscles a bit more as the book progresses, giving us the goods and forests made of MURDER!

Kagan McLeod’s art is the reason you should buy this book. While Zdarsky may not be at his strongest in the premiere, Kagan certainly is, and it shows in the art. It’s equal parts Ryan Ottley and Sean Murphy, but with a European-esque vibe to it, making it entirely trippy, but unique. This is especially true once the book is set on Kaptara, where we’re treated to some really well executed action scenes and wonderfully odd character designs.

Kaptara is a fun comic oozing with potential. Now that Chip is done with introductions, I’m sure the script side of things will only improve, all while Kagan’s art will continue to impress and amaze.

STK666093Beyond Belief #1

Ben Acker/Ben Blacker/Phil Hester/Eric Gapstur/Mauricio Wallace/Marshall Dillon

Image, $3.50

CLINK!

Let’s be honest for a section: comics adaptions of other mediums tend to have a spotty track record. Not everything can be Mark Waid and the Dodsons on a Star Wars book, because not every property is Star Wars, and not every comics writer can be Waid. HOWEVER, some mediums lend themselves better to comics, which is exactly the case with The Thrilling Adventure Hour’s Beyond Belief Image comic debut.

Translating the popular podcast done in an old timey radio to a comic is something THA creator’s Ben Acker and Ben Blacker have done before with Arcadia Press to much success. Now with Image, they get to tell episode length stories in comics, enlisting veteran artist Phil Hester, Eric Gapstur and Ande Parks to tell the tale of Frank and Sadie Doyle. For those not in the know, the Doyles are an upper class couple who deal with spooky ghosts and their ilk, usually highly intoxicated. That is literally my #SQUADGOAL FYI.

With the Bens on board, the book sounds like an extended episode of the podcast, which is great for a fan like myself. Phil Hester’s art is also welcomed, as his work is clean is smooth and crisp, capturing both the humor and horror elements of Beyond Belief perfectly. It’s enhanced greatly by Gapstur and Parks inks, which are heavy on the shadowing but not to the point of saturation, but on a comfortable enough level that it blends perfectly with Marshall Dillion’s colors.

Beyond Belief #1 does an excellent job of introducing people not familiar with the Doyles to the TAH hour with a nice back up explaining how Frank and Sadie met. It’s incredibly new reader friendly, and fans of Beyond Belief should dig it as well. It’s a fun horror comic that isn’t too spooky, but not silly enough not to be compelling. It’s highly welcomed if your looking for something a little more off beat.

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Troy’s Toys, but with Comics: C2lateagain

Hey, sorry for the delay (again) folks, but I just got back from c2e2 in Chicago, aka, NYCC’s Midwestern sister convention! I had a delightful time watching Chip Zdarsky hug/tackle people and scored some neat swag, but have very little to report aside from thinking that title for that 3rd Frank Miller Dark Knight book is a BAD idea. I do have plentiful comics to review though, so you can settle for that and what typos are in said reviews.

portrait_incredibleAll New X-Men #40

Brian Michael Bendis/Mahmud Asrar/Rain Beredo

Marvel $3.99

Even with the c2e2 delay, there’s very little chance I’ll be spoiling anything for anyone with this issue of All New X-men. Everyone from your racist high school friend on Facebook to Playboy has chimed in on the issue, and I’m going to do the same, despite dropping the title several issues ago.

When then leaked pages from this issue first hit the internet, I have to admit, I was slightly concerned about the content. Brian Michael Bendis is a plenty nice guy, but he’s also a straight white guy, and the sort of story requires a certain amount of finesse and maybe even some life experience to pull off correctly. However, once I actual read the comic and saw that the leaked images left out some important pages and panels, I was quite pleased with what had gone down.

All-New-X-Men-40-2-1429646420All New X-men #40 is the story of Jean Grey confronting Bobby Drake about his sexuality, which means 2 teenagers from the 1960s talking about sexual preference in the modern world. While the conversation is a tad problematic, not to mention complicated in that special sort of X-men way, it’s actually fine being so problematic in some aspects. Not everyone coming to terms with their own sexuality is a simple moment in their life, as it can be quite difficult for several reasons, and this comic is a necessary representation of that. Which is great, because even though these 2 characters are time traveling teenagers, it makes the scene and the character feel all the more realistic. It’s representation without a sugar coating, which really show just how good of a writer Brian Michael Bendis is.

anxm40_2Art wise, I’m really not feeling Mamhmud Asrar‘s work this issue. He’s far from bad, but his facial expressions and head shapes don’t work for me. There’s a lot of talking head panels here, and sadly instead of kids, the X-men look more like Mr Potato toys on super heroes bodies, and some odd panel choices kill an attempted joke halfway through the issue.  Asrar also seems to be struggling in body language, and the constant recycling of panels doesn’t help either. Rain Beredo‘s coloring is solid though, giving the book a vibrant look that helps make looking at the dull, lifeless panels less painful. I feel bad ragging on Asrar’s art, and I know following a lengthy run by Stuart Immonen is no easy task, but this is honestly one of the less impressive looking Marvel books I’ve read in quite some time.

All New X-men #40 is a book that succeeds on dialogue alone, and manages to do a lot in 20 pages. The Jean Grey/Bobby Drake conversation is great, some lesser mutant make a welcomed appearance, and apparently Angel has glow wings or something. I guess that was a thing that happened during Apocalypse Siege Per   The Black Vortex or something. Either way, while it may be a tad confusing for those not hype to the events in the last 40 issue of ANXM, it’s still a comic worth looking at just for the Iceman stuff alone. It’s a different take on comics dealing with sexuality, but an important one none the less.

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April 30th Troma Signing with Lloyd Kaufman, Ethan Hurt & Lisa Gaye!

Forbidden Planet is stoked to announce a Troma signing on Thursday April 30th at 7PM! The Troma Team and Ship to Shore Phone Co. are celebrating the release of the Class of Nuke ‘Em High Original Soundtrack Lp and the Blu-ray releases of Class of Nuke “Em High Part 2 and The Toxic Avenger part 2!

Troma-Signing-Poster-Option-2WEB
Meet Lloyd Kaufman (Troma President and creator of The Toxic Avenger), Ethan Hurt (Composer of the Class of Nuke ‘Em High Theme), and Lisa Gaye (star of Class of Nuke ‘ Em High 2 & 3, Toxic Avenger 2-4, and many more Troma classiscs!

CONHLP
As usual we make sure that people across the globe will be able to take part in this event! So pre-order a copy of the Class of Nuke ‘Em High LP, Class of Nuke ‘Em Blu Ray, or Toxic Avenger 2 Blu Ray DVD Combo from www.fpnyc.com and it will be signed by all guests attending our event!

CONH2BR

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Troy’s Toys But with Comics: Date Night Edition

Uncanny_X-Men_Vol_3_33Uncanny X-men #33

Brian Michael Bendis/Kris Anka/ Antonio Fabela

Marvel $3.99

Note: Despite Kitty Pryde and Magik being the focus of the issues, there is zero actual dates in this issue.

This particular issue works on a number of levels. Brain Micahel Bendis uses Marvel continuity to his advantage. Uncanny X-men #33 focuses on Kitty Pryde and Illayana Rasputin’s friendship, while setting the issue on MONSTER ISLAND, which is the best island location in the Marvel Universe. Bendis expertly draws upon both the character’s pasts to tell a compelling story that’s been done a million times before in X-men comics, but everything’s so good the reader doesn’t notice. His voices for these characters ring true and natural, to the point that this may be the best done in one he’s done on Uncanny.

Art wise, the book couldn’t look better. Kris Anka returns to draw this issue, and he’s the perfect fit for it. His Kitty and Magik look great, thanks to Anka’s clean line work and Antonio Fabela‘s flawless colors. Anka’s super expressive faces also help with the emotional beats of Bendis’ scripts, making the whole thing feel so genuine and Chris Claremont-esque. MOST IMPORTANTLY, he channels some serious Wally Wood/Jack Kirby when it comes to drawing the massive residents of Monster Island. He’s a great enough talent that he can mix those gold and silver age era character designs with the modern age looks of Kitty and Magik  and have it look natural. Well as natural as you can get in an X-men comic.

This particular issue of Uncanny X-men rewards you based on how long you’ve been with the franchise. There’s some calls back to the book’s earlier days, and it definitely has that nice, Claremont era vibe to it, without feeling too much like fan fiction. It’s fun read that now only showcases some great art, but shows how good Bendis is when he focuses on a dense done in one issue.

Ms.-Marvel-14-CoverMs Marvel #14

G Willow Wilson/Takeshi Miyazawa/Ian Herring

Marvel $2.99

NOTE: This issue very much has dates and emotions, justifying the title of this article.

It’s been a few months since I’ve wrote about Ms Marvel, but it’s not like I stopped reading the book. It’s been consistently excellent, but much like Saga, it was getting to the point I was running out of ways to praise it. This month’s issue isn’t any less excellent that those non-reviewed issues, but there’s a particular scene I want to talk about.

Said scene is between Khamala’s older brother Aamir, and her bff/boy with a secret crush Bruno. SPOILERS, said moment involves both males discussing Bruno’s crush on Khamala, her new male friend who she’s clearly sweet on, and why it would never work between Ms Khan and her bestie. It’s scene we’ve seen before in all sorts of media, but writer G Willow Wilson brings a cultural spin on it that makes for a really compelling 2 pages. It gives a good reason for it to not happened, which in turn makes it all the most fascinating.

That is not to say Khamala is a no factor in this comic. Our spunky lead is dealing with her first crush, and it results in her being dragged closer to the shared Marvel Universe. Fill in artist Takeshi Miyazawa  (who ironically was also the back up artist on regular series artist Adrian Alphona’s run on Runways) line work is great, slightly more focused and manga-esque than Alphona’s but beautiful none the less. Ian Herring‘s superb colors helps Miyazawa’s art stay in constant with how the title looks normally, without taking away from his particular spin on Ms Marvel and her cast.

Ms Marvel #14 is another delightful issue from one of the best comics on the stand today. It’s a wonderful series that never disappoints and constantly entertains, and it will be interesting to see if this issue’s cliffhanger will play out next month.

 

 

 

 

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Get SuperTrashed TONIGHT with Jacques Boyreau at Brooklyn’s Nitehawk!

This weekend at Brooklyn’s Nitehawk Cinema get SuperTrashed with cult connoisseur Jacques Boyreau for a screening of the psychotronic Shatner classic Impulse!

Fri April 17th and Sat April 18th at Midnight
Impulse @ Nitehawk Cinema
136 Metropolitan Avenue
Impulse

SuperTrash presents the dark side of William Shatner in 1974’s IMPULSE.

In Impluse, The Shat perfs a very touchy cat, Matt Stone, a matricide survivor who’s become a honeymoon slayer. Forever cuckoo’ed by his trauma, Shatner plays the role like Hamlet — if Ham was a prism of Sonny Chiba, Robert Goulet, and Dracula‘s Renfield. Impulse is breezy and sleazy, like easy-listening grindhouse with an immaculate 70’s vibe. William Grefe directs exploitation with–shall we say–seriousness, as seen in other Grefe works like Stanley and The Hooked Generation. Perhaps the real-dealio credit belongs to writer Tony Crechales, who was definitely on a psychodrama bender having previously penned The Killing Kind and So Evil, My Sister.

Presenting Impulse is a SuperTrash pleasure for curator-author Jacques Boyreau and designer Joe Niem–with thanks to archivist Scott Moffett. For the curious and cogently unhinged, we include a gallery of SuperTrash legacy, representing museum shows, books, underground cellars, and upcoming web commerce…Pig in and dig out…!

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April 30th Troma Signing with Lloyd Kaufman, Ethan Hurt & Lisa Gaye!

Forbidden Planet is stoked to announce a Troma signing on Thursday April 30th at 7PM!

Meet Lloyd Kaufman (Troma President and creator of The Toxic Avenger), Ethan Hurt (Composer of the Class of Nuke ‘Em High Theme), and Lisa Gaye (star of Class of Nuke ‘ Em High 2 & 3, Toxic Avenger 2-4, and many more Troma classiscs!

Troma-Signing-PosterWEBAs usual we make sure that people across the globe will be able to take part in this event! So pre-order a copy of the Class of Nuke ‘Em High LP from www.fpnyc.com and it will be signed by all guests attending our event!

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Troy’s Troys But With Comics: Childhood Flashbacks editions

There are currently 12 unwatched episodes of Daredevil in my Netflix queue right now, please note that I took time to write this article instead of ODing on DD.

Saga_27-1_300_462Saga #27

Fiona Staples/Biran K Vaughan

Image Comics $2.99

I’ve been running out of ways to complement Saga. Each issue is a 20 page celebration of comics, with the creators doing their damnedest to show exactly  why they’re the best what this medium is capable of. This month’s issue is no exception, as Fiona Staples and Brain K Vaughan show off their full range of talents.

Issue 27 has Fiona Staples drawing everything from odd/unusual erotica, to grotesque violence, to absolutely adorable thanks to tiny sealman/my favorite character Ghus. Ghus in particular is an fine example of Staples’ artistic skills, as she manages to convey a lot of character and emotion in a character with a comparatively simplistic design. There’s also some really powerful emotional beats that Staples hit without the assistance of BKV’s words. While she’s never been anything less than impressive, this particular arc of Saga may be Staples finest work to date. I couldn’t think of a better artist to see their name listed before the writer’s name in the credits page.

Brain K Vaughan continues to be the very best at what he does when it comes to dialogue and the script, snikt. We get to take another glimpse of Marko’s past in this issue, and the stuff revealed in the flashbacks is brutal, but compelling none the less. He also injects some much needed humor in places that helps ease the tension, as well as remind us how delightful these characters are. Vaughan’s words are overshadowed by the art at times, but it never feels like he’s coasting on Staples talents.

Saga is still very much the best book on the market, and this issue is just further proof of that.

portrait_incredible (1)All New Hawkeye #2

Jeff Lemire/Ramon Perez/Ian Herring

Marvel $3.99

AWWW, Fact: This is the 2nd Hawkeye #2 in which a/the Swordsman is a crucial element to the plot!

This 2nd issue of All New Hawkeye is a slight improvement over the previous issue, but I’m still a tad confused over the direction of the title. The book continues to be split between the past and present, but the present sections continue to feel like an after though. Ramon Perez and Ian Herring certainly do some cool stuff with this book’s visuals, but it genuinely does feel like writer Jeff Lemire prefers re-telling Clint’s origin than moving his Hydra/creepy-ass children plot forward.

To be fair, the Circus flashback segments are fairly enjoyable, even with the art being a little uneven in places. The sketchy art looks a tad incomplete at times, but Ian Herring’s colors really help enhance it a ton. The modern segments look slightly better, as Perez channeling David Aja suits his style better. Lemire is still struggling with the Hawkeyes banter, but it’s improving.

All New Hawkeye #2 is a much needed step in the right direction, although it’s not quite there yet. Hopefully the next issue will continue to improve in quality, and this book will be on par with the previous creative team’s efforts.

 

 

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“SQUIRM’s” Jeff Lieberman joins NYC’s Forbidden Planet signing of “FANGORIA: COVER TO COVER”

Veteran horror director Jeff Lieberman, creator of cult classics including SQUIRM, BLUE SUNSHINE and JUST BEFORE DAWN, has joined the growing list of horror celebrities who have come on board the signing event for FANGORIA: COVER TO COVER at New York City’s Forbidden Planet (832 Broadway near Union Square; [212] 473-1576). The event will take place this Thursday, April 2 from 6 p.m. to 8 p.m.

Lieberman’s films also include the sardonic Halloween horror film SATAN’S LITTLE HELPER, the alien-invasion-via-video opus REMOTE CONTROL and the mad-science TV movie DOCTOR FRANKEN. Appearing with him will be genre all-stars such as: splatter king Tom Savini; BASKET CAST, BRAIN DAMAGE and FRANKENHOOKER auteur Frank Henenlotter; legendary FAMOUS MONSTERS cover artist Basil Gogos; Larry Fessenden (director of THE LAST WINTER, HABIT, WENDIGO); Debbie Rochon (actress, Fango columnist and former host of Sirius’ much-missed FANGORIA RADIO); and screenwriter/playwright Roberto Aguirre-Sacasa (CARRIE and THE TOWN THAT DREADED SUNDOWN, Broadway shows SPIDER-MAN: TURN OFF THE DARK and upcoming AMERICAN PSYCHO). In addition, staffers Tony Timpone, Thomas DeFeo, Michael Gingold, W.R. Mohalley and Ken Hanley will be on hand to sign as well. Copies of FANGORIA: COVER TO COVER will be available for purchase, but autographs will be free, as they should be! (Please note, celebs will be signing the book only.)

FANGOCOVERSIGNINGLIEBERFEAT

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Troy’s Toys but with Comics: Wicked Academy

WickedDivine_09The Wicked & The Divine #9

Kieron Gillen, Jamie McKelvie, Matthew Wilson

Image $3.50

KIERON GILLEN IS A JERK!

He’s not really. I’ve met him several time, if anything he’s the complete opposite. But man, this issue of The Wicked and the Divine ends on a bummer of a cliffhanger.

Gillen’s pacing has been incredible throughout the series. The previous issue of #WicDiv ended on saucy note, and this issue lead up to believe sexy times were instore for everyone. That couldn’t be any farther than the truth, as we’re instead treated to a few reveals, some heartbreak, and some choice dialogue by KG once again.

Surprising no one, Jamie McKelvie and Matthew Wilson are still in top form with the art for this book.  McKelvie reminds us just how good he is by giving a trio of familiar supporting characters a new look, and it’s gorgeous. McKelvie excels at designing and redesigning character, so I shouldn’t be surprised the end results are as good as they are, but I’m impressed time after time.  Wilson remains equally important, as his choice in colors for these character really give them a visual style that helps win the reader over.

Wicked and Divine volume 2 continues to be a consistent and stellar read. The WicDiv fandom has come to expect certain things from a Gillen/McKelvie/Wilson project, and they deliver in usual  fashion again with this is, despite its being quite brutal at times.

 

 

 

STK666956Gotham Academy #6

Brenden Fletcher/Becky Cloonan/Karl Kerschl/Mingue Helen Chen/Msassyk/Serge Lapointe

DC $2.99

Guys, I’m not sure if I get this message across in my reviews, but this is the BEST time to be reading comics.

Gotham Academy wraps up its first arc, and it’s delightful. It’s funny that arguably the most light hearted of the Bat-titles, this is the book that has Batman come off as a villian. Obviously he and Croc has a history that says otherwise, but a teenager with mom issues may see the Bat in a different light. Batman’s extended appearance doesn’t detract from the feel and tone of the book though, as it shakes things up a bit and takes the book in some interesting directions. The most  shocking being the tease of the addition of a established Bat-character who’s presence is welcomed and makes a ton of sense.

Karl Keschl gets some help on the art end of things from Mingue Helen Chen and style wise it couldn’t be better. While it’s not as bright & colorful as Keschl’s art, it’s definitely beautiful in its own way, channels the same animation vibe, and fits the narrative quite well. Becky Cloonan and Brendan Fletcher are in top form, writing very believable kids & a very rich and interesting world. In the span of 6 issues, these  5 kids have been given an impressive amount of depth in such a short period of time, and it kills me I’m going to have to wait until June before we re-visit this world again.

Gotham Academy #6 is another great installment of the best Batman book no one’s reading. Hopefully the new addition to the cast will get the book some new readers, because I would hate to see it end after the next arc.

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Frank Henenlotter joins NYC’s Forbidden Planet signing of “FANGORIA: COVER TO COVER”

The one and only Frank Henenlotter has been added to Forbidden Planet’s Fangoria Cover to Cover event this Thursday April 2nd at 6PM!

Come down and meet a ton amazing genre personalities or pre-order signed copies from our web-store. http://www.fpnyc.com/Fangoria-Cover-To-Cover-HC/9781587674501/Books

Sounds like a win win!

FRANK

Cult movie filmmaker Frank Henenlotter—the notorious director behind BASKET CASE, FRANKENHOOKER, BRAIN DAMAGE and BAD BIOLOGY—has joined the growing list of horror celebrities who have come onboard the New York City Forbidden Planet (832 Broadway near Union Square; [212] 473-1576) signing of FANGORIA: COVER TO COVER. The event will take place on Thursday, April 2nd (next week!) from 6 p.m. to 8 p.m.

Besides directing some of the wildest independent horror films of all time, Henenlotter won kudos for his archival work with distributor Something Weird and helming the much-praised documentaries HERSCHELL GORDON LEWIS: THE GODFATHER OF GORE and THAT’S SEXPLOITATION! His latest film, a caper picture called CHASING BANKSY, debuts later this year.

Appearing with Henenlotter will be genre all-stars such as: splatter king Tom Savini; legendary FAMOUS MONSTERS cover artist Basil Gogos; Larry Fessenden (director of THE LAST WINTER, HABIT, WENDIGO); Debbie Rochon (actress, Fango columnist and former host of Sirius’ much-missed FANGORIA RADIO); and screenwriter and playwright Roberto Aguirre-Sacasa (CARRIE and THE TOWN THAT DREADED SUNDOWN, Broadway shows SPIDER-MAN: TURN OFF THE DARK and upcoming AMERICAN PSYCHO). In addition, staffers Tony Timpone, Thomas DeFeo, Michael Gingold, W.R. Mohalley and Ken Hanley will be on hand to sign as well. Copies of FANGORIA: COVER TO COVER will be available for purchase, but all autographs will be free, as they should be!

 

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