Neil Gaiman’s signature creation returns this week in The Sandman Overture #1, and FP is gearing up for its giagantoid release with a sale on ALL Sandman backlist.
GO TEAM VENTURE! The Venture Brothers is back on the air after 3 long years! Austensibly a parody of Johnny Quest, the Venture Brothers has grown into a touching story about people with extraordinary abilities failing in ordinary ways. Packed with nerds, super-hero wannabies and other marginal social pariahs, the Venture Brothers is about US, viewed through the mirror of the pop culture we love.
Funny story. My column ran long last week and Unkie Dev’s space got cut. Since then I have been wracked with guilt and completely unable to function in my daily life. I am overwrought with worry thinking about all you Unkie Dev Dev-iants who missed his thoughtful words and gentle demeanor. I have completely rethunked my whole column to try and make amends. Also the numerous death threats helped me see the issue more clearly. For this week I am doing a very special, micro-machines man-esque, super speed version of TRY SOMETHING NEW. Without further ado…
THE MASSIVE #1 is being rereleased for $1. Frontrunner for book of the year, Brian Wood does realistic global disaster from the POV of a radical environmental group hunting for a missing boat. There’s nothing like it on shelves and if you like the $1 issue you can buy the whole trade for just a bunch of dollars more. I know nobody wants to hear that this book has some light environmentalism themes so I won’t mention that. People shoot at each other though, you all like that. Read also: DMZ.
SUPERMAN: SECRET IDENTITY. A friend of mine who works at Marvel lent me this and said it was the best Superman book of all time. That’s how good it is. It almost brokered the Marvel/DC peace accords. He was wrong though. ALL-STAR SUPERMAN is the best, but this is up there. A surreal tale of a young Clark Kent that will keep you guessing. Kurt Busiek can find the humanity in superheroes better than almost anyone, and Stuart Immonen can draw that just as well. Read also: ASTRO CITY
PUNK ROCK JESUS. Sean Murphy steps out of his own artistic shadow to become a powerhouse writer. The story of a clone of Jesus who quits his reality TV show and fronts a punk band may make you cringe, but Murphy handles it with aplomb. His art, as always, is brilliant. This one may not be for everyone but if it seems interesting to you now you will probably dig it. I think the ratio of people with mohawks in comics to people with mohawks in real life is crazy. This book doesn’t help that. Read also: AMERICAN JESUS vol. 1
MISS FURY #1. It seems like something changed over at Dynamite and their relaunched character books have either been getting much better or people are finally caring about them. Now they launch Miss Fury, a hero who ends up moving through alternate timelines after WWII. She may be lost, she may be crazy, she is definitely angry (Dynamite, call me. I can make this $#!% up all day: 212.473-1576). This book is good too because if you squint you can pretend you are reading Catwoman. Read also: CATWOMAN
MICE TEMPLAR vol. 4 #1. How &*(%!#@ weird is it that there is more than one book about mice with swords? I think it’s absolutely insane. It makes me feel like I am losing my mind. It’s hard to find comics with black characters in them and there are two books with sword wielding mice?!?! Both sword/mice books are good. This one has some great Michael Avon Oeming art. Read also: MOUSE GUARD (obviously…)
THANOS RISING #1. I once went on a long and moderately well received rant about how I think in some ways comic writers are too sheltered. Many just lack crazy life experiences and it shows in their writing. I said something about how I don’t want to read comics from anyone who has never been in handcuffs, or slept with a stranger, or been knocked unconscious, or had a gun pointed at them, or woken up on a strange floor, or seen a dead body, or crashed a car, etc… Rantings of an idiot, but my point remains. I don’t know if Jason Aaron has done any of those things but he sure writes like has. Now he is writing a Thanos origin story. I don’t know who thought a Thanos origin story was necessary but here it is. Read it and everything else Jason Aaron writes. Read also: SCALPED
UBER #0. There’s a lot of Nazi stuff in comics. Nazis are like mice with swords, they’re everywhere. Except in MAUS where the mice aren’t Nazis at all and there are no swords. Confusing. Most of the Nazi stuff I find to be boring and cliché. Heck, this is my second Nazi stuff book of this column, and this column only has stuff I like in it. But Kieron Gillen is a good writer and can take a tired cliché and shake it up enough to make it feel fresh and exciting. His new series finds Nazi superheroes entering the last days of WWII to CHANGE THE COURSE OF HISTORY! Whoa. If that doesn’t excite you you should probably stick to books with mice and swords. Read also: PHONGRAM
HARBINGER WARS #1 is a crossover between Harbinger and Bloodshot. Both of those books are among the better offerings in superheroics right now. This, the first crossover of the Valiant Comics relaunch, is all set to be epic and hopefully gamechanging. If you have been reading both main books then this event is a no-brainer. If you haven’t then I don’t know why you would start here. The trades of both individual series are only $10 each. Start there. Read also: HARBINGER, BLOODSHOT.
50 GIRLS 50. Fantagraphics has been re-releasing old EC stuff in these really nice hardcovers. Now they are taking a shot at Al Williamson’s work. Ranging from sci-fi & fantasy, to horror and crime, this stuff is almost infinitely fun and readable. There are some Ray Bradbury stories in here, as well as some stuff that Frank Frazetta drew. All with great notes on EC and Williamson. This book is equal parts truly classic comics and amazing history lesson. Come for the arts, stay for the smarts. (Again, Fantagraphics, I will write taglines like this for you. I make up stuff this good like every day.) Read also: CORPSE ON THE IMJIN
‘TAIN’T THE MEAT…IT’S THE HUMANITY. I could write about how this is Fantagraphics collection of all of Jack Davis’ Tales From The Crypt stuff but instead I will just direct you to the title. Now I offer the theory that anyone who does not own a book called “’Tain’t The Meat… It’s The Humanity” deserves nothing of value in their lives. This stuff is funny, gross, creepy, and like nothing that has come since, but mostly it just has the single greatest title of all time. Ever. Including the future. Read also: CAME THE DAWN
Well that’s all for me now. I just got a tip from a friendly lady cop I used to run with that a guy matching the description of tech wizard/crazed mole person, Tyler, has been spotted in the abandoned Fulton Fish Market building. I just hope I can get to him before they do. Pray for us.
I am in Seattle for Emerald City Comic Con as I write this. ECCC is the beginning of the 9 months the comics industry affectionately refers to as “Con Season.” 9 month seasons. Not so bright. Comics Industry- ok at making comics, less ok at everything else. Anyway, I flew in on the Forbidden Planet jet on Thursday night. Not the nicest private jet I have ever been on but that’s alright. I was just happy the doors closed all the way and the heat worked.
So after 4 days of intensive comics immersion in the form of announcements, chatting, gossip, snooping, and spying, what have I found out for you all? Comics people really like donuts and beer. I tried to find out other stuff but that’s all anyone really talks about. There was some cool stuff though. I saw a guy cosplay as Leeloo Multipass and that made me question my sexuality and vomit in my mouth at the same time. I saw a a bar fight where one man choked another man for 2 minutes and then both walked away like nothing happened. James Robinson called me Patrick for no discernible reason. I found out if you put Adventure Time on stuff you can probably take Scrooge McDuck style money baths. Someone who clearly doesn’t have parents or friends thought it was a good idea to cosplay as Geordi LaForge in blackface. I guess maybe some of the comic writers and artists are doing new books or redoing old books or something. I wasn’t paying attention to that. I am pretty sure there are comics planned through at least June of this year. After that, who knows?
But let’s talk about this week. Since I’ve been around a ton of comics all weekend and I’ve decided I really like ‘em I am going to TRY SOMETHING NEW. In an attempt to trick you into buying more stuff and save me the effort of thinking up more jokes, we are going to do this rapid fire style. I am going to call out some books than usual that are good, write a sentence or two, and you are going to buy them. Simple and elegant. GO!
REPTILE MUSEUM #1 & #2. Only issue #2 of Reptile Museum just came out, but consulting my trusty comput-o-tron tells me that it is statistically impossible that you read issue #1 so I will review both right now. Published by Ray Ray Books which, for all I know, is either a dude in his parents basement or a division of Newscorp, Reptile Museum is what we call an indie, mini, or self-published comic. This is annoying because technically everything but Marvel and DC are “indie” so that word is meaningless. Sometimes minis are huge so that word is meaningless. And like I said before, I have no idea if Cody Pickrodt published this or Rupert Murdoch, so self-published is a difficult label to use. Either way, Reptile Museum is great. A clever post apocalyptic story that answers questions and creates them at an equal rate. Two issues in and I have no real grasp of the world at all and I love that. A unique dystopian tale, Reptile Museum spends much more time on it’s characters than it does explaining it’s world. We follow as a character reenters the folds of a mysterious organization and shows himself to be a true badass. That’s really it. But it’s great. This is a huge story scaled down and made small and personal. Mysterious and exciting, this book is well worth your support. Buy it now because you may not easily get another chance.
ALL-STAR WESTERN vol.2- WAR OF LORDS AND OWLS. DC’s most consistently great book is All-Star Western. Jonah Hex is a brilliant character, Palmiotti & Gray handle him in a way that makes it almost impossible not to love and loathe him. Someone at editorial decided to make a book that takes place in the 1880′s cross over with Batman and it isn’t horrible and stupid, it’s actually quite fun. The art is great. It’s one of 3 westerns on store shelves. Go buy it.
SLEEPER Omnibus. Ed Brubaker does superhero crime noir comics. A deep cover superhero begins to lose his identity. Do you like stuff like The Departed, Infernal Affairs, or Donnie Brasco? Well this is better. $75 gets you 2 volumes of Sleeper, the Point Blank prequel, and a ton of bonus stuff. There isn’t much more that I can say other than fans of crime, superhero, great writing, or beautiful art must own these books.
Grant Morrison writes 50% crazy nonsense that is almost impenetrable. Then he writes 50% next level brilliance that is untouchable, fun and smart. Sean Murphy is one of the best artists in comics today. They teemed up on JOE THE BARBARIAN to tell the story of a little boy getting lost in his own fantastical mind. It is the best thing either of them has done in many years. These are the best guys in the business doing their best work. Buy the paperback version out this week and lock yourself in a room so you can read though it a few times.
I don’t care about the Rocketeer. Jennifer Connelly isn’t in the comics so 12 year old me doesn’t make adult me buy them. But then Mark Waid goes and does his thing of taking old things, getting rid of the excess, and making them fun again. Then Chris Samnee comes in and does his thing of making comics that are so pretty they make everything else seem like ugly, busy, squiggles. Both men make ROCKETEER: CARGO OF DOOM a must own book for fans of pulp stuff or inventive ways to make action heroes feel fresh and familiar at the same time.
I just want to run the copy for LOST VEGAS #1 because either they have my sense of humor exactly and the notes to the editor are brilliantly funny OR someone really didn’t do their job. Either way Jim McCann and Janet Lee made RETURN OF THE DAPPER MEN which is probably the most brilliant kids book in recent memory. Lost Vegas isn’t a kids book but it looks like it might be as brilliant. So, without further ado, the weird solicitation text for LOST VEGAS #1- The EISNER AWARD-WINNING team of JIM McCANN?& JANET LEE reunite to create a universe filled with intrigue as one gambler-turned-slave has 24 hours to go all in and pull off the greatest heist the universe has seen. (in this next section, can it be like a brochure, like a different font? If not, italics is cool) WELCOME TO LOST VEGAS! Aboard this luxurious casino-filled traveling space-station you will find the highest stakes games from every corner of every planet, unheard-of winnings, and the greatest attractions anywhere!* (Can the below section be a smaller font size?)*the fine print- those who bet it all and lose must work it off as indentured servants to the casino. Escape is not possible. No one is exempt from these rules.
Joe Casey is a great writer. He can do almost anything with style, heart, and humor. None of that matters because his new Image series is called SEX. He wins. SEX #1 is on shelves now. Buying any other comic instead of SEX makes you look stupid.
Cullen Bunn may be getting famous for his work over at Marvel but if there were any justice in the world he would already have been famous for his brilliant western series SIXTH GUN. He returns with a new series called HELHEIM launching this week. Vikings, the undead, gods, and monsters come together in what may be the most fun book of the year. I was lucky enough to see Joëlle Jones art for HELHEIM #1 this weekend and it is quite clear that Ms. Jones has just launched herself into the top tier of comic artists working today. With an art style that falls somewhere between Luther Strode‘s Tradd Moore and B.P.R.D.’s Tyler Crook but feels completely fresh at the same time, this book is painfully beautiful, which is what you want when you are dealing with swordsfights and beheadings.
I seem to do it every week so here I go to do it again. ARCHER & ARMSTRONG Vol 1 MICHAELANGELO CODE is out now. The Valiant relaunch books are great. Archer & Armstrong is buddy cop stuff done pitch perfect. A “struggling with his faith” teenager and a perpetual screw-up immortal are forced to work together to save the world from a problem that is both somewhat their doing. This isn’t life changing stuff, but it is the kind of comic you might fall in love with. This is super hero stuff that feels fresh. This trade is $9.99. If you read superhero books and someone as smart as me tells you that some of the best new ones are only $9.99 for volume #1 you really should buy it. Valiant are leaving cash on the table in order to offer books like this at “TRY ME!” prices. They believe in their books that much, and that should be enough for you.
Hello loyal readers. How was your week? Not that anyone asked but I had a good one. Well it was good until Forbidden Planet’s Tech Wizard/6th member of Modest Mouse, Tyler, threatened me. It turns out that some of the links I use on the blog weren’t up to his liking. I think he didn’t like the one linking to him singing a song he wrote about me, but that is conjecture. He is my editor though (ironic since his grasp of grammar is even worse than mine) and that comes with a certain amount of power. Mostly the power to make me look like an idiot… more of an idiot. I, of course, can write stuff that makes him look bad as well. I OBVIOUSLY never ever would , but I could. And that keeps him up at night, sweating through the sheets in his tiny little crib. And thus we have invented the concept of mutually assured blogging destruction. I am Forbidden Planet’s Dr. Strangelove. Tyler is my Dimitri.
In good news I’m not apologizing for anything in this week’s column. I pitched a perfect game with my last column. I’m hoping to keep my streak going and have some great comic recommendations for you all. And yes, all you Unkie Dev fans (or Dev-iants as we call them), I do not consider having my column run long so that Unkie Dev gets bumped a mistake. I consider it good strategy. There’s a plan at work here people. You won’t understand that until it’s too late for you.
I talk a lot about Dark Horse Presents here. Partially it’s because I think it is a great venue for some of the best storytelling in comics and you readers would love it. Mostly it’s because I like it a lot and don’t want it to get canceled. I never claimed this wasn’t self serving. DARK HORSE PRESENTS #21 has more stuff from comic greats like Shannon Wheeler, Duane Swierczynski, and Michael Avon Oeming. I am really excited to see new stuff from the great Simon Roy, artist on the always great Prophet. But the real reason you are probably buying this, and the real reason I don’t have to think of more stuff to say is this- a new story from Paul Chadwick (Concrete) and Neil Gaiman (Neil Gaiman stuff). If that doesn’t mean anything to you there isn’t much more I can say other than you need to read more comics. Start with Concrete and Sandman. Also read Dark Horse Presents.
The point of this column is to suggest (read: pressure) new books for you all to buy. Well I feel like an idiot for suggesting you pick up HELLBLAZER #300, but as the foremost comic journalist in the world I would be remiss if I didn’t mention it. As it stands right now Hellblazer is the longest running sequentially numbered book at DC. That might seem like a minor distinction but it feels important. Hellblazer may only “technically” be the longest running book at DC, but it is arguably the best. And now all of that comes to an end with issue #300. DC has canceled the book in favor of a “younger, hipper” book in the regular DCU called Constantine. Apparently young hip people don’t like unique characters with rich history. Either way, buy issue #300 and put it on your nightstand for later while you work your way through the collected editions. (I know you don’t have a nightstand, you just use a bunch of old pizza boxes as furniture.) Hellblazer vol. 1 is about as good as a comic gets and it rarely lets up for the next 290ish issues.
Dynamite has done a real interesting thing the past few years. In their quiet corner of the comics universe they have taken a bunch of old pulp characters most people don’t care about and they started making fresh and exciting books out of them. The Shadow has been one of their flagships in this re-imagining. Well comics never let’s a good thing simply be, so this week sees the release of a new Shadow book, THE SHADOW: YEAR ONE #1. Willfredo Torres does some beautiful pencil work that has both a classic cartoon feel and modern styles all at the same time. And Matt Wagner does a great job of slowly leaking the origin of this 70+ year old character and keeping you guessing. This is a book that is good enough to get you excited about the whole Dynamite line. Get into it.
Remember- Don’t talk about a perfect game while it’s happening. You will jinx it.
HOW DO I KNOW WHO I AM IF I FORGET? is the new self published mini comic from writer/artist Luis Echavarria Uribe. As beautiful as it is disturbing, HDIKWIAIIF? is the story of an obsessive girl trying to figure out who she is and how she relates to the world. Her obsessions are both uncomfortable and somehow comforting all at once. Equal parts outsider art comic story and EC horror book, Mr. Echavarria Uribe crafts a story that twists and turns under you in uncomfortable and exciting ways. His art can be quite beautiful and, unlike so many self published creators, he has learned to write to his art strengths and draw to his writing strengths. Obviously for most of the people who read this column a self published mini-comic may be far outside their wheelhouse, but this book would be write at home in the collection of anyone who likes reading good comics, regardless of genre or format. Pick it up, support someone who is doing it on their own, and you will be rewarded with one of the best books out so far this year.
I was going to write a bunch more stuff but I am tired and for some reason my girlfriend just put Glengarry Glen Ross on so I sort of stopped caring about my job here. Other good stuff out this week includes the long awaited return of Kill Shakespeare. Fans of Fables, League Of Extraordinary Gentlemen, and trying to look more literate than you actually are would do well to pick up KILL SHAKESPEARE: THE TIDE OF BLOOD #1. A mash-up of many of The Bard’s most famous characters, the Kill Shakespeare series is always good fun if you get the references and really odd but still enjoyable I am sure if you don’t. Also worth grabbing is the strange early 90′s British sci-fi series TALES FROM BEYOND SCIENCE, which is finally collected into one hardcover. 8 tales all drawn by British artist and graphic designer Rian Hughes and written by a bevy of great Brit sci-fi scribes including Mark Millar (Kick-Ass). These bizarre short stories explain seemingly unexplainable phenomenon in ways that will make you laugh and feel like someone dosed you. If you like stuff like stuff like Madman or anything zany at all this book should be going home with you. Now go spend your money wisely. And remember kids, Always Be Closing.
How about that. It was funny. It was smart. It used commas in interesting ways. Good books were recommended. A flawless column. And that means back to back perfect games. Give me the Cy Young right now. (1% of you have any idea what I am talking about.)
I am writing this column a day earlier than I usually do in hopes that with more time it will be better written and better researched. Weird thing is I didn’t do any more research and I am not sure why I would be a better writer at 3AM on a Saturday than I am at 3AM on a Sunday. Let’s chalk this one up to pointless planning and once again celebrate procrastination.
The one exciting thing about this week’s column is it’s my 9th. My final single digits column. So sad. To celebrate I will be rewarding 9 lucky readers with a no expenses paid date with Forbidden Planet’s resident Shipping Monster/Skinny Pants-Wearer, Ben. You thought I was going to offer up Tech Wizard/Baby Eagle, Tyler, didn’t you? Here’s the thing. Tyler reads this column. He has to. Hi Tyler. He would edit this part out before you all ever got close to hand feeding him the baby shrimp he eats for every meal. I am pretty sure Ben does not read this and I am very sure he can’t stop it before it comes out, hence my contest offering him up as a prize. Good luck everyone. May the best 9 men or women win. Anyway, there are a lot of good books out this week and I ran out of jokes in mid January so let’s get on with the show, shall we?
There are a few publishers in the world that have such an amazing vision, such a unique and well cultivated sensibility, that their brand can be trusted without question, their logo on a book jacket is basically a greenlight for smart readers. Vertigo has always been at the forefront of those publishers. Sandman, Swamp Thing, Hellblazer, Preacher, V For Vendetta, 100 Bullets, Transmetropolitan, Invisibles, Scalped, Y The Last Man, DMZ, Sweet Tooth, Fables, Unknown Soldier, and tons more. That list alone is sort of breathtaking. Unfortunately for everyone who likes good stuff, Vertigo has fallen on a bit of hard times. Long running books are being moved to DC, books that traditionally would be Vertigo titles are being lost to other publishers, and worst of all, books are being overlooked. NEW DEADWARDIANS is one of those titles. Smart, fun, social commentary on gender and class struggle as told through a society of zombies, vampires, and humans, trying to survive together in post-Victorian England, New Deadwardians is the kind of book that would have been a must have for savvy comic fans 10 years ago. I miss those days of great books getting attention.
It’s always an exciting thing when you find an artist you can fall in love with and watch their work grow over time. Riley Rossmo is one of those artists for me. Falling stylistically between folks like Ashley Wood, Ben Templesmith, and Fiona Staples, Rossmo’s work is both unique and somehow familiar. Having honed his craft on books like Cowboy Ninja Viking, Green Wake, Proof, and Bedlam, Rossmo has once again put together a new project that looks like it may be his best work yet. DIA DE LOS MUERTOS is a short anthology series with a great concept, 9 good writers contribute horror stories about the Mexican Day Of The Dead for Rossmo to illustrate. Greatness ensues. The 1st issue of this 3 issue series is out this week and well worth the attention of anyone looking for the next great comic artist.
Andy Diggle has written a lot of comics. Jock has drawn a lot of comics. Together they made brilliant comics like Green Arrow: Year One and The Losers. This week they are finally brought together again for the first issue of their “wrong time, wrong place” crime thriller SNAPSHOT. It came out in Judge Dredd Megazine in the UK but British people don’t always share their stuff with us well so Image is re-releasing it for us stateside. Man, I’m so happy we had that revolution. If you have never read any of their stuff get ready for fast paced, gritty, clever, and beautiful. If you have then I’m sure you’re already buying this one.
RIYL: Criminal, Rear Window, Stray Bullets.
I guess the story that everybody talks about with ZED is that it was Michael Gagne’s labor of love for 11 years. That is an awfully long time to work on a book. It would be heartbreaking if it was bad. Luckily for all of us ZED is pretty brilliant. This seemingly whimsical tale of an adorable alien turns very dark and brutal when the fate of his planet is thrust upon him. When I was young the stuff for kids that I actually cared about was upsetting, traumatic, and wonderful. Bambi, The Seventh Seal, Grimm’s Fairy Tales, Pinocchio, Willy Wonka & The Chocolate Factory, Beetlejuice, The Witches, Lord Of The Flies, and on and on forever. That is something kids and YA entertainment has lost these days, the idea that it’s ok to be harrowing and terrifying. ZED has that perfect mix of innocence and brutality that makes it feel substantial enough for kids and adults to fall in love with. This is how classics are made.
I suppose a journalist should be impartial and have objectivity. I get that. Luckily, what I do is pretty far from journalism in most regards. Mostly I just tell you to buy stuff and you ignore me and buy Green Lantern. So with that first test failed I can move past and journalistic aspirations and put it out there that I have very little objectivity. There are comic creators who I like. I value their work and I pull for it to be successful. Luckily 99% of the time (maybe more like 87%) I am pulling for these creators because they are good and deserve to have readers. Joshua Dysart is one of those creators. I buy everything the guy writes. Remember a few weeks ago when I got real weird and preachy on how good Unknown Soldier is and how good his Harbinger vol. 1 is? Well now I am doing it again because I can. HARBINGER #0 is out this week. An origin story following the rise of the mysterious Toyo Harada, this issue is a great jumping on point for anyone who wants to read one of the best superhero books on shelves today. It’s nice looking, smart, and it isn’t something you have read 100 times before. Just do it.
Well that concludes our 9th column together. Here’s to the next 9, may they be as sweet as our tears and as bitter as our dreams. Now to pick the 9 winners of the 1st ever weekly “Take Ben To Eat And See Where It Goes” contest. If you see a big $$$ at the bottom of this page it means you are a winner! Drop by Forbidden Planet with donuts, lamb & rice (no salad), or Dos Toros to collect your prize.
Greetings from Ice Station Zebra. For all you people out there who check the spines of your comics to make sure they don’t have creases or whatever it is you are looking for please note that Forbidden Planet is now refrigerated to ensure that your books stay extra fresh. No more rotten book smell! Anyway, about my column this week; I don’t know how many of you have peaked early in life but it is a terrible feeling. I’m pretty sure that last week’s column is as good as this column is ever going to get. I don’t know if you saw it but it was pretty great. There was a whole Choose Your Own Adventure type thing and I made lots of jokes about killing you. I don’t think I can top it and I am coming to terms with that. This is my Godfather III. I am just going through the motions here. But there is a ray of hope in this trainwreck of a column.
Well, that’s not necessarily true. Wednesday January 30th is my birthday. If you are reading this on another day then today is not, in fact, my birthday. But if you are reading this on Wednesday then HAPPY BIRTHDAY TO ME! Feel free to order yourself a piece of cake at dinner, sing me a song, and then eat it (the cake, not the song). So while I clearly have nothing to talk about in this column I thought, “I have done enough for my readers so far. Maybe too much. It’s time they do something for me.” So that is the theme of this week’s column. Stuff you can get me. A birthday wish list. Just so you know what you are up against, Forbidden Planet’s Tech Wizard/Actual Wizard Tyler got me a self portrait he painted. It’s 10′x10′, based on Botticelli’s “The Birth Of Venus”, and creepy as hell. I am hanging it above my bed so I remember to never sleep. But you should feel free to get me stuff that isn’t nightmare stuff.
MY BIRTHDAY WISH LIST:
For starters I always like cash. Any amount is fine, but if it’s under $10 it’s kind of rude. Feel free to stop by Forbidden Planet and leave cash with any of the register jockeys for me. There is a 50/50 shot I will get it. They aren’t the most trustworthy lot. I would also take Forbidden Planet gift cards. That isn’t going to pay my rent or buy me chocolate milk but it doesn’t hurt. RIYL: Capitalism. Buying stuff. Goods and services.
You know what you could get me? GLOBAL FREQUENCY. Warren Ellis & a team of great artists come together to do single issue standalone sci-fi spy stories. A 21st century reimagining of stuff like Bond or Mission: Impossible, these stories focus more on fast paced and sometimes socially conscious thriller than they do on things like character. Originally released by Wildstorm in 2004, this book is finally back in print now. Ellis is a comic writing genius, but if you have never read his stuff this isn’t where I would start. Luckily for us, I already read Transmetropolitan, The Authority, & Nextwave so feel free to buy me this. RIYL: Queen & Country, Channel Zero, or 80′s and 90′s Bond films.
I don’t think I would be causing much controversy among those paying attention if I pointed out that Matt Fraction & David Aja‘s HAWKEYE is the best book at Marvel right now. Sure Thor, and All New X-Men, and Punisher War Zone, Ultimate Spider-Man, and Daredevil are all putting up a good fight, but it’s sort of hopeless. Hawkguy feels fresh and relevant, smart and fun in a way that most comics don’t begin to approach. It is style AND substance. I hope every single person at Marvel (and DC) is noticing the bar is being raised each month. Issue #7 gives it an extra nudge. With 2 short stories about a massive hurricane hitting the Northeast, Hawkeye #7 manages to be topical while still being a book about everybody’s 6th favorite Avenger. On top of all this, Mr. Fraction is donating his salary from this issue to hurricane Sandy relief efforts. If you don’t know how comics tend to work, his salary is based on royalties from sales. Meaning that each issue you buy helps Sandy victims who are still desperately in need. So yes, by all means go give money to Occupy Sandy, but reward yourself with a copy of this book and keep the charity going. (And while you are at it, reward Mr. Fraction for being a class act by picking up his other series like Casanova or Five Fists Of Science.) And since it’s my birthday go ahead and buy me an issue as well. RIYL: helping people in need, near perfect superhero comics, Immortal Iron Fist, the idea of a Bryan Lee O’Malley and Chris Ware teaming up on an action book.
First an anecdote. At a comic convention last year I bought an issue of TALES DESIGNED TO THRIZZLE from Michael Kupperman and he signed it to me. I later gave the issue to my lovely ladyfriend, Alethea, as a gift. Giving someone else your stuff and acting like you got it for them is considered “not proper gift giving etiquette” by squares, teachers, and cops. Now, Matthew and Alethea contain some of the same letters but she can recognize that they are not the same name. It took her a whole 6+ months to notice that the book was inscribed to me instead of her but when she did… whoo boy was that fun. Anyway, in terms of funny comics going on right now there are not a ton of great options. Even if there were though, TALES DESIGNED TO THRIZZLE Vol. 2 would stand head and shoulders above the competition. Volume 1 of TDTR was among the funniest things I have ever read. I easily put it alongside works like The Hitchhiker’s Guide To The Galaxy or Calvin & Hobbes in terms of books I can revisit and still completely lose myself in over and over again. Michael Kupperman’s absurdest strips that range from the adventures of historical figures Twain & Einstein, to buddy cop duo Snake N’ Bacon, and the history of sex blimps, all peppered with old timey fake comic ads for odd products are nothing if not bafflingly weird and compelling. If you are at all a fan of the absurd in any form I would urge you to read this book. And since I only have volume 1 you can get me this as a great gift. RIYL: The anything goes spirit of old Mad Magazine, the fast paced boundary pushing humor of stuff like Monty Python, Kids In The Hall, Airplane! or Amazon Women On The Moon.
7 MILES A SECOND. Painter, musician, photographer, filmmaker, writer, and activist, David Wojnarowicz was a key figure in the underground New York City art scene of the 1980′s. Often times having strong homo-erotic subtext, his work pushed cultural boundaries, continues to inspire new generations of artists today, and invoked the wrath of the christian right. After a lengthy court case, Mr. Wojnarawicz earned a hard fought victory against the loathsome Donald Wildmon and the American Family Association who sought to defund the National Endowment for the Arts. This single legal struggle did more for artists and artist rights in this country than most people can comprehend. By 1992 Mr. Wojnarowicz sadly lost his battle with AIDS. 7 Miles A Second was completed by his collaborator on the book, James Romberger, and published by Vertigo posthumously in 1996. Now it is back in print for the first time and is well worth your attention. Wojnarowicz autobiographical tales start you with his life as a child prostitute, onto his teenage years on the street, through his time has an HIV+ man, and onto his inevitable (at the time) conclusion. The stories serve as beautiful and brutal snapshots of a brilliant life lived too hard and extinguished too soon. It is not too much to say that we all owe a great cultural debt to Mr. Wojnarowicz and picking up this book and trying to understanding his life is a good first step toward understanding that debt. RIYL: Maus, American Splendor, or artists having the right and the ability to make a living in this country.
Well, that was a super depressing note to end on. Sorry about that. Anyway, I’m going to go because there are a lot of good books to read this week and you are still freaking out from all that sugar in the birthday cake. Even if you don’t want to buy me these or any other books you can still get me a present; you can go look at the comics on the shelves and promise to try something new.
I feel like I have been doing this column long enough now that you all must be dying for a behind the scenes peek at how the magic happens. It all starts around 1:30 AM on Sunday night/Monday morning. That’s around 4 hours after I am supposed to have emailed this in to Tyler, our lovely wizard/graphic designer. I sit down in a chair and make up a bunch of stuff about new comics. I then send it to Tyler’s cauldron of spells/email account. He then does some process I don’t understand, blah blah blah, now it looks nice to look at. Then someone does something so that some internet nerds make it a blog post and someone else or maybe the same person does something so that printing nerds make it a newsletter. Viola! And that’s how it works. Same as the New York Times. It’s like Arthur C. Clarke once said to me, “Any sufficiently advanced low level comics journalism/sales pitch is indistinguishable from magic.” Anyway, there is a surprisingly good amount of new stuff on shelves this week and I have wasted a lot of space making jokes that only I will find funny, so let’s get on with it.
First, a moment of sadness and thanks to the great Jeff Lemire who wraps up his brilliant post apocalyptic coming of age story Sweet Tooth this week in SWEET TOOTH #40. If you haven’t ever read Mr. Lemire’s work you should be ashamed. SWEET TOOTH vol.1 is one of the true great joys of comics in the twenty first century. RIYL: SANDMAN, THE ROAD, or Children Of Men.
Also well worth reading no matter your feeling on superhero books, or anything else really, is WONDER WOMAN. Brian Azzarello and Cliff Chiang are quietly sitting in their own corner of the DC universe taking one of the most beloved characters in comics history and telling new stories for her that feel exciting, fresh, and look about as good as a comic can look. Matthew Wilson’s coloring on this book will be studied for years to come as the correct way to have coloring not just serve the pencil art, but to make coloring it’s own art. You don’t have to know anything going in, nor do you have to care about the rest of the DC universe. You just have to like good comics. DC is finally putting out WONDER WOMAN vol. 1 & vol. 2 this week. This is about as good as superhero comics get so you should get them. RIYL: Wonder Woman stories on any level, Clash Of The Titans or any modern takes on mythology
DEVIL IS DUE IN DREARY #2 is also out this week. I really loved issue #1 of this series that felt like a perfect cross between the modern western elements of PREACHER and the foreboding tone of A HISTORY OF VIOLENCE. Add to that art that looks like a smoother Howard Chaykin and you have a really well made book. I know this is a book that will fly under most folks radars but that is a real shame. It has just enough uniqueness to make it stand out, just enough familiarity to be relatable, and is good enough to be a classic if people gave it a chance. RIYL: JONAH HEX or any modern westerns, FELL, PREACHER.
EERIE #2 hits shelves as well. I don’t hide my love for anthology comics and EERIE is a classic. Dark Horse’s relaunch of the series is off to a great start with weird short stories from Mike Allred (MADMAN, iZOMBIE, FF), Brian Clevinger (ATOMIC ROBO), and others. If you just want to read some fun & unusual stuff this is a no-brainer. Don’t be the guy or girl in your local comic shop who has to admit “I just like unfun & usual stuff.” RIYL: Old EERIE comics or other EC stuff, TWILIGHT ZONES, feeding your short attention span.
Peter Bagge is one of the modern legends of indie comics for his brilliant series HATE. When there is that much love and respect heaped on ones work it becomes easy for a lot of creators to shrink away from ever doing something substantial again. Fear of the followup or what have you. But Mr. Bagge has dived headfirst into new and brilliant projects one after another. From APOCALPSE NERD to YEAH! to OTHER LIVES his post HATE work has been varied and fun. It’s a different time for comics and it’s hard to get people as excited about a new book as it once was, but Mr. Bagge’s latest series, RESET, is maybe his best work since HATE and, if it were a different time, would be loved and talked about in much the same way. RESET is the story of a man who enters into an experiment that allows him to relive and change choices he’s made from his past. Weirdo stuff ensues. RIYL: Older Bagge stuff like HATE, the modern indie masters like Daniel Clowes or Charles Burns, or the idea of going back in time and messing things up like a creepy Marty McFly.
I don’t have much of an interest in Conan. Never did really. Some things aren’t for everyone. I know why people like it, I get that, it just wasn’t for me. Then Brian Wood wrote the excellent NORTHLANDERS series about badass vikings axing each other and whatnot and I immediately got the appeal. Apparently someone at Dark Horse did too because they snatched Mr. Wood up and put him on their CONAN book. I don’t know if that worked to bring new readers into the fold but it damn well should have. Mr. Wood is great at huge epics (DMZ, NORTHLANDERS), great at telling stories smarter than they need to be (COURIERS, CHANNEL ZERO), and great at working with amazing artists. For the beginning of his run, collected as CONAN vol 13: QUEEN OF THE BLACK COAST he continues these trends. A smart Conan story that feels epic and has beautiful work by two of the more consistently interesting artists working today; BECKY CLOONAN (AMERICAN VIRGIN, DEMO vol II) and JAMES HARREN (B.P.R.D.). For those of you who have ever loved Conan and forgotten about it, this is the time to jump back on. And for those of you like me, who never saw the appeal, this is the comic that will make you fall in love with a barbarian with an ax. That’s a good thing.
RIYL: NORTHLANDERS, people using swords and stuff on each other, old pulp stories made relevant again.
END TIMES OF BRAM & BEN #1 is out this week. A buddy comedy set around the rapture. Image pumped out more good series debuts in 2012 than most people can afford to read and ETOBAB is their hope for their first big hit of 2013. This book is clearly gunning for the bookshelves of fans of smart and snarky comics and is definitely worth checking out if that is you. Co-writer James Asmus is a rising star over at Marvel but is also doing his time at Image on THIEF OF THIEVES with some nobody named Robert Kirkman. If you look for comics that have some action but really want to make you smirk this should fully be on your radar by now. RIYL: BATTLE POPE, CHEW, or the film Dogma.
My last recommendation is BETA TESTING THE APOCALYPSE. 10ish short stories from Tom Kaczynski that all play with the idea of exploring modern intangible concepts like capitalism or utopia and breaking them down into very tangible and very human stories. These are big ideas made very small and personal. Kaczynki’s style makes all the heavy stuff feel very immersive with out ever feeling oppressive. It is a delicate balancing act, and one that clearly he is comfortable with. BETA TESTING THE APOCALYPSE, like a lot of the Fantagraphics stuff from the last decade, is definitely one of those books that’ll please almost everybody who has the interest to pick it up and for a select few it will become a most cherished and prized possession. RIYL: J.G. Ballard, the more esoteric but personal stuff Fantagraphics puts out, CONCRETE.
Ok. I’m done.
Third column. I am coming out of my sophomoric slump with an all star one this week. The only problem is that the comic industry basically takes the last week of December off meaning that there are less than 10 mainstream comics releasing. I’m not going to resort to recommending comics that I don’t believe in 100% (actually like 80% but you get the point) just to fill space so I’m going to resort to recommending books that don’t really fit the “TRY SOMETHING NEW” criteria. That’s called integrity folks. It’s not just a great metal band from Cleveland.
Before I move on to books that need your attention I would like to give a nod to Dan Slott and the Spider-Man team for wrapping up Amazing Spider-Man this week in an interesting and different direction. Mr. Slott and the Spider-Man crew have put out a really great book for a few years, consistently among the best superhero books on the shelf. Every time they try and push the story forward, evolve the character, or even just do something compelling they meet with a great deal of resistance from folks who want their superhero books to be a never changing constant in their lives. I am not sure what drives a person to want to read the same thing year in and year out, but my thanks to the Spider-Man team for not giving in to them. These are stories not security blankets. The curtain goes up, we meet a character, the curtain goes down and that character is somehow different. That is how stortytelling is supposed to work. Anyway, buy SPIDER-MAN #700 and celebrate the end of an era.
Of the handful of new titles this week, the only thing that really caught my eye as “try something new” material is Brian Wood & Ming Doyle’s MARA #1 from Image. Brian Wood has long been a favorite of mine for, at worst doing interesting and unique books (COURIERS, NEW YORK 4), and at his best being among the top writers in comics (DMZ, NORTHLANDERS, LOCAL). With his new series from Dark Horse, THE MASSIVE, easily making the best books of the year list, and his work on ULTIMATE X-MEN quickly becoming one of the best runs that book has ever had, I was very excited for MARA. Mr. Wood is good for nothing if not keeping you guessing, and MARA certainly does that in spades. A dystopian tale about the world’s most famous female volleyball player. I don’t think I need to really say anything else. Either that interests you or it doesn’t. Personally I love reading something I have never read before and this easily falls into that category. In a year of weird premised comic books, a 20+ year old story by Alan Moore takes the cake (FASHION BEAST) but MARA certainly gave it a run for it’s money. RIYL: Brian Wood’s more “out there” dystopian work, the volleyball scenes in Top Gun, or sci-fi that doesn’t “feel” sci-fi.
On to things that didn’t come out this week but you should pick up. Anders Nilsen is one of the great indie comic creators to emerge in the last decade. Everything he touches has a deeply personal and intimate feel and this allows the stories he choose to tell to be both wildly unique and relatable. His epic BIG QUESTIONS is a must read for the “lit” comics set and deserves it’s place on shelves alongside other modern classics that start with “B” like BLANKETS, BLACK HOLE, BUILDING STORIES, and BORING, DAVID. But Mr. Nilsen’s most personal work has also been the one that was the hardest to get for years, DON’T GO WHERE I CAN’T FOLLOW. Finally back in print, DGWICF is bar none one of the most beautiful and heartbreaking stories I have ever read. Using journal entries, photos, postcards, and comics, Mr. Nilsen recounts the love he shared with his fiancee, Cheryl Weaver. You follow their tale through vacations and young love, her getting sick with cancer, her hospitalization, and, heartbreakingly, through her memorial. This book is an amazing tribute to the love shared between two people and the fragility of the human experience. RIYL: Crying.
SAUCER COUNTRY is the new ongoing series by a couple of the more interesting creators in comics from one of the best publishers. Paul Cornell (Dr. Who tv show, BATMAN & ROBIN, CAPTAIN BRITAIN & MI-13, etc)), Ryan Kelly (BOOKS OF MAGIC, DMZ, etc) have put together a great political alien abduction series that is as smart as it is fun. Equal parts X-Files, EX MACHINA, and The Manchurian Candidate, this book is worth picking up if you are a fan of any of that stuff. RIYL: All the stuff I just mentioned. Come on, pay attention.
My final recommendation of recent stuff that is worth grabbing is MARK TWAIN WAS RIGHT. The always excellent Microcosm Publishing releases this collection of comic journalism about the 2001 Cincinnati riots. Dan P. Moore recounts through personal experience and interviews the days leading up to and after the police shooting of Timothy Thomas, an unarmed black teenager. MTWR tells the story of the riots and civil disobedience from a perspective we are rarely are offered, the community itself. The Cincinnati riots are a major moment in recent American history and the roots and causes of the anger and sadness that took over that city for days deserve your attention as much as anything on a comic store shelf. It’s one of those rare instances where comics aren’t just telling this important story better than other media, comics is the only one telling it. Support a unique voice, support a worthwhile book, and get yourself a great book all at the same time. RIYL: Comics journalism by folks like Joe Sacco, Ted Rall, or Guy Delisle.
That’s it for my my third column. Can you tell I wrote this one when I was extra tired? I can. As always, thanks for reading. And to those of you who do, thanks for supporting new books and new ideas in comics.
I love Chris Ware. Bit redundant to say so this holiday season with everyone and their sister buying Building Stories, but with so much comic awesomeness that happened in 2012; between Charles Burn’s second installment to his X’ed Out trilogy, The Hive, and Brian K. Vaughn’s Saga…SAGA… It’s too easy for amazing comics to get lost in the stacks, so I’m here to give my somewhere around the number 10 best comics of 2012 that nobody told you about…
Michael DeForge might be the most prolific cartoonist working right now. He pumps more work and at a higher quality that would make any other cartoonist want to quit, or work harder…..no quit thats the correct response. On top of Lose #4 this year you can also see his work in the pages of Adventure Time comics, where he does the backgrounds,variant covers, anthology stories in Nobrow 7 (more on that in a bit) and the newest KUS, not to mention his on going serial Ant Comics, oh and his porn comic that he designs that features work by Johnny Negron, Brandon Graham, and Jillian Tamaki….more on all of them latter too…Bottom line, DeForge has a hand in everything and you’re probably a fan of his already, so read Lose, or Ant comics, or KUS, or Nobrow, or one of the million other things he worked on this year. King of comics 2012 goes to DeForge, no contest.
The Underwater Welder
Did I mention that DeForge is Canadian? Canadians….must be a universal sigh when cartoonist’s who aren’t Canadian talk about them. Jeff Lemire is another cartoonist hailing from The Great White North. Lemire had a full year of releases with Sweet Tooth Volume 4 and 5, the reprinting of his Xeric grant book Lost Dogs and Underwater Welder. Underwater Welder is for lovers of well paced, clear story telling, and the Twilight Zone. Lemire has an economy to his comics, the art is quick yet purposeful in the same manner as the writing, which rewards the reader with a world that they can envelope themselves in. Lemire is an odd school of cartooning, he’s not so deep into independent styled comics as DeForge, but he isn’t mainstream either (though he does write the only two books at DC still worth reading Animal Man, & Frankenstein Agent of Shade ). He’s a cartoonist in love with genre but doesn’t mistake comics to be only that.
Nipper Volume 3
Nipper Volume 3 finally came out! WOOOOOOO! I might be the only American to love Nipper so go buy it and prove my gross presumption wrong. Keeping in theme with brilliant Canadian cartoonists, Nipper volume 3 is the Canadian version of Family Circus, if Family Circus was anything like a real family and not so adorable that even your grandmother finds it lame. Always silent, black and white line work with one beautiful saturation of red dropped into each panel, Doug Wright creates multi-layered story telling, in the most simple yet still incredible complicated drawing. Just go look already, and then come meet me for coffee to talk about it, I’ll be here till next year trying to describe why it’s so effffffing smart.
Diary Comics 4
Dustin Harbin is yet another broken hearted cartoonist, upset that his nationality isn’t Canadian. Diary Comics 4 starts with Dustin talking about how amazing it is to be in attendance at the Doug Wright rewards (the Canadian version of the Eisners), and how he wishes we as American could take comics as seriously as they do. Why can’t we folks? Dustin’s beautifully minimalist drawings deceive readers with their simplicity, when they are really just the right amount of information needed, each mark done with purpose in mind and simply decroative. Go read em’ they’re good. And if your not a fan of memoir, you just like the punching and kicking comics, he did letter Casanova sooo…..I don’t know Matt Fraction wrote Iron Man for like a century right? See the full picture of creators not just the characters you like….
Pope Hat #3
Pope Hat #3 by Ethan Rilly. Rilly is surprise surprise, another Canadian. Pope Hats is technically 3 issues deep but you really only need/want two and three. In Pope Hats Rilly tells the story of Franny, a young law clerk at a massive law firm, picture Wall Street with less Charlie Sheen….okay no Charlie Sheen, just that one part where he gets punched in the face by Michael Douglas… Rilly drawings show traces of his influences but they don’t unhinge the story. You can see traces of Doug Wright’s drapery in the clothing, and bits of Shultz popping up in the rendering of grass and clouds. It’s like a love letter to days past when cartooning was a profession and getting a weekly strip in a newspaper was the dream. Pope Hats narrative shares a similar tone of nostalgia with its drawing, that bitter sweet pain, from an old wound.
Thats the end of Part 1. Part 2 on Sunday 12/23/12.
Two days before humanity faces the Rapture or enters The Supercontext or, most likely, just plain wakes up to another Friday morning (EST, Greenwich Mean Time +2:00 if you’re in Botswana… your results may vary) we face another New Comic Wednesday!!!
Here’s the full list of what Forbidden Planet NYC will be offering. Highlights include Saga #8, All New X-Men #4, Avengers #2, Captain America #2, Django Unchained #1, FF #2, Happy #3, and a whole slew of other worthy works.
While I’m at it, why not link to my Graphic Novel pick of the week… The new Archaia printing of Jeremy Bastain’s suh-weeeeeet Cursed Pirate Girl.
This could be your last New Comic Day on this plane of existence. Or not. Either way, enjoy the hell out of it!
Power STILL hasn’t been restored in my cave deep in the New Jersey Pine Barrens, but this is probably due to the fact that it never had any. I knew this was going to be a bad storm when the Jersey Devil showed up at my cave and asked if he could plug his phone into my charger.
I never knew the Jersey Devil was into comics. He had dropped by my cave a few times in the past to borrow sugar, and one time because his friends had baked him some brownies and couldn’t eat them all. When he saw Before Watchmen Silk Spectre on my coffee table, he freaked out.
“YEAH!” he hooted. “I had heard about these! Are they any good? Is there, like, an overall plot?”
Some are great, I said, some aren’t. NO, I said, they follow their own narratives. I told him I was getting pretty excited about Before Watchmen Moloch #1 coming out this week because it was drawn by Eduardo “100 Bullets” Risso.
“I liked that Spaceman book he just did. I used to love seeing his stuff in Heavy Metal,” said the Devil.
“That’s getting a deluxe hardcover edition this week from Vertigo,” I mentioned. “Wow! I didn’t know you liked comic books, The New Jersey Devil,” I said. He likes being called by his full name…he’s oddly formal like that.
The New Jersey Devil has a pretty good point. Devil Dinosaur is awesome.
Marvel is launching a new Iron Man title with a new #1 this week. Tony seems to be sporting his new Black and Gold armor he’ll be wearing in the most of the Marvel Now titles. I’m on board.
Few talk about Vertigo these days, but this week Vertigo is bringing a top tier table of titles. The first of their authorized Stieg Larsson graphic novel adaptations hits the shelves with The Girl With The Dragon Tattoo TP, as well as the sequel to the comic which inspired the film Road to Perdition, the aptly named Return to Perdition.
The debut graphic novel Black Lung from Chris Wright and Fantagraphics books also looks intriguing. Black Lung is already garnering critical praise and getting some great press. ‘Tis a story of love and loss, and one man’s quest to commit as much unspeakable sin as he can in order to be reunited with his dead wife in Hell.
BOOKS WORTH A LOOK
There are also a couple of sweet art books hitting the shelves this week. Famed fantasy artist Brom has an original art novel called Krampus: The Yule Lord featuring everybody’s favorite Christmastime crazy, the Krampus! PLUS, a brand new book from Scott C. in the form of Great Showdowns.
Scott C. is a wonder! If you haven’t picked up Amazing Everything, Scott C.’s first book of fantastic illustrations, NOW would be a great time! The holidays are fast approaching, and there ain’t nobody that you know who wouldn’t want this book for their very own!
NEXT WEEK: The Disney/Lucas merger and what it means for us all. Till then, stay dry!
More musings from Unkiedev, Earth’s own sidekick, can be read at unkiedev.blogspot.com
Hell, we practically are already. Take a look around the shop sometime and you’ll realize our customers and staff comprise our own rather large Invisbles cell.
The uninitiated will ask, “What is The Invisibles?” Well, it’s way way too complicated to describe here properly and succinctly, but I’ll give you the publisher’s copy:
Follow the adventures of The Invisibles, a secret organization out to battle the physical and psychic oppression brought upon humanity by the interdimensional alien gods of the Archons of Outer Church!
I can say with 99% certainty that FPNYC has sold more copies of The Invisbles over the years than any other outlet in the world, many of those hand-sold by yours truly as it’s my favorite comic series of all time. That being said…
Next Wednesday, the 22nd of August 2012, The Invisbles Omnibus releases. That’s one massive (1536 pages!) hardcover collecting EVERY Invisbles story. Massive. It retails for $150, but not at Forbidden Planet NYC. Nope.
Here The Invisibles Omnibus will be ON SALE at a whopping 40% off for the entire duration of its print run!!! As in retails for $150, but FPNYC price will always be $90. As in we’re saving you a chunk of change on a massive, brilliant tome. As in that’s cheaper than Amazon as of this writing!
ALSO! This is the first in a series of Forbidden Planet Wants to be Your ______ Headquarters incentives we’ll be running the rest of 2012. Some will be giant discounts like the one above, some will be giveaways, some will be events… Whatever the case we’ll be offering something neat-o. Upcoming deals involve the first trade paperback of Bryan K. Vaughan and Fiona Staples’ Saga and a whole bunch of great comics and books.
Happy Americaday everybody! And what better way to celebrate the day that The United States became a thing that everybody was saying, than with a gigantic sale! And what better way to kick off a gigantic sale! than with a gigantic pile of comics! And as luck would have it, that’s precisely what Dan and I, your humble director Morgan, have in store for you today. What comics, you ask? SO MANY COMICS I blurt back while flinging Cape 1969 #1, I Told You So, God and Science, and Avengers Vs X-Men #7 in your general direction.
Comics and t-shirts! T-shirts and comics! DC has a new Batgirl, Batman and Robin, Batman, and Frankenstein: Agent of S.H.A.D.E., plus the collected Batman Volume 1: The Court of Owls.
Also, a slew of new #1s, including Dark Horse’s Alabastar Wolves, Boom’s Higher Earth, Image’s Mind the Gap, and DC Vertiogo’s Mystery in Space!
All that, and a visit from a special guest! Check it out, Forbiddenites!