Category: Marvel

Troy’s Troys But With Comics: Childhood Flashbacks editions

There are currently 12 unwatched episodes of Daredevil in my Netflix queue right now, please note that I took time to write this article instead of ODing on DD.

Saga_27-1_300_462Saga #27

Fiona Staples/Biran K Vaughan

Image Comics $2.99

I’ve been running out of ways to complement Saga. Each issue is a 20 page celebration of comics, with the creators doing their damnedest to show exactly  why they’re the best what this medium is capable of. This month’s issue is no exception, as Fiona Staples and Brain K Vaughan show off their full range of talents.

Issue 27 has Fiona Staples drawing everything from odd/unusual erotica, to grotesque violence, to absolutely adorable thanks to tiny sealman/my favorite character Ghus. Ghus in particular is an fine example of Staples’ artistic skills, as she manages to convey a lot of character and emotion in a character with a comparatively simplistic design. There’s also some really powerful emotional beats that Staples hit without the assistance of BKV’s words. While she’s never been anything less than impressive, this particular arc of Saga may be Staples finest work to date. I couldn’t think of a better artist to see their name listed before the writer’s name in the credits page.

Brain K Vaughan continues to be the very best at what he does when it comes to dialogue and the script, snikt. We get to take another glimpse of Marko’s past in this issue, and the stuff revealed in the flashbacks is brutal, but compelling none the less. He also injects some much needed humor in places that helps ease the tension, as well as remind us how delightful these characters are. Vaughan’s words are overshadowed by the art at times, but it never feels like he’s coasting on Staples talents.

Saga is still very much the best book on the market, and this issue is just further proof of that.

portrait_incredible (1)All New Hawkeye #2

Jeff Lemire/Ramon Perez/Ian Herring

Marvel $3.99

AWWW, Fact: This is the 2nd Hawkeye #2 in which a/the Swordsman is a crucial element to the plot!

This 2nd issue of All New Hawkeye is a slight improvement over the previous issue, but I’m still a tad confused over the direction of the title. The book continues to be split between the past and present, but the present sections continue to feel like an after though. Ramon Perez and Ian Herring certainly do some cool stuff with this book’s visuals, but it genuinely does feel like writer Jeff Lemire prefers re-telling Clint’s origin than moving his Hydra/creepy-ass children plot forward.

To be fair, the Circus flashback segments are fairly enjoyable, even with the art being a little uneven in places. The sketchy art looks a tad incomplete at times, but Ian Herring’s colors really help enhance it a ton. The modern segments look slightly better, as Perez channeling David Aja suits his style better. Lemire is still struggling with the Hawkeyes banter, but it’s improving.

All New Hawkeye #2 is a much needed step in the right direction, although it’s not quite there yet. Hopefully the next issue will continue to improve in quality, and this book will be on par with the previous creative team’s efforts.

 

 

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Troy’s Toys, but with comics: Platinum Blondes edition

backgroundSpider-Gwen #3

Jason Latour, Robbi Rodriquez, Rico Renzi

Marvel $3.99

Spider-Gwen #3 lacks scumbag Matt Murdock for SOME reason, but writer Jason Latour slips in a Wu-Tang Clan reference, so I guess i can let it slide.

This issue is heavy on fights, which is great, because it allows Robbi Rodriquez to go all out on the layouts. Rodriquez uses a lot of unique “camera angles” and hyper exaggerated body language to sell the fight scenes, lead to some over the top and more importantly visually stunning panels. Rico Renzi’s green heavy color palette is very crucial to this, making this book pop, drawing the reader in more than a lesser colorist would. There’s also some very fun and creative uses of sound effects in this comic, reminding me more of Edgar Wright’s Scott Pilgrim film adaption than the tradition comics sound effects. The end product is a comic that feels very loose, bright and chaotic, but so visually appealing you can’t help but love it.

Jason Latour’s scripts are getting tighter and tighter with every issue. He ramps up the traditional Spider-related drama and action with this issue, but he continues to add new elements to story to make things interesting. An important character to the Spider-mythos makes his debut this issue, and while it’s nothing that hasn’t been done before, the execution makes it seem fresher than it actually is. I know that seems like a backhanded compliment, but it’s pretty impressive given how long the Spider-Man concept has existed.

Spider-Gwen continues to be a delight month after month. It gives off an fresh indie vibe unlock any other Marvel book, despite being tied to such an iconic comics character. Latour, Rodriquez and Renzi are so in sync with each other for a relatively new creative team, it’s scary to think how much better this team will get with every issue.

GA02Gotham Academy Endgame

Becky Cloonan, Brenden Fletcher, Jeff Stokely, Jenny Donovan, Cilo Chiang, Joy Ang, Vera Brosgol, Sonia Oback

DC $2.99

Once again I have bought another Endgame tie-in, despite not having bought a single issue of Batman proper in years (#tradewait). Also once again, I am charmed by a Endgame tie in.

While crazies and shipping delays overrun Gotham, Maps, Olivia and Pomeline are having a sleepover of sorts, swapping SPOOKY stories that are Joker-related. It’s a lot like that episode of Batman: The Animated Series where kids sit around swapping Batman stories, and I can’t help to think that this issue may be a homage to it. It’s also a surprisingly gruesome issue in some parts, which I guess makes sense given its semi Joker related.

Sadly, Karl Kerschl couldn’t draw this issue, so he’s replaced with 4 different artists. While I’m crazy over the art that sets up each story, Jenny Donovan, Cilo Chiang, Joy Ang, Vera Brosgol, and Sonia Oback all come through on their shorter stories. The end product is a bit uneven, but good none the less. It’s also nice to see DC let new talent work on one of their more highly acclaimed titles.

On the script/dialogue side of things, there’s a lot of good stuff from regular writers Brenden Fletcher and Becky Cloonan. Using the campfire spookum stories as a framing device, the duo cleverly incorporate horror movie clichés and folklore into their Jokers tales, making for some fascinating results. Sadly thanks to to the slightly amateurish and rough at times art by Jeff Stokley, the book suffers in places.

Gotham Academy Endgame is a nice showcase for new talent, but it’s strictly for GA fans only. It’s not exactly a good introduction to anyone coming by from Batman proper, but regular Gotham Academy readers should get a kick out of it.

 

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Troy’s Toys But With Comics: Duck Puns Edition

howard_the_duck_1_coverHoward The Duck #1

Chip Zdarsky, Joe Quinones, Rico Renzi

Marvel $3.99

I love the fact that we now live in a world where the box office success of Guardians of the Galaxy means Chip Zdarsky gets to write a Howard the Duck book drawn by Joe Quinones.

Howard the Duck is the latest off-beat Marvel book that’s unsurprisingly amazing. Joe Quinones has been drawing a number of beautiful covers for years, so this book looking as good as it does is expected. And Zdarkseid (Mandatory misspelling of Chip’s pen name=GET) has been one of the funniest dudes in comics as of late, so Howard being a laugh riot also isn’t shocking.

What I wasn’t expecting was this creative team to build a narrative that spans from the original Howard the Duck #1 all the way to the GOTG post credit scene. It’s the opposite of the recently relaunched Ant-Man, embracing Howard’s weird history, not to mention the recently concluded She- Hulk series, yet presenting in a way that easy for new reader to pick up. I would say it’s the best Howard I’ve read since creator Steve Gerber’s last run, but I’m sure there was also a mini series where Howard turned into a MODOK, which is also pretty great.

I can’t ever recall wanting a Howard the Duck series, but now that I have one by this specific creative team I kind of love it. It looks great, it’s funny as hell and there’s enough content in the first issue that warrants a re-read. Howard the Duck #1 is not unlike Squirrel girl#1 where Marvel has given us super hero humor book by some top-self creators. Also if anyone at Marvel is reading this, a Zdarsky-penned “Self-loathing Spider-Man” series is something I want now.

 

portrait_incredibleSpider-Gwen #2

Jason Latour/Robbi Rodrigues/Rico Renzi

Marvel $3.99

I’ll be honest, I was willing to trade wait Spider-Gwen even with the first issue being quite superb. But then Scumbag Matt Murdock made an appearance, and suddenly I was $4 poorer.

Spider-Gwen continues the trend of excellent talking animal comics by Marvel this week, as Spider-Ham plays a unexpected, but none the less important role in this issue, which sees both Stacys deal with their respected Spider-Gwen related problems. Having both Stacys take point this issue gives it a unique perspective, as Father/Daughter relationships are rarely explored in super hero comics. We also get to see more of this reimagined Marvel universe characters, and a background Easter egg promising an interesting take on one Felicia Hardy. In a way it hits a lot of the same beats the first issue did, while continuing to develop the characters and move the story forward. This continues to be Jason Latour‘s finest Marvel work to date, especially with the dialogue sounding and flowing as well as it does.

Visually, Robbi Rodriguez and Rico Renzi continue to provide stellar art for this book. Each character is boiled down to a specific characteristic (Murdock’s always sleazy, Frank Castle always looks determined, Spider-Ham is VERY much a pig) under Rodriguez’s skillful line work, and the heavy use of pink and green against the darker backgrounds of this book still make it look slick as hell.

Spider-Gwen #2 is pretty much more of the same of what we got from issue 1, which is fine. The first issue was rad, as was this one. Between this and the newly relaunched Spider-Woman, we have two awesome alternatives to Amazing Spider-Man, with each book offering something fresh and fun.

 

 

 

 

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Spider-Verse

2 Spider-Women and a little Silk

With the SPIDER-VERSE story arc over and the dust only beginning to settle, you may have noticed a shift in the shape of Peter Parker’s part of the Marvel Universe.

It’s got *gasp* girl heroes! Three of ‘em, even!

Yes, three new books have made their way out to you Marvel readers, each featuring a female protagonist, two of whom are brand-spankin’ new. But with MS. MARVEL already dominating and SHE-HULK‘s book sadly finished, the obvious question becomes – is their room in the sky for three new, distaff Spider-Man counterparts?

Probably not. But that doesn’t mean we can’t enjoy it while it lasts. So let’s look at why you should be reading the comics  for each of our gals – SPIDER-WOMAN, SPIDER-GWEN, and SILK!

SILK

So! Elephant in the room – we’ve still got a slew of copies of SILK #1 sitting on the stands right now. Which doesn’t bode well for newcomer, Cindy Moon, nor her creative team, Robbie Thompson, Stacey Lee, et al.

And that’s a shame because the centerpiece for the Spider-Verse story arc has a real solid story already in her own book. Girl out of time, missing family, and a complicated relationship to Peter Parker himself, Cindy’s got all the makings of a relatable super-hero. Plus, she’s one of the scant few Korean characters in the regular Marvel roster right now.

Even though her family is MIA, Cindy Moon is deeply affected by them. We get flashbacks of what her home life was like before she wound up in a lonely bunker, hidden away for a decade. And what we see isn’t so dissimilar from the kind of interactions we see between Kamala Khan and her family.

What it boils down to is this – if you’re looking for a book that marries the web-slinging sensibilities of Spider-Man with the more modern, slice-of-life style from Ms. Marvel, Silk is probably the book you ought to be reading.

SPIDER-WOMAN

If there’s a true dark horse among this three-some it is, unquestionably, Jessica Drew. While Silk may not have sold out, SPIDER-WOMAN #5 is seeing attention for all the wrong reasons.

While the comic-reading world was divided on Milo Manara’s butt-tastic variant cover to Spider-Woman #1, it’s her new costume that’s been universally agreed upon. And that response is “eh”. It’s not terrible, it’s not great, it’s just not particularly… right. That’s the consensus. And that tepid response mixed with kickstarting the new adventures of Jessica Drew at a number five rather than a number one isn’t helping things either.

But that doesn’t mean you shouldn’t be reading! Especially if you’ve been longing for something that feels less superhero and more A.K.A. Jessica Jones. Yes, it’s impossible to miss writer Dennis Hopeless’s homage to the Bendis new classic, ALIAS. Spider-Woman’s a detective, and she spends a lot of time being duped and getting it wrong. Throw in a snarky attitude, and the new Jessica Drew is definitely the new Jessica Jones.

And whether or not you’re happy with the costume or the fact that she left the Avengers, there’s no mistaking the potential for a more street-savvy, motorcycle riding, ain’t-afraid-to-fight-dirty Spider-Woman. So if you haven’t given her a shot yet, do. I think you’ll be pleasantly surprised.

SPIDER-GWEN

And if there’s one hero who’s off to the best start it is, undoubtedly, Gwen Stacey. Spidey fans have loved Gwen since time immemorial, so the chance to see her in a new alt. universe where she was the one who got bit by that radioactive spider? Well that’s about as right as it can get.

And while Jessica Drew’s costume hasn’t played well with fans, you’re guaranteed to see multiple Spider-Gwen’s at every convention you go to. Rightly so. The stark-white and black, mixed with purple – and that hood! It’s costume-design perfection.

All that, and the book ain’t bad either. Much like Peter, Gwen’s not exactly beloved in her city either. And while her father tries to help, her reputation is tearing his down more than his is bolstering her’s up.

Yes, it definitely feels like a Spidey book just left of center. Which would explain why it sold out so quickly. Lucky for you the story’s easy to pick up AND SPIDER- GWEN #2 is out this week.

But you tell us next time you’re in the shop – who’s your favorite of the new(ish) Spider-Women?

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Troy’s Toys but with Comics: Sassy Spies Editions

Yes, yes, I’m well aware Spider-Woman isn’t a spy anymore, but she’s still in Secret Avengers for the next 2 months so it works.

 

635544611181339292-SpiderWoman-coverSpider-Woman #5

Dennis Hopeless/Javier Rodriguez/Alvaro Lopez

Marvel $3.99

NEW STATUS QUO! NEW COSTUME! NEW ARTIST! 5TH ISSUE IN!

Spider-Woman, not unlike Spider-Gwen, is done with Spider-Verse nonsense, done with the Avengers, done with Greg Land, and is hitting the streets with a new mission and a new slick look courtesy of Kris Anka. Writer Dennis Hopeless is now free to tell stories without having to worry about tying into Amazing Spider-Man, and the book’s all the better for it.

 

Land is replaced by former Daredevil colorist/Fill in Artist Javier Rodriguez, who reminds everyone that he can draw and color the hell out of a comic 5 pages into this issue. Rodriquez definitely picked up some tricks coloring Chris Samnee over the years, which explains why is layouts are so good. And of course, the coloring on this book is surreal. The way Rodriquez colors the rain almost make those panels feel 3-D. And man, that new costume looks amazing on Jessica. Inking him is Alvaro Lopez, who knows where to thicken his black lines and where to keep them thin. He’s a fine match for Javier.

 

Hopeless staying aboard on the title is A-O-K with me, as he’s a smart writer with a knack of coming up with unique premises on corporate comic characters. Jessica struggling with going solo is an interesting predicament for a super hero, and it’s a cool challenge for her to overcome. And the addition of Daily Bugle mainstay Phil Urich is neat, and gives Jessica a great character to interact with. Also Hopeless appeals to my loves of the recently completed Superior Foes of Spider-Man and brings in several Z-list Marvel villains for Jessica to harass.

 

Spider-Woman #5 is not unlike the Bab Tarring of Batgirl, which is fine because that was a smart move, and it’s certainly now working for J-Drew.   Between this, Silk and Spider-Gwen, you’d think the comics world would be sick of female Spider-ladies, but not that’s far from the case. Each one of these titles brings something to new to medium, and all of them are good comics.  Spider-Woman #5 is a VERY good comic that should have been a #1. I know the book got a nice sales boost launching and tying into Spider-Verse, but THIS is the debut issue the creators and characters deserve.

 

stk665635Grayson #8

Tom King/Tim Seeley/Mikel Janin/Jeromy Cox

DC $2.99

This issue sees the end of season 1 wrapping up, as the book goes on hiatus for 2 months due to DC moving to the west coast and not replacing them with robots like I did (Hence I spell all good like always). In terms of endings, I don’t think this could have been any better.

Issue 8’s cover is pretty spot on, as SPYRAL finds a traitor in it’s ranks, and it’s up to Agent Grayson to save the day. It brings the cast of mostly new characters together in a fun and creative way, and ends on a brutal note. It’s spy comics done right, which has been this creative team’s MO since day 1, so this issue being as great as it is doesn’t come at that much of a surprise. Tom King and Tim Seeley deliver another fine script with some choice dialogue and neat twists, and Mike Janin and Jeromy Cox make the whole thing looks so pretty. Even when things get dark and violent, which says a lot about how I judge beauty.

Issue 8 is an issue that wraps up some plot-lines, starts new ones, and sees one of Dick Grayson’s student name each of his butt cheeks. It’s another great installment of comic that has been a crazy fun ride, and this slight break will make me miss it a ton.

 

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Troy’s Toys But With Comics: Jeff Lemire Debut edition

Welcome to the article where I know I’m going to spell Lemire as “Lemiere” at least twice and not notice it until it’s pointed out in the comments section/Twitter.

Jeff Lemire, who’s had a big week, is a writer who’s stuff I haven’t touched in awhile, but I definitely liked is work in the past. His run on Animal Man was quite good, he did a pre-Flaspoint/New 52 Superboy book that was equally bizarre as it was charming, and I’ve enjoyed what I’ve read of his creator owned stuff. This week, Lemire launches his new Indie book under Image, and relaunches my favorite Marvel comic (that’s yet to be completed).

Descender-01-6b1c3Descender #1

Jeff Lemire/Dustin Nguyen

Image $2.99

Ever since Saga took over comics, Image has had no shortage of comics involving space, children, crime or a combination of all three. Most of those book has also been amazing, so no one complains about it because otherwise the alternative is going back to Spawn or Witchblade.

As every review of Descender will tell you, Sony Pictures ponied up a ton of money to secure the films right to the comic, despite the fact it was still a month away from hitting the stands. Created by Jeff Lemire and Dustin Nguyen, it is a GORGEOUS looking book, and  it reads like Chris Nolan directing a Pixar movie. If that’s now something you want in your life, I wouldn’t hold you breathe, also welcome to the nightmare that is being me. But yeah, Nguyen’s water colors look great, and Lemire’s writing is spot on. Despite this being another comic about a young boy by Lemire (see Blankets, Superboy, parts of his new Hawwkeye series,  Sweet Tooth), he introduces a weird  cast that’s helps suck you into this world that he’s co-created. It’s a surprisingly charming book, despite some really dark plot points and themes.

I went into Descender with a good feeling, and I ended up liking it a lot more than I was expecting. Robots and space are often my jams when it comes to media, and Descender uses them to tell an exciting new story I’m eager to read more of.

 

All-New_Hawkeye_Vol_1_1_TextlessAll-New Hawkeye #1

Jeff Lemire/Ramon Perez/Ian Herring

Marvel $3.99

Here we have the other great looking Jeff Lemire comic to debut this week. Sadly, I am not as happy with it as I was with Descender.

All-New Hawkeye is not a bad comic, but it just didn’t wow me like the yet to be completed Matt Fraction/David Aja book did. That book had a mission statement from day one (Show what Hawkeye does on his day off). This one starts off mostly set in the past, and cuts to the Hawkeyes doing some avenging in the present. While I appreciate Lemire taking the book in a new direction, it still needs a hook. All I got from it was “Hey, the previous Hawkeye series got Marvel a ton of buzz and acclaim, let’s keep this book going.” Hawkeye volume 1 issue 1 felt like a cool new indie book, where as ANH feels like more like a really good cover band messing up my favorite song. Lemire’s attempt to capture Clint and Kate’s banter is appreciated, but it’s something he needs to work on. It felt colder and nagging than it did humorous and playful.

Visually, Ramon Perez and Ian Herring couldn’t be better replacements for David Aja & Matt Hollingsworth. Perez’s art is the best thing about this book, and his painted illustrations for the flashback material are gorgeous. And when paired with Herring for the modern stuff, we get some solid action scenes, with Herring doing his best to ape Matt Hollingsworth flat color pallet. It works for the most part, because while Perez isn’t as strong as the veteran Aja, Herring’s bold colors help complete the visual experience. All New Hawkeye is a great looking book, and I’m glad Perez and Herring are able to deliver on the art end of things like Aja, Annie Wu and the other Hawkeye volume 1 artists before them.

In the new creative team’s defense, it was an almost impossible task to make me fall in love with this book like I did with the previous volume. Following up to that creative team is a huge  challenge, and they definitely tried to do their best with this issue. I have faith that Lemire can escape Fraction’s shadow sooner rather than later, but I’ll admit, it felt weird to read a Hawkeye comic that I didn’t fall in love with immediately. I hope that’s something that doesn’t happen again.

 

 

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danielketchum

5.5 Questions with Marvel Editor Daniel Ketchum

One of the nice things about comics is that the people who write and draw ‘em are just as likely to show up at Forbidden Planet on a Wednesday to pick up their stack as anyone else.

And that’s when we strike!

This week we caught up with STORM, MAGNETO, and X-MEN editor, Daniel Ketchum. No Pokemon questions were asked. Probably for the best.

FORBIDDEN PLANET: So, as an editor, I’m assuming that you sometimes have to be the bad guy. SO in the world of bad guys are you more like Simon Cowell, Gordon Ramsay or Judge Judy?

DANIEL KETCHUM: If I had to choose one, I’d say Gordon Ramsay, because he’s a Tiger Mom like I am–he criticizes out of love and only wants people to be their best. But when it comes to likening myself to reality show judges, I have definitely said that I am the Michael Kors of Marvel. (e.g. “It looks like you colored that page with a trackball mouse and an eye full of lemon juice!”)

FP: If you could put any single character in all of your books, who would it be and why?

DK: Definitely Mary Cherry from your favorite TV show, Popular. (“Y’all, I’ve got two words for you: EXORCISM!”) But if we’re talking about a Marvel character I would put in all of the books that I edit, it would be STORM…and I do.

FP: If you could have any non-comic writer (novelist, screenwriter, poet) write book for you, who would it be?

DK: Oh, lordy. You know, the last book book I ran to the store to buy the day it was released was Joan Didion’s BLUE NIGHTS. I can only vaguely imagine what a comic written by Joan Didion would be like. But I’d love to read it and, even more so, I’d love to be the editor who got to collaborate with her on it.

FP: If you could have dinner with any comic character (you’re paying) who would it be and why?

DK: I would take Alfred Pennyworth and Jarvis to dinner because they deserve a chance to kick back and enjoy a delicious meal they didn’t have to lift a finger for. I might also take Jubilee, because it looks like she’s fallen on hard times…

FP: Follow-up: Would your answer change if they were paying?

DK: Yes. Because then I would be dining with ALL-NEW X-MEN‘s Hank McCoy and I would expect no less than a magical evening. MAGICAL.

FP: Who would win a Magic the Gathering game? Batman, Reed Richards or Emma Frost?

DK: Obviously Emma Frost. You can’t play a card game with a telepath! And you know Emma would totally cheat and, like, read her opponents’ minds to find out what their face-down morph creatures are…

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FP Spotlight: Jeff Lemire

If you ask someone what their favorite book is, they usually have a passionate explanation for it. “The main character is just like me”; “It’s just so heartbreaking”; “It made me laugh until I cried”; and so on. No one holds up a copy of something that changed their life and says “I dunno, it looked really cool.” This emotional core is something that comics sometimes find themselves lacking, but a few writers and artists have mastered the art of really getting to their readers, and Jeff Lemire is first among them.

Lemire kicked off his career with LOST DOGS, a 24-hour comic-turned-graphic-novel with the assistance of a Xeric grant. It’s messy, but it’s got a lot of heart in its black-white-red story of a lumbering oaf just wanting to help. It’s a book that gets by a lot on its atmosphere, and the messy inks Lemire employs.

For his second project, rather than try to go the superhero route, or a book where magic is law, or some other high concept project, Lemire turned his eye to his beloved home county in the Great White North itself, and decided to tell the story of a county full of average Canadian people. The ESSEX COUNTY trilogy is one of the most heartbreaking and simultaneously uplifting books I could possibly recommend. It’s the Spoon River Anthology by way of Slap Shot, with lots of hockey, kids and adults who dream of escape, and people who are just doing the best they can to get by. It’s Steinbeckian, and it’s huge, without losing a sense of intimacy into what these people want–and how rarely they will get it.

2009 was a banner year for Lemire: it finally saw the publication of ESSEX COUNTY (which went on to be named one of the Essential Canadian Novels of the Decade); the publication of THE NOBODY, his retelling of The Invisible Man; and the beginning of his first creator-owned series, SWEET TOOTH. Sweet Tooth tells the story of Gus, a young boy with deer antlers and an incredible taste for chocolate. It went on for several years, and turned villains into begrudging heroes, gave fathers to wayward children, and told the secret history of the world. All this in a world where Mad Max could have been the guy who killed Bambi’s dad.

Since 2012, Lemire’s work has been mostly at Vertigo and DC. He launched some of the best New 52 titles during the company-wide relaunch in 2011, including ANIMAL MAN, JUSTICE LEAGUE DARK, and FRANKENSTEIN: AGENT OF S.H.A.D.E. For a man who’s able to move around in so many genres, the quality of his books never suffers from title-to-title, because he’s a master of the emotional core of a book. Animal Man is about a superhero protecting his daughter while she grows up too fast; Frankenstein is about a man making amends with his friends and his estranged wife in order to face their future. Add into this a standalone graphic novel, THE UNDERWATER WELDER, that reads like a lost Twilight Zone episode, and you’ve got a winning combo.

Most recently, Lemire returned to the drawing board for a longer form experiment, writing and drawing TRILLIUM, a ten-issue series about a WWI soldier recently returned from the war falling in love with a 30th century scientist. They both help each other heal and they get in plenty of spacetime continuum fights. Add into this his radical experimentation with form, making a House-of-Leaves-like experience out of reading a comic, and it’s just this side of genius.

Lemire is one to watch out for, still. After his exclusive agreement with DC expired last year, he was quick to jump onto THE VALIANT (available at our fine store–issue 4 coming soon!), and BLOODSHOT REBORN from Valiant. This week we’ve got ALL-NEW HAWKEYE (miraculously out before the finale of Regular old Hawkeye!) as well as writing a brand new series called DESCENDER, about a young boy robot illustrated by Dustin Nguyen. We thinks it’s going to be a visual delight as well as an emotionally satisfying read.

And refusing to ever take a break, Lemire will be illustrating a series written by Scott Snyder (his best friend/nemesis– best fremesis) in the near future, too!

So here’s to you, Jeff Lemire. We can’t wait to see what’s next.

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Troy’s Troys, But with Comics: Back, with my friend Gwen edition

DON’T CALL IT A COMEBACK! No for real, don’t, I’ve only been gone for about a week, also I may have used this joke before.

Sorry for the sudden disappearance, but I had a move on my hands, which meant, me, my wife, our dumb cat went from Brooklyn to Queens, care of the Tracksuit Bros from Hawkeye. The snow did not make things easier by the by. But I’m back, chock full of new comics to talk about, and I’ll eventually get back to Toy Fair coverage. Give me a week and we should be good*.

 

*Citation needed.

Spider-Gwen-1-Cover-Robbi-Rodriguez-720x1112Spider-Gwen #1

Jason Latour/Robbi Rodriguez/Rico Renzi

Marvel $3.99

Spider-Verse is old, busted and bloated, Spider-Gwen is the new hotness.

When Spider-Gwen made her debut back in the Edge of Spider-Verse mini, I thought it was too much of a  (great looking) tease that played it a bit too safe, which sucked for me at the time. Then that particular issue went through several reprintings, giving Gwen that Babs Tarr Batgirl hype, so here we are 4 months later, looking at the relatively Spider-Verse free debut of Spider-Gwen’s ongoing. Editor Nick Lowe credits the fans excitement for the character for  the birth of the book in the debut issue’s letter section, and it’s a good to Marvel to see listening and giving the fandom what they want with this book.

spider_gwen_1_1Robbi Rodriguez and Rico Renzi do some amazing work with this issue. Rodriguez’s layouts and energy put a fresh paint of on this familiar yet different Marvel Universe. His style is the child of the exaggerated expressions you see from Erica Henderson‘s work combined with the sharp lines and “dirt” you see from Sean Murphy.  His line work is loose, and when paired with Rico Renzi’s bright color palette, it makes for a superb visual experience. Between Renzi’s Gwen and Jordie Bellaire’s Moon Knight, Marvel’s making an impressive case for characters to have more white in their costumes. Also, I hope that doesn’t read as a Klan reference. Gwen’s costume grabs your eyes when it’s on the page, and its demands you attention, making it the focus of the panel, despite her positioning within. And the graffiti element leads to some really fascinating use of colors, which looks fantastic in digital. It’s Spider-Man meets Jet Grind/Set Radio, which is my jam, and makes the book worth it for the visuals alone.

Jason Latour‘s script is great too. Now free to tell his own story that’s not limited to a single issue tie in, Latour is free to flesh out Gwen’s world and cast more. His Gwen has her share of bad luck, but it’s way different than the type Peter Parker’s dealt with in his various incarnations. Which is great, because powers aside, Spider-Gwen really feels different from Spider-Man on every level. Additionally, Latour does a nice job of adding several established Marvel characters to the world with some neat twists, obviously planting the seeds for future story. And the situation Gwen’s dad is now faced with is really interesting, not to mention what’s going on with her band mates. It’s a surprisingly dense read for a 20 page comic, even with a cliffhanger ending. The pacing is great, and Latour has really stepped it up from the EoSV one shot.

Spider-Gwen #1 is another great debut from a company that’s been on fire with female lead books as of late. Latour, Rodriguez and Renzi come out swinging with this debut, and I mean that with fists, not webs, ugh, never mind, just buy it, this review has died via wordplay overdose.

 

 

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Petrie @ The Planet: Wonder Woman and Women in Comics

wonderwomanbolland

Wonder Woman saved my life. When I was young (I was not little, weighing in, at my lightest, about 30 pounds heavier than I am now) I was an adopted, multi-racial, overweight child. I was also, not to be politically incorrect, really gay. I thought there was something terribly wrong with me that I didn’t want to play sports or go fishing, but instead wanted to hang out with the girls, play with dolls and read.

Then along came a metal spinner rack at our local convenience store. There was a woman in a red, white, blue and yellow costume holding back a lightning bolt with a rope (“Hera help me stop this lighting before it splits this building in two!”).

I have no idea what drew me to her but, there she was, right in front of me. Back then comics cost .25 cents (Yes, .25 cents!! I’m showing my age, but no more than the crows feet) and fortunately she was there on Saturday mornings with her friends. Her Super Friends.

Then came Lynda Carter. I’ve made no secret of my love affair with Stephen Amell and the passion he and I share, but Lynda was my first crush. I had her poster. I had her puzzle. I had her doll. More importantly as I got a bit older and began to realize why there was a gulf between myself and other boys my age, I also began to realize that Wonder Woman was different as well.

Wonder Woman was a woman in a field of men. She wasn’t a girlfriend or a damsel in dstress. She did the rescuing. She wasn’t the same as me, but she knew what it was like to be different and I always got the feeling she was okay with it. I knew she’d say to me, “It’s okay to be different and I like you BECAUSE of that.”

Unlike Superman or Batman or, even, Captain America who I thought would like me “even though” I was different. To my six or seven year old self, the space between ‘because of’ and ‘in spite of’ meant the world to me. It meant I would have a friend who would help me through the teasing and bad times.

Now, not to be more maudlin, I say none of this to make anyone feel sorry for me. I say this as a lead in to why I love women in comics. From Wonder Woman (I call her Diana. Yeah, we’re on a first name basis. I’m that cool now.) I was lead to Batgirl, Hawkgirl, Wonder Girl, The Wasp, Scarlet Witch (She and Diana and I had coffee the other day. She’s not crazy about how she’s been written recently, but mostly, she’s NOT CRAZY.)

I love that comic book women are more than one trait.  I know in my heart of hearts that Natasha is the toughest Avenger out there, but she’s dying for human connection. Black Canary could take down Batman if needed but she loves life so much she’ll never be a dark knight. Helena Bertinelli is an angry, vengeful creation, but she never gives up trying to make Gotham and herself better. The Wasp is silly, and flighty and the best field leader the Avengers ever had, keeping an arrogant Hercules in check and giving orders to Thor and Iron Man.

I love that comic book women are bad-ass. Diana will give you her hand in peace, but she’ll make it a fist and take you out if you want to cause trouble. I cannot overstate how much you should read the Brian Azzarello/Cliff Chiang Wonder Woman. It’s an epic masterpiece, blessedly free of continuity. Azzarello makes Diana powerful and compassionate, two qualities which people seem to forget are NOT mutually exclusive. (Editor’s note: the Greg Rucka run is worth a look, too, if you can get your hands on it.)

I love that comic book women teach me how to have fun. Paul Dini’s BLACK CANARY/ZATANNA: BLOODSPORT graphic novel came out early last year and it’s fantastic! Two women who wear fishnets better than anyone on the planet (except our co-worker, Dany) and are friends. It’s a comic full of joy. And fisticuffs.

I love that comic book women teach me about the world. G. Willow Wilson’s MS. MARVEL is a revelation. This book is an addictive read. A teenage, Muslim fan-girl gets superpowers and succeeds in becoming like her idols. I look forward to this book every month. It’s fun and touching and beautifully written. It will make the hurt of losing SHE-HULK slightly less. I’m not sure how Charles Soule pitched SHe-Hulk. “She’s a big, green, super hero lawyer! We’ll make her as awesome as Gina Torres in ‘SUITS!’ And we’ll throw in Patsy Walker and a monkey named Hei Hei!!”  There is no way this book should work, but I fell in love with it. As has everyone else. Shulkie, we hope to see you soon.

You should know how awesome Kelly Sue DeConnick is, but in case you haven’t read her books yet, she’s simply an amazing writer who deserves the heaps of praise she’s gotten. If you want trippy, read PRETTY DEADLY. It’s drawn by Emma Rios and despite what some people say it’s not over-hyped. It’s Death’s Daughter as John Wayne in ROOSTER COGBURN written by H.P. Lovecraft. I’ll let that sink in. If you want a more super-hero piece, you’ve got CAPTAIN MARVEL. Whatever she’s writing, Kelly Sue hits it out of the park. If you haven’t read BITCH PLANET, please do. (Editor’s Note: Her run on GHOST is a solid, oft unsung winner, too.)

If I could have dinner with any working comic creators, I think it’d be Gail Simone and Nicola Scott. If you haven’t read EARTH 2, you should. James Robinson builds a world, and Nicola brings it to life. She not only draws beautiful pictures, she tells a story. and when she and Gail did the SECRET SIX? Well, it’s magic. Twisted, creepy, sick magic. And I loved every last second of it.

Babs Tarr on BATGIRL is genius. She does amazing things with this book, not the least of which she manages to dress a super heroine in casual clothes that a woman would actually wear. Gather around and listen to your new gay best friend, straight guys: when picking out clothes for your girlfriend as a present, stay away from using comics as a guideline; I guarantee, you’ll be wrong.

Marguerite Bennett is another writer that you should take notice of. If you didn’t read her recent spy series BUTTERFLY, then run back to the store and get the few autographed copies we have left. She’s about to start co-writing A-FORCE, an all female Avengers squad and the rumors are true, I did a little dance when I heard about this series.

There are a lot of books I want to tell you about with women who are strong and powerful and sexy and all those things in between, but mostly I want to tell you about women who are written as fully fleshed out characters. Grab Mark Waid’s SUPERMAN: BIRTHRIGHT and you’ll know in an instant why Supes fell in love with Lois Lane. Pick up some Marv Wolfman/George Perez NEW TEEN TITANS and you get the fiery Starfire, the reserved Raven and the glorious Donna Troy, or, as I call her, Julia’s wife and eternal love. Get Kurt Busiek’s ASTRO CITY: VICTORY to have the best comic book study of feminism and heroism, where Winged Victory fights to remain the inspiration she is. Grab some BIRDS OF PREY (honesty time: read any pre-New 52 BOP, but post-New 52, stop after the first trade. The first collection is an awesome take on modern-day paranoia in the information age, after that the book gets, well, not as great.)

Read HAWKEYE for Kate Bishop’s attitude. Read HARK A VAGRANT! for Kate Beaton’s humor. Read anything by Greg Rucka for a male writer who simply writes great characters regardless of gender. Read Ed Brubaker’s CATWOMAN for some moral ambiguity.

More than anything else though, I beg and implore and plead with modern dance for you to read some WONDER WOMAN. She’s a multitude of things but, more important than whether she’s a warrior or a diplomat or anything else, she’s the personification of love. And, more than anything else in the world, don’t we need more love? And that’s why I read comics by and about women. Love.

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Troy’s Troys: Actually about Toys edition

Hey, so it looks like I’m going to Toy Fair 2015 tomorrow, thanks to a little help from my wife’s company! Meaning I’ll have FRESH photos to post on here in a few days that I took, versus asking around/stealing  acquiring from the Google.

In honor of this occasion, I decided to write about a few collectibles I’ve been enjoying as of late. My #toygame was pretty weak in 2014, because New York apartments are small and expensive and I only have so much space/money. HOWEVER, I did manage to snag a few things here and there.

set-of-x-men-classic-pop-vinyl-figuresdancing-groot-figure-03First and foremost, I’ve think it’s safe to say I’m slightly addicted to the Funko’s POP Vinyl line. I’ve managed to avoid picking up too many over the past few years (Batgirl being the lone exception, which is fine, because she is perfection), but the company’s made a hard push for my wallet as of late, to much success. Aside from the amazing NFL POP line, Funko recently released a all X-men‘s Marvel line, as well as a 2nd Guardians of the Galaxy line. While I’m managed to avoid buying anything not Duck or Groot related from the GOTG line, the Marvel line consists of Mystique, Professor X, Storm, Magneto, Colossus AND MOST IMPORTANTLY Cyclops. What I’m saying is that the lone Batgirl POP is now chilling with Nightwing, Drew Brees and hella X-Men.

 

For the record, we currently have POPs in from everything from Firefly to the WWE, but it’s me, so comics and football rule everything around me. I’m a fan of Funko’s ability to capture all these various properties well in such a small and minimalist style, and the low price doesn’t hurt either.

avengers-marvel-legends-captain-marvel-carol-dangers-figure-maid-111990And since I’m already on the topic of Marvel Comics, the newest line of Marvel Legends just dropped.  This Avengers themed line consists of Marvel NOW Thor, Iron Fist, The Sentry, Classic Hawkeye, Machine Man, Scarlet Witch, and probably the most in demand figure in a long while, Captain Marvel herself, Carol Danvers. This particular wave is great, and the Old Thor/Odin build a figure is a cool addition. In addition to this wave, we also have some of the older Legends from 2014 in stock (Spider-Man, The X-men, Guardians of the Galaxy and I THINK some Winter Soldier line), all for $30 a pop.

 

batman-the-animated-series-action-figures-wave-one-set-of-4-4 San Diego Comic-Con 2014 First Look DC Comics Greg Capullo Batman Designer Series Wave 3 Action Figures - Zero Year Batman, Batgirl, Two-Face and Commissioner James GordonThere’s also no shortage of DC Collectibles in stock. And by DC I mean Batman, of course. Snark aside, at least some of the latest Bat-offerings have been neat. The 3rd Wave of the excellent Greg Capullo designer line dropped recently, complete with the visually interesting Batman Year Zero, Two Face, and two Gordons in the form of Batgirl and Jim Gordon himself. The line continues to captures Capullo’s art perfectly, and may be the best line of toys DC Collectibles is current putting out. The other major Batline is the Animated Series themed line, which has a New Adventures of Batman and Robin accurate Batman and Mr. Freeze figure, and a B:TAS themed Catwoman and Two Face. All of these figures look gorgeous, but be warned, they’re a tad fragile.

This doesn’t even begin to cover all the collectible we have in stock. We got a ton of fandoms covered like Aliens, Sailor Moon, Transformers, Star Wars, Adventure Time covered, as well as several more than escape my lizard brain at the moment. But yeah, come on by, see what we got and expect actual Toy Fair coverage soon!

 

 

 

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Troy’s Toys But With Comics: Squirrels and Seals Edition

saga-25-wraparound-cover-b8d91Saga #25

Brian K Vaughan/Fiona Staples

Image $2.99

Yay, Saga‘s back, time for another comic to destroy me emotionally yet again!

I kid, because as far as Saga goes, Brian K Vaughan & Fiona Staples produce an entertaining comic that doesn’t make everything hurt this time around. If anything, it sets up the 5th volume of the series quite nicely, and uses the 3 month vacation to age the book in real time.

While I could point out how BKV & Staples continue to produce the best comic on the market with the greatest of ease, I much rather point out that tiny seal person Ghüs has joined the cast on the regular, and I’m clearly thrilled about that. Also I’m saying this now guys, if something bad happens to him I will drop this book and cry myself to death. Tiny seals with accents are one of my jams, and I need a Lucky the Pizza Dog type pledge that this little fellow won’t be killed off.

Seal deals ( kill me) aside, issue 25 is pretty great on ever level. Fiona Staples art is incredible, and it’s cool to see her experiment with colors at the beginning of the book, as well as later one when there’s a need for much yellow. We’re also treated to more wonderfully bizarre characters designs, a thing that I am a fan of.

BKV makes great use of the large cast in new surroundings, fleshing them out in tiny, clever ways. Vaughan has a way of making even the evilest of his characters sympathetic, as if you need more proof of his talents. He also teases several things that will be happening in the nearest future, so I may have to go ahead and take that nothing hurts statement back soon.

A quieter return than what we’re use too, Saga #25 is a delight start for the story’s next chapter. I’m excited to have my heart broken again and again over the next few months.

portrait_incredibleThe Unbeatable Squirrel Girl #2

Ryan North, Erica Henderson, Rico Renzi

Marvel $3.99

Note: While there is some Iron Man related shenanigans in this issue, there is zero surfing in this comic. The cover is full of LIES.

But that’s okay. After a super delightful debut issue, The Unbeatable Squirrel Girl #2 continues to impress. Doreen attempts to join some college clubs, talk to a meghunk, oh and break into Stark Tower to stea  borrow an Iron Man suit so she can go to the moon and punch Galactus. Aka cementing it’s legacy as the best new Marvel comic of 2016.

Erica Henderson continues to impress me with every page of this comic. Her facial expressions  and body language really add an extra shot of comedic value to Ryan North‘s hilarious dialogue,  showing off how in sync these two creators are. It’s a dialogue heavy issue that lives and dies by it’s jokes, and luckily for us the reader, North and Henderson nails each and every one of them. Rico Renzi completes the package, making Henderson’s art crisp and bold, like a fine animation-esque quality salad. That’s a valid comparison yes?

Failed analogies aside, Squirrel Girl is rad and you should buy it to support fun and good looking comics. It’s a great read that super self contained, and the chances of a purple planet eater getting punched in the face remain high.

 

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Five Questions with Forbidden Planet: Dan Slott!

One of the nice things about comics is that the people who write and draw ‘em are just as likely to show up at Forbidden Planet on a Wednesday to pick up their stack as anyone else.

And that’s when we strike!

For our inaugural Five Questions, John Petrie thwipped Spidey writer, Dan Slott to the wall and made him talk. Then there was some awkward, upside-down makey-outies, but that’s neither here nor there, except to say, “We’re all very sorry, Dan.”

On to the questions!

Forbidden Planet: Who would win in a creepy laugh contest: Green Goblin, Hobgoblin or the Joker?

Dan Slott: Now that Norman Osborn’s had the Goblin Serum removed from his system? Sadly, no contest. Joker.

FP: Since we all love cosplayers, what’s the one character you’ve never personally seen cosplayed that would make you smile?

DS: Spider-UK. I’m going to a show in London this summer, so fingers crossed.

Spi11

FP: So, chaos magic, does it exist or not?

DS: Totally exists. We confirmed that during my run of MIGHTY AVENGERS.

FP: Would you rather live in a world without any flavor ice cream or a world without movie popcorn?

DS: Without movie popcorn. Couldn’t live in a world without ice cream.

FP: If you could have dinner with any comic book character (they’re paying), who would it be and why?

DS: Spider-Man. And I’d pay. Would just want to apologize for the hell I’ve put him through in the past… and… will be putting him through in the future.

FP: If you could write a series with any character (or characters) who don’t currently appear in a Marvel book, who would they be?

DS: Indiana Jones, Doctor Who, and Batman.

Thanks again, Dan! And keep an eye out — there will be more FIVE QUESTIONS WITH FORBIDDEN PLANET featuring your favorite comic creators coming soon!

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Troy’s Toys But With Comics: Arrow’d

54c2825aaaa9dHawkeye #21

Matt Fraction/David Aja/Matt Hollingsworth

Marvel $3.99

I wanted Marvel‘s Hawkeye ongoing back more than anything.  As good as Secret Avengers and Hawkeye vs Deadpool were, what Matt Fraction and David Aja ground breaking series has been doing with Clint Barton and comics in general is hard to replicate. So when the 21st issue of this series was solicited with a 100% guaranteed to ship date, I was excited. I thought I was ready to handle part one of what will be the end of the oft-delayed Fraction/Aja/Matt Hollingsworth run.

3 pages into this issue and those creators made a liar out of me. I was not ready. I was a hot mess of emotions by the time we got the the brutal 19th page of comic, and then I hit page 20 and nearly lost my composure at the shop. It would have been an messy bout of ugly crying, but one that was warranted given everything that goes down.

4360109-hawkeye2012021_int2-1Hawkeye #21 aka, Rio Bravo part 1, begins the battle of Bed Stuy. Clint, Barney and their neighbors battle the Tracksuit Draculas for their apartment building, something that was brewing since issue one. And while it doesn’t sound like the highest of stakes in a Marvel Comic, that doesn’t matter. Hell, if you remember that ol’ Hawkguy is Avenger, you may ask yourself why he just doesn’t call in Iron Man or Thor to help save the day. But that’s all part of the charm of the book. This is suppose to be showing what Hawkeye does on his days off, and bringing in such high-profile characters would do more damage to the book, despite being the more logical choice. Like Clint says, you gotta make your stuff work, and that means not calling in for help ( Luckily for Clint, not everyone believes in that).

4360108-hawkeye2012021_int2-0After 21 issues, what else is there to say about the team of Matt Fraction, David Aja (with assistance from  Raul Allen),  Matt Hollingsworth and Chris Eliopoulos, he types, realizing that’s super cliche of him to say. But it’s true, this team has banged out some amazing work over the course of 20 issues (with some help), and 21 is another fantastic issue. Fraction’s dialogue is so natural, making nods to past events and in-jokes from the series. He doesn’t go crazy with the dialogue with this issue, taking the back seat to the talents that are David Aja and Raul Allen. With Allen helping out with background, Aja is given more time to focus on cramming a year’s worth of art on 20 pages, each with an insane amount of panels with page. Combine that with Hollingsworth limiting his patent for dramatic effect (which works mind you), we get some fantastic art from creators on top of their game.

This team of artists have nothing to prove that this point, given how excellent this series has been.  They just need to end this story, which if word on the street is true, will be done by end of the month. Which means the chance of my being over emotionally in a comics shop this month is good. Hawkeye may have taken it’s sweet time wrapping up, but as it comes closer to the finishing line, it’s hard to sing it praises over the constant delays.

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Troy’s Toys But With Comics: Secret Criminals Edition? Yeah I guess that works

I would read a book called Secret Criminals FYI.

SECAVN2014012CVR-659x1000Secret Avengers #12

Ales Kot/Michael Walsh/Matthew Wilson

Marvel/$3.99

Secret Avengers #12 can be best described as “Nextwave meets True Detective“, which is the best description for any comic, and I don’t care if you disagree with me.

I love it when Marvel has a book that features fairly iconic characters and allows it to operate under the radar. Like MODOK drunk texting Deadpool (complete with the use of the word “Bae”), or Hawkeye dropping the phrase “Resident Terrorist Sex Horror Advisor”, which is something we’ll probably not be hearing in a movie anytime soon. There’s also a killer gag involving ring tones, which only proves that I’m a big fan of phone-based jokes apparently. It makes for a fun read, and it’s nice that not everything has be average Disney XD viewer friendly.

But this book isn’t all jokes mind you. Spider-Woman and Maria Hill find themselves in a bit of a pickle, and their interactions ring true to their characters. Ales Kot‘s Maria Hill is a no-excuses workaholic, and she bounces off his equally determined but more sarcastic Spider-Woman quite nicely. We also have Kot writing Black Widow and Lady Bullseye in a cosmic horror setting, which is something I didn’t know I wanted, but glad I’m now have. These character interactions are a key part of which I enjoy this title so much, as Kot has a gift for dialogue. His jokes hit hard, and there’s so much subtext in some throw away lines that it warrants multiple re-readings. It’s a smart book wrapped in some crazy circumstances, beautifully illustrated by Michael Walsh and Matthew Wilson.

Secret Avengers remains one of the craziest and surreal books Marvel’s been putting out for the last year. If this is the final incarnation of this book, I’ll be glad, because it will be an hard act to follow up on.

SEXCRIMINALS_10Sex Criminals #10

Matt Fraction/ Chip Zdarsky #10

Image $3.50

Chip Zdarsky draws hella genitals in this issue, be warned if you’re squeamish. Also if you’re squeamish, what’s wrong with you, Sex Crimz is not for you.

A Tinder’s worth of crotch pics (or Grinder I suppose) aside, this is another brilliant installment of Sex Criminals. Writer Matt Fraction has never shyed away from discussing the importance of mental help, and he’s handling of Jon seeing a therapist is nothing short of inspiring. Sex Criminals has always managed to channel genuine human emotion despite it’s lewd premise, and this issue is proof of how good it can be.

Chip Zdarsky is a funny dude, no one is surprised by this statement. But ol’ Zdarkseid manages to use sound effects in a particular way this issue that had my dying as I read it. I’m not sure if it was intentional, but if it is, it’s fantastic. His timing and structure couldn’t be any better for setting up these little sound effect gags, and the use of all lowercase letter had me dawing as well as loling. And yeah, I just used “Daw” and “Lol” as actions, what of it?

There’s also  a bit in this issue that is very Scott Pilgrim esque, only with a lot more genital talk. I didn’t think I could love this series anymore than I have bee, but(t) here we are. Also is you think the last 200 words were mastubatory, let me make you aware of the fact that Hawkeye drops next week and it will get worse.

 

 

 

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