Category: Marvel

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Their Resurrxion Begins in X-Men Prime #1

To Kitty Pryde, you X-Men!

Okay, that didn’t quite have the ring of Professor X’s iconic rallying cry. However, that looks to be the new mutant status quo that Marvel is setting up after the eventful events of Inhumans Vs. X-Men. There’s no question that that dark chapter in X-Men history has left the merry band of mutants in a very difficult and not necessarily popular place. However, for longtime fans awaiting the return to prominence for this franchise, it was the springboard into what will  be a slew of new X-titles. It all begins here with X-Men Prime #1 (no relation to the one-shot of similar name after the original “Age of Apocalypse” saga).

Kitty Pryde is one of the most beloved X-Men characters of all-time. She’s for the most part been able to stay squeakier and cleaner than many of the other X-Men in the past few years. Since Kitty missed all the hubbub with that pesky war of Emma Frost’s recently, Kitty is visited by Storm and is asked to lead the X-Men back into good graces of the world. It’s a tall order. It’s a nice bit of coming full circle and suddenly the new X-Men status quo is going to resemble a little of what the Ultimate Universe’s version was for a little while there after the awful happenings of Ultimatum. Kitty will be charged with leading the mutant cause in a world that fears them and many enemies (new, old, you name ’em) will be amping up.

How will Kitty Pryde begin the path of progress and Resurrxion for some of Marvel’s most important characters and properties? You can find out in X-Men Prime #1 . Get to the shop early or else do as Rogue would suggest, “Pull it or lose it, Sugar.”

For more on the upcoming X-Men Resurrxion that Marvel has us salivating for, here’s a trailer from the House of Ideas laying out when all of the new X-Men series will be fighting their way to your shelves:

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unworthy_thor_5

The Main Event of Thor vs. Thanos In THE UNWORTHY THOR #5

Will Odinson become the Mighty Thor once more?

Jason Aaron‘s mini-series following Odinson’s quest for Ultimate Thors hammer reaches its finale this week! Odinson has battled off all who stood in his way including the Collector and Black Swan. With the help of his old friend, Beta Ray Bill, he has at last reached the location of the weapon that will make him the Mighty Thor once more. Will he be found worthy and wield a hammer fit for Thor again? One more challenger stands in his way who plans to pick up the weapon before Odison can: Thanos, the Mad Titan.

The final battle is here between two figures in the Marvel Universe who’ve undergone major trials and tribulations over the last couple years of comics. Who will lay the ultimate smacketh down? To say Jason Aaron’s been building up his Odinson saga with the greatest touch of craft and care is a bit of an understatement at this point. With art from Pascal Alixe and Aaron Kim Jacinto the final chapter of this book of Thor should be astounding.

At long last we’ve been promised to know what Nick Fury said to Thor Odinson during Original Sin that made him unworthy. The question we’ve been waiting an answer for since 2014 is at hand. Undoubtedly, all the answers we finally get will also pose a few more questions.  Whatever happens next, it’s one of those rare moments in superhero comics where the old lyric, “times, they are a’changin'” feels appropriate.

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The Amazing Spider-Man #25 Plans To Over-deliver!

The “Osborn Identity” begins here!

With the “Clone Conspiracy” now a thing of the past, officially at least, it’s time for Peter Parker’s next chapter to begin afresh from writer Dan Slott and incoming superstar artist Stuart Immonen. To celebrate, the folks at Marvel are attempting to go a couple extra miles by making this issue FORTY pages. Mr. Slott has been crafting one of the most significant runs in all of Spidey’s history and there’re no signs of him slowing down. It’s time for Mr. Slott to bring forth the epic confrontation that all Spider-Man fans know you can count on like death and taxes: Spidey vs The Green Goblin! Well, maybe…This time, Peter Parker’s on the hunt for Norman Osborn. The big twist? This is an Osborn without the goblin serum pumping through his veins that makes him an insane super-villain who revels in killing the people Parker loves and Spider-Man gets close to. How will this next phase of the webslinger’s adventures pan out? There’s only one place to look and that’s in this week’s The Amazing Spider-Man #25.

But wait: THERE’S MORE! I mentioned this was Stuart Immonen’s debut as the ongoing artist for the series? Well, he’s not the only one that’s coming aboard the Spider-Man train. There’s a backup feature written by Mr. Slott with art by Giuseppe Camuncoli. AND Hannah Blumenreich writes and draws a flashback tale to Spidey’s more formative years. AND Christos Gage pens a new tale featuring the classic villain (you know he is) Clash. AND that’s not all but I’m running low on web fluid.

Want to know more? Don’t ask me, ask Dan Slott himself who will be at Forbidden Planet signing the same day The Amazing Spider-Man #25 comes out. Official start time is 6pm. Don’t miss out, or you’ll be missing out.

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ivx6_cover

The Final Battle Begins in IVX #6

The White Queen vs The Queen of the Inhumans! Only one will win. Can both survive?

When it was first announced there seemed to be a communal skepticism about Inhumans vs X-Men. It was an event series between two segments of the Marvel Universe that had been having a pretty rough track record as far as readers were concerned. Plus, with the new push for the X-Men in ResurrXion this whole event seemed poised to be just a means to a most certain end. We should have all had more faith in Jeff Lemire and Charles Soule. Now the cataclysmic conclusion has arrived to what has been a far superior series than Civil War II and, I daresay, Avengers Vs. X-Men. It will boil down to one last showdown on the snowy sleeps between Emma Frost and Crystal, the White Queen and the Queen of the Inhumans, in a war where it’s tough to call either side truly good or obviously evil.

The strength of this event has been the evenhanded approach to both sides of the conflict. The mutants want to avoid extinction and several of the Inhumans have switched sides to make that happy ending possible without the deaths of so many of both groups. While the adults have been resigned to slug it out for the “greater good” it’s been younger characters like Moon Girl and Cyclops that have tried to outthink the violent approach of their elders. But no matter how sympathetic both sides may be, there has to be a winner and a loser, right? I mean, at the end of the day one side’s going to lose a little less or gain a little more out of it. This is the part where we find out who will pay what cost for this clash between two groups of characters that Marvel is in need of a giving a good jolt to in 2017.

See how this chapter ends and maybe a tease of how the next one begins inside the oversized conclusion to the Inhumans Vs. X-Men event!

 

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Don’t Worry, America #1’s Got You

America Chavez’ fights for what’s right in her new series!

Overdue. That’s probably the best way fans of America Chavez would describe the new America #1, on shelves this New Comic Book Day. The displaced powerhouse has been part of an ensemble in books like Young Avengers and has become one of the preeminent butt-kickers as the leader of Marvel’s latest incarnation of the Ultimates. Except that’s just America Chavez the hero, who saves the world from aliens and super villains on the weekend. Where’s a super-powered teenager going to discover more of what life and the world has to offer? America goes to college!

Helmed by YA novelist Gabby Rivera (Juliet Takes A Breath), the new issue gets right to the point and establishes the larger framework that America #1 will be exploring. America #1 makes no bones that it’s going to connect its eponymous character with the country she’s named for. From the beginning this series will beg the questions: Who is America and what does she stand for?

To help explore the answers while she lays the smackdown on a couple interdimensional monsters and tries to shutdown an alien cult who’ve begun worshipping her adventures, Marvel’s brought onboard some all-stars. Joe Quinones (Howard The Duck) brings the heat and the heart with his inks while father-son slam dunk duo Joe and Paolo Rivera delve into the depths of America’s journey with their colors. This collaboration will bring the high-octane solo adventures of America Chavez into what we can only hope will be a bright and riveting future.

There may not be a more important new series from Marvel in 2017 than America #1. Pick up your copy. Come together and show your support. Be bold. Be brave. Be…an American.

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elektra1_cover

Sin City, Here Comes ELEKTRA #1

It’s going to be a hot time in the old town tonight…

Marvel’s been building their own mini-universe within the Daredevil section of 616. Broadly titled “Running With The Devil” there’s a trio of titles to go along with old hornhead. Earlier this month we previewed the on-target Bullseye #1. We followed it up by highlighting the comeback of Wilson Fisk in Kingpin #1 (written by Forbidden Planet’s former master of the hand sell, Matthew Rosenberg). Now, we cap off this trifecta with Marvel’s deadliest assassin! Odds are this series is going to be killer.

Elektra‘s had quite a past. What with dying a few times, having been the head of the Hand, her epic love story with a certain pointy-headed blind vigilante, and at one point being the highest paid assassin in the world. If you were carrying all that baggage where would you go to get away from it all? Vegas, baby! Surely no one will notice her amidst all the neon and ulterior motives. Of course, can a former ninja assassin really expect to escape all of her history of violence when a new player wants to get in on the game? Welcome to the table: Arcade!

If you wanted some further Marvel Netflix U crossover then boy have you got it with this book. Not only is it a new adventure for the character after her television debut in the second season of Marvel’s Daredevil but it’s written by newcomer Matt Owens. Get it? You don’t get it. Okay, Matt Owens is a television writer who worked on Marvel’s Luke Cage and even had a couple episodes of Marvel’s Agents of S.H.I.E.L.D. This marks Matt Owens’ first foray into comics after a career on the small screen and internships under Cully Hammer and Brian Starfleeze. Plus, it’s got art by Juan Cabal, so Owens has plenty of muscle to tell the first story entitled, “Casino Battle Royale.”

This new comic book day, Elektra’s changing the rules. Wanna play?

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Kingpin_1_Cover

LONG LIVE WILSON FISK IN KINGPIN #1

Long Live The Kingpin!

After his comeback in the acclaimed Civil War II: Kingpin mini-series, Wilson Fisk is getting this new ongoing title from Marvel. Be here at the start as Fisk begins building a brand-new empire! Unfortunately, building – or rebuilding – Rome didn’t happen in a day and Fisk has all kinds of roadblocks in his way.

First off, he’s got an image problem. All Fisk wants, so he says, is to be atop an industrial empire that extends its reach worldwide, but when you’re known as a giant in New York’s criminal community you have to change hearts not just break bones. Fortunately, Fisk has a plan in Matthew Rosenberg (Civil War II: Kingpin, Rocket Raccoon, We Can Never Go Home) and Ben Torres’ (Knight Watchmen) new series from Marvel Comics hitting Forbidden Planet’s shelves this week!

Fisk hires Sarah Dewey, a journalist with no other options, as his public relations agent. She expects to have to write the press releases and arrange interviews with the media but creating a paragon of virtue out of a former criminal mastermind will not be as easy as it seems (wait, that doesn’t seem easy at all, does it?). Being drawn into a world of ambition and greed, where the lines blur between right and wrong, where trust is weakness and betrayal is common, what lines will she cross to achieve her own goals?

For fans of shows like House of Cards and Breaking Bad, turn your eyes to Kingpin #1 as the start of Wilson Fisk’s next epic saga begins NOW!

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BULLSEYE #1 Hits The Mark!

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This New Comic Book Day we take aim at Marvel’s most unpredictable assassin.

He’s baaaaaack! Daredevil? Beat him. Elektra? Killed her. Hawkeye? Psh! Avenger? Did it, done it, owned it (okay, so technically he was a Dark Avenger but nobody told him that). And those were the paid jobs.What’s next for Marvel’s most unpredictable assassin? Writer Ed Brisson (The Violent, Batman & Robin Eternal, Secret Wars: Battleworld) and artist Guillermo Sanna (Deadpool, Straightjacket, Daredevil) are ready to unleash the villain in South America where he crosses path with a drug cartel that, to quote Brisson from an interview on Marvel.com, “…makes Pablo Escobar look like Mr. Rogers.” Ever wonder what a master marksman and methodical madman does with his free time? One guess? Not cat videos on YouTube.

BULLSEYE #1 marks the return of the most feared assassin in the Marvel Universe. With a gritty crime writer penning the direction for this crazy man’s insane new adventures and a Spanish artist who revels in frenetic action handling the images, the pages promise to be intense. If you’ve been looking for your next action fix with a morally absent centerpiece then congratulations this is going to be the comic for you!

Plus, Bulleye’s co-creator and legendary comic scribe Marv Wolfman writes a special back up story with artist Alec Morgan! What does Bullseye want with the mafia’s most sensitive information? How far will he go to get what he wants?

This is a first issue that can be classified as: Can’t Miss! Yeah, I did…

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Chris’ Comics: The Top 4 (and a Hawkguy) Finale

At last, it’s time for my final article for the Daily Planet. Instead of reviews, I’m going to recommend 4 series to you (plus Hawkeye, because we all know that’s coming) that are some of my favorite comics. There’s a few “well duh” choices on the list, but hopefully someone will find a new favorite on this list, or at least think I have excellent tastes in comics.

DCD5297571) Batgirl: Year One (Chuck Dixon, Scott Beatty, Marcos Martin) The only way you can buy Batgirl: Year One these days is in a trade packaged with the also great Robin: Year One. But Batgirl: Year One is arguably my favorite story featuring my favorite DC character. It’s a nice re-imagining of her origin from pre New 52 times, from a writer who wrote a good portion of the best Babs Gordon stories in the 90s. Marcos Martin later blew up on books like Spider-Man and Dr. Strange: The Oath, but this is where the Martin hype train officially began. A gorgeous story that does wonders for one of the most iconic superheroes out there, Batgirl: Year One is the one DC story I can’t recommend enough.

DCD4061942) Phonogram: The Singles Club  (Kieron Gillen, Jamie McKelvie, Matthew Wilson). While I absolutely adore this team’s work on The Wicked + The Divine and Young Avengers, P:TSC is my next pick, which was the first time Wilson joined Gillen and McKelvie on a creator owned joint. Set over the course of a single night, each issue in this trade tells a different story, focusing on a different character, and occasionally crossing over. My personal favorite of the various stories is the finale, a relatively silent story that focuses on Kid-With-a-Knife, one of the more simplistic but exciting characters in the series. While it’s technically the second part of the Phonogram trilogy, it’s by far the most accessible, and an excellent entry point for Gillen/McKelvie/Wilson’s indie work.

15958246263) The True Lives of the Fabulous Killjoys (Gerard Way, Shaun Simon, Becky Cloonan). I really wanted to throw a Grant Morrison penned story on this list, but honestly, there’s enough best of/recommendation lists out there featuring his work on All Star Superman, JLA, Doom Patrol, etc. Instead I’ve opted for a comic featuring a character played by Morrison in the My Chemical Romance music videos this comic series is based on/a sequel to. While being familiar with said music videos/album helps. Killjoys is good enough to enjoy on it’s own, thanks to Cloonan’s gorgeous art, and Way’s sensational and kinda out there scripts. While you can make an argument that both creators have stronger work on the market, this is a favorite of mine, and it’s definitely worth your time if you’re a fan of either creators.

07851983934) NEXTWAVE: Agents of H.A.T.E. (Warren Ellis, Stuart Immonen) Also known as my favorite comic series before Hawkguy was a thing. Warren Ellis’ funniest book to date, in which his team of super hero pirates fight an evil corporation profiting from a war they’ve created. A cult favorite that’s influenced so many books, NEXTWAVE was at one point the weirdest but also one of the best looking books Marvel had ever published thanks to Stuart Immonen’s art. Assuming you haven’t read it, you should, unless you hate nuclear puppies, flesh eating koalas and dragons that wear shorts.

 

 

0785192190Hawkguy) Hawkeye (Matt Fraction, David Aja, Annie Wu, Matt Hollingsworth, and various) And here it is, my obvious favorite that I’ve never shut up while writing for Forbidden Planet NYC. Hawkeye was a game changer for Marvel, and is easily the best for-hire work Fraction and Aja have done, possibly ever. The creative team makes walking dumpster fire Clint Barton one of the most relatable characters in comics, while making Hawkeye Kate Bishop a break out star. From the Pizza Dog issue to the Sandy relief issue, there’s some many amazing, genre defining comics that show that you can do big 2 comics with an indie comics sensibility. No comic series has affected as much as this book has, and there’s never going to be a time where I won’t recommend it.

And with that, I take my leave. I’d like to thank everyone who’s read my work, my fellow contributors, and the fine folk at Forbidden Planet for giving me a stage over these last years to talk about comics, and toys. I’ve had a blast, and if you care to see what I’m doing post Forbidden Planet, give me a follow on twitter (@theanarchris). Thanks for the memories FPNYC faithful!

 

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Chris’ Comics: The Unbeatable Squirrel Girl #11

Got some bad news for you, the Forbidden Planet Faithful (or good if you’re a jerk!). This article is the one of the last three I’ll be writing for the ol Daily Planet, as the day job has The-Unbeatable-Squirrel-Girl-11-2016offered me a ton of a money for a new gig that’s going to eat up a lot of my time. I’d like to thank everyone who’s been reading my cra  content over the years, and I hope whoever replaces me is a bias towards Matt Fraction comics as I am.

The Unbeatable Squirrel Girl #11

Ryan North, Jacob Chabot, Erica Henderson, Rico Renzi

Marvel $3.99

This month, regular series artist Erica Henderson is off due to working on the upcoming graphic novel “Squirrel Girl Vs. The Marvel Universe”.  Artist Jacob Chabot joins Ryan North and Rico Renzi for an issue is about Doreen Green facing off against Nightmare. Oh and a TON of computer science, which is par for the course for a book written by Ryan North. But hey, how many other 1pdopysuper hero book can actually claim they’ll teach you something educational?

Squirrel Girl fighting a bad guy in her sleep while using computer sciences facts is a weird premise, but Squirrel Girl is a book that’s always played by it own rules. Seeing SQ teach Count Nefari, (“Who?” in her own words) how to 31 on one hand is arguably one of the funniest moments in comics this year, thanks to North’s comedic timing and Chabot excellence body language. Having to fill in for Erica Henderson can’t be an easy job, but Chabot is absolutely wonderful on this issue. His style is as expressive as Henderson’s but with tighter pencils, and a better handling of more traditional looking super heroes. His art is also detailed back, putting some great visuals gags in panels that are already pretty humorous on their own ( see the page with KRAVEN THE COLLEGE ADMINISTRATOR for example). He also draws the most metal looking comics page featuring Venom and squirrels to date, so if that’s a selling point for you, be excited.

Even without his usual partner in crime, Ryan North is fantastic on this book. Hell I might go ahead and say this is his best single issue to date, excluding the wonderful choose your 182867_1000013_8own adventure issues. Not too many creators can balance humor, action and still make a comic educational, but North manages to do so with little effort. It’s a comic that’s very smart, but never in a way that’s overwhelming. And his dialogue is always hilarious, be it Squirrel Girl wishing she was throwing down with Puppy Man, or peppering up the bottom of his pages with great alt text.

The Unbeatable Squirrel Girl #11 is another fantastic done in one that will delight and educate you.  As someone who finds himself pulling less and less Marvel book each much due to a variety of reasons (mostly due to Civil War 2 though), this title remains a must read due to it being such a quality comic. Easily one of the smartest comics I’ve read in my life, this issue of Squirrel Girl should be taught in classrooms, let alone belong in your pullbox.

 

 

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Chris’ Comics: Spider-Man/Deadpool #8

Spider-Man_Deadpool_Vol_1_8_TextlessSpider-Man/Deadpool #8

Joe Kelly, Ed McGuinness, Mark Morales, Livesay, Jason Keith

Marvel $3.99

After a 2 month break, the team of Joe Kelly and Ed McGuinness return to Spider-Man/Deadpool to wrap up their first arc. Truth be told I had no idea that the “Bromance” arc had another chapter left in it, but I’m not complaining. This issue sees our dynamic duo going after the person who put a hit on Peter Parker, something Spidey hasn’t gotten over yet. To be fair, Deadpool did kill him twice.

10000 years ago when Joe Kelly was writing Deadpool, the usually comedic book had the tendency to dip into some dark territory, which made sense given the fact that Wade Wilson killed people for money. This issue of Spidey/Deadpool is very much like those comics, only with a darker, angrier Spider-Man playing the role of the brooding lead. At first glance that MAY sound terrible, but Kelly does enough to with the concept to make it work, via suggesting that a high-end villian may be messing with our boys. Also angry-pants Spidey makes the usually sassy spideydp-8-3-193708and violent Deadpool the straight man in this pairing (well as straight as a pansexual character can get), which is humorous for it’s own set of reasons. Joe Kelly makes sure that Spider-Man’s morals are never compromised, so he doesn’t stray too far from the character’s M.O..  So while it’s a darker issue than what we’ve been use to, but not to the point where it’s ever too overbearing.

Ed McGuiness is once again incredible on this book. Not only does he design a slick new suit for Spider-Man, but he does some fantastic work designing a trio of grotesque monsters for the issues. There’s also a bitty Wolverine, which is somehow cuter than it sounds. I love what the new suit does for McGuiness’ Spidey, who looks more menacing and sleeker during the book extended fight scene. A lot of it is done via his body language, and which paired with the more sinister colors by Jason Keith help make Spidey look more aggressive and blood thirsty. Those are words usually not associated with the web-help, but it works because it’s so off model, not to mention just looks cool. I also dig that the monsters McGuinness cooks up definitely pay homage to video games and horror manga, but still end up looking unique that you can’t quite place where you’ve seen these beasts before. spideydp-8-5-193710Inking Mcguinness this month are Mark Morales and Livesay, who do a bang up job of keeping this book clean looking.

Spider-Man/Deadpool remains a title that reads as great as it looks. Allowing the creative team to take a break between arcs was a good call, and I’m glad they’re rested and back producing a great looking book. Issue #8 is comic that will definitely surprise readers, possibly shock them, but not in a way that will alienate them. I’m really curious as to what the next arc will bring, and what the relationship our heroes have with the mysterious Patient Zero. Super Hero Team up books are RARELY this good, so I cannot recommend this title enough.

 

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Chris’ Comics: The Unbeatable Squirrel Girl #10 & X-Men ’92 #5

RCO001_1469630922The Unbeatable Squirrel Girl #10

Ryan North, Erica Henderson, Tom Fowler, Rico Renzi, Kyle Starks

Marvel $3.99

Readers, please take note of the wonderful cover that graces this month’s issue of Squirrel Girl, as I’m sure it will be winning whatever fake internet award I’ll be handing out come December.

The Unbeatable Squirrel Girl is a book that has never fails to impress me in some manner, and this issue continues that streak. Our lead has to deal with a love-stricken Mole Man, who’s abducted key landmarks around the world in order to get Doreen to go on a date with him. Squirrel Girl dealing with toxic masculinity may not some like a good premise for a comic, haha that is a joke, it totally is, and the execution is nothing short of genius. I saw this as the ending for this issues sees our hero do the unthinkable, yet manages to not undo all the effort done by this team to make her an unstoppable and incredibly well rounded force for good. Also there’s another scene involving squirrels in Iron Man armor, which is something I’ll never grow tire of.

SQGIRL2015B010_int2_2-932x1414Ryan North. Erica Henderson, & Rico Renzi are a creative team I adore & adding Tow Fowler as an inker was fantastic move. This month we see Kyle Starks of Sexcastle (aka the greatest comic) swing by for a 3/4th page cameo, continuing the trend of a guest contributor knocking it out of the park. As per usual, the writing and art are impeccable, as North and Henderson continue to offer dialogue and art that are beyond unique.

The Unbeatable Squirrel Girl #10 is another fabulous issue that once again says something important while being an incredibly fun read. This may very well be my favorite arc to date, and even as a dude in my early 30s, I’m glad this book exist for the lessons it attempts to teach it’s young audience.

 

 

 

portrait_incredibleX-Men ’92 #5

Chad Bowers, Chris Sims, Cory Hamscher, Matt Milla

Marvel $3.99

Speaking of surprises, this issue of X-Men ’92 ends by bring back some characters who haven’t been seen since the 90s. Chris Sims and Chad Bowers continue to do a bang-up job of making references to some of the most obscure corners of the 1990s X-universe, including a X-men board game I remember begin advertised like crazy in the back of Marvel comics when I was a wee millennial.

Issue 5 checks in with Cyclops and Jean Grey, whom haven’t been seen in the title since the Secret Wars mini-series. The couple are quasi-retired, but that makes for a boring super hero comic, so they find themselves dragged to the future by Rachel Grey. For long time X-fans, Scott + Jean + Future usually means one or two other character showing up, and they do. But Sims and Bower embrace the hell out of it, making for a strange but be873c68c1f206db75af43465f803c1b._SX640_QL80_TTD_wonderful read that riffs on a few different 90s X-stories.

Cory Hamscher is on art duties this month, and his style is a great fit for this tyle. He riffs on the Kuberts/Whilce Portacio look that was so famous in the 90s, while being a competen story teller in his own right. It’s good stuff.

X-men ’92 is another fun installment a series that’s been a constant delight. It’s the type of book that both satisfies readers looking for a less complicate super hero book, while giving long time X-fans plenty to enjoy.

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Chris’ Comics: Spider-Woman #9 & Green Arrow #2

Spider-Woman_Vol_6_9_TextlessSpider-Woman #9

Dennis Hopeless, Javier Rodriguez, Alvardo Lopez

Marvel $3.99

MOTHER #$@#$%^& WENDIGO!

As I said last week in my Captain Marvel review, Civil War the second is upon us, which means tie-ins issues. And since Carol Danvers has been a supporting character in this title for awhile now, Spider-Woman is getting dragged into this mega-event, like it or not. I feel you J-Drew, lord knows that I feel you.

And while the (gorgeous and simplistic) cover implies hella Civil War action, this issue of Spider-Woman feels like like a tie-in and more like an issue of that delightful Jason Aaron run of Wolverine and the X-men from back in the day. While there’s definitely some Civil War: The Two related stuff in this issue, the bulk of this sees Jessica and friends IMG_0127in Canada dealing with Wendigos! Wendigo is one of my favorite C-list Marvel villains, and I love the way it’s used in this comic, especially when the grizzly twist drops.  As this all goes down, Captain Marvel and Spider-Woman bond, and by bond I mean yell at and insult each other. Good times.

The team of Dennis Hopeless, Javier Rodriguez, and Alvardo Lopez continue their hot streak on this title, with some hilarious dialogue, paired with gorgeous art. The arguing between Jessica and Carol is super entertaining, and readers new and old can feel the history between the two characters. Rodriguez’s facial expressions, acting and page composition are spectacular. I love how we’re guaranteed at least one impressive double page fight scene per issue Lopez’s inks are out of the world, as he and letterer Travis Lanham continue to excel on this book.

Spider-Woman #9 is a very smart tie-in, one that brings Carol into the larger Marvel universe without betraying its mission statement. It’s nothing new for this great creative team, but you still can’t help but get excited reading this sort of comic.

 

GA_Cv2_ds-e1467817721597Green Arrow #2

Benjamin Percy, Otto Scmidt, Nate Piekos

DC $2.99

This series continues to be great for Oliver Queen, who’s just been betrayed, arrowed, tossed into the ocean and left for dead. Hey wait.

Green Arrow #2 resolves the cliffhanger ending of issue 1 by making things MUCH worse for our lead believe it or not. We also get a name for the creepy, homeless-stealing Draculas, and the reintroduction of a character who originated on the Arrow TV show. And while she gets less screen time this month, Benjamin Percy and Otto Schmidt gives some rad as hell Black Canary moments, complete with narration boxes with fishnets. Nate Piekos is the secret MVP of this book for that move.

There’s a lot to like in this issue of GA, which is heavy on the action. Schmidt’s art is gorgeous, and I love the splash pages where a boat is positioning, and the imagery he creates on another page that shows Ollie descending into hell (figuratively) is spectacular.  IMG_0129The book is pretty light on the action sadly, but it makes up for it with a tone of gorgeous visuals.

In terms of the dialogue. Percy’s stuff is “like a Michael Bay movie, but smart and good.”. So the opposite of a Michael Bay movie really. But it’s solid none the less, as he does some clever stuff that reference’s Dante’s Inferno, which is super symbolic of what Ollie’s going through.  The Dinah stuff is great, but I love how he basically manages to remix several older GA stories and do something new with this book. It’s compelling as hell, even though it’s a real bad day for Oliver Queen.

I know a lot of folk like/liked Oliver Queen in Arrow, but this is the first time I’ve really been able to get behind the character and enjoy him in a starring role. Green Arrow #2 is a RAD comic, and it’s arguably one of the biggest successes coming out of Rebirth so far.

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Chris’ Comics: The Unbeatable Squirrel Girl #9

5283868-sqgirl2015b009_dc11-0The Unbeatable Squirrel Girl #9

Ryan North, Erica Henderson, David Malki, Tom Fowler, Rico Renzi

Marvel $3.99

One of the more enjoyable aspects of the The Unbeatable Squirrel Girl is that it’s a book that always keeps the readers on their toes. Issue 9 is no exception, as an arc that started off about DATES has turned into a story about a love smitten Mole Man who may have goes full “Nice Guy”. It’s something you wouldn’t see in any other Marvel book (well okay maybe Howard the Duck or Gwenpool, but no where else!), yet it makes sense in the pages of Squirrel Girl.

Joining the Unbeatable team of Ryan North, Erica Henderson and Rico Renzi this month is inker Tom Fowler, who’ s a great fit for this title. With Henderson working on this book, finishing up her run on Jughead, and working on the upcoming Squirrel Girl graphic novel, it makes sense that she get’s some help with something on this title. Fowler is great, covering Henderson’s pencil in nice crisp inks, and giving the pages a more finished and 5283872-sqgirl2015b009_int2-2less rushed look. Fowler compliments Henderson well, and I hope he sticks around on the title for awhile. In addition to Fowler, David Malki comes by to draw a page to explain why Mole Man is mad this month. The best way to describe that page is “Old Timey” and it’s something that you need to understand WHY it’s so great.

Speaking of great, Ryan North and Erica Henderson continue to be pair of amazing creators. North, who already has written the best Kraven the Hunter story since the classic “Kraven’s Last Hunt” story, does the same for Mole Man. His ability to turn the Fantastic Four’s first villain into a sympathetic character is crazy impressive, and it’s a very clever interpretation of the character. I thoroughly enjoyed Mole Man talking like someone from the silver age, and North commenting on it via Doreen Green, and the alt text on the bottom of the page. We also get more of Brad, the Super Hero truther, who’s my new problematic fave. Henderson’s art is fabulous as always, and it’s great to see her work her magic on some old Kirby monsters.  And it’s neat to see how expressive she can get with a character who’s’ eyes and 5283874-sqgirl2015b009_int2-3constantly blocked off by glasses. With Inks by Fowler and great colors as per usual by Rico Renzi, Squirrel Girls continues to read as good as it looks.

The Unbeatable Squirrel Girl #9 continues to be the most unique comic on the stand. Romance in super hero books usually plays out in the most clichéd ways, but here North and company provide some solid commentary on how NOT to treat someone, while casually mentioning a sad mutant killing robot. Given how young some of the book’s readers are (see the genuinely wonderful letter section), it’s an important lesson to be taught. Also, for an issue that’s smack dab in the middle of an arc, it’s impressive how accessible the comic is! The Unbeatable Squirrel Girl continues to be the golden standard of Marvel comics, and by far the company’s most constantly amazing title as far as I’m concerned.

 

 

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Chris’ Comics: Captain Marvel #6

Captain-Marvel-6Captain Marvel #6

Ruth Fletcher Gage, Christos Gage, Kris Anka, Mat Wilson

Marvel $3.99

Civil War II is upon us, which means the bulks of Marvel’s books are now tying into the event for that sweet tie-in sales bump. As I’ve stated in the past, I have zero interest in the event, and there’s a chance books that rely too heavy on CW2 are properly getting dropped for the time being. Luckily for both Marvel and myself, Captain Marvel, who’s a prominent figure in this crossover, manages to tie into the mega-event without ruining the excellent narrative set up during the first arc.

Joining regular series artists Kris Anka, and Matt Wilson is a dude who has plenty of experience writing tie-in titles, Christos Gage, and his writing partner/wife Ruth Fletcher Gage, who has experience writing Marvel character in the excellent Netflix Daredevil series. Even after doing some research, I couldn’t tell you if the Gages are replacing the team of Michele Fazekas & Tara Butters permanently, or just for this arc. But fear 626351feaa7a3459b3c7caa99cde2dd4not, if you’re a fan of what Fazekas and Butters have done with the character, expect more of the same with this issue (although there’s quite the drop in Abigail Brand snark, which I miss).

Captain Marvel #6 takes place sometime between Civil War II #1 and #0 (I think), and sees Carol getting some much needed alone time with her boyfriend Jim Rhodes (War Machine), and dealing with the fallout of the events of the first arc. I LOVE the Gages manage to tie two different stories together so well, to the point where it leads like they were writing the title all along. Christos and Ruth bring in several new and obscure characters to the title, while tying the book into a story arc Christos co-wrote with Dan Slott on Amazing Spider-Man a few years back. While that may sound like a lot of prerequisite reading, the writers manage to present the material in a way new readers can enjoy without having the read several comics before this one.

On the art side of things, this is the first issue Kris Anka draws without any assistance in a few months, and it’s pretty swell! You get everything you expect from Anka in this issues, abs, fantastic facial expressions, dynamic fight scenes, and a pretty horrific page that’s not too grotesque, but still manages to do an excellent job of raising the stakes. Matt Wilson’s colors are 1ucsyigorgeous, as he manages to handle the setting changing several times in this book without missing a beat. I really wish I had more to say about these creators, but it feels redundant. as I’ve been singing their praises for months now, and they’ve yet to fail to impress on this book.

Captain Marvel #6 is a tie-in title done right. I doubt the events on this book will have much effect on Civil War II proper, but also I don’t care. The comics tells a good story while tying into the events, which is all I care about. Captain Marvel #6 is another fantastic issue in a great run, and I can’t recall a time I’ve been this excited to read about the character.

 

 

 

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