Category: Marvel

Troy’s Toys But with Comics: BERFday edition.

Hey today’s my birthday! Totally not relevant to anything we’re going to discuss tonight, except for like 1 gag, but you can wish me a happy birthday in the comments section if you dare!

portrait_incredibleSecret Avengers #7

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

Deadpool and Hawkeye team-up time is exactly the type of birthday gift I wanted. Thank you team Secret Avengers.

Deadpool is a character that if not handled properly can ruin your story and bringing any momentum to a screeching halt. Luckily, that’s not the case for Secret Avengers #7, where Deadpool’s 4th Wall breaking and straight up insanity makes for a hell of a read. It also helps that Ales Kot’s version of the character is genuinely funny here, using himself to interact with Wade on the page.It’s not the first time we’ve gotten such, but it’s certainly the best execution of it in awile.

Michael Walsh, Matthew Wilson & VC’s Clayton Cowles also get in on the fun, providing some hilarious (and sometimes chicken-based) visual gags and sound effects. The book has been plenty funny in the past, but this issue really takes things to the next level all while advancing the plot. Walsh and co also do a lot of experimenting with layouts, using double spreads, pages with 10+ panels and some other interesting choices that I rather not spoil. It’s the title of art that deserves more praise than it’s getting.

Secret Avengers was a great book in a week that saw a lot of strong releases. It’s the type of Marvel Comic that justified the $4 price tag.

portrait_incredible (1)Ms Marvel #7

G. Willow Wilson/ Jacob Wyatt/ Ian Herring

Marvel $2.99

Jacob Wyatt‘s 2 issue guest stint on Ms Marvel returns this week with a delightful wrap of. Kamala’s team up with Wolverine has the pair fight a giant alligator and deal with a classic death trap while discussing  Ms. Marvel’s new career path. Under lesser creators, this book would risk being preachy, almost a “very special episode” type of book. Luckily for us, the readers, the creative team remains flawless, and the end result is a very good comic.

I’m the type of dude who doesn’t like Wolverine, as I’ve suffering from Wolverine exhaust ever since I got into comics. That being said, Wolverine hanging out with teen lady super heroes is something I like…..oh man, I just re-read that past sentence, I apologize how creepy it sounds. Sorry :/

Creepy-ass commentary is now over. And since G Willow Wilson is pretty much perfect on this issue, which ends on a super fun note, we’ll talk about Jacob Wyatt some more. I really loved his art during this arc, as he was just as expressive and animated as regular artist Adrian Alphona, but very much of his own style. His Khamala is adorable, which….nope, no more creepy as commentary, sorry.

But yeah, another enjoyable Ms Marvel, with some great art, fantastic dialogue and the set up for some really awesome guest stars. All under a highly amusing cover by Jamie McKelvie that dropped right during selfie-month in DC. Forbidden Planet’s best selling series is a best seller for a reason, and the quality seen in this issue is proof of that.

 

tumblr_n5xgrzsXkf1tuoa2wo1_500The Wicked + The Divine #3

Kieron Gillen/Jamie McKelvie Matthew Wilson/Clayton Cowles.

Image $3.50

Brilliant, simply brilliant.

Much like the first 2 issues, the Wicked + the Divine is a gorgeous books that has some of the best dialogue in comics. It’s also incredible smart, and isn’t afraid to challenge the readers, making you wanting to re-read it several time to pick up on everything.

Also the Stephanie Hans variant is gorgeous and continues my streak of buying variant covers for this series.

And it’s just not Kieron Gillen and Jamie McKelvie doing some career defining stuff. Matthew Wilson (again) color’s are the realness, and Clayton Cowle‘s lettering is the type that you stand up and take notice off. It’s several creators coming together to make a fantastic comic.

Wicked/Divine is one of those books that makes picking out a favorite Image book difficult. While it may initally come across as collections of Gillen’s greatest hits (Music and Gods as themes), it’s definitely taken it’s own form and the results couldn’t be better. It’s an amazing comics, one that stands out among a week of fantastic releases.

 

 

 

 

 

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Troy’s Toys But with Comics: Lovable Scamps Edition

Quick Movie Review: I saw Guardians of the Galaxy last week. It was very fun. You should see it too. Unless you hate fun. Then don’t I guess.

::: counts up word total and is upset that doesn’t count up 500 words :::

 

Dammit, I guess I should review some comics then.

3792239-starlord-#2-cover-finalLegendary Star-Lord #2

Sam Humphries/Paco Medina/ Juan Vlasco/ David Curiel

Marvel $3.99

Hey look a book starring on the characters from GOTG, check out my synergy! #toyetic

This second issue finds Star Lord pitted against a nasty bounty hunter, with a nasty pet, as well as the commander of the Spartax Royal guard. With Marvel announcing 3 new Star War titles at SDCC, the lack of a Han Solo project makes more sense with the release of Star Lord #2. There’s a monster who’s very much a Sarlacc Pit homage in this issue, although the twist to it is very cool.

And now that we’re living in a post-James Gunn GOTG movie world, we can see that  this Peter Quill is very much a Chris Pratt  (aka Burt Macklin) influenced version of the character.  Sam Humphries drops the word “man” into Star-Lord’s vocabulary a lot, there’s a bit involving his rocket boots and this version of seems a little more sneaky and underhanded than the more heroic version we’ve seen in the DnA and Bendis runs of Guardians of the Galaxy. This is not a complaint by the way, as comics starring dashing space rogues are my jam.

Paco Medina continues to do a solid job of drawing the hell out of this book, and the character designs he’s using are really solid. My only complaint is that the coloring in the print edition pales greatly to the digital version of LSL #2. I’m not sure if it’s a printing error in my copy or just something that’s lost when made a physical copy. Either way, if you don’t mind reading comics digitally, redeem that code ASAP. It does wonders to the work done by  Juan Vlasco & David Curiel.

Overall, Legendary Star Lord #2 is a fun read that will scratch your Peter Quill itch if you’re looking for more of the character after the movie.

portrait_incredibleThe Superior Foes of Spider-Man #14

Nick Spencer/ Steve Lieber/ Rich Ellis/ Rachelle Rosenberg

Marvel $3.99

And the best use of a corgi in the Marvel Universe goes to the Superior Foes of Spider-Man! Before we dive into the interior, let me start off by talking about the front of this book. Kris Anka‘s cover may come off as simplistic, but it does an excellent job of capturing the cast’s attitude and the overall Sinister 6 group dynamic. Also the coloring is insane.

Artist Rich Ellis returns to help Nick Spencer and Steve Lieber flesh out the back story of one of the Superior Sinister Six’s member, something this book has excelled at doing. Not all of the villains in the book had established backgrounds coming into this book, and the origins Spencer and friends have been providing them with have been clever, super entertaining, and very satisfying. In addition, the fate of Speed Demon’s corgi puppy is revealed in a heart warming story that consists of 3 wordless pages. It’s a testament to Ellis’ skills, as he manages to blend humorous and heart warming moments perfectly. Rachelle Rosenberg’s color help of course, and she does an amazing job with the crazy last 2 pages.

So yeah, even with adding another artist to the mix for an issue, The Superior Foes of Spider-Man remains flawless. I’m also glad we’re getting more comics where Marvel Hero’s masks are used as censor bars.

 

4008079-grayson01Grayson #2

Tom King/Tim Seeley/Mikel Janin/Jeremy Cox

DC $2.99

Yes good, more of this please.

As apprehensive as I was with Grayson when it was first announced, this book continues to impress. 2 months in and King and Seeley have taken several obscure elements from Grant Morrison’s run on Batman Inc, retooled a fan-favorite character, and most importantly focused on what make Dick Grayson one of the BEST characters to grace the page of DC Comics.

I don’t want to discuss the plot of issue two much, mostly because the hook is kinda cool in an incredibly gross sort of way, but it does make for a great read. There’s also some amazing interactions with Dick Grayson and the Batman, and a mention of a certain red head that gives me the Tumblr-type-feels.

And I think that’s why I’m digging Grayson so much. It’s a beautiful looking and smart book that actually strives to get an emotion response from the readers. It takes a lot of stuff from the Bat books from the last few years, add some cool elements together and blends everything together for a great read.  The cast in engaging and intriguing, and the big mystery to this title is super interesting.  The end result spy book than channels some weird 60s Marvel comics, with a lot of heart and pretty pictures. Grayson has done an excellent job of getting me back into buying a DC Comic on a monthly basis, something that hasnt been done since Snyder/Capullo’s Batman started up.

 

 

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Troy’s Toys, but with Comics-Shorty got Low Low Low (and some other books)!

I could easily talk about the new issue of Hawkeye in 500+ words. But I won’t because this was a damn fine week for comics, and the other books that I pulled are also worth discussing. Plus Hawkeye’s return may warrant a separate review column (spoilers: it will!).

Uncanny-X-Men-24-cover-artUncanny X-men #24

Brian Michael Bendis/Kris Anka

Marvel, $3.99

A few weeks ago, Kris Anka spoke about this very issue of UXM on Pat Loika’s Loikamania podcast. During the podcast, Anka pointed out that there’s a moment that Emma Frost has a reaction that she’s only capable of having that was a delight to draw. I’m not saying that specific moment is worth the $4, but it’s easily the best 2 panels in this issue, so yeah, it really is the best reason to drop $4 on this book.

After what I felt was a phoned in issue from Brian Michael Bendis last time around, he and Anka deliver the goods with issue 24. The script is a vast important, as one of the promised SEKKKKRETTTSSS of Charles Xavier is relieved and it’s a massive one. Bendis actually hinted at it a few months ago over in All New X-men, and this reveal takes away the grossness of that scene, clearing things up nicely. You can tell Bendis has been influenced by the last 2 X-films, and what element from the films he chooses to incorporate should lead to some interesting stories.

The only thing that irks me about UXM #24 is the handling of Dazzler’s new ( and awesome) look. The motivation behind it last issue explains why she’s now all faux-hawked out, but there’s no explanation as to how she got a new costume, and there’s zero reaction from the other X-men she’s been hanging with. Considering it’s the focus of the cover, not addressing it at all is kind of a cop-out in my opinion. That being said, I’m glad to see thing improve all over this issue, and I’m excited for issue #25 and how the big reveal is going to play out.

portrait_incredible (4)Secret Avengers #6

Ales Kot/Michael Walsh/Matthew Wilson

Marvel, #3.99

Oh look, another Marvel book that double shipped this month, goodbye money.

Coming off of a relatively dark issue #5, issue 6 is a step back in the fun, action direction the earlier issue of Secret Avengers were. This incredibly dense issue sees an awesome Black Widow/Lady Bullseye rematch (and yes, the video game motif returns this time it’s fighting games), Hawkeye step up for Maria Hill, and most importantly, MODOK rocking a monocle.

Another beautiful issue under Michael Walsh and Matthew Wilson, writer Ales Kot does some really cool things with the narration boxes and editorial notes. They kinda break the 4th wall a bit, but it all makes sense once the issue wraps. I dug it a bunch, as it’s tricky technique that actually works here, given one of the characters involved.

I really feel bad for the creative team on Secret Avengers. It’s a really smart and fun book that doesn’t get enough hype for whatever reason. I urge anyone who digs Marvel’s quirkier tittles to give this book a chance. If you’re down won over by M.O.D.O.K. discussing sex with one of his minions, then I don’t know what to tell you.

Low_01-1Low #1

Rick Remender/Greg Tocchini

Image $3.99

The last time I read a story by Rick Remender & Greg Tocchini, it was a relatively underwhelming arc of Uncanny X-Force from a few years back. I always felt Tocchini was a little mismatched for the spandex world, and this debut issue of Low is proof of that.

Low is a gorgeous looking book that benefits from Tocchini inking and coloring his own art. It reminds me a lot of Sean Murphy on  The Wake in a way, given that their both heavy on the aquatic stuff,  but ultimately it’s a different type of beast all together. Both artists are heavy on the inks, but Tocchini’s style is smoother and cleaner overall. It reminds me a lot the Bioshock video game series in away, which is good, because I love those games.

Despite the relatively grim premise of the book, (Mankind is forced to live under the sea after the Sun goes supernova, and the search for a new planet to live on isn’t going well) our female lead Stel Caine is an eternal optimist determined to work everything out. Upbeat female leads is something Rick Remender hasn’t done at all in his creator owned books, and it’s a nice alternative from the usual grizzled and jaded male character that stars in his creator owned stuff. He’s caught some flack with his handling of female characters as of late, and it’s nice to see address them in the best manor possible: by creating great comics.

Low is off to a great start, continuing Remender’s creator owned hot streak at Image. It’s a beatiful looking book, and I hope this level of quality continues throughout the series.

 

 

 

 

 

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Troy’s Toy, but with Comics: Afterlife Saga

LAST WEEK’S LATE REVIEW:

Secret-Avengers-2014-5Secret Avengers #5

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

First and foremost, that cover is dope. Tradd Moore’s covers for this series have pretty top-notch so far, but when you toss in ammo crate in goat form with a Wolverine-fish, you get points in my book.

That being said, this book isn’t as light in tone as the cover suggests. There’s a murder mystery aboard the Helicarrier, and one of the Secret Avengers may be guilty. Also one of them may be getting a new super power while another one of them may be suffering from PTSD. There’s a ton of mistrust amongst the team, and this may not end well for S.H.I.E.L.D. once everything is said and done.

Issue 5 is particularly dark, but also incredibly smart. There’s a conversation between Maria Hill and M.O.D.O.K. that shows that Ales Kot isn’t afraid to draw parallels to the current state of the US Military and some of the ugliness that they can be capable of. It puts some blood on S.H.I.E.L.D.’s hand, making the organization a little more grey and grounded than it’s use to.

So yeah, this issue of Secret Avengers isn’t exactly a feel good issue, but it successfully builds tension and leads to interesting character interactions. Well worth the $4.

saga_21Saga #21

Brian K Vaughan/Fiona Staples

Image $2.99

Team Saga won a number of Eisners again this past Friday, much to the surprise of no one. Brian K Vaughan and Fiona Staples have yet to disappoint with this title,  and all acclaim given has definitely been earn.

That being said, this new issue of Saga isn’t the most upbeat of issues. There’s a great moment with Hazel, and some sexy times, but for the most part, it’s all building up for some bad stuff. BKV and Staples have been carefully building to an event spoken on the final page of the first chapter of this arc, driving us, the readers insane. The first hints were given last issue, and here they’re expanded up further, making the turning of each page each more dramatic. There’s also a new element tossed in, which is definitely not going to end well for our lead couple.

But like a car wreck on a highway or NASCAR racing event, you can’t help  but watch. It’s done so well, and we already know how it ends, and it’s going to be terrible. But again, BKV and Staples are on top of their games and the end product is craft so well.

Ultimately Saga continues to be great but, but ultimately one that’s going to send me to my grave early, weeeeeeeee!

 

Sabrina02Afterlife with Archie #6

Roberto Aguirre-Sacasa/Francesco Francavilla

Archie $2.99

Spoilers: This was not the happiest of weeks for comics

A lot of comics fall into the habit of being cliche and predictable. You can see the outcome early  in an arc, the status quo is maintained, no one ever stays dead, etc.

Afterlife with Archie is not that book. It is the book that plays a zombie outbreak in Riverdale straight and has lead to some amazing moments. This issue is a done in one focused on Sabrina, the teenage witch. Sabrina is partially responsible for this mess, has been exiled from our realm, and wakes up in a nice house with padded walls.

And the final 2 pages of this story is amazing. There’s a huge twist that’s definitely setting up something big down the road in AwA and Francesco Francavilla draws the hell out of it. And the twist itself is brilliant. You can kind of see it coming if you’re familiar with a partial horror writer, but  it doesn’t take away from the final reveal, especially with how good it looks.

There’s also a preview of a Sabrina solo book by Aguirre-Sacasa, which looks neat as well. It’s weird to see a spin off of a book that’s only six issues deep, but it makes sense once you read everything.

Afterlife with Archie continues to impress, and this is arguable the best looking comic of the year so far. Buy volume 1, and the pick up this issue immediately if you want to be caught up with one of the best horror books on the stands.

 

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Troy’s Toys But With Comics: The Wicked + Doge

Before I start yakking about comics, I just wanted to say I also picked up Secret Avengers #5 this past week and dug it. But I’m saving the proper review for next week, as Saga’s the only book I’m picking up, and I would like to talk more than just one book.

 

detailMs. Marvel #6

G. Willow Wilson/Jacob Wyatt/Ian Herring

Marvel $2.99

Behold, the first use of the Doge meme in a Marvel Comic.

Jacob Wyatt swings by to lend a hand with the art this arc, where Ms. Marvel takes the fight to her new arch nemesis The Inventor. We get some answers as to WHY the Inventor is exactly is the way he is, and I could not be happier with the answers. Over the top super villains are my jam, and this is VERY much an over the top super villain which an insane origin.

Kamala also has her first big-time team up with a major Marvel hero, and responds in the most adorable fan girlish way possibly. For hints as to who this character is, buy the comic, or IDK, google the cover for issue #7. And without spoiling much, I like the reasons why said hero is here, and the chemistry written between the two of them is perfect. As is the such of said Doge meme, which is the most Reddit comment I could make.

Wyatt and series regulars G. Willow Wilson and Ian Herring continue this book’s hot streak, perfectly blending our heroes’ personal life with PUNCHING EVIL ALLIGATORS. Wyatt’s art is a little different from what we’re used to, but it’s still very expressive, with detailed backgrounds and very animated characters. It’s very much another indie/alt comic vibe that Marvel has been excelling at for the last couple of years. Herring’s color pallet keeps the book looking good as per usual, and Wilson’s script hits all the right notes, being equal parts charming, sincere and action packed.

I’m once again finding myself at a lose of words when it comes to finding new ways to praise Ms. Marvel and it’s creative team. It may end up surpassing Hawkeye and Superior Foes of Spider-Man as the best book Marvel puts out if it can continue to maintain this level of quality.

comics-the-wicked-and-the-divine-2-coverThe Wicked + the Divine #2

Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles

Image $3.50

WEEKLY CONFESSION: I was willing to wait for the first volume of Wic+Div to hit trade, as that’s what I did with Phonograms, but then Chip Zdarsky (Sex Criminals) went and did the variant covers for issue 2, so…..

And I’m glad I did! Issue 2 contains some AMAZING dialogue by Kieron Gillen that can’t help but make you fall in love with the cast. Luci (aka Lucifer) shines the brightest among the cast. There’s a scene in particular that takes place in a prison that contains some hilarious dialogue, and does a great job of fleshing out the character that’s justifies the $3.50. One of the reaosns it works so well is the fantastic art from Jamie McKelvie and Matthew Wilson, that’s up there with their Young Avengers stuff. There’s a few pages in the book where McKelive and Wlison experiment with colors and layout that are fresh and amazing looking, and I’m  glad to see them to continue to experiment and innovate with their styles.

But ultimately what wins me move over with this title is how refreshing and honest it is. It’s about people and gods in a terrible world doing things that they didn’t entirely think out, and will have to eventually answer for them. It’s fantastic, and the type of comics I’m not surprised is coming out from Image and this particular creative team.

uncx2013023-dc11-page-001-102321Uncanny X-men #23

Brian Michael Benid/Kris Anka

Marvel $3.99

This is going to sound harsh and a bit manchildish, but ugh, what a waste of Kris Anka.

Anyone who’s been reading this column for the last year can confirmed that I’m bee quite ‘BOUT Uncanny X-men as of late.  Brian Micahel Bendis and his art team have been  moving the story along quite nicely. But this issue man. Ugh.

And again, I place the blame entirely at Bendis’ feet. Anka’s art was great, especially the bit where Dazzler is having a mental breakdown in a bathroom. But this script is a mess. The cover implies that this is a Original Sin tie-in, and the solicit promises an earth shattering change to the X-men.

And despite Emma Frost actually appearing in the proper Original Sin book, there’s nothing that ties this is issue into it. And there’s no reveal of any sort regarding this will, except for a weak as hell cliffhanger. Instead we get the introduction of a new character complete with a cliche origin story, an extended She Hulk cameo and teasing some other mysteries without any resolve. It’s something that Bendis has been guilty of in the past and I find it quite irksome. I’m not saying the book has to be slavishly devoted to the solicitation, but c’mon, this was nearly a completely book than what we were promised.

So yeah, Uncanny looked better than it read. A shame, and hopefully something that will be fixed next issue.

 

 

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Troy’s Toys: Actually about Toys this time!

Hey look, I’m taking a break from screaming about comics books to scream about comic book toys! How fortunate for all of you, right?

1395362963_HAS23670Marvel Universe Infinite Figures

Wave 1 & 2

Hasbro, $11.99 each

I’d make a snarky comment that a infinite series of figures contains 5 reissues, but I’d like to think that I’m better than that. I’m not, but I enjoy lying to myself.

I’m not exactly sure why the MU  toyline has been rebranded, but I’m okay with this. Since the Legends line is hella expensive/focused on movie-related properties and character for the most part, I need a toy line decided to 616 stuffs. Which despite the numerous and outdated reissues ( Heroic Age Iron Man and  Steve Rogers haven’t appeared in those uniforms for over 2 years at this point in), the NEWER releases are really cool. The Marvel NOW! Hulk is arguably the best Hulk figure to be released in the 3.75″ scale, and it’s cool to see more female figures with good sculpts with the release of Red She Hulk and the Wasp. And if you want obscure comics-only character, Infinite Waves 1 and 2 give up Hyperion, Grim Reaper, Whirlwind and friggin Death’s Head! Kieron Gillen is a far more powerful mage than I thought. There’s also a  Eric Materson version of Thor, which is a cool little throwback to 80s/90s Marvel Comics.

marvel-avengers-universe-infinite-3-75-inch-action-figure-series-2-set-of-7-pre-order-ships-tbd-2014-6The reissues are as following: the aforementioned Cap and Iron Man, another classic Captain America, Beta Ray Bill, and Yellowjacket. 2 Caps being re-released makes sense in this, the year of the Winter Solider, but it’s nice to see Hasbro go a little more obscure with Bill and Yellowjacket. I’m also just happy that it’s just not another Wolverine figure. And most importantly we have Hank Pym and Janet available in the same scale for the first time in FOREVER.

In terms of quality, these 2 waves are really good looking and as possible as you’d expect MU figures to be. The important thing is that the female faces don’t look like total butt, because that’s what I care about when it comes to action figures apparently. And at least half of the figures come with an accessory of some sort, which is neat. Overall, I’m pleased with this selection, and eagerly await for wave 3, because Cyclops.

San-Diego-Comic-Con-2013-First-Look-DC-Comics-Greg-Capullo-Batman-Designer-Series-Action-Figures-Batman-Nightwing-TalonDC Comics Designer Figures Greg Capullo

Wave 1

DC Collectibles, $24.99

 

I’ll be honest, I could not even begin to tell you how many Batman figures are out there on the shelves today. DC, as well as Mattel, Square Enix, Lego and a few Japanese companies all have the rights to make Bat-merch. So as a result, I’ve lost count of what the fresh hell has been going on with these figures sometime back in early 2013.

That being said, I’m WELL aware of Greg Capullo‘s art on the ongoing Batman comic, and know that it is very much the business. So DC Collectibles making toys based on his work is a smart-ass move, because Capullo’s art translates into toy form quite well.

dc-comics-designer-series-1-greg-capullo-riddler-action-figure-pre-order-4The first wave (I believe 3 waves in total have been announced so far) consists of Batman, The Riddler, Talon and Nightwing. While the articulation is SLIGHTLY better than post DCC figures, they look a ton better than anything Mattel or Square’s released recently. Capullo’s a fantastic veteran artist, and this figures looked like they popped up from the pages of the comic. And I REALLY like the choice of packaging, as it looks super sharp and clean.

This is easily the best debut for a new line of DC Collectibles in some time. I’m eager to see more of the Capullo stuff get the plastic treatment, as well as other artists getting the spotlight. Hopefully it will expand past Batman titles at some point too.

 

 

 

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Troy’s Toys, but with Comics: All New, Superior Review Spread (also something about Dick Grayson)

What I want to do this week: Dedicate 500 words on how rad that new Batgirl design is.

What I’m going to do this week: Dedicate those words to reviewing comics. Consider yourselves lucky. :/

tumblr_inline_n7pxrxoy321qbujoxGrayson #1

Time Seeley/Tom King/Mikel Janin

DC Comics $2.99

I’ll be honest, 2/3rd of that final issue of Nightwing really had me worried about Grayson. The last chapter of that comic was promising, and luckily, that quality carried over to the first issue of this new series, which was an excellent debut.

Dick Grayson’s got a new gig as a spy for Spyral, whom you may remember from Grant Morrison‘s Batman Incorporated run. And if you don’t hey no worries, the organization gets a good introduction, so you really don’t need to read that (which you should) or Forever Evil (Thank God) to get the full story. He’s partnered with Helena Bertinelli (she was the Huntress pre new 52 kids!) and is set to retrieve a Meta Human Bio Weapon from another shady organization because that’s the type of thing you do when you’re a super hero spy I guess.

Like I said above, it’s a great book. Tim Seeley and Tom King‘s script is fun and clever, which is the type of thing you want from a spy book. And Mikel Janin has come a long way from when I last saw him on Justice League Dark, providing some really good looking pencils and ink for the book (colored nicely by Jeromy Cox). It’s a bright, clean and colorful book, which seems to be the polar opposite of most DC titles and their Jim Lee-inspired house style. With my concerns put to bed, I’m quite pleased with this issue and am excited for a DC ongoing for the first time in forever.

3886216-all-new_x-men_29_coverAll New X-men #29

Brian Micahel Bendis/Stuart Immonen/ Wade Von Grawbadger/ Marte Gracia

Marvel $3.99

80% of this book is really good. It’s fun, good looking, and a nice little ending to this current arc of All New X-men. But man, there’s some things involving time travel and mind control that are a tad hazy, and I’m not sure if it’s on Bendis or Immonen. It’s unfortunate, because there are plenty of cool moments from this comic, and it’s rare to see this creative team not synch up 100% all of time. Overall a great, read, it’s a shame it stumbles a bit towards the end.

Spread-01-cover-kyle-strahm-felipe-sobriero-530x815Spread #1

Justin Jordan/Kyle Strahm/Felipe Sobeiro

Image $3.50

The first issue of Spread does not shy away from it’s influences. Writer Justin Jordan name drops Mad Max on the letter’s page, and you can tell the team also drew influence from the legendary manga Lone Wolf and Cub, fellow Image mega-hit the Walking Dead, and maybe not intentionally, Marvel’s last Cable solo series. That being said it’s a great read that proudly wears it’s influences on it’s sleeve.

Kyle Strahm reminds me a lot of mangaka Tsutomu Nihei (Blame! and the new Netflix anime Knight of Sidonia) in terms of style. The world of blame is disgusting and brutal, and Strahm’s art hammers that point across quite efficiently. The Spread monsters are made of pure nightmares, and there’s several panels/pages that really made me do a double take at what I was looking at.

The Spread isn’t the most original comic on the stands this week, but if you’re in the mood for something fun and horror-related, you could do a lot worst. That may sound like faint praise, but I assure you, I dug the hell out of the book, and this may end up being Justin Jordan’s equivalent to Fear Agent in a few issue.

SMFOES2013013-cov-8ab5aThe Superior Foes of Spider-Man #13

Nick Spencer/Steve Lieber/Rachelle Rosenberg

Marvel $3.99

So by now everyone knows that I like my super hero books to have some humor in them. Grimmdark too-serious comics are not my thing, which is why I favor things like Hawkeye to the bulk of the DC Comics library. So it should go without saying that I loved this issue of SUP FOES.

That’s not to say that Superior Foes of Spider-Man #13 doesn’t have some more serious moments to it. There’s a cool action piece featuring the Shocker, and this issue’s cliffhanger is fairly dramatic. But said action piece is also chocked full of little one liners, ans there’s a bull in chinashop bit earlier in the issue that’s also great.

So yeah, another funny and exceptionally well crafted  issue by Spencer, Lieber, Rosenberg. Also look at that cover, it’s super villains cosplaying other super villains. If that’s not your jam, I don’t even want to know you.

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Review: Wolverine & The X-Men Volume 8

300px-Wolverine_and_the_X-Men_Vol_1_38Wolverine and the X-Men vol 8
Jason Aaron w/ Nick Bradshaw, Pepe Larraz, Todd Nauck and more
Marvel $14.99

Ever since Days of Future Past dropped a few weeks back, I’ve been reading a lot of older X-Men comics these days. The Chris Claremont era is considered by many as  the golden age of X-Men, and up until this summer, I had only read the Dark Phoenix Saga, Days of Future Past, and a bunch of stuff involving Arcade, because I’m the type of dude who likes Arcade. So I fired up the ol’ Marvel Digital App and decided to do some summer reading.

I’m definitely digging what Claremont, David Cockrum, John Byrne and Paul Smith have done with the X-Men and all the drama and high stake action that ensued. But there’s a lot fun and light hearted characters moments in those issues as well, which I really like. Which is why I think is one of the reasons I’ve really dug what Jason Aaron’s done on Wolverine and the X-Men.  Aaron’s chose to channel the more fun and insane of Claremont’s X-Men run, and it makes for a much more different and off beat type of X-Men that what I’m used to.

xmenDon’t get me wrong. The Grant Morrison run of New X-Men is still my favorite era of X-books, but that book was pretty dark most of the time. Unless your idea of fun is psychic affairs, which is only excusable if your name is Emma Frost. Which if it is, please contact me, I have about a dozen or so questions.  Aaron’s WaTXM was a book that wasn’t afraid to take chances, be it bring back and semi-redeem some terrible villains (terrible in the sense of both morality and quality!) or turn Wolverine into a clown in Frankenstein’s monster’s MURDER CIRCUS!

Also if you’re not down with a monster owning a Murder Circus, we can never be friends.

wolverine_3The  final volume of Aaron’s run tells 2 tales: the A plot involving the students of the Jean Grey Academy befriending two new students who are secretly spies reporting to Mystique. The B plot involves Wolverine investing the idea of SHIELD producing mutant hunting Sentinels, which brings him face to face with Cyclops, whom he hasn’t been on the best of terms with in forever, despite the fact that CYCLOPS WAS RIGHT! #biased. In addition to those stories, Aaron wraps up a few other lingering plot lines of the junior X-Men graduate into full fledge X-Men, in a cute story that MORE IMPORTANTLY involves Doop vs Nazi Bees. Or and there’s an Infinity tie in annual starring Kid Gladiator drawn by Nick Bradshaw that a fun done in one that really showcases how in sync theses 2 creators are with each other. Plus Kid Glad has run ins with Bruce Banner and Thor, which goes as exactly as you would hope it would.

Aaron’s scripts are also blessed by some fantastic artists in this final volume. The aforementioned Nick Bradshaw and Chris Bachalo swing by to draw a few pages, as do other returning artists like Ramon Perez and Tim Townsend, but the bulk of this trade is drawn by Pepe Larraz. Larraz’s art reminds me a lot of Alan Davis, only a little more looser and raw. I’m excited to see what he’s capable of in the future with more experience.

wolverine_xmen_1Since Aaron’s departure, Wolverine and the X-men was relaunched under Jason Latour, who’s working with Aaron on “Southern Bastards” for Image. Aside from writing that book, Aaron is still working on Thor: God of Thunder, the Original Sin maxi-event, and recently wrapped up his time with the X-men with the first arc of Amazing X-Men. I haven’t read the new series yeah, but Aaron’s going to be a hard act to follow up on. His run on Wolverine and the X-men was strange and wonderful, and Volume 8 is really a celebration of that. I’m hoping we get to see this side of Jason Aaron again sometime down the road.

 

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Troy’s Toys, but With Comics: Rocket Reviews

 

000_4318.jpeg.square-true_maxheight-285_size-285 STK644226Legendary Star Lord/Rocket Raccoon #1

Sam Humphries/Paco Diaz (LSL)/ Skottie Young (RR)

Marvel $3.99 each

In case you somehow missed it, or are still in denial (which yo, I GET), Marvel/Disney has a Guardians of the Galaxy movie coming out next month. This usually results in a title reboot, but since the proper GOTG book is only 2 years old, Marvel has decided to go the always questionable spin off route, and give both Peter Quill & Rocket Raccoon books. And given the fact that Rocket Racoon’s preorder numbers were somewhere in the 300k range (100k from Loot Crate), that was an incredible smart move by Marvel.

And what’s the most surprisingly about these titles is how great they are while being so incredibly different. The Legendary Starlord is easily the best Han Solo comic on the market, (sorry not sorry Firefly) until Marvel puts out a proper Han Solo book next year, and Rocket is space adventure under a Chuck Jones filter, (if Daffy Duck was a raccoon that murdered people). Both are great debuts, which is no surprise given the talent involved.

Skottie Young, who’s finally on everyone’s radar thanks to those Young aka Baby Variants that Marvel’s been putting out over the last 2.5 years, is a fantastic fit for Rocket Raccoon. The script is fun, and it’s nice to see Young get a chance to flex his writing muscles for a chance, as the results are very much what I wanted. It’s a super-cartoony looking book, which only proves how diverse and wonderful Marvel’s current crop of artists are, as Rocket #1 ends up being a species swapped Scott Pilgrim of sorts. It’s very loosely tied into the current events of GOTG, making it perfect for new readers not reading Bendis’ book. As far as debuts go,  Rocket’s up there with Ms Marvel with Marvel’s most accessible and fun book launched in 2014.

The Legendary Starlord, by the talented team of Sam Humphries and Paco Diaz, is a little more  rooted in current Marvel continuity, and looks more like a traditional Marvel book, but isn’t any less enjoyable. Humphries’ dialogue is slick, and he balances action, humor and Quill’s tragic past quite nicely. Diaz’s art is slick and clean, making it look a gorgeous looking book. Hopefully Sam and Paco will stick around on this title for awhile, because this take on Starlord is off to a great start.

 

Both Rocket and Starlord are super fun books that are accessible and worth checking out if you’re looking for some fun books to add to your pull list.

 

Woods_003_coverA-620x400The Woods #3

James Tynion IV/ Michael Dialynas

Boom!, $3.99

If case you missed it, I really liked the second issue of the Woods, but found it heavy on the tropes. Luckily, that’s not the case for issue 2.

Issue 3 is very much more in the vein of the 1st issue, which makes for a happy Chris. There’s some horrifying visuals, one involving a weird growth that has more or less confirmed my belief that nature is evil. There’s more character growth that’s shown by actions and not spelled out for the reader which I appreciate. Oh and more Space Bears, which is VERY important to me.

It’s the type of horror comic I want to be reading at the moment, which is a credit to Tynion, Dialynas and BOOM!. The cast is likeable (well most of them at least), the hook is solid, and it looks and reads great. There’s some brutal stuff in it, but nothing that turns me off from reading it. And some really weird things that make sense, given how gonzo the premise is. The Woods is the type of book I expect from Image, but am glad to see a company like BOOM put out. More awesome creator owned books by different publishers is always good for comics.

 

 

 

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Troy’s Toys, but with Comics Belated edition part 1

Hey gang, sorry for the late of updates since Year Zero, but between Special Edition NYC and Heroescon (and the best BBQ), I haven’t been near a keyboard in awhile. Hopefully I’ll be all caught up with things by Wednesday.

sa4Secret Avengers #4

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

This month: Hawkeye, Nick Fury Jr, and a bunch of disposal SHIELD agents hunt a “The Fury” in a lawless Chinese City that disappeared 20+ years ago. It’s an Alien parody of sorts that’s high concept comics at its finest. Also Fury hunting the Fury sounds like slash fic, no I am not sorry for that joke.

While Ales Kot & Michael Walsh cut back on the comedy for an issue that’s more action-sci-horror, this comic is still entertaining as hell. There’s some laughs thanks to  MODOK mad science team  and the Hawkguy, but for the most part this comic plays it straight to help sell the horror/action aspects of the books. And it succeeds because the final product results in a brutal fight scene that also raises the question of how much Maria Hill and MODOK are the same in some aspects.  In terms of methodology, not so much visually. There’s also some weird stuff in this issue that SHOULD be considered a joke, but is played completely straight, making Secret Avengers that much more of interesting read.

While Kot continues to deliver top notch dialogue and plot, Walsh & colorist Matt Wilson continue to shine on this title. Kot channels some Chris Samnee this issue, and while the action scenes aren’t as dynamic and unique as the previous issue, they’re still strong enough to sell how creepy the Fury is. Wilson’s dark color palate really helps set the ton for this issue, primarily using blue, purples and blacks. Again, Aliens homage y’all.

Tradd Moore supplies another excellent cover to another excellent issue of Secret Avengers. While not as quirky as the last one, the stakes are raised with issue #4, which is another solid comic by this creative team.

 

portrait_incredibleAll New X-Men #28

Brian Michael Bendis/Stuart Immonen, Wade Von Grawbadger/Marte Gracia

Marvel $3.99 

Nothing says father’s day like the X-Men of the past fighting the Son of Charles Xavier right?

Daddy Issues aside ( J/K, this comic has a ton of them), this chapter continues to give more much needed characterization to the future brotherhood that could have helped improve the overall quality of Battle of the Atom. The Future Brotherhood’s motivations are fleshed out more, and amongst the reveals is how certain characters are alive, and why they’ve been acting the way they are. It’s some really good stuff by Bendis, who really gotten this book back on track as of late.

And while Bendis regains his footing, Stuart Immonen continues to impress. While his art has never really faltered at any point in this run, there is two particular pages, a double spread and the final page reveal that are great, and shows how well this creative team works together. The colors especially, because despite this book primarily drowning in red, are super sharp.

TLDR: Business as usual with this title. Which is good, because business is good comics.

 

 

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Troy’s Toys, but with Comics: Superior Trees

Hey Superior Foes of Spider-Man is back this week. Yay, I’m so glad no other Marvel books that I really like are also on hiatus :: breaks out in ugly crying :::

sup foesSuperior Foes of Spider-Man #12

Nick Spence, Steve Lieber, Racelle Rosenberg

Marvel $3.99

 

It’s been awhile since I’ve checked in on ol’ SUP FOES, due to a month delay and some fill in issues I didn’t care to purchase. But Nick, Steve and Rachel and back, and despite a increase in price, I’m glad to see the once again. Especially with that rocking cover by Ron Wimberly.

Our lead, disgraced former Mets pitcher turned super villain Boomerang, find himself in a bit of trouble rest  of the Sinister Six ( actually Five). Mostly because he lied/double crossed the lot of them, or if you’re the Shocker, tried killing. So their anger is justified. Can Boomerang lie his way out of this scenario? Yeah probably, but you should still read the damn thing.

This issue is incredibly rewarding to people who’ve been reading SUP FOES since day 1. Lieber & Spencer bring back a few old gags like the double page death trap warehouse ( complete with Stalin Mummies!), super deformed version of the Sinister Six, over exaggerated facial expressions. Steve Lieber’s panel count per page is also impressive, fitting up to 12  in some pages, without the final product being over crowded. And his placement of characters for comedic purposes really helps sell the humor. This book continues to showcase how strong of an story telling Lieber is ( and props to colorist Rachelle Rosenberg for really making this book come to life, especially with the action sequence towards the end of the book).

Nick Spencer deserves his fair amount of praise with what he gets accomplished with this issue. Aside from tripling the amount of characters in a certain team of villains ( Bi-Beast is back!), the Shocker & Hammerhead get  decent amount of spotlight with their connected subplots. It’s really wonderful to see everything come together for a super great read.

As our first massive arc ( and possibly series :/) wraps up, I’m really impressed with this issue of Superior Foes of Spider-Man. It’s a well constructed comic that manages to raise the stakes without sacrificing character development.

Woods_002_CoverThe Woods

James Tynion IV, Micahel Dialynas

BOOM!, $3.99

 

The 2nd issue of the Woods is heavy on the troupes. Evil facility member? Check. Adorable monkey-esque pet character? Check. Creepy ass alien bear…alright that’s kind of new and awesome.

 

As familiar as the 2nd issue of  The Woods is, it’s not any less entertaining than the first issue. The team of students that decided to run off into said the woods find themselves not as prepared they thought they were, and the divide between the Student Council and the school’s facility begins to grow. With all this growing conflict, I’m expecting  a heavy body count by the end of this first arc.

The team of Tynion & Dialynas continue to impress with this issue. The art in this book is stellar and the dialogue remains sharp, and the amazingly brutal cover by artist Ramon K. Perez is as great as it is horrifying. My only complaint is that the massive cast is making some elements of the book seem a little crowded, but considering the type of monsters that occupy this weird alien planet or moon, I’m sure that’s not going to be an issue for much longer.

Despite the sense of familiarity this books gives off at certain points, the Woods is definitely a must read horror title. It’s a little than the previous issue, it’s constructed in a way to build the dread and terror the cast faces while adding on the intrigue. It’s a unique type of horror comics, one that smart without talking over the reader’s head. With only 2 issues under the team’s belt, I’m really impressed with the quality of story the team has told so far.

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Review: X-men No More Humans

no_more_humans_cover_a_pX-Men: No More Humans

Mike Carey/Salvador Larroca

Marvel/$24.99

Marvel’s renewed focus on the original graphic novel is a creative decision I approve of. Mixing A-list creators with some of their biggest properties is a smart move, especially when they release them around the same times as their big summer movie drops. That’s some solid synergy right there.

Released around the same time as the excellent X-Men Days of Future Past film, X-Men: No Humans has Marvel’s mutants finding themselves in a world with no humans (hence the title). The splintered X-Men (#Cyclopswasright) are forced to work together to get to the source to the disappearances. Said disappearances are tied to Raze, the son of Wolverine and Mystique who’s come from the future to-wait come back here, it’s not as complex as it all sounds!

 

nomorehumanstrailerUnlike the previously released Avengers and Spider-Man OGNs, No More Humans is DEEP in X-continuity, taking place shortly after the Trial of Jean Grey arc (All New X-Men) and return of Nightcrawler (Amazing X-men) story arcs. To the story’s credit, the book is packaged with a digital copy of last year’s Battle of the Atom crossover, which helps explains most of the current status quo.

 

maxresdefaultNo More Humans sees creators Mike Carey and Salvador Larrocca return to the X-Universe proper and for the most part, it’s a welcome returned. LaRocca’s art is great, clean, bright and perfect for the story being told. Even with  several of the characters appearing in newer costumes, the more legendary X-men characters still look very iconic.  Keep in mind, the last time I’ve read an X-Book with Salvador’s art, everyone was wearing jackets with sunglasses or leather jackets. X-Treme X-Men was a weird book kids.

 

tumblr_n5c722Vlwh1r9u466o1_500Mike Carey is another welcomed return, although the reveal of the reason all non-mutants/mutates disappearing is kind of weak in my opinion. That being said, Carey’s dialogue and pacing is perfect, as the X-Men, their allies, and enemies all sound “like they suppose to”. I know that’s a bit of a cliché when it comes to  comic book reviews, but considering these OGNs are supposed to appeal to the Barnes and Noble crowd as well as Forbidden Planet faithful, it helps that it’s accessible. Both hardcore X-Men and new/returning fans can get something out of it. Also it’s nice to see Carey get to play with characters like Cyclops, Emma Frost, Beat, Jean Grey, Storm and Wolverine, instead of being “stuck” with 2nd tier X-Men like he was with his X-men Legacy run ( which was great by the way, despite the presence of Gambit).

 

The only disservice Marvel does with this book is pointing out that it’s the first all new original graphic novel since the legendary “God loves, Man Kills”. While No More Humans is good, that book is a classic that outclasses this story and really defines that X-Men. That being said, No More Humans is a fun read with beautiful visuals and a fun mystery. Your enjoyment just may vary with it depending on how into the current crop of X-Men books you are.

 

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What we do is secret… unless you watch the Tuesday Transmission.

Javier of Mini-Mate Minute fame joins me for a full episode.

“Can you see it? No wait, can you see it?”

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Troy’s Toys, But with Comics: End O’ May edition

NTW-Cv30-01ba5Nightwing #30

Tim Seeley/Tom King/Javier Garron/Jorge Lucas/Mikel Janin

DC Comics/$3.99

Read this issue to learn the final fate of Dick Grayson (which was revealed like 2 months ago)! Stay for the debut of Helena Bertinelli’s questionable new costume design.

If there was anyone who’s suffered the most from Forever Evil (aside from the people who actually paid for it), it’s been Nightwing. The homie Dick Grayson got the bejesus beat out of him by an evil Justice League and his secret identity exposed to the world, much like Peter Parker did during Civil War several years ago. However, unlike Spidey, Dick has no wife to offer up to Satan to magically retcon away his problems, so now he has to deal with being outed. BUT WAIT, the world thinks he’s dead (well everyone but Batman, Cyborg and several villains), problem solved!

Nightwing 30 is the “final”issue of the series, setting up July’s new Grayson series. In that series’ defense, the regular creative team of Tom King, Tim Seeley and Mikel Janin get to tell a fun prelude in the final chapter of the book  that sets the upcoming series up nicely. What stinks is that it’s that the two other stories leading up to it are not so good.

The first story, featuring art by Javier Garron, shows Dr Leslie Thompson being attacked by a crazy cult of serial killers. Fear not, the good doctor is saved by Helena Bertinelli  in her new Skullgirls cosplay. While the writing in this chapter is relatively solid, the art is kinda ugly, and not in the stylish sort of way. We also get another stereotypical multi-color hair Japanese assassin cliche, which ughhh, tired troupe is tired. The 2nd story deals with Dick and Batman throwing down because of reasons? It’s an ugly and violent story drawn by Jorge Lucas that makes little to no sense with the rest of the book. Batman comes off as a jerk, it’s super-bloody for no apparent reason and there’s some swiped Chris Nolan dialogue which doesn’t fit the scene and is ultimately several shades of dumb. Needless to say, I am not a fan, despite there being a panel where Batman kicks a motorcycle in half.

That being said, that final chapter is great. Once the book is freed of Batman and Forever Evil nonsense, we get our first taste of what’s to come from the Grayson series. It looks greats and feels really fun, even if Dick Grayson is running around in Clint Barton’s hoodie for some reason. And the Helena Bertinelli we get here is a major  visual improvement, looking like a rad Jamie McKelvie redesign opposed to a titillating fighting game character.

It’s kinda hard to recommend Nightwing #30 given the overall quality of the book. Some readers may find some enjoyment in it, but honestly, you can wait for Grayson #1 and see the proper creative shine.

trees1Trees #1

Warren Ellis/Jason Howard

Image $2.99

Warren Ellis doing weird Warren Ellis things is a good way to get me to buy your comic most of the time. I’m generally a fan of Ellis and the bulk  of his creator owned work, and even with some really strong art from Jason Howard, the Trees debut issue didn’t do much for it.

Great visuals aside,  Ellis spends too much time jumping from location to location in this issue, giving us brief glimpses of the cast. I’d be fine with this if these characters were actually interesting, but since we spend so little time with them, it’s hard to actually get attached to any of them.

My issues aside, there’s a chance that this book may read better collected once more issues are out. There’s a ton of potential, and the argument that the world of Tree is a political allegory for modern America can definitely be made. I’m just a little disappointed with this debut issue.

ms-marvel-4Ms. Marvel #4

G Willow Wilson/Adrian Alphona/Ian Herring

Marvel $2.99

Ms. Marvel is becoming a book that’s approaching Saga-levels of difficult to review. I say this, because much like the previous 3 issues, it’s comics done right.

Wilson and Alphona are approaching Lee/Dikto levels of perfection when it comes to writing Kamala’s adventures. There’s some action, boy drama, and issues with her family and to an extent, her faith. And it all works, looks great and ultimately makes for a delightful read. Adrian Alphona‘s art (masterfully colored by Ian Herring, who literally makes parts of this book shine) somehow manages to improve with every issue, cramming his pages full of fantastic levels of detail and even some Chip Zdarsky-level sight gags, be it background jokes, facial expressions or a villain wearing a shirt that straight up says his a bad guy.

G. Willow Wilson‘s dialogue, while always good, gives Brain K. Vaughn a run for his money with issue 4. Our new Ms Marvel’s interactions with her mother and BFF Bruno take up most of the book, and really capture what a modern teenager would sound like. It’s great stuff.

With all I mentioned above, as well as another striking cover by Jamie McKelvie, Ms. Marvel remains the break out Marvel comic of 2014. There’s no fear of this book getting cancelled early it seems, and you really owe it to yourself to read it if you’re not already.

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Troy’s Toys but with Comics: Better never than later

Think I may have messed up that intro title.

 

BELATED REVIEW:

Lumberjanes_002_coverALumberjanes #2

Noelle Stevenson/Grace Ellis, Brooke Allen

BOOM! BOX $3.99

Let me start off this review by congratulating team Lumberjanes, as the series has gone from being an 8 mini series to a on-going! Lumberjanes is a great and important book for a number of reasons, and I’m glad BOOM! is giving the book and it’s fan the support it deserves.

Last week’s second issue is a another stellar comic, this time involving the girls going on a canoeing trip. Obviously things do not go according to plan, and more animals with 3 eyes may or may not show up (spoilers, they do) and the girls stumble upon a good ol’ fashion spooky woods mystery. It’s a ton of fun, and the book looks gorgeous. A lot of the humor, as well as the character building is expressed in the art without much exposition, letting the Brooke Allen‘s pencils do the talking. I’m 100% okay with this, as Allen’s art is super expressive, capturing the girl’s personalities and actions perfectly. Maarta Laiho‘s color art is excellent, and really captures the nature and feel of nature. Noelle Stevenson  & Grace Ellis are fantastic as well, as the dialogue and spoken humor are a hoot.

The all female created, LBGT  and all aged friendly Lumberjanes is arguably one of the most important books out in the market, not to mention one of the strongest. I’m glad it’s found an audience, and I certain hope it grows with each and every issue.

Saga_19-1Saga #19

Brian K Vaughan/Fiona Staples

Image $2.99

Yay, Saga‘s back. Boo, Saga’s last page is brutal.

Saga continues to be the textbook definition of perfection is comics. From cover to cover, Fiona Staples and Brian K Vaughan continue to do everything right. It looks greats, the dialogue is fresh and crisp (no one uses profanity like BKV folks, and the plot moves at an impressive rate. It’s mind blowing on how much BKV and Staples can cram into 20 pages, especially when they’re introducing new characters into the cast.

And the last 2 pages. Just….man. Without going into details, Vaughn and Staples change the game on the readers. They managed to completely changed the mood of the book with 10 words, and not by the traditional comics means of death of destruction. It hurts y’all, it’s hurt something fierce.

TLDR: Saga continues to be the best, although sometimes it can be a jerk while doing so.

Uncanny_X-Men_Vol_3_21_TextlessUncanny X-men #21

Brian Micahel Bendis, Chris Bachaelo, Tim Townsend

Marvel, $3.99

The current arc of UXM is titled X-Men vs SHIELD. If’ you’re keeping up on the title, you’re probably expecting things to play out a certain way. 3 issues into this arc, I can safely say that they’re not going to, and the book is stronger for it.

Several plot lines are coming together and the results are interesting. That’s a compliment mind you, as the book has never been better, and a certain X-man needing some redemption in my eyes comes through, while another one makes his triumphant return. Brian Michael Bendis‘ handling of these characters is impressive, and his dialogue and script on this book has never been better.

I’ve spoken highly of Chris Bachalo before in the past, but it’s usually about his art. While it’s great here, his coloring is really impressive this issue. The various uses of reds, greys, and greens are fantastic, and what really won me over was the 3rd last place. The shade of blue Bachalo uses for the sky is beautiful  and it shows off how he’s grown as a colorist.

Uncanny X-men has been stellar for months, and the book is probably the strongest it’s ever been in years. Bendis and Bachalo are an excellent creative team, and I’m really digging the direction the book has taken during their run.

 

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