Category: Marvel

Chris’ Comics: X-Men ’92 edition

XM92_HIRES.0X-Men ’92 #1

Chad Bowers/ Chris Sims/ Scott Koblish/Matt Milla

Marvel $4.99

So here we are in the middle of All New Marvel leaks week. There’s been 3 new X-men books announced so far, and Dennis Hopeless aside, I’m really not feeling them. Aside from some questionable character designs and artists, none of the rosters nor directions do much for me. It’s going to be weird to not be buying an X-book come this fall, but I’ll live, as there’s no shortage of great comics to buy at the moment. Case in point X-Men ’92, the digital first book from Marvel that’s based on one of the most lucrative and iconic eras of the team’s existence.

unnamed-136500The 1990s were a weird period for comics. It was decade that brought us the rise and fall of the collector market, nearly saw the end of Marvel, the creation of Image and a brief love affair with the extreme. Comic Book Scholars (aka older nerds) have varying opinions of the decade, but one thing can be agreed on: No one franchise ruled the decade more than the X-men. The Uncanny X-men (mostly Wolverine) were everywhere: over a dozen books which crossed over every other months, TV, video games, chain pizza restaurants, Mall kiosks, and toy shops. It was a complete 360 from now, where Marvel merchandising partners are allegedly attempting to get the general public from forgetting the character.

At first glance, X-men ’92 would appear to be Marvel’s answer to DC’s Batman 66. But it’s more than that. Writers Chris Sims, Chad Bowers and artist Scott Koblish celebrate everything the decade brought to Marvel’s mutants, while using the iconic animated series roster. Don’t get me wrong, the comic is definitely faithful to the cartoon in terms of character behavior: Gambit is a peak scumbag, Cyclops has a stick up his butt, Jean Grey falls down a ton, etc.  But it brings it a ton of things from the comics of the same time, as well as a character slightly newer to the X-lore. X-Men ’92 collects the first two digital installment of the series, in which the X-men throw down in a game of laser tag and investigate a rehabilitation center which reportedly cures villainous mutants of their evil ways. There’s some mention of Secret Wars related nonsense, but for the most part the crossover has minimal impact on the story, letting the creators tell their story.

x1-e1432736008112-600x415Sims and Bowers, making their Marvel debut, tell a story that’s incredibly faithful to the way the characters were portrayed in that era, and one that’s quite hilarious. The writing duo make a ton of inside jokes, ranging from references to Pizza Hut tie-in comics, to cameos from internet famous X-Men podcasters, and some more accessibly ones, like setting the bulk of the first issue in a mall. The book is incredibly fun and clever, never punching down when it comes to the source material, but always embracing it. Artist Scott Koblish is also on point, channeling everyone from Jim Lee to Rob Liefield, making this book look like a product of the 90s. He and colorist Matt Milla are just dedicated to making this book look like the X-men 90’s animated series and slip in some deep cuts, like constantly miss-coloring Jean Grey’s gloves, changing the length of Cyclops’ neck, and never putting Rogue’s white hair streak in the same location.  The duo absolutely nail the look and the feel of the show, to the point where I could here the animated series actors saying the dialogue in my head. And luckily for us, we don’t have to worry about the budget getting slashed at any given time.

Screen-Shot-2015-06-11-at-7.25.33-PM-672x372X-Men ’92 is everything I would want from a book based on one of my gateways into the Marvel Universe as a kid. The source material may not be the best incarnation of the X-men, but it felt larger than life, something the creators of this book obviously felt as well. It’s tells a story that you may not like if you’re here for Secret War related content or aren’t familiar with the 90s era of the team, BUT I’m not here for Doom and am VERY familiar with the 1990s! I’m here to see the X-men fight Free Ranged Sentinels and protect the X-treme. Er Extreme. I’m not sure if Adam X, the X-Treme will be showing up in this book. I mean it would make sense, but I can’t promise it. Either way, pick this book up, in print or digitally if you like the stranger side of the X-men, or just like chili fries. It’s higher price point is well worth the trip down memory lane bub. #killme

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Troy’s Toys But with Comics: First and Last Days Editions

Hey look, it’s  2 books that actually came out recently! Let me review them!

ms-marel-124127Ms. Marvel #16

G. Willow Wilson, Adrian Alphona, Ian Herring

Marvel $2.99

Let’s get this review started  by talking about how good Ms. Marvel and it’s creators are. Solicitations for this issue spoiled the last page of Ms Marvel 16 3-4 months ago, depending on what websites you read, especially if you saw what’s on the cover for 17. It’s something we’ve yet to get on this title yet, wanted forever, and have finally gotten a taste of it. Even knowing it was coming didn’t diminish the moment, and if anything, only made me hungry for more.

Ms Marvel 16 is the first issue of the “Last Days” arc, which ties into Secret Wars. G Willow Wilson, Adrian Alphona and Ian Herring has put Khamala Khan through a lot over these last 16 issues, but how does Ms Marvel stop the end of the world? Knowing what we know from Secret Wars, it seems impossible, even though that Free Comic Book Day let us know that she’ll be fine when all is said and done. Still, Wilson and Alphona make the stakes feel real, without having to sacrifice all of the charm and humor this book is known for.

Then we get to the last two pages. This is comics at it’s finest, and the opposite of the bad feels Kieron Gillen and BKV have given me in the previous weeks. We see our hero doubt herself, but refusing to give up and accept oblivion. It’s inspiring, and it’s hard not to get excited when you reach the previously mentioned final page of this book. It’s a super important moment for the character, and the creative team nail it on every level, from the layout, to the dialogue and choice of colors.

Ms Marvel continues to be stellar, and this issue is no different. It may be the best, which says a lot given the fact it’s a tie-in issue. It super hero comics at it’s finest, fully embracing the legacy set by Jack, Steve and Stan, and taking it to the next level.

 

black-canary-1-promo-121636Black Canary #1

Brenden Fletcher/Annie Wu/Lee Loughridge

DC $2.99

I’ve seen a few comic blogger types refer to this new DC You (#killme) initiative as “The Batgirl effect”, which I think is a fair description. The Fletcher/Stewart/Tarr/Wicks Batgirl got DC attention and praise it hadn’t seen in a while, and it was only a matter of time before would attempt to recapture that magic with some of their other properties. With Black Canary, we see a one of the Batgirl writers teamed with a fan favorite artist, resulting in another strong DC Debut.

Black Canary is a kung-fu rock and roll comic, which is all sorts of my type of premise. Dinah Lance was given a cool new direction in the pages of Batgirl, and now we get to see Black Canary on the road, wrecking venue after venue while keeping her past a secret from her bandmates. However, she’s not the only person in her crew with a secret or two, which leads to violent hitting times  . It’s a fun premise that feels like a natural and much needed  evolution of this incarnation of the character.

I’ve been a fan of artist Annie Wu since her run on the often mentioned Hawkeye. Her take on Black Canary is great, giving her a slick punk rock meets MMA make over. It’s a cool take of the character’s iconic look, giving it a much needed update. Wu’s line work a little harsher and simplistic than her work on Hawkeye, which is fitting for the new status quo. Lee Loughridge‘s colors and Steve Wands letters give the book a cool vibe that can be best described as Sex Pistol ‘Zine meets DC comics. The whole thing feels very Image esque is terms of design, which I’m sure to intentional as to draw in a larger audience. And even if it isn’t, it’s still cool as hell.

On the script side of things, we have Batgirl/Gotham Academy’s Brenden Fletcher, who’s quickly carved out his little corner of the DCU. This is the first exposure to Fletcher’s solo writing duties, and it’s solid. The issue quickly establishes Dinah current M.O. in a cool bit of exposition via a number of new age media. It’s a neat narrative device, and it’s a cool way to catch readers up on Dinah if they haven’t been reading Batgirl. His dialogue is solid, and while there’s nothing that particularly stand out, it’s more than serviceable.

Between this and Starfire, DC “You” is off to a strong start with this new slate of diverse female lead books. Black Canary is another fun and good looking book with a fun premise. DC is finally beginning to fight back after Marvel‘s barrage of great quirky hits from earlier in the year, and I’m curious to see what else the company can produce on this sort of level of quality.

 

 

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Troy’s Toys But with comics: Special Edition NYC edition!

IMG_5060

So hey, Special Edition NYC happened over at Pier 94 this past weekend, and while I wasn’t the biggest fan of the venue or the panel areas, the show was still pretty good. The quality of guests were solid, the amount of diversity present in the panels were nice, and I saw this adorable Ghus cosplayer when I arrive at the con. It was a fun show if you’re a fan of all comics convetions, as it’s very much in the vein of MoCCa and Heroescon. I fully recommend it if you’re a fan of those shows, or NYCC’s artist alley!

With that mini-convention review done, let’s get to the part where I review the comics I bought last week, yes?

 

4590451-sqgirl2015006_dc11-0The Unbeatable Squirrel Girl #6

Ryan North/Erica Henderson/Rico Renzi

Marvel, $3.99

I love the Squirrel Girl creative team, but I think writer Ryan North may be a 100% real life crazy person. That’s fine though, as he’s using his powers of crazy for the forces of good on this book, co-creating a title that’s hilarious and fun for all ages, while drowning in words and insanity. So I guess North is also a bit of a genius. That line is extremely blurred.

The Unbeatable Squirrel Girl #6 sees our heroine deal with other animal-themed heroes named after the animals they can talk to & both of them very familiar to her, for reasons she can’t figure out why. Meanwhile, North claims to quit writing heroes with rhyming names in the text at the bottom of the page. We  also get rampaging animals, and a rampaging animal-turn-human-animals, and North quickly abandoning that claim . This book sounds like a fever dream as I describe it, but it is very good, despite sounding nuts, and…really nuts? That’s what I wrote for real? Now I hate myself for making that (unintentional) pun.

While North may be madness incarnate, but Erica Henderson is a gift. That is the best way to describe her all too important contributions to this book. Squirrel Girl’s visuals may be too cartoonish for some, but those people are dumb and shouldn’t be heard/ allowed to have nice things. TUSQ benefits from having a non-traditional super hero comic look, especially when it’s very much a humor title, and Henderson’s pencils are a perfect fit for North’s constant barrage of jokes. It’s super expressive and exaggerated, helping sell the book’s humor. The coloring from Rico Renzi is crisp and clean, doing Henderson’s art justice and completing the package.

The 2nd major arc for Squirrel Girl is off to a wonderful start. Henderson and North have delivered the best all-ages Marvel title since Thor the Mighty Avenger, and the funniest Marvel comic since Nextwave. This is some career defining stuff for these creators and well worth your time.

 

Spider-Woman-8-Cover-e1433537865998Spider-Woman #8

Dennis Hopeless/Javier Rodriguez/Alvaro Lopez/Muntsa Vicente

Marvel $3.99

Spider-Woman wraps up her first non-crossover arc, and man, the big fight scene is this issue absolutely brutal. While the violence is kept at a Teen + level (which I think means PG??), Javier Rodriguez‘s art make the feel more brutal. As you can tell from the cover, J-Drew fights a woman in a power loader, and it does not go well for her. Rodriguez doesn’t shy away from making Spider-Woman take some solid hits, but she never looks weak or timid. This is an experienced Spider-Woman, who can take some damage and keep fighting the good fight. Rodriguez’s layouts are phenomenal, with scenes bleeding into other panels or taking place in sound effects. Alvaro Lopez‘s inks are also crazy good, using heavy inks in just the right areas to main the wounds look all the more devastating and painful. VC’s Travie Lanham has some of the most creative lettering and sounds effects I’ve seen in some time, and Muntsa Vicente’s colors and bold and bright, helping this book look very stylistic.

While the art is the best reason to pull this book, Dennis Hopeless does a outstanding job on the script. He keep the dialogued limit in the fight scenes, but when the time for exposition and plot is needed, he absolutely nails it. He does a find job of making the book’s big bad incredibly sympathetic, and more importantly he writes and fantastic Spider-Woman.

Spider-Woman #8 ends with the solid new direction for the book that looks to be a fun read. Hopeless, Rodriguez and their friends have created a title that feels like a classic 70s Marvel book in a way, but also refreshingly modern. This take on Spider-Woman has done wonders for this book, and the character, who’s really come into her own there last 4 issues. It’s nice to see a female lead for Marvel who’s more of an experienced ass kicker, and it pairs well with other action oriented female lead Marvel books like Black Widow and Captain Marvel. Buy on sight.

 

 

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Troy’s Toys But with Comics: All New All Shameless Edition

So hey, before I start my weekly Hawkeye discussion/Comics Review, I wanted to make the FP Faithful aware of a few things

1)The DC Sneak Peeks from this week are pretty great, and if you don’t want to spend your money on Convergence tie ins, are available on Comixology and several other websites. My personal picks are We Are Robins Black Canary and Batgirl, but you should definitely track down the Starfire, Grayson and Gotham Academy ones as well.

2) Speaking of digital offerings, Fresh Romance is available on Comixology too. I kickstarted it, and man, I am glad that I did. It’s a cool return to romance comics featuring some fantastic stories by several rad up and coming creators. It’s 5 bucks for 30 pages, which I know is steep, but it’s a rare occasion where the price is justified by the quality of the content.

3)  June kicks off Summer Convention time, which means if you’re on the East Coast, you get to see me dressed up as a super hero in a crowded environment. I’ll be at Special Edition NYC, FLAMECON and Heroescon next month, and if you want to say hi or track my nonsense on social media, I’m on twitter & instagram @TheAnarCHris .

 

Alright, shameless plug theater is over, Hawk-talk begins now

All-New_Hawkeye_Vol_1_3_TextlessAll-New Hawkeye #3

Jeff Lemire/Ramon Perez/Ian Herring

Marvel $3.99

When writing one Crapsack Tire Fire (aka Clint Barton), one way to keep my interest in the character is to have equal amounts of one Kate Bishop and one Lucky, the Eisner award winning pizza dog. It took Team Hawkguy 2.0 three issues to realize that, which makes issue 3 the best issue of All-New Hawkeye to date.

This time around, writer Jeff Lemire limits the Flashback/Origin-y stuff to one panel per page. It’s a neat storytelling technique, as most of these story allows artist Ramon Perez tell the story in mostly dialogue free scenes. It also allows the reader to see how these circus bits relate to the story that takes place in the present, which is treated as the A-side story this issue. Clint and Katie Kate has to deal with the fallout of their mission, and end up getting into more trouble as a Hawkeye tends to do.

With a few issues under their belts, Lemire and Perez read and look more comfortable on this title. Lemire’s dialogue flows better, and the Kate and Clint banter is great. Lemire’s Kate Bishop has noticeably improved with every issue, as his Clint. Perez’s art has also improved ten fold with the modern setting, and we’re treated to a double page multi-panel fight scene that is delightful as it is brutal.  Perez’s more traditional art style is a little more loose and animated than it has been in the past, and the book is all the better for it. It’s still relatively minimalist, but so expressive and energetic. And Ian Herring‘s wonderful colors give the book a nice since of depth despite being so flat like Matt Hollingsworth before him. There’s a sense of fun to this comic, something missing from the previous issues

With the rocky start  hopefully behind it, it appears All New Hawkeye has finally found it’s footing and is becoming a solid title.  I imagine those who are trade waiting it may not be as harsh as I have been as they get read the story in a single chunk. But as someone who reads it monthly, it’s nice to see this creative team improved steadily with every issue, and hope the team keeps it up.

 

 

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Troy’s Toys But with Comics: Memorial Day Lateness

4339743-uxm34Uncanny X-men #34

Brian Michael Bendis/Kris Anka/Marte Gracia

Marvel $3.99

As I’ve said plenty of times in the past, the strongest issues of Brian Michael Bendis’ Uncanny X-men run have been the done in ones. UXM #34  is another done in one, so it’s safe to say you can another positive review from me for this title.

One of the things Bendis did early in his run was set up a cool Mystique Vs Dazzler feud. It’s something I’ve enjoyed because they’re 2 of my favorite mutants, and it’s lead to a cool Kris Anka (who draws this issue) redesign for Dazzler. With the Bendis run coming to an end soon October,  he uses this issue to wrap up that plot up in a satisfying way.

One of the reasons why this issue worked for me was it gave Dazzler some much needed focus and characterization. She joined the team shortly before the Charles Xavier retcon a go-go arc, but was quickly delegated to a background character role. She’s a lead character here, and Bendis gets a lot out of her in 20 pages. It also helps that Bendis get to bounce her off of Maria Hill, a character he co-created and has a massive amount of experience writing. His take on Mystique is also rad, as he handles her with a certain degree of sympathy that makes the character relatable even though she’s a bit of a monster. Aside from the Dazzler & friends related business, we get to  check in on the new students who are currently without a school. Bendis drops some hints that he has some plans for them to be revealed soon, and I’m curious to see what they are. It’s been a bit of a challenge to get new mutants to stick around for an extended period of time, and I’m curious to see if Bendis has any ideas on how to change that with his generation of  “X-kids”.

Kris Anka was the best choice to draw this issue, as he is great at drawing female characters and can convey the proper emotions needed for this story. His body language is really strong, and it shows in this issue, especially since there’s a lot of scenes involving 2 or more character standing/sitting around chatting. Anka’s work is exceptionally clean, and Marte Gracia‘s coloring keep the book looking fresh, giving Anka’s minimalist style a much needed sense of dimension.

Uncanny X-men 34 is another fine single issue that tell a story within 20 pages and will warrant an immediate re-read. It’s not the best this run has seen, but it’s definitely worth the price of admission if you’ve been enjoying this incarnation of X-men

Kaptara_02Kapatara #2

Chip Zdarsky/Kagan McLeod

Image, $3.50

Kaptara #2 is a fine comic, but I’ll be honest: the art is wasted on the monthly format. Artist Kagan McLeod‘s work is so good, it begs to be put in one of those oversize albums (Hardcovers as their known as in the States) the European market gets because they appreciate the medium better. This  absolutely bizarre but incredible looking take on the Masters of the Universe universe deserves an over-sized hardcover at the very least. McLeod’s art, especially his character designs, are hard to describe properly. They’re extremely odd, but are flowing with creativity that it’s worth admiring. Everything from the body language, to the layouts to the environments are so unique, and have just the right amount of comedy to remind you that this is not exactly the most serious book. The best way to describe it would be those old  Sunday morning newspaper strips with a modern Adult Swim twist.

Writer Chip Zdarsky‘s second efforts on this book are a improvement from the previous issue. The main character Keith is given some much needed drive, and the characters from the previous issue also get their fair share of development. Chip and Kagan also introduce several new characters that are also as equally amusing and well designed, expanding the cast quite a bit. Now that the general premise is explained, Chip gets a little more room to breath, and the book benefits greatly from it.

Kaptara #2 is insanity on paper, but also gorgeous. It’s unpredictable, hilarious and something genuinely unique, which something both the readers and the industry benefits from.

 

 

 

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Troy’s Toys But With Comics: Star Wars References edition

STK671573Saga #28

Fiona Staples/ Brian K Vaughan

Image, $2.99

It’s been awhile since Saga’s crippled me emotionally. But we’re 4 issues deep into this current arc, so I guess it was due, and  yes, that is my spoiler warning for this review.

Issue 28 sees another cast member die.  Granted there’s a very small chance it’s a fake out, it seems very final, given  how it plays out. Oddly enough, the scene is actually pretty hilarious, especially with the final words being what they are (I will not reprint them here due to not wanting to spoil the death, and also because a naughty word is featured prominently). But that’s the thing about Saga; Brian K Vaughan and Fiona Staples are great storytellers, so getting a range of emotions from me out of a single scene isn’t exactly a shocker. I am curious if the 3 final word of this issue were drawn by Staples, or was the work of Saga’s letter Fonografiks, but either way the fonts nicely match the illustration.

In addition to a funny yet still tragic death, Saga #28 has the poop hitting the fan for our cast. The majority of the lead characters find themselves in various types of trouble, and those who aren’t will be soon enough. What has started as a simple Romeo and Juliet in Star Wars story has expanded into so much more, without being too bloated or confusing, and having plenty of character defining moments.

After a relatively slow and safe start, Saga is back to being the monthly tear jerker I’ll gladly drop $3 on. It’s another fine issue that I’m sure is going to play out great, as it has time and time again. Also that is sarcasm.

 

 

STK670957Ms Marvel #15

G Willlow Wilson/Takeshi Miyazawa/Ian Herring

Marvel $2.99

My friend Ashley recently described Ms Marvel as being cuter than several baby snow owls . She’s not wrong mind you, but this issue is equally parts adorable in some areas as it is a ::: channels his inner Stan Lee ::: action packed thrilling adventure in the Mighty Marvel Manner. Also Jack Kirby did nothing when we we-okay, that’s enough Stan the Man channeling.

Ms Marvel #15 wraps up the “Crushed” arc, a three part saga which saw Ms Marvel fall for a boy and get dragged into whatever the heck has been happening in those Inhuman comics I don’t read. Khamala has to deal with a betrayal and some crushed emotions, while her BFF Bruno attempts to save the day.

Writer G Willow Wilson‘s dialogue continues to be as fresh at it is clever. Some of the jokes may feel dated in a few years, but for the time being they work and feel relevant. Also Ms Marvel does some growing in this issue (both literally and figuratively), and when she learns her lesson, it feels genuine, without every coming across too hokey after school special. Also much like Captain Marvel this week, Wilson sneaks in a very cute Star Wars reference, as one that’s bound to lead to some major repercussions soon.

On the visuals, fill-in artist Takeshi Miyazawa pencils and inks are really something. Miyazawa style is very much more looser and detailed oriented this time around, making it look like the book’s regular art style, but more expressive and Manga-liked. It’s great, and Ian Herring‘s colors keep it looking fresh.

Ms Marvel is an absolute delight of a comic, which is nothing new for this series. Things are getting pretty serious for our lead, but the book remains faithful to it’s youthful and fun vibe. Secret Wars tie in time is around the corner though, so I’m curious to see if this will keep up, and more importantly, to see Ms Marvel FINALLY meet her idol.

 

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Troy’s Toys but with WAUGH: Howard the Duck #3 edition

DIG057129_1Howard the Duck #3

Chip Zdarsky/Joe Quinones/Joe Rivera/Rico Renzi

Marvel $3.99

Things I didn’t know I wanted from comics: Howard the Duck teaming up with Aunt May.

Things I now have from comics: Take a guess genius, and then read 500 words about Howard the Duck #3, which is easily the funniest comics numbered 3 that I’ve read this year.

Creators Zhip Cdarsky (spelling Chip’s name wrong is always cool and funny according to Sex Criminal Solicits and Tumblr!) and Joe Quinones’ take on Howard the Duck continues to impress with this third issue, in which said Duck and said Aunt attempt to solve some crime after the time honored traditional fight/robbery at gun point (I swear that all makes sense in context, read the book and see how right I am). This collaboration involves going under cover, fighting the elderly, and more Spider-Man crying, three things that continue to make this book sound like a fever dream, but are real and also quite enjoyable.

Joe Quinones is a talent artist who I’ve seen drawn many a pretty lady throughout his career, but apparently he’s also good at drawing old people, all types of  ducks and Z-list Marvel villains. It shouldn’t come as a complete surprise that his talents allow him to blend all these things together without anything sticking out, but it’s constantly impressive. Quinones usually handles pencils and inks by himself, but he’s joined by Joe Rivera this month, something I wouldn’t have know if it wasn’t listed in the credits. Rivera’s matches Quinones’ style perfectly, and I could not tell who inked what. Rico Renzi’s coloring is also fantastic, giving the characters a cool 3-D effect that makes them pop out from the pages a bit, and stand out from their environments.

This month they’re joined by Jason Latour, who also did some fun stuff with Aunt May this month (FYI I resisted making so many May puns) in Spider-Gwen last week. Jason draws a backup story that’s so New York you would swear it was written by a Gothamist columnist. Latour’s style is a lot more pulp and abstract compared to Quinones, but is great looking none the less. Also his take on a certain iconic Marvel character is rad as hell, and I want to see him draw him more in the future.

Chip Zdarsky is a NICE boy who is also hilarious and Canadian. His comedic writing skills are in full force here, giving the readers a ton of content to digest. There’s a ton of humor and character development crammed into this book, but none of it feels forced. We’re beginning to see some running gags form, and they still seem fresh, even though some of them are related to some deep cuts from Marvel’s past.  Chips shows some amazing amount of restrain, even with everything coming at the reader so fast, and the comic is better for it.

Howard the Duck is not unlike Chip’s other big book Sex Criminals in a few ways, as both are great looking, hilarious, and have a surprising amount of heart at times. Oh as of issue 3, lead characters who are often naked. It’s well worth your time and money, despite how I’m making the wholw thing sound.

 

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Troy’s Toys But with Comics: Walking in the Spider Webs edition.

Spider-Gwen_Vol_1_4_TextlessSpider-Gwen #4

Jason Latour/Robbi Rodriquez/Rico Renzi

Marvel $3.99

Spider-Gwen #4 aka, the issue where writer Jason Latour gets a lot of mileage from a bunch of dead people.

In a relatively quiet installment of Spider-Gwen, as we have our lead hanging out with May and Ben Parker, two characters who’ve played massive parts in Peter’s life but rarely got interact the world around them as a living couple. Here we get to see the two of them bounce off of Gwen in a world where Peter is dead, and even with that in mind, the results are really heart warming. While we’ve seen a similar Peter-less Gwen/May dynamic explored before in Ultimate Spider-Man, but things play out slightly different here. The Ben/Gwen stuff is great, despite it being a quick scene. Latour’s wonderful dialogue and Robbi Rodriquez‘s art really make it a memorable, and I’m excited to see these characters in the book more in the future. We also get some more Captain Jean DeWolffe, a long gone Spider-Man supporting character who’s given a new dynamic thanks to these talented creators.

Half the fun of Spider-Gwen is seeing how different the world she habits is from the 616. And while it hasn’t stopped being charming, it’s nice seeing these characters form deep relationships and bonds in a short amount of time. It continues to be a great looking book that’s equally charming and emotionally, not unlike the classic Lee/Dikito Spider-Man run.

SWOMAN2014007_CovSpider-Woman  #7

Dennis Hopeless/ Javier Rodriguez/Alvardo Lopez/Muntsa Vicente

Marvel $3.99

Speaking of Spider-Woman, here were have the O.G. Spider-lady Jessica Drew. We’re 3 issue into this run (ignore that number seven), and I am still marveling over how much this book has improved now that Javier Rodriguez has taken over artistic duties.

It’s rare to have a comic have something impressive about every page in it, but that’s the only fair description of Rodriguez’s contributions to this comic. We got a hints on how great his panel placement and layouts during his guest stint as a penciler on Daredevil and his work on AXIS: Hobgoblin, but his art is on a whole other level here. It’s equal parts Chris Samnee and Marcos Martin, but still it’s own style. Rodriguez is the next big thing in term of comics art, and Spider-Woman #7 is proof of that.

As good as Javier is, he obviously not the only reason why this book is as good as it is. Alvardo Lopez’s inks are tight and clean, perfectly in sync with Rodriguez’s line art. And Munsta Vincete‘s contributions as colorist are crucial, as he gives the book a clean and bright look with some really bold imagery at times. The art is on POINT, as is Dennis Hopeless‘ writing. Hopeless’s dialogue sounds as good as the book looks, as the arc takes an interesting turn, and introduces a fantastic new locale to the Marvel Universe.

Under a lesser creative team, a book like Spider-Woman would risk being redundant, especially with Spider-Gwen and Silk being as good as they are, especially in the visuals department. But this team has made this book both the heir to the Waid/Samnee Daredevil run as well as the Spencer/Lieber Superior Foes of Spider-Man. It’s visually amazing, hilarious, clever and slowly becoming the book I read first when I buy my comics.

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Troy’s Toys But With Comics: Secret Avengers #15

Hey gang you know what’s cool? Allergies that lead into in nasal infection. Which really knocks the wind out of your sails. But I’ve over it, and giving you an review that should have been up last week! That’s…something right?

Anway, here’s my final review for Secret Avengers, which will be followed by a Secret Wars review, because Secret is the new Uncanny at Marvel, or it’s not, I dont know, adjectives are confusing.

 

backgroundSecret Avengers #15

Ales Kot, Michael Walsh, Matthew Wilson

Marvel $3.99

Here we have the 3rd final issue of Secret Avengers since 2013. Even in it’s prime, Secret Avengers was never the top selling Avengers book, constantly overshadowed by vanilla and New Avengers, despite seeing some major talent attached to it throughout it’s existence. With Secret Wars coming, and the existence of the Mark Waid’s S.H.I.E.L.D. title, this may be the FINAL Secret Avengers finale for the foreseeable future.

That being said, it’s almost arguably the STRONGEST and consistent run on Secret Avengers to date. Ales Kot, Michael Walsh and Matthew Wilson (with Tradd Moore on covers and VC’s Clayton Cowles on letters) managed to deliver 15 excellent consecutive issues month after month, something that’s become rarer and rarer in comics. The quality of the title has never dropped, being one of Marvel’s boldest and brilliant titles in recent history.

Secret Avengers #15 is a surprising quiet issue, with the team having already saved the day and dealing with the fallout. After last month’s action filled issues with a dramatic cliffhanger, it was kind of a shock to see the book end without a single punch or explosion, and letting the reader fill in the blanks. The book focuses mostly on Maria Hill and MODOK, fleshing out the SHIELD commander a bit, while continuing the theme of her and MODOK being on the same side of the coin in a number of ways. Kot has never shyed away from Secret Avengers being a metaphor for his views on the US government, with SHIELD as a stand in for the military, so some of the events and conversations that go down in this comic do not come as a surprise. But it’s definitely and upbeat ending mind you, as Kot expertly sprinkles humor and legit joy masterfully throughout this comic, as he touches upon every major character he’s dealt with in this series, even a big name character no longer with us.

The equally talent Michael Walsh draws the hell out of this finale as well. Walsh’s art is best described as a rougher David Aja, and he’s just as bold and experimental as the former Hawkeye artist. His expressive characters are a treat to look at, and it’s amazing how much emotion Walsh can channel from his simplistic, sketchy style. Matthew Wilson compliment his pencils and inks perfectly, with the Eisner nominated colorist uses a flat yet bright palette. It’s adds a nice warm glow to the book, that pairs well with Wilson heavy lines.

Secret Avengers was a book that had a message that it was not afraid to shy away from, and was pretty bold for a Marvel book. And while it wasn’t as good as the modern cult classic Nextwave, it’s definitely somethings fan of that book can enjoy. It was a strange and often overlooked book from the publisher that’s worth reading. It also gave us of cover with Modok in funny hats, which speaks volumes to me.

 

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Troy’s Toys, but with Comics: C2lateagain

Hey, sorry for the delay (again) folks, but I just got back from c2e2 in Chicago, aka, NYCC’s Midwestern sister convention! I had a delightful time watching Chip Zdarsky hug/tackle people and scored some neat swag, but have very little to report aside from thinking that title for that 3rd Frank Miller Dark Knight book is a BAD idea. I do have plentiful comics to review though, so you can settle for that and what typos are in said reviews.

portrait_incredibleAll New X-Men #40

Brian Michael Bendis/Mahmud Asrar/Rain Beredo

Marvel $3.99

Even with the c2e2 delay, there’s very little chance I’ll be spoiling anything for anyone with this issue of All New X-men. Everyone from your racist high school friend on Facebook to Playboy has chimed in on the issue, and I’m going to do the same, despite dropping the title several issues ago.

When then leaked pages from this issue first hit the internet, I have to admit, I was slightly concerned about the content. Brian Michael Bendis is a plenty nice guy, but he’s also a straight white guy, and the sort of story requires a certain amount of finesse and maybe even some life experience to pull off correctly. However, once I actual read the comic and saw that the leaked images left out some important pages and panels, I was quite pleased with what had gone down.

All-New-X-Men-40-2-1429646420All New X-men #40 is the story of Jean Grey confronting Bobby Drake about his sexuality, which means 2 teenagers from the 1960s talking about sexual preference in the modern world. While the conversation is a tad problematic, not to mention complicated in that special sort of X-men way, it’s actually fine being so problematic in some aspects. Not everyone coming to terms with their own sexuality is a simple moment in their life, as it can be quite difficult for several reasons, and this comic is a necessary representation of that. Which is great, because even though these 2 characters are time traveling teenagers, it makes the scene and the character feel all the more realistic. It’s representation without a sugar coating, which really show just how good of a writer Brian Michael Bendis is.

anxm40_2Art wise, I’m really not feeling Mamhmud Asrar‘s work this issue. He’s far from bad, but his facial expressions and head shapes don’t work for me. There’s a lot of talking head panels here, and sadly instead of kids, the X-men look more like Mr Potato toys on super heroes bodies, and some odd panel choices kill an attempted joke halfway through the issue.  Asrar also seems to be struggling in body language, and the constant recycling of panels doesn’t help either. Rain Beredo‘s coloring is solid though, giving the book a vibrant look that helps make looking at the dull, lifeless panels less painful. I feel bad ragging on Asrar’s art, and I know following a lengthy run by Stuart Immonen is no easy task, but this is honestly one of the less impressive looking Marvel books I’ve read in quite some time.

All New X-men #40 is a book that succeeds on dialogue alone, and manages to do a lot in 20 pages. The Jean Grey/Bobby Drake conversation is great, some lesser mutant make a welcomed appearance, and apparently Angel has glow wings or something. I guess that was a thing that happened during Apocalypse Siege Per   The Black Vortex or something. Either way, while it may be a tad confusing for those not hype to the events in the last 40 issue of ANXM, it’s still a comic worth looking at just for the Iceman stuff alone. It’s a different take on comics dealing with sexuality, but an important one none the less.

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Troy’s Toys But with Comics: Date Night Edition

Uncanny_X-Men_Vol_3_33Uncanny X-men #33

Brian Michael Bendis/Kris Anka/ Antonio Fabela

Marvel $3.99

Note: Despite Kitty Pryde and Magik being the focus of the issues, there is zero actual dates in this issue.

This particular issue works on a number of levels. Brain Micahel Bendis uses Marvel continuity to his advantage. Uncanny X-men #33 focuses on Kitty Pryde and Illayana Rasputin’s friendship, while setting the issue on MONSTER ISLAND, which is the best island location in the Marvel Universe. Bendis expertly draws upon both the character’s pasts to tell a compelling story that’s been done a million times before in X-men comics, but everything’s so good the reader doesn’t notice. His voices for these characters ring true and natural, to the point that this may be the best done in one he’s done on Uncanny.

Art wise, the book couldn’t look better. Kris Anka returns to draw this issue, and he’s the perfect fit for it. His Kitty and Magik look great, thanks to Anka’s clean line work and Antonio Fabela‘s flawless colors. Anka’s super expressive faces also help with the emotional beats of Bendis’ scripts, making the whole thing feel so genuine and Chris Claremont-esque. MOST IMPORTANTLY, he channels some serious Wally Wood/Jack Kirby when it comes to drawing the massive residents of Monster Island. He’s a great enough talent that he can mix those gold and silver age era character designs with the modern age looks of Kitty and Magik  and have it look natural. Well as natural as you can get in an X-men comic.

This particular issue of Uncanny X-men rewards you based on how long you’ve been with the franchise. There’s some calls back to the book’s earlier days, and it definitely has that nice, Claremont era vibe to it, without feeling too much like fan fiction. It’s fun read that now only showcases some great art, but shows how good Bendis is when he focuses on a dense done in one issue.

Ms.-Marvel-14-CoverMs Marvel #14

G Willow Wilson/Takeshi Miyazawa/Ian Herring

Marvel $2.99

NOTE: This issue very much has dates and emotions, justifying the title of this article.

It’s been a few months since I’ve wrote about Ms Marvel, but it’s not like I stopped reading the book. It’s been consistently excellent, but much like Saga, it was getting to the point I was running out of ways to praise it. This month’s issue isn’t any less excellent that those non-reviewed issues, but there’s a particular scene I want to talk about.

Said scene is between Khamala’s older brother Aamir, and her bff/boy with a secret crush Bruno. SPOILERS, said moment involves both males discussing Bruno’s crush on Khamala, her new male friend who she’s clearly sweet on, and why it would never work between Ms Khan and her bestie. It’s scene we’ve seen before in all sorts of media, but writer G Willow Wilson brings a cultural spin on it that makes for a really compelling 2 pages. It gives a good reason for it to not happened, which in turn makes it all the most fascinating.

That is not to say Khamala is a no factor in this comic. Our spunky lead is dealing with her first crush, and it results in her being dragged closer to the shared Marvel Universe. Fill in artist Takeshi Miyazawa  (who ironically was also the back up artist on regular series artist Adrian Alphona’s run on Runways) line work is great, slightly more focused and manga-esque than Alphona’s but beautiful none the less. Ian Herring‘s superb colors helps Miyazawa’s art stay in constant with how the title looks normally, without taking away from his particular spin on Ms Marvel and her cast.

Ms Marvel #14 is another delightful issue from one of the best comics on the stand today. It’s a wonderful series that never disappoints and constantly entertains, and it will be interesting to see if this issue’s cliffhanger will play out next month.

 

 

 

 

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Troy’s Troys But With Comics: Childhood Flashbacks editions

There are currently 12 unwatched episodes of Daredevil in my Netflix queue right now, please note that I took time to write this article instead of ODing on DD.

Saga_27-1_300_462Saga #27

Fiona Staples/Biran K Vaughan

Image Comics $2.99

I’ve been running out of ways to complement Saga. Each issue is a 20 page celebration of comics, with the creators doing their damnedest to show exactly  why they’re the best what this medium is capable of. This month’s issue is no exception, as Fiona Staples and Brain K Vaughan show off their full range of talents.

Issue 27 has Fiona Staples drawing everything from odd/unusual erotica, to grotesque violence, to absolutely adorable thanks to tiny sealman/my favorite character Ghus. Ghus in particular is an fine example of Staples’ artistic skills, as she manages to convey a lot of character and emotion in a character with a comparatively simplistic design. There’s also some really powerful emotional beats that Staples hit without the assistance of BKV’s words. While she’s never been anything less than impressive, this particular arc of Saga may be Staples finest work to date. I couldn’t think of a better artist to see their name listed before the writer’s name in the credits page.

Brain K Vaughan continues to be the very best at what he does when it comes to dialogue and the script, snikt. We get to take another glimpse of Marko’s past in this issue, and the stuff revealed in the flashbacks is brutal, but compelling none the less. He also injects some much needed humor in places that helps ease the tension, as well as remind us how delightful these characters are. Vaughan’s words are overshadowed by the art at times, but it never feels like he’s coasting on Staples talents.

Saga is still very much the best book on the market, and this issue is just further proof of that.

portrait_incredible (1)All New Hawkeye #2

Jeff Lemire/Ramon Perez/Ian Herring

Marvel $3.99

AWWW, Fact: This is the 2nd Hawkeye #2 in which a/the Swordsman is a crucial element to the plot!

This 2nd issue of All New Hawkeye is a slight improvement over the previous issue, but I’m still a tad confused over the direction of the title. The book continues to be split between the past and present, but the present sections continue to feel like an after though. Ramon Perez and Ian Herring certainly do some cool stuff with this book’s visuals, but it genuinely does feel like writer Jeff Lemire prefers re-telling Clint’s origin than moving his Hydra/creepy-ass children plot forward.

To be fair, the Circus flashback segments are fairly enjoyable, even with the art being a little uneven in places. The sketchy art looks a tad incomplete at times, but Ian Herring’s colors really help enhance it a ton. The modern segments look slightly better, as Perez channeling David Aja suits his style better. Lemire is still struggling with the Hawkeyes banter, but it’s improving.

All New Hawkeye #2 is a much needed step in the right direction, although it’s not quite there yet. Hopefully the next issue will continue to improve in quality, and this book will be on par with the previous creative team’s efforts.

 

 

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Troy’s Toys, but with comics: Platinum Blondes edition

backgroundSpider-Gwen #3

Jason Latour, Robbi Rodriquez, Rico Renzi

Marvel $3.99

Spider-Gwen #3 lacks scumbag Matt Murdock for SOME reason, but writer Jason Latour slips in a Wu-Tang Clan reference, so I guess i can let it slide.

This issue is heavy on fights, which is great, because it allows Robbi Rodriquez to go all out on the layouts. Rodriquez uses a lot of unique “camera angles” and hyper exaggerated body language to sell the fight scenes, lead to some over the top and more importantly visually stunning panels. Rico Renzi’s green heavy color palette is very crucial to this, making this book pop, drawing the reader in more than a lesser colorist would. There’s also some very fun and creative uses of sound effects in this comic, reminding me more of Edgar Wright’s Scott Pilgrim film adaption than the tradition comics sound effects. The end product is a comic that feels very loose, bright and chaotic, but so visually appealing you can’t help but love it.

Jason Latour’s scripts are getting tighter and tighter with every issue. He ramps up the traditional Spider-related drama and action with this issue, but he continues to add new elements to story to make things interesting. An important character to the Spider-mythos makes his debut this issue, and while it’s nothing that hasn’t been done before, the execution makes it seem fresher than it actually is. I know that seems like a backhanded compliment, but it’s pretty impressive given how long the Spider-Man concept has existed.

Spider-Gwen continues to be a delight month after month. It gives off an fresh indie vibe unlock any other Marvel book, despite being tied to such an iconic comics character. Latour, Rodriquez and Renzi are so in sync with each other for a relatively new creative team, it’s scary to think how much better this team will get with every issue.

GA02Gotham Academy Endgame

Becky Cloonan, Brenden Fletcher, Jeff Stokely, Jenny Donovan, Cilo Chiang, Joy Ang, Vera Brosgol, Sonia Oback

DC $2.99

Once again I have bought another Endgame tie-in, despite not having bought a single issue of Batman proper in years (#tradewait). Also once again, I am charmed by a Endgame tie in.

While crazies and shipping delays overrun Gotham, Maps, Olivia and Pomeline are having a sleepover of sorts, swapping SPOOKY stories that are Joker-related. It’s a lot like that episode of Batman: The Animated Series where kids sit around swapping Batman stories, and I can’t help to think that this issue may be a homage to it. It’s also a surprisingly gruesome issue in some parts, which I guess makes sense given its semi Joker related.

Sadly, Karl Kerschl couldn’t draw this issue, so he’s replaced with 4 different artists. While I’m crazy over the art that sets up each story, Jenny Donovan, Cilo Chiang, Joy Ang, Vera Brosgol, and Sonia Oback all come through on their shorter stories. The end product is a bit uneven, but good none the less. It’s also nice to see DC let new talent work on one of their more highly acclaimed titles.

On the script/dialogue side of things, there’s a lot of good stuff from regular writers Brenden Fletcher and Becky Cloonan. Using the campfire spookum stories as a framing device, the duo cleverly incorporate horror movie clichés and folklore into their Jokers tales, making for some fascinating results. Sadly thanks to to the slightly amateurish and rough at times art by Jeff Stokley, the book suffers in places.

Gotham Academy Endgame is a nice showcase for new talent, but it’s strictly for GA fans only. It’s not exactly a good introduction to anyone coming by from Batman proper, but regular Gotham Academy readers should get a kick out of it.

 

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Troy’s Toys But With Comics: Duck Puns Edition

howard_the_duck_1_coverHoward The Duck #1

Chip Zdarsky, Joe Quinones, Rico Renzi

Marvel $3.99

I love the fact that we now live in a world where the box office success of Guardians of the Galaxy means Chip Zdarsky gets to write a Howard the Duck book drawn by Joe Quinones.

Howard the Duck is the latest off-beat Marvel book that’s unsurprisingly amazing. Joe Quinones has been drawing a number of beautiful covers for years, so this book looking as good as it does is expected. And Zdarkseid (Mandatory misspelling of Chip’s pen name=GET) has been one of the funniest dudes in comics as of late, so Howard being a laugh riot also isn’t shocking.

What I wasn’t expecting was this creative team to build a narrative that spans from the original Howard the Duck #1 all the way to the GOTG post credit scene. It’s the opposite of the recently relaunched Ant-Man, embracing Howard’s weird history, not to mention the recently concluded She- Hulk series, yet presenting in a way that easy for new reader to pick up. I would say it’s the best Howard I’ve read since creator Steve Gerber’s last run, but I’m sure there was also a mini series where Howard turned into a MODOK, which is also pretty great.

I can’t ever recall wanting a Howard the Duck series, but now that I have one by this specific creative team I kind of love it. It looks great, it’s funny as hell and there’s enough content in the first issue that warrants a re-read. Howard the Duck #1 is not unlike Squirrel girl#1 where Marvel has given us super hero humor book by some top-self creators. Also if anyone at Marvel is reading this, a Zdarsky-penned “Self-loathing Spider-Man” series is something I want now.

 

portrait_incredibleSpider-Gwen #2

Jason Latour/Robbi Rodrigues/Rico Renzi

Marvel $3.99

I’ll be honest, I was willing to trade wait Spider-Gwen even with the first issue being quite superb. But then Scumbag Matt Murdock made an appearance, and suddenly I was $4 poorer.

Spider-Gwen continues the trend of excellent talking animal comics by Marvel this week, as Spider-Ham plays a unexpected, but none the less important role in this issue, which sees both Stacys deal with their respected Spider-Gwen related problems. Having both Stacys take point this issue gives it a unique perspective, as Father/Daughter relationships are rarely explored in super hero comics. We also get to see more of this reimagined Marvel universe characters, and a background Easter egg promising an interesting take on one Felicia Hardy. In a way it hits a lot of the same beats the first issue did, while continuing to develop the characters and move the story forward. This continues to be Jason Latour‘s finest Marvel work to date, especially with the dialogue sounding and flowing as well as it does.

Visually, Robbi Rodriguez and Rico Renzi continue to provide stellar art for this book. Each character is boiled down to a specific characteristic (Murdock’s always sleazy, Frank Castle always looks determined, Spider-Ham is VERY much a pig) under Rodriguez’s skillful line work, and the heavy use of pink and green against the darker backgrounds of this book still make it look slick as hell.

Spider-Gwen #2 is pretty much more of the same of what we got from issue 1, which is fine. The first issue was rad, as was this one. Between this and the newly relaunched Spider-Woman, we have two awesome alternatives to Amazing Spider-Man, with each book offering something fresh and fun.

 

 

 

 

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Spider-Verse

2 Spider-Women and a little Silk

With the SPIDER-VERSE story arc over and the dust only beginning to settle, you may have noticed a shift in the shape of Peter Parker’s part of the Marvel Universe.

It’s got *gasp* girl heroes! Three of ‘em, even!

Yes, three new books have made their way out to you Marvel readers, each featuring a female protagonist, two of whom are brand-spankin’ new. But with MS. MARVEL already dominating and SHE-HULK‘s book sadly finished, the obvious question becomes – is their room in the sky for three new, distaff Spider-Man counterparts?

Probably not. But that doesn’t mean we can’t enjoy it while it lasts. So let’s look at why you should be reading the comics  for each of our gals – SPIDER-WOMAN, SPIDER-GWEN, and SILK!

SILK

So! Elephant in the room – we’ve still got a slew of copies of SILK #1 sitting on the stands right now. Which doesn’t bode well for newcomer, Cindy Moon, nor her creative team, Robbie Thompson, Stacey Lee, et al.

And that’s a shame because the centerpiece for the Spider-Verse story arc has a real solid story already in her own book. Girl out of time, missing family, and a complicated relationship to Peter Parker himself, Cindy’s got all the makings of a relatable super-hero. Plus, she’s one of the scant few Korean characters in the regular Marvel roster right now.

Even though her family is MIA, Cindy Moon is deeply affected by them. We get flashbacks of what her home life was like before she wound up in a lonely bunker, hidden away for a decade. And what we see isn’t so dissimilar from the kind of interactions we see between Kamala Khan and her family.

What it boils down to is this – if you’re looking for a book that marries the web-slinging sensibilities of Spider-Man with the more modern, slice-of-life style from Ms. Marvel, Silk is probably the book you ought to be reading.

SPIDER-WOMAN

If there’s a true dark horse among this three-some it is, unquestionably, Jessica Drew. While Silk may not have sold out, SPIDER-WOMAN #5 is seeing attention for all the wrong reasons.

While the comic-reading world was divided on Milo Manara’s butt-tastic variant cover to Spider-Woman #1, it’s her new costume that’s been universally agreed upon. And that response is “eh”. It’s not terrible, it’s not great, it’s just not particularly… right. That’s the consensus. And that tepid response mixed with kickstarting the new adventures of Jessica Drew at a number five rather than a number one isn’t helping things either.

But that doesn’t mean you shouldn’t be reading! Especially if you’ve been longing for something that feels less superhero and more A.K.A. Jessica Jones. Yes, it’s impossible to miss writer Dennis Hopeless’s homage to the Bendis new classic, ALIAS. Spider-Woman’s a detective, and she spends a lot of time being duped and getting it wrong. Throw in a snarky attitude, and the new Jessica Drew is definitely the new Jessica Jones.

And whether or not you’re happy with the costume or the fact that she left the Avengers, there’s no mistaking the potential for a more street-savvy, motorcycle riding, ain’t-afraid-to-fight-dirty Spider-Woman. So if you haven’t given her a shot yet, do. I think you’ll be pleasantly surprised.

SPIDER-GWEN

And if there’s one hero who’s off to the best start it is, undoubtedly, Gwen Stacey. Spidey fans have loved Gwen since time immemorial, so the chance to see her in a new alt. universe where she was the one who got bit by that radioactive spider? Well that’s about as right as it can get.

And while Jessica Drew’s costume hasn’t played well with fans, you’re guaranteed to see multiple Spider-Gwen’s at every convention you go to. Rightly so. The stark-white and black, mixed with purple – and that hood! It’s costume-design perfection.

All that, and the book ain’t bad either. Much like Peter, Gwen’s not exactly beloved in her city either. And while her father tries to help, her reputation is tearing his down more than his is bolstering her’s up.

Yes, it definitely feels like a Spidey book just left of center. Which would explain why it sold out so quickly. Lucky for you the story’s easy to pick up AND SPIDER- GWEN #2 is out this week.

But you tell us next time you’re in the shop – who’s your favorite of the new(ish) Spider-Women?

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