Category: Marvel

Troy’s Toys, but with Comics: Solo X-Men

It’s a rare week for me, one where more trades of note dropped than books I buy, thanks to scheduling and delays. So welcome to the article where I dedicate 500 words to a single issues of Uncanny X-men.

 

portrait_incredibleUncanny X-men #28

Brian Michael Bendis/Kris Anka

Marvel $3.99

Recently, Newsarama blogger Jim Mclauchlin wrote an article on said site putting comics journalism on blast. One of the things he stated  was that reviewing single issues of comics was unfair to creators, as it’s only focusing on one chapter of a story, which is something you wouldn’t see in a literary review . While there were several points in that article I agreed with, Jim also writes for a site that does Top Ten lists daily, and it’s totally fair to review comics on a issue to issue basis, because that is how they are sold. If Marvel or DC want to do single story graphic novels only, I would be all about that, but since they don’t, Imma do me and review their books as they hit the stands.

 

Which brings us to this month’s installment of Uncanny X-men, which is the latest chapter of the Last Will and Testament of Charles Xavier retcon arc. It’s worth starting off that the cover credits Chris Bachalo and Tim Townsend on the art side of thing for this issue (obviously Brian Michael Bendis is credited as the writer correctly) , which is incorrect because Kris Anka handles that. The cover also implies a Magneto Vs Cyclops thrown down (again), which is also incorrect because Mags appears for all of one page. What I’m saying is that trusting Marvel is risky business.

Jokes aside, Uncanny X-men 28 is a solid issue. The quick recap is  that Scott Summers, the least pursued #1 terrorist in the Marvel Universe, is  trying to get walking macguffin Matthew Malloy to join his revolution. You know, the revolution that’s really not taken off after 30 issues. It’s a dialgoue heavy issue that sees 3 X-men’s faith in Charles Xavier’s teaching tested, and how differently they react to it. Oh and a lot of close ups of people’s faces, explosions and teleporting.

While the dialogue is pretty much by the numbers, with some cool callbacks to the X-men’s history, Kris Anka’s art work continues to wow me. Thanks to Bendis’ callbacks, we get to see Anka’s interpretations of the X-Men throughout time, ranging from the silver age to the modern age, and most importantly including the beloved Jim Lee designed 1990s roster. Marvel, if you do not publish a X-men’92 book with at least covers by Anka you are leaving money on the table.

Another thing that impressed me is a sequence in which Anka apes several different artists’ styles in a flashback of sorts. It’s not the first time I’ve read a comic where an artist changes his style in reference to another story arc, but it’s still really neat to see Anka channel a wide variety of artists like John Byrne, Joe Madureira, the Kubert bros and Oliver Copiel, among others.

Combine this with Anka’s flat, yet still bold, color pallet, and Uncanny X-men is a beautiful looking book. It’s not the type of book I would recommend to anyone not interested in X-Men comics to, but for those of you already fans of Marvel’s mutants, it’s a good read.

 

 

 

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Daily Deals for Monday November 17th 2014

Better Call Saul, Saul Goodman, Bob Odenkirk

Breaking Bad Saul Goodman Bobble Head… Price? So affordable you can skip the money order made out to “Ice Station Zebra Associates” and pay in cash. ($17) $6.99

Walking Dead All Out War AP Edition HC… Charlie Adlard’s raw pencil work! ($35) $10

New X-Men Ultimate Collection TP Volume 1… You can keep yer Joss Whedon Astonishing run. THIS is the best post-Claremont X-Men stuff ever written. IMO, of course. ($35) $14.99

Pittsburgh 68… Zombie card game!!!! ($25) $9.99

*Forbidden Planet’s DAILY DEALS are updated every morning. Prices are valid in-store til the shop concludes its business day (10pm or 12am, depending on the day) and online for roughly 24 hours. Prices are valid while in-stock supply lasts.

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Troy’s Toys, but with Comics: Purple is the new Black

MISSING: Intro. Last scene: When I didn’t have a lot of words about comics to vomit upon my computer.

Hawkeye_vs._Deadpool_Vol_1_2_TextlessHawkeye/Deadpool #2

Gerry Duggan/Matteo Lolli/Jacopo Camangi

Marvel $3.99

With the Fraction/Aja’s Hawkeye series continuously hit with delays, I’ve had to turn to the wonderful Secret Avengers and this mini series for my Clint Barton and Kate Bishop fix. As luck would have it, I couldn’t have chosen 2 better books to do so, and oddly enough, book both has a healthy amount of Deadpool in them.

Not that I’ve pointed out Marvel’s lack of original content (KIDDING), I should talk about this comic that I have purchased.  This issue, tying into recent events in both  Deadpool and Amazing Spider-Man,  sees our team try to set a trap for the baddies, and it goes as well as one would an except a Hawkguy conceived plan to go. Also the Hawkeyes learn just exactly how weird and complex Deadpool’s life can get, and video games are played. Other things goes down too, but those are spoilers, so it’s probably bess that I don’t discuss them.

Gerry Duggan, who co-writes Deadpool’s monthly series, draws upon both characters histories, bringing up some more obscure elements of their careers for hilarious results. I was not expecting a reference to the beloved Joe Kelly era Deadpool book, nor a discussion about the fate of Hawkeye’s Sky-Cycle. The book also continues to reference a few visual gags from the Hawkeye on-going, and they continue to remain fun little nods to that book.

Matteo Lolli gets some help from Jacopo Camagni on the art side of things, and it’s certainly something I welcomed. I was a fan of Camangi’s work on last year’s Longshot mini series, and he fits the book well. His Kate Bishop looks like a young woman, and his softer, round faces and exaggerated body language help sell a lot of the book’s humor. The two artists’ styles are similar enough to tell a cohesive story, but you can also appreciate what each brings to the book as well without preferring one to another. And the colors complete the package, making this title long for a Hawkeye/Deadpool animated series that we’ll never get.

For a mini I was willing to write off as a cash grab, I’ve been having a blast reading Hawkeye Vs Deadpool. It’s a fun hero team up/fight book that looks great, is good for a few laughs, and helps fans realize how much growth these two popular characters have gone through thanks to their respected creative teams.

 

Batgirl-36Batgirl #36

Cameron Stewart/Brenden Fletcher/Babs Tarr/Maris Wicks

Dc $2.99

Batgirl’s 2014 soft relaunch continues to impress, with a strong follow up issue to the current creative team’s debut. In this issue, Barbara Gordon’s supporting cast continues to grow, with several new characters introduced, as well as a throw down with a pair of cosplayers turn contract killers on stolen high-tech motorcycles. As someone who loves Barbara Gordon as a character, having her throw down with murderous cosplayers isn’t needed for me to buy your comics, but I appreciate you targeting my tastes.

Judging from what I just wrote, it’s safe to assume that I liked this comic. And I don’t mean to take away from writer Brenden Fletcher, who’s contributions to this book are crucial, but a lot of this book worked for me thanks to the talents of  artists Cameron Stewart, Babs Tarr and colorist Maris Wicks. While Burnside is very much a new part of Gotham, the artists really did an excellent job of fleshing out the city and it’s various locales, making it a very believable place. Tarr using a number of fashion blogs for her character designs also helps sell the city, which definitely looks like part of Brooklyn I’ve been to recently.

Maris Wicks’ colors are fantastic. The book definitely pops out thanks to his bright palette and blends well with Tarr’s kinetic pencils, especially when it comes to the book’s climatic fight scenes. I wouldn’t go as far to say it’s the best looking book on the market, but it definitely sticks out on the shelf, and yes,  looks great. And Fletcher’s dialogue is sharp, smart, and manages to tug at the hear at times. It’s a creative team that meshes together well, giving the reader one hell of comics experience

Batgirl continues to be a title I didn’t know I wanted, but glad I now have. It’s been awhile since I’ve been this invested in Barbara Gordon’s life, and this creative team is already batting (not a pun, I swear) .1000 after 2 strong issues. Batgirl is giving my pull list a run for being my current favorite title, which says a lot given how strong comics have been as whole in 2014.

 

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Troy’s Toys But With Comics: MANTY RAID!

portrait_incredibleLegendary Star-Lord #5

Sam Humphries/Paco Medina/ Juan Vlasco/David Curiel

Marvel $3.99

Looks like it’s time to get ready for editorial mandated crossover.

I know crossovers are proven money makers for Marvel and DC, but I’m not the type of guy who’s willing to start buying books I’m not already reading to get the complete story. Except with Battle of the Atom. And The Trial of Jean Grey. Okay, sometimes I’m that guy, but most times I’m not, really!

The Black Vortex (coming in February 2015 apparently) is introduced in this issue of Legendary Star Lord, after being teased in previous issues. While I’m less than thrilled that a multi-title crossover is almost upon us, I also really enjoyed this particular issue of Star-Lord.

Issue 5 sees Peter Quill grill a space horse (not Beta Ray Bill. A different type of space horsie unrelated to Thor) for info regarding said crossover inducing MacGuffin, and we’re introduced to a group of Anti-Guardians of the Galaxy in the form of the Slaughter Squad (not to be confused with Slaughter’s Marauders of G.I. Joe fame). We also get a appearance from Kitty Pryde, which I welcomed because I am a sucker for romance and all about this Kitty-Lord pairing. Apologies for me going all Tumblr there.

Despite the plot-twists for this issue coming a mile away, LSL is a really enjoyable comic. Sam Humphries, Paco Medina, and their artistic collaborators have been doing solid mostly done and one stories with an over-arching plot, something I enjoy a lot in comics. Star-Lord is the type of character that works best as being a light-hearted space action book, which is something the creators gets and use to their advantage. Also after GOTG made a hojillion dollars, why wouldn’t you channel Chris Pratt’s take on the character right?

Again, I’m less than thrilled this book is going to be pulled into a multi-series crossover, but I’m enjoying the ride there. Legendary Star Lord #5 is a great comic, and I intend to keep on buying it until I’m forced to pull several other books to get a complete story.

GRAY_Cv4_53ebb7b4b35e55.53061085Grayson #5

Tim Seeley/Tom King/Mikel Janin

DC Comics $2.99

Sidenote: Gotham Academy #2 also dropped this week, was great, I recommend you buy that as well.

As much as I’ve been enjoying Grayson since it’s premiere, the last couple of issues have been pretty dark. Not grimmdark, but still pretty “feels bad man”-type stuff, even though it’s been a great read. Issue 5 does not have this problem, and it’s all sorts of rad.

Grayson is book that is well aware of Dick Grayson’s fans, their tastes, and that they like his booty, they doooooooooo. The words “Manty Raid” are used in this issue, not just as dialogue, but as a plot point, and it’s delightful. And the way our shirtless hero deals with it isn’t just true to the character, it’s also a ton of fun.

And it’s okay a book that’s more than just fan service. Even with Mikel Janin’s art being gorgeous, Tim Seeley and Tom King provide a bounty of interesting subplots and character moments that make this book both incredibly clever, charming and surprisingly tense. It’s arguably the best portrayal of Dick Grayson since Grant Morrison made him Batman several years ago.

DC has been getting a lot of well deserved praised for books like Gotham Academy and Batgirl, and I feel Grayson deserves to be in that group as well. It’s a damn fine book, and super progressive even without a female lead or creators.

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Troy’s Toys But with Comics: ALL HAIL THE HYPNO SLOTH!

Hey FPNYC faithful, before we go into this week’s round of reviews, I just wanted to point out that The Wicked + The Divine #5 also dropped this past Wednesday and it is super great. I’ll probably go back a look at the first five issues as a whole once the trade drops next month, so y’all can look forward to that I guess.

 

portrait_incredibleSecret Avengers #9

Ales Kot, Micahel Walsh, Matthew Wilson

Marvel $3.99

This issue has Hawkeye and Deadpool fight an Eco-Terrorist version of the Ultimate Warrior and an All Star Superman parody featuring MODOK. It’s a Nextwave appearance short of being everything I want from a Marvel comic.

 

Secret Avengers continues to be a weird sci-fi spy comic who’s jokes aren’t afraid to punch up. It takes some weird chances, not giving the reader a dumbed down product, and it’s all the better for it. Weird things happen for a reason, and while the answers to certain questions always doesn’t come immediately, when they are addressed it’s a win for readers. Ales Kot is a smart dude who balances a ton of different type of storytelling elements well, & Michael Walsh and Matthew Wilson continue to amaze on visuals, especially with the last few pages, mixing some serious strangeness with some great character work and expressions. Not to mention doing some cool David Aja-esque panel breakdowns revolving around Hawkeye shooting off some arrows.

There’s also no less than 3 pin up pages in this book, something unusual for Secret Avengers. As someone who’s read comics in the 90s, it’s really hard for me to be impressed by that sort of thing, but seeing how they’ve been used so sparingly before in SA, the get the desired effect in issue #9. They’re all bold, mostly dialogue free, and contain really striking imagery. Props to the creative team for doing that sort of thing right.

Secret Avengers is basically more of the same. The same being a smart, engaging, weird and hilarious book that has Tradd Moore  and Wilson  some fantastic work on the covers every month. It’s also worth nothing that the first 6 issues are now available in trade, so if you wanted to jump on the book, now’s the time to do so.

 

 memetic1Memetic #1

James Tynion IV/Eryk Donovan

BOOM! Studios/ $4.99

A few months back, (possibly around San Diego Comic Con time) Boom send out an image of the Good Times Sloth, with little to no context. I remember being excited to find out what the deal was with said GT sloth, and then promptly forgot about it because that is how I roll.

 

However, a recent interview with the creative team on Comics Alliance reminded me of said sloth and learned me good of it’s origins (bad grammar was intentional BTW), and I was instantly hook on it’s origins and the book it would be appearing it. The book is called Memetic, and holy hell, is the a really good horror book.

 

For all of you not in the know, Memetic’s plot is as such: The Good Time Sloth image goes viral on the internet, setting all sorts of records and becomes a global phenomenon. Oh and then drives anyone who looks at it insane, and brings about the apocalypse. The book starts off 3 days into the end of times, and then jumps back to the beginning of the outbreak, just as the meme go viral and shit goes down.

It’s the type of high concept horror that made me a fan of James Tylon IV’s work earlier this year. His work on The Woods, Tylon’s OTHER BOOM horror book, was my proper introduction to his creator owned work, and Memetic’s double sized review is as good, if not better than that book. The concept is unique and fresh, the world building and character development is believable, and the social commentary is smart, but not pandering.

In addition to the a great script, Memetic looks fantastic. Erik Donovan style is sketchy and exaggerated, but considering the story revolves around a meme bringing about the end of the world, it makes sense. It actually reminds me a lot of Axe Cop’s creator Ethan Nicolle’sstyle, just a little bit looser. Adam Guzowski‘s colors are also great, as they can shift from dark to bright with no problem.

This 3 issue mini series does look like it’s going to end well, and I’m thrilled to be able to read it. Between this and Wytches, it’s been a great month for horror comics from non big-2 publishers.

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Troy’s Toys But With Comics: Of Foes and X-Men

The_Superior_Foes_of_Spider-Man_Vol_1_16_TextlessSuperior Foes Of Spider-Man #16

Nick Spencer/Steve Lieber/Rachelle Rosenberg

Marvel $3.99

It’s funny. I’ve been lamenting over the fact that SUP FOES is ending for months, but if this issue was the last one, I’ld be strangely okay with that.

It’s certainly not something I’m saying based on the book’s quality. Oh no, this issue is great, successfully capturing everything I love about this book in 20 pages. It’s more the fact that one of the Foes gets a win, and Nick Spencer and Steve Lieber have made this character so likable, you  cant help but be happy for them. Is this was the final issue Id be 1000% okay with that, despite the fact that said character has done some truly terrible things over the course of the series and would get getting away with a lot.

 

Of course, there’s an issue left and there’s still plenty of things that can go wrong. Spencer, Lieber and colorist Racelle Rosenberg introduce a number of elements that can still come back and bite this character in the ass. 2 of them justified, 1 of them a surprise of sorts, but great and welcomed none the less. Also given the fact that we’ve yet to see a proper appearance from Spider-Man himself in this book, I wouldn’t be surprised if he were too show up in the final issue.

 

But enough with speculation. This issue, much like every other issue of this series is great. The humor is second to none, and the return of a gag from a previous issue is just as funny this time around. The action piece when the poop the hands is surprisingly brutal, but successfully maintains the tone of the book. And then there’s ending. Smart, kinda cruel, but perfectly in line with the character’s actions. And you may find yourself wanting said character to get away with it, but we all know he won’t. It’s bittersweet in a way, but also something he’ll deserve.

 

There’s no question in my mind that this book will stick it’s landing. The real question is HOW it’s going to all go down, and if any of the Sinister Five are going to get away with it. I’m very excited to see it all plays out, and welcome this book’s end.

 

 

background (2)Uncanny X-Men #27

 Brian Michael Bendis/Chris Bachalo/ Tim Townsend

Marvel $3.99

Between the change in colorists that goes down halfway through this book and the most cliché of bad things to happen to S.H.I.E.L.D., I should by all means dislike this issue of Uncanny X-Men. However, even with those 2 massive flaws, this comic is really solid, continuing the book’s hot streak for nearly an entire year.

 

While Kris Anka has done great things with this book recently, Chris Bachalo is a perfect for Brian Michael Bendis’ script. Bendis writes a big action piece for this issue and crams a ton of characters into it, catering to Bachalo’s strengths. The end result shows just how in sync these 2 creators are, which works out in the reader’s favor.

 

Given the fact that he’s heavily featured on the beautiful illustrated cover, it comes as no surprise that Cyclops plays a big role in this issue (in addition to another X-man who definitely deserves more screen time) Bendis continues to handle the character well, although his intention at the end raise some questions. It’s the sort of drama the X-men became famous for in the 80s, with a hint of modern flair. It’s something I’m all about.

 

While Im less than thrilled that this arc proably stil has another chapter or two left before it’s over, I’m enjoying the ride. Uncanny X-men is far from perfect, but it’s definitely a fun read.

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Troy’s Toys, but with Comics: So many things

Before I start screaming about this month’s issue of Saga, I just wanted to give y’all (all 3 of you) a head’s up with what to expect over the next few weeks. Aside from weekly reviews, expect to see a few advanced reviews, a NYCC preview, and hopefully a toy review or two in the coming weeks. I’m excited to share all of this with you the reader, because I like to talk about some (hopefully) cool shit.

Saga-23-90332Saga #23

Brian K Vaughan/Fiona Staples

Image $2.99

SPOILER WARNINGS: HEAVY SPOILERS IN THIS REVIEW BE WARNED.

First off, I just wanted to say how much I dig the use of yellow on the front, back and interior covers of this book. It looks really sharp and stands out a lot. Aside from being a well crafted comic, Saga is also a brilliantly designed book, something I appreciate bunches.

So if you’re caught up with this book (HERE COME THE SPOILERS Y’ALL), Brain K Vaughan and Fiona Staples have been teasing the split up of our leads for the last few months. Ever since the announcement via narration, they’ve been dropping a ton of hints of how it was going to go down, killing me slowly. Well this is the issue that is goes down, and when it looks something we’ve been expecting to happen to go down…

Vaughan and Staples pull a 360.

The split still happens I’m sad to say. But not in a way you’re (probably) expecting. And it hurts, believe you me, but the bait and switch does leave some hope. It’s brilliant, as we see why Vaughan used certain words in the way he did. And then the ending hits and we’re given something that’s been building since issue one. It’s an awesome ending that sets the stage of this volume’s end next month all to well.

And while BKV delivers top notch dialogue, Fiona Staples continues to show why she’s won a bunch of awards for this book. The body language, page and panel composition, the colors, the facial expressions-EVERYTHING-is done for a reasons and executed flawlessly. It’s fantastic.

It’s no surprise that Saga #23 delivers. Every issue of has Saga has delivered so far, so why would things be any different this month. It’s HOW the book delivers that makes it stand apart from previous installments of the book. Another flawless installment by arguably the only  perfect comic series on the stand today, I cannot stress enough how great this book is.

 

ENDS OF SPOILERS DON’T WORRY YOU CAN READ THE REST OF THE COLUMN!

background (1)Secret Avengers #8

Ales Kot/Micahel Walsh/ Matthew Wilson

Marvel $3.99

SHAMELESS PLUG: This book’s writer (Ales Kot) will be signing his new Marvel title (Bucky Barnes: The Winter Soldier) at the store this Wednesday at 6pm. You should probably swing by and tell him how much you love his work and buy a bunch of his comics.

So yeah, in case the cover didn’t tip you off, it’s a MODOK heavy issue of Secret Avengers, one that fills in some gaps between the previous series and this one. It also reveals some answers to questions raised in the first seven issues of this book, reveals some cosmic horror and has some genuinely laugh out loud moments (especially with that last page).

Something I like about this title is how weird it can be at times without pointing it out. Ales Kot, Michael Walsh and Matthew Wilson (who’s does some amazing things with colors this months) blend espionage with humor and some really gonzo elements of the Marvel Universe that remind you that this is a spy comic that takes place in a world of spandex wearing heroes. It’s not afraid to not take itself seriously at times, and look great while doing so.

Secret Avengers is a book that feels like Warren Ellis and Jim Steranko tackled a Avengers book set in the movie’s continuity but were given free range to do whatever they wanted. The end results are as equally bizarre as they are amazing.

 

 

 

 

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Troy’s Toys but with Comics: Spider-Gwen, X-men, and The Wicked + The Divine

4049035-edge_of_spider-verse_2_coverEdge of Spider-Verse #2

Jason Latour/Robbi Rodriguez/Rico Renzi

Marvel $3.99

As someone who got into comics when he was younger due to Spider-Man, it’s funny how very little I actually read about the Wall-Crawler these days. I haven’t bought a physical issue of a Spider-book in some time, and I’m only catching up on Superior Spider-Man now via the Marvel Unlimited app.

That being said, when Gwen Stacy: Spider-Woman was first announced, I was more than ready to spend money on this comic. The design by Robbi Rodriguez was hot to death, and the concept of having Gwen get bit instead of Peter really appealed to me. I’m not to interested in Spider-verse all that much, but I figured picking up this one shot couldn’t hurt.

Now that I have the issue in my hand and have read it a few times over, I have to admit I’m a little disappointed by it. I hate to toss shade at writer Jason Latour, but he played it a little too safe this debut issue. There’s a lot of cool stuff introduced and I lot of concepts I like, I’m just bummed out that we may not see any of play out fully in the near future. I know Spider-Gwen is going to be popping up all over the Spider-Verse event and the tie ins, but I want to know more about her world. It’s a good script, and it did a find job of leaving me wanting more, I just wish I was a little more satisfied with what I got to begin with.

That being said, visually the book looks great. Robbi Rodgriguez and Rico Renzi were the perfect artists to handle this one shot, as this story has all the pop and flair you want form a Spider-book. Gwen looks fantastic in action, and her amazing (UGH BAD PUN) costume really stands out. On a visual level I couldn’t be more satisfied with EoSM 2.

But yeah. Edge #2 is a good comic, but I was expecting a great comic. Hopefully Latour, Rodriguez & Reniz will have a chance at Spider-Gwen again sometime in the future.

portrait_incredible (2)Uncanny X-men #26

Brian Michael Bendis.Kris Anka

Marvel $3.99

Chris Bachalo‘s cover is easily one of the best UXM has been grace with since this 2013 relaunch. I really like it,(it serves as an excellent looking methaphor for the inner demons Cyclops is battling), so it may sound weird that I’m about to say that I’m glad he didn’t handle the interior art for this issue.

Uncanny X-men #26 addresses the fallout from 25 and how it’s gonna haunt the modern X-men. An uneasy alliance form, and questions and doubts rise in a really emotional issue of Uncanny X-men.

Which is why I’m glad Kris Anka drew this issue. Anka’s the type of artist you want to convey emotion in your comic, and he does a great job of selling Brian Michael Bendis‘ dialogue. He managed to hit the action pieces just as well, and the end result is a finely crafted comic, especially when you factor in how great the coloring is too.

Bendis by the way does an excellent job of writing an side of Bobby Drake we’ve never seen, as well as a Cyclops at his lowest. This was the sort of emotional baggage that should have been addressed sooner, but with Anka and Bendis handling it so well now, I’m okay with the wait.

If you hit the shop this week you may noticed that All New X-men dropped as well. I’m done with the book for this time being opting to go the trade route with it. Uncanny X-men, on the other hand, has become the X-book I don’t want to trade wait for. Between the 2 different art teams and Brian Michael Bendis’ solid scripts, it’s easily the superior X-book on the stands.

tumblr_inline_nc1v0wN2sX1r77eonThe Wicked + The Divine

Kieron Gillen/Jamie McKelvie/Matthew Wilson/Clayton Cowles

Image $3.50

Getting real tired of coming up with ways to praise this book. Part of me just wanted to leave it at “buy this book I already hit 500 words, just trust me”, but that’s kinda half assing things. So instead I’ll do a handy little checklist as you why you should read it if you’re not.

Is Wicked+ Div still a gorgeous looking book thanks to the talents of  Jamie McKelvie & Matthew Wilson? YES

Is Kieron Gillen‘s dialogue still incredibly clever and hilarious? YES

Is Wic+Div still the type of book that asks a little more from it’s reader instead of dumbing it down for mass appeal? YES

Is the murder mystery involving gods still incredibly compelling? Also are said gods also super interesting and insanely well designed? YES, although this issue is heavy on the Tron homage.

So yeah, The Wicked + The Divine is still great, in case I wasn’t clear enough above. It’s American Gods meets Phonograms, which is the type of mash up I live for. It arguably has the most diverse cast in comics outside of Saga or Mighty Avengers, and some of the best character interactions in comics today.

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Troy’s Toys but with Comics: Girls and their dogs

ms-marvel-8-cover1Ms. Marvel #8

G. Willow Wilson/Adrian Alphona/Ian Herring

Marvel $2.99

Look at that cover. It is a cover that is made of 100% pure joy, as well as paper and probably some chemicals.

Ms. Marvel has been a delight since day 1, but issue 8 may just be my favorite issue to date. As you can tell from the cover, Lockjaw of the Inhumans shows up, possibly in the most amazing and adorable fashion. Which I think is ultimately why I liked this issue so much, because it is the cutest thing to ever cute a cute. G Willow Wilson has done a lot to make Kamala not a stereotypical teenage girl character, so seeing the new Ms Marvel actually go head over feet for her new pet is more of a delight than it is insulting. Her Ms Marvel is a character that’s very 3 dimensional, so seeing her a different side of her every so often is fun.

Issue 8 also sees the return of artist Adrian Alphona, who absolutely owns his return. The book’s art certainly didn’t suffer during his break, especially with master colorist Ian Herring on colors but Alphona’s style is unique, so having him back just feels right. And we as readers are rewarded to some great art that’s beautifully weird, and packed full of small details and hidden jokes. It’s also great to see how Adrian illustrates the use of Ms Marvel’s powers, leading to some cool and hilarious visuals.

Ms Marvel continues to be one of the best books on the stands today, and it’s mostly due to the level of talent and dedication the creative team brings to this book. From cover to cover, the book is a refreshing alternative to most super hero books and is a ton of fun.

hawkeye-020-001Hawkeye #20

Matt Fraction/Annie Wu. Matt Hollingsworth

Marvel $3.99

:( :( :(

With the release of issue 20, we only have 2 issues of Hawkeye left. I am the saddest of Chris’ over this fact. The 3 sad faces above prove that.

Issue 20 is artist Annie Wu‘s final issue on the series, and ultimately wraps up Kate Bishop’s California adventure. A lot of questions are resolved and a few reveals are had, making for a satisfying, but not necessarily the happiest of endings.

While the book is a bit of a downer at times, the creators do a fantastic job on this comic. Annie Wu’s art is super expressive, and the range of emotions she can put into her characters and environments is impressive. Poor Kate Bishop takes a beating in this issue, and Wu does a bang up job of showing it, with some nasty bruises, bandages and messed up hair. But her Hawkeye is a warrior, and the final 2 pages show how much of a bad ass Katie-Kate can be when push comes to shove. Matt Hollingsworth’s colors really do Annie Wu pencils justice, mixing a lot of bright colors you’d associate with California with the traditional Hawkeye purple. It’s the same flat coloring style you see when David Aja is drawing the book, but it’s different enough to compliment Annie Wu’s style in all the right ways.

Matt Fraction‘s script of course brings the entire package together. His dialogue is sharp,  the reveals he drops land and nothing feels out of place. It’s impressive to see how much he got out of Kate’s “new” supporting cast in such a brief period of time spent with them, but they all feel so fleshed out. And his Kate also remains a fun character that you can help but cheer for, especially when some of the shit hits the fans. He’s done wonders for the character, and I consider him the definitive voice of Kate, despite having nothing to do with her creation.

With this and Superior Foes of Spider-Man wrapping up soon, I’m really bummed to see 2 of my favorite books come to an end. However much like SUP FOES, Hawkeye’s ending seems like it’s coming to a natural ending point, and I’m sure the creators will stick the landing. The Kate Bishop California adventure does suffer a bit due to countless delays, but ultimately it does it’s job of ending one story and setting up the final story. I don’t want this book to end y’all, but I’m eager to see what Fraction, Hollingsworth and David Aja do with the final 2 issues after this issue.

 

 

 

 

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Troy’s Toys But with Comics Big Week part 2!

Here we have the more “Affordable” $3 and $4 books. Insert back in my day rant here.

53ea63633a61fLegendary Star-Lord #3

Sam Humphries, Paco Medina, Juan Vlasco, David Curiel

Marvel, $3.99

Light Spoiler Warning: Kitty Pryde appears in a banana suit in this comic. 10/10, Book of the Month.

I’m not sure how much access Sam Humphries had to James Gunn’s GOTG script before the movie and this comic launched, but I would not be surprised if you told me he knew everything about the movie’s plot before writing this book. This Star Lord feels a lot like the movie version, only with an updated taste in music.

This third issue of GOTG is a hoot. It’s a nice little done and one that expands Quill’s support cast, and undoubtedly plans a seed or 2 for future stories. Paco Diaz, Juan Vlasco and David Curiel still continue to deliver month after month, making this book look as good as it deserves to. Legendary Star Lord is a ton of fun, and I’m glad the success of the Guardians movie allowed this book to happen.

GalleryFuturesEnd_1900x900_GRAYFE_Cv1_A_53763827398858.73816675Grayson: Future’s End #1

Tom King/Tim Seeley/Stephen Mooney

DC, $2.99/$3.99

On paper I should hate this comic. The art is barely serviceable, it’s a tie-in to an event book/weekly series I’m not reading, and it’s starts on a major downer. In a way, it comes off as the type of comics that’s kept me away from DC in that past.

Despite a lot working against it, I ended up LOVING Grayson: Future’s End. It’s Batman meets Momento, where the book continuously flashing back to the past, ending at a beginning. Tim Seeley and Tom King take a risk with the plot of this comic, and despite all odds, pull it off with some incredible results.

It’s just a shame that this book doesn’t look as good as it has in the past. I’m not sure why regular series artist Mikel Janin isn’t present, but  guest artist Stephen Mooney doesn’t posses the same talent. It also worries  me that we’re having guest artists only 3 issues in.

Ultimately this book is saved by the story and dialogue. King’s own spy experience comes into play here, and you’ll want to re-read this issue once you figure out a certain plot element.  Im also curious as to see if a few of the plot points introduced in this book are going to play out in the future of this book or not.

I encourage anyone who’s enjoyed the first 2 issues of Grayson to pick up this issue. Despite the dip in the quality of art, it’s still a good book that’s worth the $3.

 

backgroundSuperior Foes of Spider-Man #15

Nick Spencer, Steve Lieber, Rachelle Rosenberg

Marvel $3.99

Anyone who’s been reading SUP FOES for the last year could tell you the formula of this book. The previous ending is address in the first few pages, the Sinister  6 5 get out of one jam and into another, things look up for the team and the final page blows that to hell, setting up the next issue.

With the book wrapping up at #17, this issue turns the dial up to 11. The Sinister 5 4,  chalk up several wins this time around, which only means things are going to get real bad for them real quick. This arc is called “Gang War” for a few reasons and readers will know why by the time they hit page 20.

Creators Nick Spencer, Steve Lieber and Rachelle Rosenberg are doing some career defining stuff with this book. We finally get to set the Sinister ( insert number here) work together as a team, but the creators have been on same page since day one, making this one of the most constantly great book on the stands.

Superior Foes of Spider-Man continues to be everything I want from a comic: humor, action and fully fleshed out characters. Issue 15 is all of that, and as sad as I am to see this book wrapping up, I have no doubt it will absolutely stick it’s landing.

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Troy’s Toys but with Comics: Big week was big part1

Oh snap, it’s a two part review article for this week! I pulled a whopping 5 books , as well as a few trades, so expect ALL COMICS ALL THE TIME articles for the next 2 weeks. Yeah I know, that’s kind of business as usual for me, but I’m choosing to do that over word- vomiting over the release of TWO new Cyclops action figures, so pretend it’s special this time around.

I’ve divided the books up as the following: Comics that cost $5 and comics that don’t cost $5. We’ll be looking at the $5 books first (which unsurprisingly are both Marvel books), because…well because I said so dammit.

detail Hawkeye vs Deadpool #0

Gerry Duggan/Matteo Lolli/Cristiane Peter

Marvel $4.99

I’ll be honest, this  book was a tough sell for me when it was initially announced. I haven’t bought a straight-up Deadpool book in years, and I tend to be very weary of books starring Hawkeye not written by Matt Fraction or Ales Kot. The $5 price tag certainly did help things either, and I figured that is it was good, trade waiting it would be a valid option.

HOWEVER, after flipping through the first issue of said at the shop, I ended up liking what I saw and decided to take a chance on it. And you know what, I’m glad it did, but this book hit me in all the right ways. Gerry Duggan has proven he can tell a good Deadpool story plenty of times in the proper Deadpool series, and while Matteo Lolli is no David Aja, his art definitely works for this story.

 

4063285-hawkvsdp2014000_int2-page-002The plot summary is as following: it’s Halloween night, and Deadpool and some folk familiar to both books are out trick or treating in a certain Avenger’s building. One of Hawkguy’s tenants has got himself in some trouble, so now Wade and Clint have some super heroing to do. The only problem is that don’t necessary want to work together as bro,s bros.

That by the way, brings me to my sole issue with this comic. We’ve seen Deadpool and Hawkeye work together in the past, last year in A+X, and currently in Secret Avengers. I may be playing the role of TURBO NERD here, but there’s material currently being published ( Thunderbolts, Hawkeye, the just mentioned Secret Avengers) thatclashes with this book. Maybe it with all make sense once those stories are all told, but only time will tell.

Continuity-nerd-issues aside, the book itself is fun. Both Lolli and Duggan obviously have some experience with Deadpool with past works, so it’s no surprise that the Deadpool stuff is handled really well. A little head’s up though, this book is DEEP into the current events of the main Deadpool series, so you may be a little confused about a thing or two if you’re not caught up on it.

That being said,  the big surprise is how well the Hawkeye side of things are managed is handled. There are a lot of clever nods to Fraction/Aja’s run, including 2 double spreads that parody the 2 most celebrated issues of Hawkeye.

Obviously any encounter between Hawkeye and Deadpool should be humorous, and the jokes do not disappoint. Duggan knows how to handle mixing humor and action well, and the laughs land more than miss. Visually,  Lolli and color artist Cristiane Peter are great, giving the book a clean, bright look that reminds me a lot of the late and great Mike Wieringo’s work.

 

Ultimately, this book isn’t going to win any awards or redefine the medium, but it’s a fun read for fans of the characters. If you’ve been enjoying Hawkeye and/or Deadpool, you’re sure to enjoy this double sized debut. If you want this to be your entry book to both characters though, you may want to look elsewhere.

 

123px-Uncanny_X-Men_Vol_3_25_TextlessUncanny X-men #25

Brian Michael Bendis/Chris Bachalo/ Several Inkers

Marvel $4.99

I’ll be honest, this book can be summed up as a double sized issue where the X-men stand around and react to a retcon. That may not be your cup of tea, especially when you factor in that it’s $5 and there’s still a chapter in this arc to go.

That being said, if you don’t mind that sort of thing, it’s a compelling as hell issue. Chris Bachalo returns to draw the hell out of this issue, despite him not knowing how Kitty’s Pryde modern costume works at times, or Cyclops mask reappearing at random.

Uncanny_X-Men_25_Preview_2Those minor issues aside, the book looks great. The army of inkers complement Bachalo’s pencils and colors well, giving the book a crisp, bold, cohesive look. Cohesive and GREAT mind you, as Bachalo delivers some really powerfully scene, both emotionally and action wise. Also the way he colors Iceman is great, as it looks like actual ice.

 

Brian Michael Bendis isn’t a slouch either mind you, but your opinion on the script may be different from mine. I’m a fan of the retcons he’s introducing, but it’s bringing Xavier into some scorched earth territory. If you’re an Charles Xavier fan, you may have a bone or two to pick with these reveals, but I’m strictly on Team Cyclops Was Right, and am digging Bendis doing some new stuff here.

Again, at $5, this issue of Uncanny X-men comes down to a matter of taste. If you’ve been a fan Uncanny’s direction since the Bendis relaunch, you’ll probably like issue 25. If you’re only thinking of jumping aboard because Original Sin is on the cover, you can skip it.

 

 

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Troy’s Toys, but with Comics: Late Edition 2

Hey y’all. I just spent the last 5 days in Atlanta, attending DragonCon and attempting to find Ludacris. I was not very successful in the later, unless Luda was disguised as an otter at the Atlanta Aquarium. Which I sadly doubt was the case. Anywho, I’m back, so comics time is now.

wayward01b-alinaurusovWayward #1

Jim Zub/ Steve Cummings/ John Rauch/ Marshall Dillon

Image $3.50

It’s rare for my wife to beat me to the punch when it comes to launch of new comics, but it was the case with Wayward‘s debut. Apparently one of the covers (there’s roughly a million of them btw) caught her attention months ago via Tumblr, and it made a big enough impression on her that she made sure I picked it up for her last week.

There’s a lot to like in this debut issue of Wayward. It has a cool story hook, solid art by Steve Cummings, fresh dialogue by Jim Zubb, and John Rauch‘s outstanding coloring that really makes this book pop out at times. It’s not exactly the deepest read, but a cute and fun debut with some ultra violence.

My only problem with Wayward is that there’s a character who comes off as several manga/anime cliches rolled into one. Hopefully the character will be developed more as the series continues, but her debut leaves something to be desired. Aside from that it’s a fun read, assuming you go into it thinking it’s the next Saga or The Wicked  + The Divine. The book certainly doesn’t pretend to be, and it’s ultimately stronger for it.

 

 

All-New_X-Men_Vol_1_31_TextlessAll New X-men #31

Brian Michael Bendis/ Mahmud Asar/ Marte Gracia

Marvel $3.99

Mahmud Asar comes back this month to launch the newest story arc in All New X-men, and his art here is much stronger than his previous fill in from earlier in the year. Issue 31 sees the team go after a new mutant all by themselves, and results in the 5 young X-men ending up in another Marvel universe. Which one you may ask? One that writer Brian Michael Bendis has been heavily involved in for years.

Asrar’s art is solid, but I think it’s a bit of a step down from the previous issue. His art isn’t as dynamic as Immonen or Pichelli’s, and a lot heavier on the black inks than the two of them, but still is serviceable. He handles the few actions scenes well, and his final page is particularly solid, definitely getting the reader hyped for what’s to come.

And even with a new artist, Bendis and series colorists Marte Gracia strive, making ANXM #31 another enjoyable issue. I’m curious to see what this storyline has in store for the readers, and am hoping that it continues to upkeep the level of excellence brought to this book by Stuart Immonen.

 

SagaSaga  #22

Brian K Vaughan/Fiona Staples

Image $2.99 

WHELP!

The painful event we knew was going to happen finally hits critical mass in Saga #22. BKV and Fiona Staples have been slowly been building up to it for months, but now the poop has hit the fan something fierce and things are going to get real bad real quick.

It’s impressive what Brian K Vaughan and Staples can do and do so well in a 22 page comic. We’re finally introduced to a long teased character, reintroduced to a few returning favorites and still have plenty of room for the story to advance. And by advance I mean destroy the readers in a mere 4 pages.

And those 4 pages man. Everything from the body language to the dialogue is perfect, making this, what is surely the first of several heart crushing blows, all the more devastating.

They say it’s always darkest before dawn, but man, this sort of darkness makes me sad. A great comic none the less, just one that you should not read without something to hug near by.

 

 

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Troy’s Toys But with Comics: BERFday edition.

Hey today’s my birthday! Totally not relevant to anything we’re going to discuss tonight, except for like 1 gag, but you can wish me a happy birthday in the comments section if you dare!

portrait_incredibleSecret Avengers #7

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

Deadpool and Hawkeye team-up time is exactly the type of birthday gift I wanted. Thank you team Secret Avengers.

Deadpool is a character that if not handled properly can ruin your story and bringing any momentum to a screeching halt. Luckily, that’s not the case for Secret Avengers #7, where Deadpool’s 4th Wall breaking and straight up insanity makes for a hell of a read. It also helps that Ales Kot’s version of the character is genuinely funny here, using himself to interact with Wade on the page.It’s not the first time we’ve gotten such, but it’s certainly the best execution of it in awile.

Michael Walsh, Matthew Wilson & VC’s Clayton Cowles also get in on the fun, providing some hilarious (and sometimes chicken-based) visual gags and sound effects. The book has been plenty funny in the past, but this issue really takes things to the next level all while advancing the plot. Walsh and co also do a lot of experimenting with layouts, using double spreads, pages with 10+ panels and some other interesting choices that I rather not spoil. It’s the title of art that deserves more praise than it’s getting.

Secret Avengers was a great book in a week that saw a lot of strong releases. It’s the type of Marvel Comic that justified the $4 price tag.

portrait_incredible (1)Ms Marvel #7

G. Willow Wilson/ Jacob Wyatt/ Ian Herring

Marvel $2.99

Jacob Wyatt‘s 2 issue guest stint on Ms Marvel returns this week with a delightful wrap of. Kamala’s team up with Wolverine has the pair fight a giant alligator and deal with a classic death trap while discussing  Ms. Marvel’s new career path. Under lesser creators, this book would risk being preachy, almost a “very special episode” type of book. Luckily for us, the readers, the creative team remains flawless, and the end result is a very good comic.

I’m the type of dude who doesn’t like Wolverine, as I’ve suffering from Wolverine exhaust ever since I got into comics. That being said, Wolverine hanging out with teen lady super heroes is something I like…..oh man, I just re-read that past sentence, I apologize how creepy it sounds. Sorry :/

Creepy-ass commentary is now over. And since G Willow Wilson is pretty much perfect on this issue, which ends on a super fun note, we’ll talk about Jacob Wyatt some more. I really loved his art during this arc, as he was just as expressive and animated as regular artist Adrian Alphona, but very much of his own style. His Khamala is adorable, which….nope, no more creepy as commentary, sorry.

But yeah, another enjoyable Ms Marvel, with some great art, fantastic dialogue and the set up for some really awesome guest stars. All under a highly amusing cover by Jamie McKelvie that dropped right during selfie-month in DC. Forbidden Planet’s best selling series is a best seller for a reason, and the quality seen in this issue is proof of that.

 

tumblr_n5xgrzsXkf1tuoa2wo1_500The Wicked + The Divine #3

Kieron Gillen/Jamie McKelvie Matthew Wilson/Clayton Cowles.

Image $3.50

Brilliant, simply brilliant.

Much like the first 2 issues, the Wicked + the Divine is a gorgeous books that has some of the best dialogue in comics. It’s also incredible smart, and isn’t afraid to challenge the readers, making you wanting to re-read it several time to pick up on everything.

Also the Stephanie Hans variant is gorgeous and continues my streak of buying variant covers for this series.

And it’s just not Kieron Gillen and Jamie McKelvie doing some career defining stuff. Matthew Wilson (again) color’s are the realness, and Clayton Cowle‘s lettering is the type that you stand up and take notice off. It’s several creators coming together to make a fantastic comic.

Wicked/Divine is one of those books that makes picking out a favorite Image book difficult. While it may initally come across as collections of Gillen’s greatest hits (Music and Gods as themes), it’s definitely taken it’s own form and the results couldn’t be better. It’s an amazing comics, one that stands out among a week of fantastic releases.

 

 

 

 

 

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Troy’s Toys But with Comics: Lovable Scamps Edition

Quick Movie Review: I saw Guardians of the Galaxy last week. It was very fun. You should see it too. Unless you hate fun. Then don’t I guess.

::: counts up word total and is upset that doesn’t count up 500 words :::

 

Dammit, I guess I should review some comics then.

3792239-starlord-#2-cover-finalLegendary Star-Lord #2

Sam Humphries/Paco Medina/ Juan Vlasco/ David Curiel

Marvel $3.99

Hey look a book starring on the characters from GOTG, check out my synergy! #toyetic

This second issue finds Star Lord pitted against a nasty bounty hunter, with a nasty pet, as well as the commander of the Spartax Royal guard. With Marvel announcing 3 new Star War titles at SDCC, the lack of a Han Solo project makes more sense with the release of Star Lord #2. There’s a monster who’s very much a Sarlacc Pit homage in this issue, although the twist to it is very cool.

And now that we’re living in a post-James Gunn GOTG movie world, we can see that  this Peter Quill is very much a Chris Pratt  (aka Burt Macklin) influenced version of the character.  Sam Humphries drops the word “man” into Star-Lord’s vocabulary a lot, there’s a bit involving his rocket boots and this version of seems a little more sneaky and underhanded than the more heroic version we’ve seen in the DnA and Bendis runs of Guardians of the Galaxy. This is not a complaint by the way, as comics starring dashing space rogues are my jam.

Paco Medina continues to do a solid job of drawing the hell out of this book, and the character designs he’s using are really solid. My only complaint is that the coloring in the print edition pales greatly to the digital version of LSL #2. I’m not sure if it’s a printing error in my copy or just something that’s lost when made a physical copy. Either way, if you don’t mind reading comics digitally, redeem that code ASAP. It does wonders to the work done by  Juan Vlasco & David Curiel.

Overall, Legendary Star Lord #2 is a fun read that will scratch your Peter Quill itch if you’re looking for more of the character after the movie.

portrait_incredibleThe Superior Foes of Spider-Man #14

Nick Spencer/ Steve Lieber/ Rich Ellis/ Rachelle Rosenberg

Marvel $3.99

And the best use of a corgi in the Marvel Universe goes to the Superior Foes of Spider-Man! Before we dive into the interior, let me start off by talking about the front of this book. Kris Anka‘s cover may come off as simplistic, but it does an excellent job of capturing the cast’s attitude and the overall Sinister 6 group dynamic. Also the coloring is insane.

Artist Rich Ellis returns to help Nick Spencer and Steve Lieber flesh out the back story of one of the Superior Sinister Six’s member, something this book has excelled at doing. Not all of the villains in the book had established backgrounds coming into this book, and the origins Spencer and friends have been providing them with have been clever, super entertaining, and very satisfying. In addition, the fate of Speed Demon’s corgi puppy is revealed in a heart warming story that consists of 3 wordless pages. It’s a testament to Ellis’ skills, as he manages to blend humorous and heart warming moments perfectly. Rachelle Rosenberg’s color help of course, and she does an amazing job with the crazy last 2 pages.

So yeah, even with adding another artist to the mix for an issue, The Superior Foes of Spider-Man remains flawless. I’m also glad we’re getting more comics where Marvel Hero’s masks are used as censor bars.

 

4008079-grayson01Grayson #2

Tom King/Tim Seeley/Mikel Janin/Jeremy Cox

DC $2.99

Yes good, more of this please.

As apprehensive as I was with Grayson when it was first announced, this book continues to impress. 2 months in and King and Seeley have taken several obscure elements from Grant Morrison’s run on Batman Inc, retooled a fan-favorite character, and most importantly focused on what make Dick Grayson one of the BEST characters to grace the page of DC Comics.

I don’t want to discuss the plot of issue two much, mostly because the hook is kinda cool in an incredibly gross sort of way, but it does make for a great read. There’s also some amazing interactions with Dick Grayson and the Batman, and a mention of a certain red head that gives me the Tumblr-type-feels.

And I think that’s why I’m digging Grayson so much. It’s a beautiful looking and smart book that actually strives to get an emotion response from the readers. It takes a lot of stuff from the Bat books from the last few years, add some cool elements together and blends everything together for a great read.  The cast in engaging and intriguing, and the big mystery to this title is super interesting.  The end result spy book than channels some weird 60s Marvel comics, with a lot of heart and pretty pictures. Grayson has done an excellent job of getting me back into buying a DC Comic on a monthly basis, something that hasnt been done since Snyder/Capullo’s Batman started up.

 

 

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