Category: Comics

Troy’s Toys but with Comics: Wicked Academy

WickedDivine_09The Wicked & The Divine #9

Kieron Gillen, Jamie McKelvie, Matthew Wilson

Image $3.50

KIERON GILLEN IS A JERK!

He’s not really. I’ve met him several time, if anything he’s the complete opposite. But man, this issue of The Wicked and the Divine ends on a bummer of a cliffhanger.

Gillen’s pacing has been incredible throughout the series. The previous issue of #WicDiv ended on saucy note, and this issue lead up to believe sexy times were instore for everyone. That couldn’t be any farther than the truth, as we’re instead treated to a few reveals, some heartbreak, and some choice dialogue by KG once again.

Surprising no one, Jamie McKelvie and Matthew Wilson are still in top form with the art for this book.  McKelvie reminds us just how good he is by giving a trio of familiar supporting characters a new look, and it’s gorgeous. McKelvie excels at designing and redesigning character, so I shouldn’t be surprised the end results are as good as they are, but I’m impressed time after time.  Wilson remains equally important, as his choice in colors for these character really give them a visual style that helps win the reader over.

Wicked and Divine volume 2 continues to be a consistent and stellar read. The WicDiv fandom has come to expect certain things from a Gillen/McKelvie/Wilson project, and they deliver in usual  fashion again with this is, despite its being quite brutal at times.

 

 

 

STK666956Gotham Academy #6

Brenden Fletcher/Becky Cloonan/Karl Kerschl/Mingue Helen Chen/Msassyk/Serge Lapointe

DC $2.99

Guys, I’m not sure if I get this message across in my reviews, but this is the BEST time to be reading comics.

Gotham Academy wraps up its first arc, and it’s delightful. It’s funny that arguably the most light hearted of the Bat-titles, this is the book that has Batman come off as a villian. Obviously he and Croc has a history that says otherwise, but a teenager with mom issues may see the Bat in a different light. Batman’s extended appearance doesn’t detract from the feel and tone of the book though, as it shakes things up a bit and takes the book in some interesting directions. The most  shocking being the tease of the addition of a established Bat-character who’s presence is welcomed and makes a ton of sense.

Karl Keschl gets some help on the art end of things from Mingue Helen Chen and style wise it couldn’t be better. While it’s not as bright & colorful as Keschl’s art, it’s definitely beautiful in its own way, channels the same animation vibe, and fits the narrative quite well. Becky Cloonan and Brendan Fletcher are in top form, writing very believable kids & a very rich and interesting world. In the span of 6 issues, these  5 kids have been given an impressive amount of depth in such a short period of time, and it kills me I’m going to have to wait until June before we re-visit this world again.

Gotham Academy #6 is another great installment of the best Batman book no one’s reading. Hopefully the new addition to the cast will get the book some new readers, because I would hate to see it end after the next arc.

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Troy’s Toys But With Comics: Mark & Eve & Alex & Scott & Emma Edition

Invincible_118Invincible #118

Robert Kirkman/Ryan Ottley/Jason Howard/Jean-Francois Beaulieu

Image $.25

CHRIS FACT: If you offer a comic that I have the SLIGHTEST interest in for under $1, I will buy it.

Invincible is a book I’ve read for a long time. Like 104 consecutive issues long. It was also a book that got a little too gross for my liking and jumped ship. But for a quarter, I was willing to pick it up and see what Mark and the gang were up to these days. For the record, Invincible 118 is definitely NOT the perfect jumping on point for new readers. There’s a 6 page recap of the series, and that’s HELLA intimidating if your new to the series. But if you’re a lapse reader like myself, it’s pretty good issue to jump back in on and not be too lost.

Robert Kirkman is still going strong on this book, mixing drama with some much needed but slightly juvenile humor, which is needed because this book gets GRIM in the last few pages. TRIGGER WARNING/SPOILERS: There’s a sexual violence discussion that while handled well, kind of comes out of nowhere if you’re not caught up on the book. I applaud Kirkman for taking some story telling risks and actually pulling it off, but I’m not sure if that’s going to win him any new readers.

Ryan Ottley, one of my favorite artists today and one of the things I miss most about the book, has started inking himself, and it’s a bit jarring. His art looks a little looser, and more Erik Larsen-esque. It’s not bad mind you, it’s just took me by surprise. On colors we have  Jean-Francois Beaulieu who uses a brighter palette than John Raunch did, but still isn’t on FC Plascencia level. In his and Raunch’s defense, it could be a printing issue, but without a digital copy of the book, it’s hard to say.

 

Invincible ends on a solid cliffhanger, hoping to keep anyone new to the series on. For me, it’s not enough to get to start buying the title again, but it was a nice to revisit the book. I applaud Invincible for being a super hero book where there’s some consequences for the cast’s actions because there’s no status quo, I just have no desire to stick around.

 

Uncanny_X-Men_Vol_3_32_TextlessUncanny X-men 32

Brian Michael Bendis/ Chris Bachalo/Tim Townsend

Marvel $3.99

I’m sure Brian Michael Bendis isn’t the type of dude who googles his own name and reads reviews of his comics. Dude has better to do with his time. But man, it really does feel like Uncanny X-men 32 addresses all of my complaints with the book in a single done in one.

The end of AXIS is finally addressed in this book as Cyclops’ brother Havok joins the cast. Bendis’ take on Alex is fun, although you’ve have to be caught up on Rick Remender‘s runs on Uncanny Avengers and AXIS to understand why he’s currently the way he is. Alex acts as the stand in for the reader, and helps us get caught up on what went down at the end of the last issue and the beginning of this one. There’s a bit with Scott and Emma that made me MAD as of fan of those readers, but speaks of Bendis’ talents. He managed to get some strong emotions out of me with this comic, something he hasn’t done with this book in some time. Bendis has a pretty good track record with done and ones on this title, but this is easily one of his stronger issues on this run.

Chris Bachalo and his army of inkers provide to supply this book with some fine art (that cover is especially good), although the 2 different colors and some odd photoshopping when it comes to the background hurts it in places. It doesn’t ruin the book in any way, but it certainly pulled me out of the experience a few times. But when it’s good, it’s good, especially when it comes to that Scott and Emma confrontation. Again, a great scene that hurt me oh so much.

As we approach the end of Bendis’ Uncanny X-men run, it’s nice to see the writer continue to take the X-men in some interesting directions while writing some excellent comics. His run on Uncanny has been a little uneven in place, but issues like these overshadow the weaker issues. Uncanny X-men 32 may be the best yet, setting the up the end of  this volume of  UXM on a interesting foot.

 

 

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Troy’s Toys but with Comics: SEXCASTLE

SexCastleCoverSEXCASTLE

Kyle Starks

Image $15.99

Reviewed by Chris Troy 

“Nurse, this baby was born mean!”

Comics Alliance contributor/upcoming X-men ’92 writer Chris Sims first brought Kyle Starks‘ brilliant SEXCASTLE to my attention via a an article/Kickstartr plug on CA. The panel that sold me on the book is below, edited because language, but the important thing about this page remains unaltered:

Sexcastle03-393x630

 

 

 

 

 

 

 

The last panel is arguably the best line of comics dialogue in 2015/the last 10 years/since Ben Grimm declared it was “Clobberin’ Time” for the first time.

Once SEXCASTLE was fully funded, Image Comics, who has also given us comics with sex in the title such as SEX and SEX CRIMINALS, picked up the publishing rights, and unleashed Kyle Starks insanely rad comic on the masses last week. It’s a tribute/parody of classic ’80s/90s action films, which is nothing new to comics, but so over the top it feels fresh. Sexcastle definitely pays homage to the works that inspired it, but it also laughs at them, and encourages others to do so as well.

fistburger006SEXCASTLE is the tale of Shane Sexcastle, once the world’s greatest assassin, now an ex-con who ready to start life over in a small town. Of course that sort of plot doesn’t make for the most action packed action comic, so Shane’s vow to give up violence is short lived, and his legacy of brutality* catches up to him once he messes up some locale. This ends in hella punching several characters that bear resemblance to a lot of action film icons, and all of them dying terrible and hilarious deaths. Oh and an actual bear. Sexcastle isn’t exactly the most serious of comics folks.

What Sexcastle is however, is arguably the most quotable comic in some time. The dialogue is a blend of action movies and Chris Onstad‘s Achewood, meaning a lot of dumb things are said in clever and hilarious ways. There’s jokes everywhere in this book, and all of them stick their landing mostly because they’re played straight, and rarely acknowledged. I’m honestly surprised the book isn’t labeled as an action-comedy, but then again I suppose there’s nothing funny about violence. No, that’s a lie, comics violence can be hilarious, especially when GUNCHUCKS are involved.

Sexcastle01Starks’ artwork is simplistic, and honestly that’s for the best. Like I just said, there’s a ton of graphic violence in this book, and this book would probably turn me off to it a bit if it looked too realistic. The cartoony style works in the comic’s favor, as does having the book being printed in black and white with some gray-scaling. Even the hand penned lettering is often hilarious, featuring sound sound effects like ONG-BAK’D, PANTIED, and a bunch of others words I can’t post here.

SEXCASTLE, while chock full of good morals, is definitely not for the children. BUT it’s arguably the best comic release of the year. Yeah, I know, Scott McCloud released something not too long along, and technically this was first released in 2014, BUT MCCLOUD’S FOR NERDS** AND SEXCASTLE DOESN’T ACKNOWLEDGE SUCH LAME CONCEPTS AS TIME! To paraphrase The Simpsons, BUY SEXCASTLE OR GO TO HELL!

 

 

 

*Shout of to the Misfits!

** Not personal Scott McCloud, but this book owns harder than both The Raids and Dredd combined.

 

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Troy’s Toys But With Comics: #BatgirlofBurnside Edition

So in case haven’t sold a large  small portion of your humanity to the internet like I have, you may have missed this week’s Batgirl controversy. The Outhouse has a good summary of the insanity if you care to catch up on it, and I agree with DC‘s  decision to recall the cover. Sadly, there’s a loud internet minority that doesn’t agree with me, but I really don’t give a toss about their whacks opinions.

As fate would have it (“or maybe it’s a CONSPIRACY?!” says that one guy on Facebook no one really likes), not only did this month’s issue of Batgirl drop this week, but the Batgirl: Endgame tie-in issue dropped as well. Since Barbara is once again in the spotlight, I’d figured I’d cover both issues in the column, because it makes or better narrative or something.

batgirlendgame1BG40cover-copy_5488f03771edf2.26063680Batgirl: Endgame #1

Cameron Stewart/Brenden Fletcher/Bengal

Batgirl #40

Cameron Stewart/Brenden Fletcher/Babs Tarr/Maris Wicks 

DC $2.99

Batgirl Endgame wasn’t what I expecting, but delightful none the less. Taking place before the events of Batman #40, but after Batgirl #40, the one shot sees Babs helping out with some evacuating while dealing with the ( HERE LIES SPOILERS) The Joker plague that infected Gotham.

The comic is impressive on 2 major levels. It’s a silent issue of sorts, which ever since G.I. Joe #21, is nothing new, but still an hard feet to pull off. What separate this silent issue from past ones is the clear use of Emojis, thus making it the MOST 2015 of comics. The other things that wow me was the art of Bengal, who has the not easy task of being the first artist to draw something related the series since Babs Tarr. This France-based artist delivers some gorgeous and really expressive art, and successfully manages to tell a emotional story without the use of any dialogue.

The story, by series regulars Brenden Fletcher and Cameron Stewart, itself is fairly straight forward, and a tad on the fluff side, but let’s be real, there’s only so much you can do with a editorial mandated tie in. Upside, it’s a simple one-shot (unlike the Death of the Story arc from a few years back), the gets to see Batgirl be a creative and triumphant hero, which is nice when dealing with Joker related stuff. It’s a solid alternative to the pretty grim stuff that’s been going with Batman proper, and shows that Barbara can be triumphant and stay true to her character even in the darkest of situations.

With Batgirl #40 we have a story in a very modern setting with a some retro plot elements. The previous issue gave us the reveal of the first arc’s big bad, and we get it’s origin with this issue. It’s a bit disappointing in my opinion, as SPOILERS a rogue AI based on Batgirl’s brain patterns is something  straight out of Wargames. I do appreciate it being  an analogy for the Batgirl’s ongoing struggle with her identity, but I thought it was a little ham fisted. That being said, I REALLY dug the last few pages of the issue, and I’m hyped to see what June will bring for this title and the upcoming Black Canary title.

 

Even though I wasn’t exactly the biggest fan of the book’s plot, Cameron Stewart, Babs Tarr and Marius Wicks’ visuals are still gorgeous. Tarr’s facial expressions, beautiful character designs & outfits and brutal yet clean fights scenes combined with Wicks’ crisp colors palette are still the main reason to buy this book. And while Stewart and Brenden Fletcher’s script wasn’t as strong as i’ts been in the past, they do drop some interesting hints about the possible future of some of the cast members.

 

Batgirl #40 is a bit uneven, and Batgirl Endgame is a bit of light read, but I wouldn’t call either comics bad. They’re fun books, with visuals that aren’t afraid to try new things. They both feel fresh, which is appreciated and welcomed, as I rather see comic try and fail then stick to  a proven but tired formula. Batgirl is a book that embraces the changing comic book medium, and that makes it a must read.

 

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This Promotional Fly Swatter is Almost as Swell as Jeff Goldblum

This is easily one of the neatest, if not THE neatest, pieces of promotional swag we’ve ever received. Ladies and gentlemen, I present to you the official Fly Outbreak Fly Swatter from IDW…

Fly Outbreak Swatter

BONUS: We’re giving it away this Friday, 3/20/15! Keep an eye on our Twitter feed for more details.

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Troy’s Toys But With Comics: Duck Puns Edition

howard_the_duck_1_coverHoward The Duck #1

Chip Zdarsky, Joe Quinones, Rico Renzi

Marvel $3.99

I love the fact that we now live in a world where the box office success of Guardians of the Galaxy means Chip Zdarsky gets to write a Howard the Duck book drawn by Joe Quinones.

Howard the Duck is the latest off-beat Marvel book that’s unsurprisingly amazing. Joe Quinones has been drawing a number of beautiful covers for years, so this book looking as good as it does is expected. And Zdarkseid (Mandatory misspelling of Chip’s pen name=GET) has been one of the funniest dudes in comics as of late, so Howard being a laugh riot also isn’t shocking.

What I wasn’t expecting was this creative team to build a narrative that spans from the original Howard the Duck #1 all the way to the GOTG post credit scene. It’s the opposite of the recently relaunched Ant-Man, embracing Howard’s weird history, not to mention the recently concluded She- Hulk series, yet presenting in a way that easy for new reader to pick up. I would say it’s the best Howard I’ve read since creator Steve Gerber’s last run, but I’m sure there was also a mini series where Howard turned into a MODOK, which is also pretty great.

I can’t ever recall wanting a Howard the Duck series, but now that I have one by this specific creative team I kind of love it. It looks great, it’s funny as hell and there’s enough content in the first issue that warrants a re-read. Howard the Duck #1 is not unlike Squirrel girl#1 where Marvel has given us super hero humor book by some top-self creators. Also if anyone at Marvel is reading this, a Zdarsky-penned “Self-loathing Spider-Man” series is something I want now.

 

portrait_incredibleSpider-Gwen #2

Jason Latour/Robbi Rodrigues/Rico Renzi

Marvel $3.99

I’ll be honest, I was willing to trade wait Spider-Gwen even with the first issue being quite superb. But then Scumbag Matt Murdock made an appearance, and suddenly I was $4 poorer.

Spider-Gwen continues the trend of excellent talking animal comics by Marvel this week, as Spider-Ham plays a unexpected, but none the less important role in this issue, which sees both Stacys deal with their respected Spider-Gwen related problems. Having both Stacys take point this issue gives it a unique perspective, as Father/Daughter relationships are rarely explored in super hero comics. We also get to see more of this reimagined Marvel universe characters, and a background Easter egg promising an interesting take on one Felicia Hardy. In a way it hits a lot of the same beats the first issue did, while continuing to develop the characters and move the story forward. This continues to be Jason Latour‘s finest Marvel work to date, especially with the dialogue sounding and flowing as well as it does.

Visually, Robbi Rodriguez and Rico Renzi continue to provide stellar art for this book. Each character is boiled down to a specific characteristic (Murdock’s always sleazy, Frank Castle always looks determined, Spider-Ham is VERY much a pig) under Rodriguez’s skillful line work, and the heavy use of pink and green against the darker backgrounds of this book still make it look slick as hell.

Spider-Gwen #2 is pretty much more of the same of what we got from issue 1, which is fine. The first issue was rad, as was this one. Between this and the newly relaunched Spider-Woman, we have two awesome alternatives to Amazing Spider-Man, with each book offering something fresh and fun.

 

 

 

 

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Spider-Verse

2 Spider-Women and a little Silk

With the SPIDER-VERSE story arc over and the dust only beginning to settle, you may have noticed a shift in the shape of Peter Parker’s part of the Marvel Universe.

It’s got *gasp* girl heroes! Three of ‘em, even!

Yes, three new books have made their way out to you Marvel readers, each featuring a female protagonist, two of whom are brand-spankin’ new. But with MS. MARVEL already dominating and SHE-HULK‘s book sadly finished, the obvious question becomes – is their room in the sky for three new, distaff Spider-Man counterparts?

Probably not. But that doesn’t mean we can’t enjoy it while it lasts. So let’s look at why you should be reading the comics  for each of our gals – SPIDER-WOMAN, SPIDER-GWEN, and SILK!

SILK

So! Elephant in the room – we’ve still got a slew of copies of SILK #1 sitting on the stands right now. Which doesn’t bode well for newcomer, Cindy Moon, nor her creative team, Robbie Thompson, Stacey Lee, et al.

And that’s a shame because the centerpiece for the Spider-Verse story arc has a real solid story already in her own book. Girl out of time, missing family, and a complicated relationship to Peter Parker himself, Cindy’s got all the makings of a relatable super-hero. Plus, she’s one of the scant few Korean characters in the regular Marvel roster right now.

Even though her family is MIA, Cindy Moon is deeply affected by them. We get flashbacks of what her home life was like before she wound up in a lonely bunker, hidden away for a decade. And what we see isn’t so dissimilar from the kind of interactions we see between Kamala Khan and her family.

What it boils down to is this – if you’re looking for a book that marries the web-slinging sensibilities of Spider-Man with the more modern, slice-of-life style from Ms. Marvel, Silk is probably the book you ought to be reading.

SPIDER-WOMAN

If there’s a true dark horse among this three-some it is, unquestionably, Jessica Drew. While Silk may not have sold out, SPIDER-WOMAN #5 is seeing attention for all the wrong reasons.

While the comic-reading world was divided on Milo Manara’s butt-tastic variant cover to Spider-Woman #1, it’s her new costume that’s been universally agreed upon. And that response is “eh”. It’s not terrible, it’s not great, it’s just not particularly… right. That’s the consensus. And that tepid response mixed with kickstarting the new adventures of Jessica Drew at a number five rather than a number one isn’t helping things either.

But that doesn’t mean you shouldn’t be reading! Especially if you’ve been longing for something that feels less superhero and more A.K.A. Jessica Jones. Yes, it’s impossible to miss writer Dennis Hopeless’s homage to the Bendis new classic, ALIAS. Spider-Woman’s a detective, and she spends a lot of time being duped and getting it wrong. Throw in a snarky attitude, and the new Jessica Drew is definitely the new Jessica Jones.

And whether or not you’re happy with the costume or the fact that she left the Avengers, there’s no mistaking the potential for a more street-savvy, motorcycle riding, ain’t-afraid-to-fight-dirty Spider-Woman. So if you haven’t given her a shot yet, do. I think you’ll be pleasantly surprised.

SPIDER-GWEN

And if there’s one hero who’s off to the best start it is, undoubtedly, Gwen Stacey. Spidey fans have loved Gwen since time immemorial, so the chance to see her in a new alt. universe where she was the one who got bit by that radioactive spider? Well that’s about as right as it can get.

And while Jessica Drew’s costume hasn’t played well with fans, you’re guaranteed to see multiple Spider-Gwen’s at every convention you go to. Rightly so. The stark-white and black, mixed with purple – and that hood! It’s costume-design perfection.

All that, and the book ain’t bad either. Much like Peter, Gwen’s not exactly beloved in her city either. And while her father tries to help, her reputation is tearing his down more than his is bolstering her’s up.

Yes, it definitely feels like a Spidey book just left of center. Which would explain why it sold out so quickly. Lucky for you the story’s easy to pick up AND SPIDER- GWEN #2 is out this week.

But you tell us next time you’re in the shop – who’s your favorite of the new(ish) Spider-Women?

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Batman17Banner

A Slice of Pye: John Pye talks Snyder’s Batman

Morning light breaks over the great old city and they’re all out there; clawing at the doors, peering through the windows, begging to get in to satisfy their insatiable need. They’re all calling his name:

BATMAN!

No, it’s not the blood-thirsty, Jokerized victims of Gotham City I’m referring to, but the Bat-Crazed fans who can’t get enough of artist, Greg Capullo, and writer, Scott Snyder’s modern legends of the Dark Knight.

But how did we get here? As Batman puts it in issue 38 of Snyder’s New 52 run, “let’s talk history.”

Along with Batman, we fought our way through a hellish labyrinth set to instill paranoia and despair (Batman Vol. 1 THE COURT OF OWLS  and Vol. 2 THE CITY OF OWLS). The, we faced off against our inner-most fears while a long-kept secret, finally revealed, tore the bonds of family apart (Batman Vol. 3 DEATH OF THE FAMILY). We battled for the soul of a darkened city within the grip of hopelessness and riddled with puzzles (Batman Vol. 4 ZERO YEAR – SECRET CITY and Vol. 5 ZERO YEAR – DARK CITY).

Through Batman’s eyes we’ve done all this, but the fight is still far from over. Bad news for Batman; great news for us.

“Ever dance with the devil in the pale moonlight?” Those words once delivered by Jack Nicholson’s Joker 26 years ago would coincidently be a fitting title to the Joker’s goodbye that takes its form in the ENDGAME story arc.

Scott Snyder has often-times compared his Joker to the devil himself. He’s the kind of devil that thrives off our misery as a mirror to the worst in us. He’s the kind of demon that whispers what we fear most into our ears – what we’re afraid to have exposed, to lose, or even to gain through means unforgivable.

It’s been said many times that the Joker is Batman’s mirror. And as Bruce gazes into that mirror, he is forced to come to grips with something he has always feared: uncertainty. Batman has uncertainty over who the Joker truly is and, more importantly, what Batman might have to do to ultimately bring the Clown Prince of Crime down.

Ironically, uncertainty is also what we, the die-hard readers of Batman, face as Snyder and Capullo near their contractual end with DC Comics on. There’s a sense of anxiety knowing that not only may Batman or the Joker be coming to their end, but the creative team may be as well.

It remains uncertain whether Capullo and Snyder will stay on the title beyond issue 50, but I assume that I can speak for everyone (or at least the thousands of us who fought alongside Batman for the last four years) when I say thank you for continuing to inspire us. Thank you for putting Batman through hell for the last four years. It has reminded and reinforced why we love the character as much we all do. We wish you success on whichever road you decide to take. We can only hope you allow your hearts to guide you on that road. We can only hope your hearts lead you back to Gotham.

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Troy’s Toys but with Comics: Sassy Spies Editions

Yes, yes, I’m well aware Spider-Woman isn’t a spy anymore, but she’s still in Secret Avengers for the next 2 months so it works.

 

635544611181339292-SpiderWoman-coverSpider-Woman #5

Dennis Hopeless/Javier Rodriguez/Alvaro Lopez

Marvel $3.99

NEW STATUS QUO! NEW COSTUME! NEW ARTIST! 5TH ISSUE IN!

Spider-Woman, not unlike Spider-Gwen, is done with Spider-Verse nonsense, done with the Avengers, done with Greg Land, and is hitting the streets with a new mission and a new slick look courtesy of Kris Anka. Writer Dennis Hopeless is now free to tell stories without having to worry about tying into Amazing Spider-Man, and the book’s all the better for it.

 

Land is replaced by former Daredevil colorist/Fill in Artist Javier Rodriguez, who reminds everyone that he can draw and color the hell out of a comic 5 pages into this issue. Rodriquez definitely picked up some tricks coloring Chris Samnee over the years, which explains why is layouts are so good. And of course, the coloring on this book is surreal. The way Rodriquez colors the rain almost make those panels feel 3-D. And man, that new costume looks amazing on Jessica. Inking him is Alvaro Lopez, who knows where to thicken his black lines and where to keep them thin. He’s a fine match for Javier.

 

Hopeless staying aboard on the title is A-O-K with me, as he’s a smart writer with a knack of coming up with unique premises on corporate comic characters. Jessica struggling with going solo is an interesting predicament for a super hero, and it’s a cool challenge for her to overcome. And the addition of Daily Bugle mainstay Phil Urich is neat, and gives Jessica a great character to interact with. Also Hopeless appeals to my loves of the recently completed Superior Foes of Spider-Man and brings in several Z-list Marvel villains for Jessica to harass.

 

Spider-Woman #5 is not unlike the Bab Tarring of Batgirl, which is fine because that was a smart move, and it’s certainly now working for J-Drew.   Between this, Silk and Spider-Gwen, you’d think the comics world would be sick of female Spider-ladies, but not that’s far from the case. Each one of these titles brings something to new to medium, and all of them are good comics.  Spider-Woman #5 is a VERY good comic that should have been a #1. I know the book got a nice sales boost launching and tying into Spider-Verse, but THIS is the debut issue the creators and characters deserve.

 

stk665635Grayson #8

Tom King/Tim Seeley/Mikel Janin/Jeromy Cox

DC $2.99

This issue sees the end of season 1 wrapping up, as the book goes on hiatus for 2 months due to DC moving to the west coast and not replacing them with robots like I did (Hence I spell all good like always). In terms of endings, I don’t think this could have been any better.

Issue 8’s cover is pretty spot on, as SPYRAL finds a traitor in it’s ranks, and it’s up to Agent Grayson to save the day. It brings the cast of mostly new characters together in a fun and creative way, and ends on a brutal note. It’s spy comics done right, which has been this creative team’s MO since day 1, so this issue being as great as it is doesn’t come at that much of a surprise. Tom King and Tim Seeley deliver another fine script with some choice dialogue and neat twists, and Mike Janin and Jeromy Cox make the whole thing looks so pretty. Even when things get dark and violent, which says a lot about how I judge beauty.

Issue 8 is an issue that wraps up some plot-lines, starts new ones, and sees one of Dick Grayson’s student name each of his butt cheeks. It’s another great installment of comic that has been a crazy fun ride, and this slight break will make me miss it a ton.

 

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Troy’s Toys But With Comics: Jeff Lemire Debut edition

Welcome to the article where I know I’m going to spell Lemire as “Lemiere” at least twice and not notice it until it’s pointed out in the comments section/Twitter.

Jeff Lemire, who’s had a big week, is a writer who’s stuff I haven’t touched in awhile, but I definitely liked is work in the past. His run on Animal Man was quite good, he did a pre-Flaspoint/New 52 Superboy book that was equally bizarre as it was charming, and I’ve enjoyed what I’ve read of his creator owned stuff. This week, Lemire launches his new Indie book under Image, and relaunches my favorite Marvel comic (that’s yet to be completed).

Descender-01-6b1c3Descender #1

Jeff Lemire/Dustin Nguyen

Image $2.99

Ever since Saga took over comics, Image has had no shortage of comics involving space, children, crime or a combination of all three. Most of those book has also been amazing, so no one complains about it because otherwise the alternative is going back to Spawn or Witchblade.

As every review of Descender will tell you, Sony Pictures ponied up a ton of money to secure the films right to the comic, despite the fact it was still a month away from hitting the stands. Created by Jeff Lemire and Dustin Nguyen, it is a GORGEOUS looking book, and  it reads like Chris Nolan directing a Pixar movie. If that’s now something you want in your life, I wouldn’t hold you breathe, also welcome to the nightmare that is being me. But yeah, Nguyen’s water colors look great, and Lemire’s writing is spot on. Despite this being another comic about a young boy by Lemire (see Blankets, Superboy, parts of his new Hawwkeye series,  Sweet Tooth), he introduces a weird  cast that’s helps suck you into this world that he’s co-created. It’s a surprisingly charming book, despite some really dark plot points and themes.

I went into Descender with a good feeling, and I ended up liking it a lot more than I was expecting. Robots and space are often my jams when it comes to media, and Descender uses them to tell an exciting new story I’m eager to read more of.

 

All-New_Hawkeye_Vol_1_1_TextlessAll-New Hawkeye #1

Jeff Lemire/Ramon Perez/Ian Herring

Marvel $3.99

Here we have the other great looking Jeff Lemire comic to debut this week. Sadly, I am not as happy with it as I was with Descender.

All-New Hawkeye is not a bad comic, but it just didn’t wow me like the yet to be completed Matt Fraction/David Aja book did. That book had a mission statement from day one (Show what Hawkeye does on his day off). This one starts off mostly set in the past, and cuts to the Hawkeyes doing some avenging in the present. While I appreciate Lemire taking the book in a new direction, it still needs a hook. All I got from it was “Hey, the previous Hawkeye series got Marvel a ton of buzz and acclaim, let’s keep this book going.” Hawkeye volume 1 issue 1 felt like a cool new indie book, where as ANH feels like more like a really good cover band messing up my favorite song. Lemire’s attempt to capture Clint and Kate’s banter is appreciated, but it’s something he needs to work on. It felt colder and nagging than it did humorous and playful.

Visually, Ramon Perez and Ian Herring couldn’t be better replacements for David Aja & Matt Hollingsworth. Perez’s art is the best thing about this book, and his painted illustrations for the flashback material are gorgeous. And when paired with Herring for the modern stuff, we get some solid action scenes, with Herring doing his best to ape Matt Hollingsworth flat color pallet. It works for the most part, because while Perez isn’t as strong as the veteran Aja, Herring’s bold colors help complete the visual experience. All New Hawkeye is a great looking book, and I’m glad Perez and Herring are able to deliver on the art end of things like Aja, Annie Wu and the other Hawkeye volume 1 artists before them.

In the new creative team’s defense, it was an almost impossible task to make me fall in love with this book like I did with the previous volume. Following up to that creative team is a huge  challenge, and they definitely tried to do their best with this issue. I have faith that Lemire can escape Fraction’s shadow sooner rather than later, but I’ll admit, it felt weird to read a Hawkeye comic that I didn’t fall in love with immediately. I hope that’s something that doesn’t happen again.

 

 

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5.5 Questions with Marvel Editor Daniel Ketchum

One of the nice things about comics is that the people who write and draw ‘em are just as likely to show up at Forbidden Planet on a Wednesday to pick up their stack as anyone else.

And that’s when we strike!

This week we caught up with STORM, MAGNETO, and X-MEN editor, Daniel Ketchum. No Pokemon questions were asked. Probably for the best.

FORBIDDEN PLANET: So, as an editor, I’m assuming that you sometimes have to be the bad guy. SO in the world of bad guys are you more like Simon Cowell, Gordon Ramsay or Judge Judy?

DANIEL KETCHUM: If I had to choose one, I’d say Gordon Ramsay, because he’s a Tiger Mom like I am–he criticizes out of love and only wants people to be their best. But when it comes to likening myself to reality show judges, I have definitely said that I am the Michael Kors of Marvel. (e.g. “It looks like you colored that page with a trackball mouse and an eye full of lemon juice!”)

FP: If you could put any single character in all of your books, who would it be and why?

DK: Definitely Mary Cherry from your favorite TV show, Popular. (“Y’all, I’ve got two words for you: EXORCISM!”) But if we’re talking about a Marvel character I would put in all of the books that I edit, it would be STORM…and I do.

FP: If you could have any non-comic writer (novelist, screenwriter, poet) write book for you, who would it be?

DK: Oh, lordy. You know, the last book book I ran to the store to buy the day it was released was Joan Didion’s BLUE NIGHTS. I can only vaguely imagine what a comic written by Joan Didion would be like. But I’d love to read it and, even more so, I’d love to be the editor who got to collaborate with her on it.

FP: If you could have dinner with any comic character (you’re paying) who would it be and why?

DK: I would take Alfred Pennyworth and Jarvis to dinner because they deserve a chance to kick back and enjoy a delicious meal they didn’t have to lift a finger for. I might also take Jubilee, because it looks like she’s fallen on hard times…

FP: Follow-up: Would your answer change if they were paying?

DK: Yes. Because then I would be dining with ALL-NEW X-MEN‘s Hank McCoy and I would expect no less than a magical evening. MAGICAL.

FP: Who would win a Magic the Gathering game? Batman, Reed Richards or Emma Frost?

DK: Obviously Emma Frost. You can’t play a card game with a telepath! And you know Emma would totally cheat and, like, read her opponents’ minds to find out what their face-down morph creatures are…

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FP Spotlight: Jeff Lemire

If you ask someone what their favorite book is, they usually have a passionate explanation for it. “The main character is just like me”; “It’s just so heartbreaking”; “It made me laugh until I cried”; and so on. No one holds up a copy of something that changed their life and says “I dunno, it looked really cool.” This emotional core is something that comics sometimes find themselves lacking, but a few writers and artists have mastered the art of really getting to their readers, and Jeff Lemire is first among them.

Lemire kicked off his career with LOST DOGS, a 24-hour comic-turned-graphic-novel with the assistance of a Xeric grant. It’s messy, but it’s got a lot of heart in its black-white-red story of a lumbering oaf just wanting to help. It’s a book that gets by a lot on its atmosphere, and the messy inks Lemire employs.

For his second project, rather than try to go the superhero route, or a book where magic is law, or some other high concept project, Lemire turned his eye to his beloved home county in the Great White North itself, and decided to tell the story of a county full of average Canadian people. The ESSEX COUNTY trilogy is one of the most heartbreaking and simultaneously uplifting books I could possibly recommend. It’s the Spoon River Anthology by way of Slap Shot, with lots of hockey, kids and adults who dream of escape, and people who are just doing the best they can to get by. It’s Steinbeckian, and it’s huge, without losing a sense of intimacy into what these people want–and how rarely they will get it.

2009 was a banner year for Lemire: it finally saw the publication of ESSEX COUNTY (which went on to be named one of the Essential Canadian Novels of the Decade); the publication of THE NOBODY, his retelling of The Invisible Man; and the beginning of his first creator-owned series, SWEET TOOTH. Sweet Tooth tells the story of Gus, a young boy with deer antlers and an incredible taste for chocolate. It went on for several years, and turned villains into begrudging heroes, gave fathers to wayward children, and told the secret history of the world. All this in a world where Mad Max could have been the guy who killed Bambi’s dad.

Since 2012, Lemire’s work has been mostly at Vertigo and DC. He launched some of the best New 52 titles during the company-wide relaunch in 2011, including ANIMAL MAN, JUSTICE LEAGUE DARK, and FRANKENSTEIN: AGENT OF S.H.A.D.E. For a man who’s able to move around in so many genres, the quality of his books never suffers from title-to-title, because he’s a master of the emotional core of a book. Animal Man is about a superhero protecting his daughter while she grows up too fast; Frankenstein is about a man making amends with his friends and his estranged wife in order to face their future. Add into this a standalone graphic novel, THE UNDERWATER WELDER, that reads like a lost Twilight Zone episode, and you’ve got a winning combo.

Most recently, Lemire returned to the drawing board for a longer form experiment, writing and drawing TRILLIUM, a ten-issue series about a WWI soldier recently returned from the war falling in love with a 30th century scientist. They both help each other heal and they get in plenty of spacetime continuum fights. Add into this his radical experimentation with form, making a House-of-Leaves-like experience out of reading a comic, and it’s just this side of genius.

Lemire is one to watch out for, still. After his exclusive agreement with DC expired last year, he was quick to jump onto THE VALIANT (available at our fine store–issue 4 coming soon!), and BLOODSHOT REBORN from Valiant. This week we’ve got ALL-NEW HAWKEYE (miraculously out before the finale of Regular old Hawkeye!) as well as writing a brand new series called DESCENDER, about a young boy robot illustrated by Dustin Nguyen. We thinks it’s going to be a visual delight as well as an emotionally satisfying read.

And refusing to ever take a break, Lemire will be illustrating a series written by Scott Snyder (his best friend/nemesis– best fremesis) in the near future, too!

So here’s to you, Jeff Lemire. We can’t wait to see what’s next.

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Troy’s Toys, But With Comics: Rapid Fire Edition

Here lies Chris Troy, what died of emotions related to Parks and Rec ending.

Aside from the best show wrapping up, hella fine comics dropped this week, including an issue of Secret Avengers I refused to review because it would just be me gushing about how self-aware and insane the issue is. So instead, I’ll talk about these 2 non-Marvel book, in an effort to to distract myself from this Johnny Karate-less future.

WickedDivine_08_300_462The Wicked + The Divine #8

Kieron Gillen/Jamie McKelvie/Matthew Wilson

Image $3.50

This may be hyperbole, but this is probably the best use of color in comics I’ve seen in the last 5 years.  Matthew Wilson absolutely delivers the good in Wicked and the Divine #8, in which our lead character attends what can be best described as a “God Rave”.  It’s as psychedelic as one would imagine, and Jamie McKelvie’s simple yet expressive layouts are enhanced tenfold thanks to Wilson’s brilliant colors. This is Wilson’s “Pizza Dog issue” moment, which I mean that he deserves an Eisner for it, and that I’ve made my weekly Matt Fraction reference.

And it’s not like the other contributors are slacking in any capacity. McKelvie is incapable of drawing a bad comic as far as I’m concerned, giving us some really interesting layout and panel placement and Kieron Gillen‘s script and dialogue is wonderful as per usual. But Matthew Wilson really flexes his creative muscles and busts out a Tron meets Andy Warhol color palette, and we the reader are richer for it. The book not only embraces the fact that comics are a strictly visually medium, but it grabs you by the throat and screams it in your face with it high intensity use of color. Of course, you can make an argument that Gillen and McKelvie set up Wilson to deliver such a performance, but I feel his colors make the issue.

Long story short: The Wicked + The Divine #8 is an $3.50 tab of acid that’s well worth the trip. As someone who’s never done acid, I hope that analogy works, because I don’t know any better way to describe this comic.

GOTHAC_Cv5_545d116f223cc7.03502535 Gotham Academy #5

Becky  Cloonan/Brenden Fletcher/Karl Kerschl/Msassyk/Serge Lapointe

DC $2.99

If you’re a fan of quirky (And excellent) comics, Gotham Academy #5 is a book you need to read. Aside from always gorgeous visuals from Karl Kerschl and his talented team of colorists (Msassyk and Serge Lapointe ), this month’s installment involves a man bat, a lizard man, hidden tunnels, a school dance, intrigue AND a shout out to one of the best moments of Batman: The Animated Series. Dense doesn’t even begin to cover it, and it’s impressive how much this creative team crams into a single issue month after month.

Gotham Academy continues to use elements of Bat-Lore in interesting and unique ways, and it’s hard not to compare it to Harry Potter or Wolverine and the X-men. But like those works, it’s a fun as hell read, and you can tell Becky Cloonan and Brenden Fletcher are really having a blast working with Kerschl and company. And their fun means a slick looking book with some great character moments, which is all I want from my #TEEN romance, spookums and mystery comics. Granted this month’s issue is heavier in Bat-stuff, literally, than past issue, it’s uses those elements to it’s advantage, so it seem natural, not forced.With the Batline being so good over the last 6 months, it’s hard to claim that Gotham Academy is the best book coming out from DC these days. But man, it’s a discussion worth having.

 

 

 

 

 

 

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Troy’s Troys, But with Comics: Back, with my friend Gwen edition

DON’T CALL IT A COMEBACK! No for real, don’t, I’ve only been gone for about a week, also I may have used this joke before.

Sorry for the sudden disappearance, but I had a move on my hands, which meant, me, my wife, our dumb cat went from Brooklyn to Queens, care of the Tracksuit Bros from Hawkeye. The snow did not make things easier by the by. But I’m back, chock full of new comics to talk about, and I’ll eventually get back to Toy Fair coverage. Give me a week and we should be good*.

 

*Citation needed.

Spider-Gwen-1-Cover-Robbi-Rodriguez-720x1112Spider-Gwen #1

Jason Latour/Robbi Rodriguez/Rico Renzi

Marvel $3.99

Spider-Verse is old, busted and bloated, Spider-Gwen is the new hotness.

When Spider-Gwen made her debut back in the Edge of Spider-Verse mini, I thought it was too much of a  (great looking) tease that played it a bit too safe, which sucked for me at the time. Then that particular issue went through several reprintings, giving Gwen that Babs Tarr Batgirl hype, so here we are 4 months later, looking at the relatively Spider-Verse free debut of Spider-Gwen’s ongoing. Editor Nick Lowe credits the fans excitement for the character for  the birth of the book in the debut issue’s letter section, and it’s a good to Marvel to see listening and giving the fandom what they want with this book.

spider_gwen_1_1Robbi Rodriguez and Rico Renzi do some amazing work with this issue. Rodriguez’s layouts and energy put a fresh paint of on this familiar yet different Marvel Universe. His style is the child of the exaggerated expressions you see from Erica Henderson‘s work combined with the sharp lines and “dirt” you see from Sean Murphy.  His line work is loose, and when paired with Rico Renzi’s bright color palette, it makes for a superb visual experience. Between Renzi’s Gwen and Jordie Bellaire’s Moon Knight, Marvel’s making an impressive case for characters to have more white in their costumes. Also, I hope that doesn’t read as a Klan reference. Gwen’s costume grabs your eyes when it’s on the page, and its demands you attention, making it the focus of the panel, despite her positioning within. And the graffiti element leads to some really fascinating use of colors, which looks fantastic in digital. It’s Spider-Man meets Jet Grind/Set Radio, which is my jam, and makes the book worth it for the visuals alone.

Jason Latour‘s script is great too. Now free to tell his own story that’s not limited to a single issue tie in, Latour is free to flesh out Gwen’s world and cast more. His Gwen has her share of bad luck, but it’s way different than the type Peter Parker’s dealt with in his various incarnations. Which is great, because powers aside, Spider-Gwen really feels different from Spider-Man on every level. Additionally, Latour does a nice job of adding several established Marvel characters to the world with some neat twists, obviously planting the seeds for future story. And the situation Gwen’s dad is now faced with is really interesting, not to mention what’s going on with her band mates. It’s a surprisingly dense read for a 20 page comic, even with a cliffhanger ending. The pacing is great, and Latour has really stepped it up from the EoSV one shot.

Spider-Gwen #1 is another great debut from a company that’s been on fire with female lead books as of late. Latour, Rodriguez and Renzi come out swinging with this debut, and I mean that with fists, not webs, ugh, never mind, just buy it, this review has died via wordplay overdose.

 

 

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Petrie @ The Planet: Wonder Woman and Women in Comics

wonderwomanbolland

Wonder Woman saved my life. When I was young (I was not little, weighing in, at my lightest, about 30 pounds heavier than I am now) I was an adopted, multi-racial, overweight child. I was also, not to be politically incorrect, really gay. I thought there was something terribly wrong with me that I didn’t want to play sports or go fishing, but instead wanted to hang out with the girls, play with dolls and read.

Then along came a metal spinner rack at our local convenience store. There was a woman in a red, white, blue and yellow costume holding back a lightning bolt with a rope (“Hera help me stop this lighting before it splits this building in two!”).

I have no idea what drew me to her but, there she was, right in front of me. Back then comics cost .25 cents (Yes, .25 cents!! I’m showing my age, but no more than the crows feet) and fortunately she was there on Saturday mornings with her friends. Her Super Friends.

Then came Lynda Carter. I’ve made no secret of my love affair with Stephen Amell and the passion he and I share, but Lynda was my first crush. I had her poster. I had her puzzle. I had her doll. More importantly as I got a bit older and began to realize why there was a gulf between myself and other boys my age, I also began to realize that Wonder Woman was different as well.

Wonder Woman was a woman in a field of men. She wasn’t a girlfriend or a damsel in dstress. She did the rescuing. She wasn’t the same as me, but she knew what it was like to be different and I always got the feeling she was okay with it. I knew she’d say to me, “It’s okay to be different and I like you BECAUSE of that.”

Unlike Superman or Batman or, even, Captain America who I thought would like me “even though” I was different. To my six or seven year old self, the space between ‘because of’ and ‘in spite of’ meant the world to me. It meant I would have a friend who would help me through the teasing and bad times.

Now, not to be more maudlin, I say none of this to make anyone feel sorry for me. I say this as a lead in to why I love women in comics. From Wonder Woman (I call her Diana. Yeah, we’re on a first name basis. I’m that cool now.) I was lead to Batgirl, Hawkgirl, Wonder Girl, The Wasp, Scarlet Witch (She and Diana and I had coffee the other day. She’s not crazy about how she’s been written recently, but mostly, she’s NOT CRAZY.)

I love that comic book women are more than one trait.  I know in my heart of hearts that Natasha is the toughest Avenger out there, but she’s dying for human connection. Black Canary could take down Batman if needed but she loves life so much she’ll never be a dark knight. Helena Bertinelli is an angry, vengeful creation, but she never gives up trying to make Gotham and herself better. The Wasp is silly, and flighty and the best field leader the Avengers ever had, keeping an arrogant Hercules in check and giving orders to Thor and Iron Man.

I love that comic book women are bad-ass. Diana will give you her hand in peace, but she’ll make it a fist and take you out if you want to cause trouble. I cannot overstate how much you should read the Brian Azzarello/Cliff Chiang Wonder Woman. It’s an epic masterpiece, blessedly free of continuity. Azzarello makes Diana powerful and compassionate, two qualities which people seem to forget are NOT mutually exclusive. (Editor’s note: the Greg Rucka run is worth a look, too, if you can get your hands on it.)

I love that comic book women teach me how to have fun. Paul Dini’s BLACK CANARY/ZATANNA: BLOODSPORT graphic novel came out early last year and it’s fantastic! Two women who wear fishnets better than anyone on the planet (except our co-worker, Dany) and are friends. It’s a comic full of joy. And fisticuffs.

I love that comic book women teach me about the world. G. Willow Wilson’s MS. MARVEL is a revelation. This book is an addictive read. A teenage, Muslim fan-girl gets superpowers and succeeds in becoming like her idols. I look forward to this book every month. It’s fun and touching and beautifully written. It will make the hurt of losing SHE-HULK slightly less. I’m not sure how Charles Soule pitched SHe-Hulk. “She’s a big, green, super hero lawyer! We’ll make her as awesome as Gina Torres in ‘SUITS!’ And we’ll throw in Patsy Walker and a monkey named Hei Hei!!”  There is no way this book should work, but I fell in love with it. As has everyone else. Shulkie, we hope to see you soon.

You should know how awesome Kelly Sue DeConnick is, but in case you haven’t read her books yet, she’s simply an amazing writer who deserves the heaps of praise she’s gotten. If you want trippy, read PRETTY DEADLY. It’s drawn by Emma Rios and despite what some people say it’s not over-hyped. It’s Death’s Daughter as John Wayne in ROOSTER COGBURN written by H.P. Lovecraft. I’ll let that sink in. If you want a more super-hero piece, you’ve got CAPTAIN MARVEL. Whatever she’s writing, Kelly Sue hits it out of the park. If you haven’t read BITCH PLANET, please do. (Editor’s Note: Her run on GHOST is a solid, oft unsung winner, too.)

If I could have dinner with any working comic creators, I think it’d be Gail Simone and Nicola Scott. If you haven’t read EARTH 2, you should. James Robinson builds a world, and Nicola brings it to life. She not only draws beautiful pictures, she tells a story. and when she and Gail did the SECRET SIX? Well, it’s magic. Twisted, creepy, sick magic. And I loved every last second of it.

Babs Tarr on BATGIRL is genius. She does amazing things with this book, not the least of which she manages to dress a super heroine in casual clothes that a woman would actually wear. Gather around and listen to your new gay best friend, straight guys: when picking out clothes for your girlfriend as a present, stay away from using comics as a guideline; I guarantee, you’ll be wrong.

Marguerite Bennett is another writer that you should take notice of. If you didn’t read her recent spy series BUTTERFLY, then run back to the store and get the few autographed copies we have left. She’s about to start co-writing A-FORCE, an all female Avengers squad and the rumors are true, I did a little dance when I heard about this series.

There are a lot of books I want to tell you about with women who are strong and powerful and sexy and all those things in between, but mostly I want to tell you about women who are written as fully fleshed out characters. Grab Mark Waid’s SUPERMAN: BIRTHRIGHT and you’ll know in an instant why Supes fell in love with Lois Lane. Pick up some Marv Wolfman/George Perez NEW TEEN TITANS and you get the fiery Starfire, the reserved Raven and the glorious Donna Troy, or, as I call her, Julia’s wife and eternal love. Get Kurt Busiek’s ASTRO CITY: VICTORY to have the best comic book study of feminism and heroism, where Winged Victory fights to remain the inspiration she is. Grab some BIRDS OF PREY (honesty time: read any pre-New 52 BOP, but post-New 52, stop after the first trade. The first collection is an awesome take on modern-day paranoia in the information age, after that the book gets, well, not as great.)

Read HAWKEYE for Kate Bishop’s attitude. Read HARK A VAGRANT! for Kate Beaton’s humor. Read anything by Greg Rucka for a male writer who simply writes great characters regardless of gender. Read Ed Brubaker’s CATWOMAN for some moral ambiguity.

More than anything else though, I beg and implore and plead with modern dance for you to read some WONDER WOMAN. She’s a multitude of things but, more important than whether she’s a warrior or a diplomat or anything else, she’s the personification of love. And, more than anything else in the world, don’t we need more love? And that’s why I read comics by and about women. Love.

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