Tim Seeley, Yanick Paquette, Nathan Fairbairn
Nightwing Rebirth is not only the return of Dick Grayson to spandex, but it also reunites writer Tim Seeley with the title character after a brief absence. Seeley, who has spent the last 2+ years co-writing Grayson with Tom King, has done some wonderful things with the character, and wastes no time in saying goodbye to one cast of supporting characters while having Dick returning to the familiar streets of Gotham & the Batman family. Joining Seeley for this one-shot are artists Yanick Paquette and Nathan Farbairn, who are as suited to drawing costumed fisticuffs as Mikel Janin was to drawing sexy spy stuff.
While the bulk of this comic is spent closing one door while opening another, Nightwing Rebirth makes for a terrific read due to relying some great emotional beats Dick Grayson has with the characters he encounters. Longtime fans will enjoy Dick shooting the breeze with Damian, his former Robin, and Bruce Wayne, their mutual father figure. Those who know the character from the previous Grayson status quo get to see Dick wrap up his relationship with Spyral, with a hint of things to come with Helena Bertinelli and the Midnighter. And the mega-fans who’ve read everything from Batman and Robin Eternal to We Are Robin finally get some follow up to the Robin Wars crossover, with some Court of Owls related content. It’s a comic that can be easily enjoyed by new fans, but the longer you’ve been following the character, the more you’ll get from it. For me, it’s rewarding to see a light-hearted and “fun” character interact with grumps like Batman and Damian, who lighten up solely due to Grayson’s presence. Also, as someone who’s HYPED for the upcoming Batgirl and the Birds of Prey series, this comic does a fantastic job of setting up the new Huntress. It’s also crazy impressive that the creative team manages to do so much in the span of 20 pages.
Like I said above, Yanick Paquette was the perfect guy to draw this comic. Given his experience from working with Grant Morrison on various Batman comics, and his ability to draw beefcake exceptionally well makes him an all too ideal fit to draw the exploits of Richard Grayson. His backgrounds are stunning as well, and it’s impressive to see him nail the constant change of locations so effortlessly. My only real issue with the art is that Nathan Fairbairn water color-esque coloring feels muted on this book. To be fair though, that could be a result of the book’s printing, and not on the colorist himself. But between the dynamic body langue use to convey emotion during the talking head scenes, to the sprawling layouts of the fight scenes, it’s very hard to speak ill of this book’s art.
As for Tim Seeley, I think I’ve run out of ways to praise the dude. His take on Nightwing is stellar, as he continues to nail how complex and fascinating the character is. It’s the ideal blend of humor, action and drama that he refined on Grayson and has perfected for this comic.
As a big fan of the character, Nightwing Rebirth justifies the return from spy to spandex. For the first time in awhile, it’s justifies the existence of the Nightwing role, in a way we haven’t seen in years. While I’ll certainly miss Dick’s time as a spy, I’m more than ready to read about him as Nightwing once again.