The Wicked + The Divine #20
Kieron Gillen, Jamie McKelvie, Matthew Wilson Clayton Cowles
Oooh, WicDiv and The Fix both dropped this week. Good job this week, that’s some fine comic booking!
So The Wicked + The Divine #20 is a comic book that explains how Laura/Persephone isn’t a headless corpse who is burnt and dead after the events way back in issue 11. It involves a heroic sacrifice, sexy times, and a lovely bit of character exploration that reveals that one of the demigod’s true identity. “But Chris, isn’t that just the character’s names?” is something you may be asking, in which I reply HOW DARE YOU, IT TURNS OUR THAT ONE OF THE GODS IS A BIT OF FIBBER, NOW WHO FEELS DUMB!
But yeah, the bulk of this issue focuses on how Persephone isn’t dead, and what she was up to during the previous arc. It’s a well-crafted comic, that masterfully weaves itself between the events of the Commercial Suicide arc, while tying into the end of issue 18 quite nicely. A lot of this issue is told in flashbacks, in which Matt Wilson and Jamie McKelvie do a fine job of making visually interesting. Instead of coloring the book in a traditional method, Wilson pulls from the dedicated color pallet he uses exclusively for coloring Persephone for the flashback sections. It’s such a cool idea, and when you factor in he does it twice for the different time periods, it serves as testament as to exactly how talented of an colorist he is. As for his pal/the book’s artist Jamie McKelvie, it’s great work as usual. There’s a page in which resident goth badboy Baphomet is posed like a 90s Lobo cover, which I adore, for the simple fact that it’s super ridiculous, but played straight. Not to talk down on Jamie, but this is an issue with some great art, and some REALLY inventive coloring practices that’s super impressive.
As someone who appreciated how meta/”inside baseball” Kieron Gillen got in Phonogram, there’s a page in this issue that channels that feeling while explaining one of the character’s roots. It’s not the deepest cut in any way, especially given the subject matter and the medium, but it’s still an incredibly endearing scene, and shows how much charm he can inject into his scripts when he wants to. I’m not saying that it’s a weakness of Gillen’s mind you, it just seems that the noted devil-man rather twist in the knife in his reader’s then make us say “d’awww”. No, I’m still not bitter over Tara, why do you ask?
Once again, The Wicked + The Divine is a satisfying read, with a creative team that never fails to impress. Issue 20 is an well crafted comic that’s spectacular from both a narrative & craftsmanship stand point, not to mention rewarding from a fan perspective. A perfect blend of action, suspense, comedy and intrigue, The Wicked + The Divine #20 is a perfect example of how great the Gillen, McKelvie, Wilson and Cowles team is, while being a comic that rewards long time readers.