X-men ’92 #5
Chris Sims, Chad Bowers, Alti Firmansyah, Matt Milla
X-men ’92 #5 is a comic that had me cackling early in the issue, only to audible gasp come the book’s final pages. To say it’s a good comic is an understatement.
There’s been some online chatter than this book is too jokey at times. Granted there’s been an abundant amount of humor in this series, writers Chris Sims and Chad Bowers are definitely not afraid to get serious at times, which is shown in this issue. And it’s a nice throwback of sorts, as the nature of Storm (phrasing) and Beast’s conflict is something that’s been explored before in Fall of the Mutants/Inferno era of the X-men, and as recent as various X-Force revivals titles. The creative team have done nods like this before, but this is the first time it’s had so much depth to it, and I’m feeling it.
Art wise, Alti Firmansyah is super expressive and animated, and letterer Travis Lanham does something really neat with their choice of fonts during on extended scene. The book has relied on nostalgia for jokes before, and in this particular instance, the lettering really helps sell the humor here. It’s a neat bit that I appreciated a bunch. Matt Milla’s colors are solid, especially when dealing with the Cyberspace craziness.
The second arc of X-men ’92 is a massive improvement over the mini series it followed, and I dug the hell out of that mini. Bower, Sims and the entire art team are given more room to breathe, and don’t have to worry about adhering to the rules of a crossover event. Free to tell their own stories, they turn the extreme up to 11, and gave us an arc that’s absolutely bonkers, yet incredibly enjoyable.
Dennis Hopeless, Javier Rodriguez, Alvardo Lopez
Hey look, Spider-Woman’s back. Well technically she never left, I just took a break due to Spider-Women crossover times.
Spider-Woman #8 is a done in one that sees Jessica Drew back in action, taking on Tigershark, while the Porcupine watches her son. It’s not unlike issue 5 actually, one this issue is super heavy on the action.
Much like myself, Javier Rodriguez returns to Spider-Woman this month, and absolutely kills it. His colors are gorgeous, giving the book a radiant glow that’s also stunning as the pencil art. Which, by the way, is incredible. The way Rodriguez draws sprawling fight scenes is incredibly, never skimping out on the details. This may be the single best looking Marvel comic I’ll read this year, as no one does layouts and motion like Rodriguez. And props to Alvardo Lopez, who manages to ink this thing with some incredibly thin lines, keeping the line clean and crisp.
Dennis Hopeless is superb. He wonderfully mixes humor with some emotion. His Jessica Drew is so three dimensional, being both a loving mother and a adrenaline junkie who loves help people. And what he’s done with the Porcupine, changing him from a Z-list villain into someone quite endearing is spectacular.
Spider-Woman #8 is a comic that’s big on hear and big on action. It’s a gorgeous book that’s balances character development and super heroics perfectly. And even with Civil War II around the corner, I’m excited to pick up the next issue, just because of what the creators have done with Carol Danvers in this title. Buy on sight.