The Totally Awesome Hulk #4
Greg Pak, Frank Cho, Sonia Oback, Cory Petit
I’ll be honest. as much as I liked Greg Pak‘s past run on the Incredible Hulk/ Incredible Hercules, this new Hulk comic was something that wasn’t on my radar. Nor was it a book I was planning on buying anytime soon if I’m being completely honest, as the Hulk is rarely a character I have much interest in. The only reason why it’s in my possession is because a co-worker bought it strictly for the She-Hulk variant cover, then decided he didn’t want it anymore. I’m not one to say no to free comics, which leads us to this review.
Despite being chapter 4 of a arc which first 3 chapters I didn’t read, I found The Totally Awesome Hulk #4 super accessible. The recap page did a nice job bringing me up to speed, and this happens to be the issue where it’s explained how exactly Amadeus Cho ( whom Pak co-created) became the new Hulk. Why the reasoning behind it is a little hokey, it’s questionable in that fun silver age sort of way, and easy to ignore if you just chalk it to comic book science. There’s also hella monster punching, which is more of my thing.
While I’ve found some of his recent actions in the convention circle sort of immature, I have to admit that Frank Cho’s art in this comic is gorgeous. He’s at home here, as the script calls for him to to draw attractive, muscular women thanks to a She-Hulk appearance, as well as a variety of Marvel monsters, something that Cho also excels. His line work is very clean and iconic, and I love how detailed and expressive it is. There’s a certain bombastic & cinematic flair to Frank’s style, which really help sell the widespread destruction and chaos that one expects in a Hulk comic. Cho is masterfully colored by Sonia Oback, who colors really pop off the page. I can’t recall a Hulk book looking this good in awhile, and it’s a shame that Cho’s off the book after this issue.
Pak’s dialogue isn’t the deepest, but it’s fun as all hell. He manages to channel Hulk troupes such as the struggle between man and monster in fun and creative waves, and the book has a fun, bouncy vibe to it. His dialogue isn’t anything ground-breaking, but it’s certainly delightful, as I have a feeling Pak is holding back a bit to let Cho and Oback’s art take center stage. My only complaint is that Spider-Man Miles Morales’ presence is wasted here, as he hardly has any impact on the story at all. In the writer’s defense, I MAY has missed something that was touched upon in a past issue.
The Totally Awesome Hulk is a fun book with a lot of potential. Part of me wishes that Pak would make the book a little deeper like other legacy heroes such as Sam Wilson, Ms. Marvel or Thor, but I can definitely see the appeal of it being a fun, giant monster book. The cast is super likable, the dialogue is serviceable and the art is great. A pleasant surprise all in all, and while I have no strong desire to start pulling the title, I’ll definitely be checking it out once it’s on Marvel Unlimited.