Black Widow #1
Chris Samnee, Mark Waid, Matthew Wilson, Joe Caramagna
FACT: Mark Waid, Chris Samnee, & Matthew Wilson have done some great work for Marvel, both individually and as together a creative team.
FACT: In my opinion, Marvel has been pretty good at putting out female lead books over the last few years.
FACT: Black Widow, arguably Marvel’s most recognizable female character currently, needed an A list creative team (no offense Phil Noto) assigned to her series ASAP.
Someone at Marvel has agreed with me on that last fact, because the team who did a GREAT job on Daredevil are now on Black Widow. And the debut is, as I quote a friend texted me about the comic, “UGH, such a good!”
Often when a new creative team is assigned a character, the first issue is stripping down of what works for the character and the establishment of a new status quo. Not with Black Widow, as the team assumes that the reader knows what Natasha Romanov’s deal is. This debut issue for the Samnee, Waid, Wilson team is a 20 page chase scene, in which Natasha has taken a thing from SHIELD, and SHIELD wants the thing back.
I love how quickly things escalate in this comic. The book starts off establishing that Widow is at odds with SHIELD, as she takes out a bunch of agents without much effort. The scene quickly reminds the reader that Natasha is an unbelievable bad ass, from there, she’s fighting dudes twice her size, jumping out of a Hellicarrier, dodging agents in flying cars; all sorts of crazy action stuff. It’s the comics version of Crank, which is compliment by the way.
I like how Waid keeps the dialogue to the minimum, resulting in Samnee’s art carrying the bulk of the story. Chris Samnee is easily one of the BEST artist’s working in comics todays, and which a few changes, this probably could have worked as a wordless story. I’m grateful it’s not, as Joe Caramagna does some really good sound effects work, and his choices of font give the book a cool pulp magazine vibe to it. And I love what Matt Wilson brings to the book, drowning the book in reds, which could be read (heh) as something symbolic, given who are lead it. And as I’ve stated, Samnee’s work is amazing, be it drawing an 14 panel single page fight scene, the aforementioned Hellicarrier scene which is gorgeous, or a intense motorcycle chase through the streets of Manhattan. This issue is another chapter in the gospel that is “Chris Samnee is real good at comics”.
Black Widow #1 isn’t a comic who wanted an in-depth look instead the mind of Natasha Romanov. It’s a 20 page action move that celebrates the character and re-establishes how great this creative team is. Fans who enjoyed this team’s run on Daredevil will love this comic, and anyone who wanted a new Black Widow series will surely be pleased. I fall in both categories, and am still blown away at how good this comic was. It’s another must read series from Marvel, which I’m glad to see is becoming more of a thing this year.