Joe Kelly, Ed McGuiness, Mark Morales, Jason Keith
Coming into this review, you dear reader may expect some annoyance and snark from me regarding Marvel putting out yet another Deadpool title. That’s fair assumption, given the books I like can make me come across as a bit of a comic snob. But it’s also totally wrong in this instance, haha, way to blow it nerd . Now let me tell you about why Phonogram is amazing…
No wait, let me actually get back on topic. CHRIS FACT: Joe Kelly and Ed McGuiness’ Deadpool book from the late 90s kept me in cape comics. It’s a run that I really enjoyed, was my favorite book for a long time, and having them reunite on a Deadpool book warrants an instabuy from me. The fact that Spider-Man is involved too is nice, as I really enjoyed Joe Kelly’s all too brief run on Amazing Spider-Man, especially since it result in THE BEST Spider-Man/Deadpool interaction of all time. That is not an opinion by the way, that is fact, how dare you imply otherwise.
Spider-Man and Deadpool #1 is a fantastic read. It’s also the gayest Marvel comic I’ve read since Angela, and that’s something I mean in the best way. Marvel has been not so great with LGBT representation in leading roles as of late, and giving a pan-sexual character like Deadpool another amazing creative team is nice to see, especially when it results in some of the most creative genital jokes I’ve seen in a Marvel comic. It’s also really funny, which is important given these two characters personalities, and looks stunning, thanks to the team of McGuiness, Mark Morales and Jason Keith. It also does a nice job of fitting into the status quo of both these heroes, which props to Joe Kelly and the editorial team, without having to sacrifice much of the charm Kelly brought to Deadpool and Spider-Man way back when.
The visuals created by Ed McGuiness and Mark Morales are top notch, even though I wish Ed would draw Spidey not as jacked as he does. I prefer my Spider-Man/Men drawn sleek, not like he’s dropping passing for the Jets. But that’s a minor nitpick, as his stylistic, Capcom fighting games meets John Romita Sr. style looks fantastic overall, especially in the case of Deadpool. He gets a lot of emotion from these character’s body language, which is very impressive, and his action scenes look great. Mark Morales’ inks are bold and clean, resulting in some crisp art that is colored superbly by Jason Keith. The art team comes together to create beautiful art that really captures the fun tone you would expect from a Spider-Man & Deadpool book.
It’s been quite some time since Joe Kelly and McGuiness have collaborated on a Marvel book, although you couldn’t tell from Spider-Man and Deadpool #1. Both creators create a comic that feels like they’ve never stopped working together since the mid-90s, making for a great read for old and new readers alike. It’s a super accessible book that looks great and has a number of quality jokes, making it another fine addition to the relatively solid catalog of action/humor titles Marvel has been putting out as of late. The book may not convert any haters into fans, but anyone longing for more Deadpool in the style of one of his greatest runs is in for a real treat, with no fear of sudden cancellation.