Chris’ Comics: X-Men ’92 #4

SHILL ALERT:  New York Comic Con is this week, and I’ll be there all 4 days as an attendee, which is the first time in forever. As usual, you can follow my nonsense on Twitter and Instagram, at @theanarchris. WARNING: I GET KINDA NSFW/ CURSE HAPPY WHEN I START DRINKING/GETT ANNOYED, SO HEAD’S UP THERE. Anywho on to #content

backgroundX-men ’92 #4 (of 4)

Chad Bowers, Chris Sims, Scott Koblish, Matt Milla

Marvel $4.99

For the record, if X-men ’92 wasn’t already confirmed for a returning on-going next year, I would have probably spent half this article pleading for people to go buy X-men ’92, because it was an incredibly fun book. Fun and X-men rarely go hand to hand these days (see the OTHER X-Men Secret Wars tie-ins, and the upcoming solicits for the All New Marvel Now stuff), making X-men ’92 a bit of a  rarity. A welcomed one at that, taking one of the most recognizable incarnations of the X-men, and setting them up in a world that loves and adores them for a change, all while injecting with a ton of humor and fan service into the story.

 

X-Men_92_4_2The final issue of the mini-series sees the X-men and their various allies fight the dreaded X-Sentinel, while Professor Xavier battles the Shadow King. Artist Scott Koblish does an incredible job drawing the massive fight scenes, having to draw and impressive amount of characters several times throughout the book, and never once dialing down the detail or the acting. The sense of scale and action he manages to portray is fantastic, and it’s cool to see him be able to switch up between action, comedy, and drama without skipping a beat. His character work is super expressive, and he manages to sneak in his fair amount of inside jokes and reference just as well as his writers, while perfecting capturing the excess of the nineties without going overboard.  Matt Milla, the book’s colorist is also as impressive, managing to set the scenes perfect with some excellent lighting and palette choices. While the books character designs are very much stuck in the 90s (because again, X-men 92), the coloring looks like a book from today.

Writers Chris Sims and Chad Bowers, do a fantastic job wrapping up this mini on a high note. The writing is superb in this issue, making sure every core character gets their moment to shine, and having some fun while doing so. The dialogue is especially strong XMEN92-004-01this issue, be it Gambit and Rogue being….well Gambit & Rogue (something 90s X-fans will get says Buzzfeed), an insanely hilarious scene featuring Wolverine, and a touching end bit with Storm and Cyclops being the personal highlights of this issue. As I’ve said in the past I love how the use some of the obscure and insane elements of X-men history, and play it straight. The final fight has not one, but 2 bonkers bits that had my cackling like a mad man as I read this book, and am I grateful for them.

 

X-men ’92 was a mini that was welcomed for a number of reasons; one of them being one of the few Secret Wars tie ins that shipped on time for the most part. It was also a legitimately fun read that looked great and celebrated the X-men at the peak of the popularity, while poking some fun at it without coming off as mean spirited. I encourage anyone who grew up on the 90s animated series and found the comics too daunting to give this book a shot, especially since it basically laid the groundwork for the new ongoing next year.

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