Kieron Gillen/Jamie McKelvie/Matthew Wilson
Despite not being familiar with half the bands mentioned in the comic, I REALLY dug Kieron Gillen & Jamie McKelvie’s 2 installments of Phonograms. And now that they’re done with their 14 issue run of Kate Bishop an her cosplay friends ( aka Young Avengers), the pair have returned to Creator Owned Comics with Wicked + The Divine.
W+ t D is the tale of reincarnated gods and pop stars. So yeah it’s A LOT like Phonograms in a way, at least in concept. Hey even Gillen admits that’s in his letter at the end of the issue, but the actual execution of the material makes all the difference. Unlike the casters that cling to the shadows in Phonograms, these gods are out there in public, letting the world know that they’re out there and operating on another level.
Jamie McKelvie and Matt Wilson are arguably 2 of my favorite artist/colorists working in comics today, and they are absolutely divine (HAR HAR) in this kick off issue. McKelvie’s line work is fabulous, and his facial expressions and the emotion he can get his characters to convey are all top notch, as usual. But it’s Matt Wilson who’s really upped his game here. Between the results of what happens when Luci snaps her fingers and how the character’s makeup and eye liner looks, it’s hard to name a colorist as skilled as Wilson working in comics today.
As for writer Kieron Gillen, he’s nothing short than brilliant. His dialogue is sharp, giving each of the characters a distinct voice that makes them stand out a bit. And while the plot is fairly straight forward, it’s incredibly engaging and ends on a solid cliffhanger. This is Gillen at his strongest, and it’s something that readers benefit from.
Wicked + The Divine is a stellar debut by one of the best creative teams with a working relationship in comics today. Anyone who loved Phonograms & Young Avengers, or was stupid enough to skip over them, needs to read this book immediately.
Matt Fraction and Chip Zdarsky
Sex Crims is back, in what is arguably the most Matt Fraction issue to date. What the means is that there’s a lot of self depreciation, paranoia and some bleakness to this issue. Not exactly what you’re expecting from a sex comedy, but something that only helps the narrative and help flesh (HAR HAR 2) out the characters.
On the joys of Sex Crims that while it’s an extremely lewd funny book, it’s also incredibly honest and smart. This issue really shows that, as Jon, our male lead steps into the spotlight. Despite being a man who poops in plotted plants and freezes time every time he climaxes, he’s also a man suffering from most realistic difficulties, that help make his easier to sympathize with.
This issue isn’t all doom and gloom tho. While Chip Zdarsky can sell the more dramatic bits of comic with the greatest of ease, he’s also a gifted cartoonist who can hide a ton of jokes hidden in the panels. At this weekend at Heroescon, Fraction described the process as MAD magazine esque and there’s no better description of it.The letter column remains something crucial to one’s enjoyment of Sex Criminals. It’s a fascinating look at what kind of community has been built around this book, and is something genuinely enjoyable.
I’m glad to have Sex Criminals back, and I’m curious as to what direction the book is taking with this volume seemingly focusing on Jon.
Brian Michael Bendis, Chris Bachalo, Tim Townsend
Gah. This issue comes so close to be a perfect end to the X-Men Vs SHIELD arc, but it hampered by a guest colorist who’s style is lighter than what we usually get with Chris Bachalo. It clashes with Bachalo & Tim Townsend’s (and like 4 other dudes) heavy black style, and does not compliment it as well as it should.
It’s a real shame, because everything else about this issue is great. We finally get some answers to some long brewing questions, and 2 other characters get a nice return to form. It’s a rewarding book for long time readers, and it definitely sets up the potential for some cool stories for the future.
As for the reveal as to who has been sending Sentinels after Cyclops’ renegade X-Men, it works in terms of the actual identity. The execution is a bit lacking, as the motive for said villains is a tad lacking. Of course Brian Michael Bendis could be planning to touch upon that in a future issue, it’s just a little weak at this moment.
Overall the X-Men Vs SHIELD story arc was a fun little romp. Nothing ground breaking, but a fun story that looked great and read well. A shame about the colors in that final issue, but overall a good time.