Poetry in Motion

Here’s a poem about the Portland – Seattle bus trip I’m on right now:

Bolt Bus, you smell like booze
I think someone mistook you for a cruise.
You let us travel with free wi-fi,
But half the time it doesn’t work and I want to cry.
The sun is shining outside your windows,
But here I sit inside you, writing poetry, not prose.
Dude, the girl in front of you doesn’t want to talk,
I’m sorry you can’t take a hint, but you gonna walk.
Thank you, bolt bus, for cheap public transportation,
Are we there yet? I have to pee.

Also, a tip from the weekend:
When people tell you to drink a lot of water at a convention, and then volunteers proceed to hand you free water, don’t turn it down, you moron (me).

The Auteur #2– A new effing Auteur. I won’t lie, this is the comic I wish I had made, if I had ever attempted to make a comic. The art is humorously violent; the dialogue is reminiscent of a mental breakdown (maybe epiphany?) on a rampage; and characters are the best type of messed up, the type that have little redeemable characteristics, which is a rarity in any story. The story thus far: pure pandemonium! Our flop of a producer, Nathan T. Rex….holy shit, I’ve read his name so many times that I just realized his name, ugh I am a moron; anyways….Mr. Rex is trying to get his horror film Presidents Day off the ground, and hiring a real serial killer is sure to bring some realism to the project. Too bad he has to get him out of jail first, and make a mockery of the justice system. God bless America.

Solar Man of the Atom #1– Where Frank Barbiere goes, so I go too. I’ve said it before, and I’ll say it until I die (when my hyperbole’s will never be challenged). Picking up another Gold Key mantel under Dynamite, Barbiere brings back a fansinating superhero, Solar Man of the Atom. A physicist who is transformed into nuclear energy is having some problems with his super power and his estranged daughter might the only one who can save his power. This smartly written number one issue is part origin story, part destruction story, and combines the power of hard science with the flexibility of science fiction. Artist Joe Bennett is highly skilled in bringing superheroes to life with a slew of work under both Marvel and DC, but the homage to ‘60s pulp science, Solar’s beginning, lends itself to this book in everyone’s favor. With a lot of history behind the character from Gold Key, to Jim Shooter’s take with Valiant in the ‘90s, and even bouncing to Dark Horse, Barbiere has a lot of material to mine from. But he’s definitely managed to make his characters and the story brand new again.

 

Sex Criminals TPB Vol 1– This book doesn’t really need my help to sell. Judging by the fact that every single issue goes back to the printers around four times, and even 2nd printings of 4th cover printings. It doesn’t end with these two. Two being Chip Zdarsky and Matt Fraction. These two share a rapport that goes beyond their comics and the internet, and infuses itself in the characters that we as an audience are so rapt to follow to see what sex-capades they get up to in their pursuit of money, acceptance, and maybe a little love. Suzie and Jon are full of wit, and they are ready to hit it…with each other. More than just a funny sex book, these characters are some of the most complex I’ve ever seen on pages, and their special sex-having/time-stopping abilities aren’t their defining characterstics. It’s what creates the story, moves the plot, but there’s a lot of depth under the surface, which is what makes people keep coming back for more. That and brimping. The intense character building and the brimping. (They tell me a detailed explanation of brimping would be inappropriate for publication, so I guess you’ll have to read it to find out)


White Suits #3– Has it been long enough since I last talked about White Suits? If I’m not mentioned this Barbiere and Cypress book on a weekly, nay, daily basis, then I don’t know what I’m doing with my life. Mob crime done right. The key to the success in his writing comes from his ability to cut all the stuff that doesn’t matter, and par the story down to the essential scenes that move the story along without page filing fluff. All of the writing necessary to a novel, does not translate into comics, which is why each panel is full of Russian mercenaries, the mysterious White Suits, and our main characters as hostages in Chinatown. Obivously there’s more than happens in between the lines of Toby Cypress’s impressionist and dreamlike work; the action is tightly coiled, and ready to spring at any moment. Cypress and Barbiere perfectly combine the show v. tell conundrum, that can render even the best comic story a humdrum.

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