Have a ball with the Misfits and Osaka Popstar

Less than one week til The Misfits and Osaka Popstar invade Forbidden Planet!

PROJECT1950

NOW HERE THIS…

Everyone who attends our Misfits Records event on October 27th will be entered in a raffle to win free tickets to see The Misfits live at Irving Plaza on Tuesday October 28th! And just to let you know… we got mad tickets so there will be a bunch of WINNERS!

Don’t forget! If you can’t make it to the event you can still pre-order a bunch of SIGNED Misfits and Osaka Popstar goodies by following the link right HERE!

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One of the coolest things you can pre-order from us is the Osaka Popstar Glass Xmas ornament with free download card for their new 2014 Xmas single! Now this item is not available anywhere else at the moment, and will only be available autographed through our website, or by coming to the Misfits Records event, so be ahead of the curve and grab your balls now!

See you at Forbidden Planet NYC next Monday!

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Troy’s Toys But With Comics: Of Foes and X-Men

The_Superior_Foes_of_Spider-Man_Vol_1_16_TextlessSuperior Foes Of Spider-Man #16

Nick Spencer/Steve Lieber/Rachelle Rosenberg

Marvel $3.99

It’s funny. I’ve been lamenting over the fact that SUP FOES is ending for months, but if this issue was the last one, I’ld be strangely okay with that.

It’s certainly not something I’m saying based on the book’s quality. Oh no, this issue is great, successfully capturing everything I love about this book in 20 pages. It’s more the fact that one of the Foes gets a win, and Nick Spencer and Steve Lieber have made this character so likable, you  cant help but be happy for them. Is this was the final issue Id be 1000% okay with that, despite the fact that said character has done some truly terrible things over the course of the series and would get getting away with a lot.

 

Of course, there’s an issue left and there’s still plenty of things that can go wrong. Spencer, Lieber and colorist Racelle Rosenberg introduce a number of elements that can still come back and bite this character in the ass. 2 of them justified, 1 of them a surprise of sorts, but great and welcomed none the less. Also given the fact that we’ve yet to see a proper appearance from Spider-Man himself in this book, I wouldn’t be surprised if he were too show up in the final issue.

 

But enough with speculation. This issue, much like every other issue of this series is great. The humor is second to none, and the return of a gag from a previous issue is just as funny this time around. The action piece when the poop the hands is surprisingly brutal, but successfully maintains the tone of the book. And then there’s ending. Smart, kinda cruel, but perfectly in line with the character’s actions. And you may find yourself wanting said character to get away with it, but we all know he won’t. It’s bittersweet in a way, but also something he’ll deserve.

 

There’s no question in my mind that this book will stick it’s landing. The real question is HOW it’s going to all go down, and if any of the Sinister Five are going to get away with it. I’m very excited to see it all plays out, and welcome this book’s end.

 

 

background (2)Uncanny X-Men #27

 Brian Michael Bendis/Chris Bachalo/ Tim Townsend

Marvel $3.99

Between the change in colorists that goes down halfway through this book and the most cliché of bad things to happen to S.H.I.E.L.D., I should by all means dislike this issue of Uncanny X-Men. However, even with those 2 massive flaws, this comic is really solid, continuing the book’s hot streak for nearly an entire year.

 

While Kris Anka has done great things with this book recently, Chris Bachalo is a perfect for Brian Michael Bendis’ script. Bendis writes a big action piece for this issue and crams a ton of characters into it, catering to Bachalo’s strengths. The end result shows just how in sync these 2 creators are, which works out in the reader’s favor.

 

Given the fact that he’s heavily featured on the beautiful illustrated cover, it comes as no surprise that Cyclops plays a big role in this issue (in addition to another X-man who definitely deserves more screen time) Bendis continues to handle the character well, although his intention at the end raise some questions. It’s the sort of drama the X-men became famous for in the 80s, with a hint of modern flair. It’s something I’m all about.

 

While Im less than thrilled that this arc proably stil has another chapter or two left before it’s over, I’m enjoying the ride. Uncanny X-men is far from perfect, but it’s definitely a fun read.

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Troy’s Toys But with Comics: Late, yet again.

Belated post once again, this time due to NYCC. Con was great, and I saw many a fine folk. Last week was also a really great week for comics too, but I’m only going to highlight 2 of them today, because they are arguably the most important. I’m sure Sex Criminals will be fine.

 

586cfd30a87203654de3e206e1093d7dBatgirl #36

Brenden Fletcher/Cameron Stewart/Babs Tarr

DC $2.99

::: Cut and pastes last week’s Gotham Academy review, changes a few names, call it a day :::

So yeah, despite there being no shortage of dope comics released this year, THIS is the book I wanted more than anything after it was announced. Barbara Gordon is my number 1 with a bullet favorite DC character, and I haven’t been excited for the character in quite some time. No offense Gail Simone, you’re still rad.

But man, that Cameron Stewart/Babs Tarr new costume effect. Stewart’s drawn many a fine comic in his career, and Tarr has been one of my favorite people since I met her at Heroescon this PAST summer. And that new costume is all sorts of dope, which btw if you’re paying attention DC Collectibles, new Babs figure ASAP. A statue is fine as well.

So yeah, I went into this book a little excited. And much like Gotham Academy before it, it exceeded my expectations. Tarr, Stewart and Brenden Fletcher crafted a comic that felt like the sort of book the new 52 should have been in the first place. It’s refreshingly modern, in both tone and style. Burnisde may be a Gotham-stand in for Portland or North Brooklyn but its the plot that really make this book stand out. Not too many mainstream comics are willing to tackle revenge porn and privacy invasion, but team Batgirl 2k14 do so, and kick it straight in the face.

Batgirl is another example of DC actually getting it. Gotham Academy is a great book, but Batgirl is an A list character that non-comics people are familiar. This is the type of book that should be an entry gate to DC Comics/Comics in general, and it’s off to a damn good start.

 

WYTCHES_webWytches #1

Scott Sndyer/Jock

Image $2.99

(Somehow) it is October, which means SPOOKY comics are a plenty this month. Oh and hilariously named donuts like “Boston Screme”. Both are things that I like, but only the former involves the talents of creators Scott Snyder & Jockat least as far as I know.

The pair released Wytches last week, and the hype for that book was nearly comparable to Barbara Gordon’a new look. Snyder may be sitting on top of the comics world due to Batman ( rightfully so mind you), but Wytches serves as a reminder on how well this dude does horror. The first few pages of this book are horrific, which is something I imagine one would want from a spooky-scary comic.

And then there’s Jock. Easily one of the most interesting and talented artists working in comics today, Jock’s art is phenomenal in this debut. Paired with colorist extraordinar Matt Hollingsworth, the pair set the tone of the book perfectly. The book looks great when the characters are suffering the most, which I know makes me sound like a sociopath, but it’s true. It’s a great looking book featuring terrible things happening to questionable people.

I also really like the hook for Wytches. Said Witches are far from the black hat/cat cauldron troupe, and are hardly the worst thing in the book. I refuse to say more due to fear of spoilers, but Snyder/Jock/Hollingsworth have something special going on in this book. Wytches does for witches what The Wake did for mermaids.

Wytches is off to an impressive start, and has me rethinking my pull list in order for me to buy it monthly. It’s a stellar debut, something Image has become notorious for, and it’s great to see one of the industry’s biggest name flex his horror muscles again with a fantastic art team.

 

 

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October 27th Return of The Misfits and Osaka Popstar to Forbidden Planet!

Whoaaaa doggy! You read that right!

Forbidden Planet will be enjoying the haunting season the fright way… with a maniacal Misfits Records in-store event!

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Meet Jerry Only, Dez Cadena and Eric “Chupacabra” Arce of the The Misfits and John Cafiero of Osaka Popstar on Monday October 27th from 7 to 9 PM.

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What makes October 27th so special? Well it’s the release date for the Expanded Edition of Project 1950 which the fiends will have on hand for you to get signed! But that’s not all… we’re gonna have more Misfits and Osaka Popstar related CDs, vinyl, toys, and merch than you can shake a devilock at and yes the guys will sign it all for you!

Can’t make it to the signing but still wanna snag some sweet signed Misfits Records swag? Forbidden Planet has always got your back! Here is a list a stuff you can pre-order from our site that we will make sure to have the guys autograph for you on October 27th before we ship it out to you.

Misfits Project 1950 Expanded Edition CD
Misfits Horror Xmas CD
Osaka Popstar Glass Xmas Ornament w/ Digital Single

So if you can make it, let’s party!  If you can’t? Party with us from home!

Also make sure to keep your eyes peeled to our various social media outlets for more Misfits Records event info !

 

 

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Troy’s Toys, but with Comics: Of Spies and School

It’s a DC heavy week you guys, the first time since…well I think ever. Making history y’all.

STK652755Gotham Academy #1

Becky Cloonan/ Brenden Fletcher/Karl Kerschl/Geyser/Dave McCaig

DC $2.99

Holy cats, that’s a lot of creators.

The minute Gotham Academy was announced a few month ago, I was instantly BOUT this book. As someone who enjoys quirky books about TEENS in weird schools somehow related to Superheroes (see Wolverine and the X-men), G-Academy sounded like the type of book that I needed from DC. It’s a fun and well crafted all-ages book by a bunch of underrated talents telling the types of stories usually not associated with Batman. I went into this book with high expectations (Expect to read this description again next week when Batgirl #35 drops by the way), which were met in some of the best ways possible.

 

First and foremost, this book is gorgeous. I’ve never seen art by Karl Kerschl that I didn’t like, so the good looking visuals didn’t exactly come as a surprise. But the colors by Geyser and Dave McCaig really complete the visual experience. I’m not used to seeing this side of Gotham, given how bright and colorful this book is, but it somehow fits into the larger Batman Universe without any problems. The visuals remind me a of very stylized hand drawn Disney film, with very bright and expressive characters against detailed and gorgeous background. There’s an brief action piece at the end of the book that looks gorgeous, quickly shifting from a tight dark environment to a bright, colorful environment. I can’t even begin to describe how refreshing this book is on a artistic level.

And while I can’t desrcibe how pretty the pictures in this funny book are, I can sing the praises of the writers Becky Cloonan and Brendan Fletcher! I’ve been a fan of Cloonan for years, and really enjoyed a number of her past works, so seeing her and Fletcher (whom I only know from Twitter sadly) launch a new book in the proper DCU got me excited. And they cam through, introducing a bunch of awesome new characters, dropping some interesting mysterious and carving out a nice littler corner for themselves in Gotham.

With  female-written books like Lumberjanes and Ms Marvel becoming break out hits, it’s nice to see DC do something to appeal to the female audience and succeed for all the right reasons. Gotham Academy is a delight, and it’s the type of comic that makes me appreciate what the medium is capable of.

 

GRAY_Cv3_53bd7c6b2566a1.03372938Grayson #3

Tom King/Tim Seeley/Mikel Janin/Jeromy Cox

DC Comics $2.99

 Now that we’re done with crossovers and gimmick covers month, we’re back on track to addressing the fact that the former Nightwing is now a spy. Which means a member of the Bat-family has to get familiar with a gun, something very un-Batman like. Needless to say, drama ensues in Grayson #3.

In less capable hands, this book would have been a hot mess. Justifying gun violence in today’s society isn’t exactly the easiest job in the world, but writers Tim Seeley and  Tom King deliver a script that addresses that problem head on, and the results are great for the reader and bad for our hero.

 

This month’s “monster of the week” is also insane in the best sort of way. Grayson tends to riff/channel some Grant Morrison-type weirdness, but in the best sorts of way. I’m not sure if the insanity revolving around the villiain’s gimmick was intentionally over the top, but I certain think it is and enjoyed it. In addition to that, we actually get to see some other Spyral agent, expanding Dick’s cast a bit. Artist Mikel Janin’s art is perfect for this book, as he can adept at capturing both the sexier and weirder sides of this book incredibly well. Much like the writers, his in an important part of this comic, and the book is all the better because of his presence.

 

Grayson is a surprisingly smart and deep book that does a lot of different things right. It’s a little bit of high-octaine action mixed with some intrigue, with a dash of sexiness met with genuine human interactions. There’s even some room for debate that Dick’s constant flirting and making kissy faces with the ladies makes up for the void in his life formerly occupied by his Bat-family. Regardless if you buy into that or not, at the end of the day Grayson is an incredibly well crafted comic that shows just how well the comics coming out of the Bat-offices are these days.

 

 

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Zenescope Entertainment Night at Forbidden Planet NYC

GFT-SigningBW-WebOctober 9th at Forbidden Planet is going to feature a whole slew of Zenescope Entertainment creators.

We’ll be giving away FREE Zenescope comics for our guests to sign, including copies of the following:

Charmed- Season Ten #1 (Brand new! Hurry, our supply will be limited)
Robyn Hood ongoing #1
Robyn Hood ongoing #2
Helsing #1

The event kicks off at 8 p.m.

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Image Comics Event Night at Forbidden Planet NYC 10/7/14

Gif-Image-Comics-Night

Yes, ALL of those folks.

Get ready! Forbidden Planet NYC will have the following stellar bodacious lineup of guests appearing at the shop on Wednesday 10/8 at 6pm:

Frank J. Barbiere (Five Ghosts)
Chris Mooneyham (Five Ghosts)
Joshua Williamson (Nailbiter, Birthright, Ghosted)
Josh Fialkov (Punks, Last of the Greats, Echoes)
Ed Brisson (The Field, Sheltered, Comeback)
Justin Jordan (Spread, Luther Strode)
Declan Shalvey (Injection)
Tim Seeley (Revival, Hack/Slash)
Brandon Montclare (Rocket Girl)
Bob Fingerman (Minimum Wage)
Antony Johnston (Umbral, The Fuse)
See ya there!

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Daily Remender Part 1: Deadly Class volume 1

deadlyDeadly Class Volume 1

Rick Remender/Wes Craig/ Lee Loughridge

Image $9.99

For my birthday this year, my wife (he said in a dated Borat voice) ordered me a bunch of trades off of my Amazon wish list. My TPBs backlog is already about several comics deep and includes an X-men omnibus I should probably get around to reading, but the gifts were welcomed none the less, because comics are GREAT. I had a flight to Atlanta recently, so grabbing a few birthday  trades to read on the flight sounded like a great plan. It was by the way, go team me.

8263bf56731f11c8f22dcbd7a86add62One of the trades was the first volume of Deadly Class by Rick Remender and Wes Craig. I’m a fan of Remender, who’s personally sold me a bunch of creator own series that I really dug in the past. I somehow missed Deadly Class when it dropped initially, probably due to like 500 Image #1s dropping with a ton of hype surrounding them this year alone. All I know was that the early buzz for this series was good, so it ended up on my Amazon wish list.

 

 

 

deadly-class-cliquesAnd now that I’ve read it, I can see why Deadly Class got all that comics internet hype, and can agree that it deserves it. While the concept reminds me a lot of Jimmie Robinson’s Five Weapons ( Both heavily feature schools for assassins ), Deadly Class is a more mature & “realistic” take on the concept,  and one that uses the 1980s as a backdrop. It’a a period piece of sorts, “steeped in the music and pop culture of that time” according to David Lapham in the foreword. The quickest way to summarize the plot is that in 1987 our homeless lead Marcus Lopez is invited to join the Kings Dominion Atelier of the Deadly Arts (takes a breath). It’s a high school that bunch of bad people around the world send their childrens to in order to train them to become assassins. Which is fine for Marcus, as he has his mind set on revenge for the man responsible for the death  of his parents. Oh and his past is coming for him, as he was kinda a dick prior to the beginning of the series and now it’s  back to haunt him. Luckily for Marcus, he makes a bunch of new friends all representing various 80s cliches and stereotypes. I kid, having a multi-racial cast is nice, especially with a lead who’s not another sad white kid.

Deadly-Class-1-Two-PageThe first thing I want to point out about this book is how great it looks. This is (probably) the first time I’ve exposed to Wes Craig‘s art and it reminds me a lot of what David Aja‘s work over on Hawkeye (with shades of Frank Miller and Paul Pope as well) . That probably has something to with colorist Lee Loughridge’s flat colors plaette being so similar to Matt Hollingsworth’s work. Which I’m 1000% okay with. The final product is incredible, thanks to Craig’s non- traditional layouts and simplistic but stylized characters. And the colors do end up adding a lot to it, especially when it comes to a few fights scenes, a flashback and most importantly an acid trip. The choice to use flat colors was wise, and I’m glad to see it being used so well in this book.

Deadly-Class-04-01I also really like how dedicated Remender and Craig are to ensure this book looks and feels era appropriate. From everything from sports and political references, as well as the fashion, the book really captures the looks and sound of the 80s well, without out it being to over the top or cheesey.

And what ultimately sold me on this trade was the type of emotion Remender poured into it. The book definitely has elements of his upbringing in it, but not in an autobiographical sort of way, unless Remender is an assassin with the oddest day job. The book feels more genuine, despite it’s ultra violent premise, and the characters feel incredible fleshed out. It’s like Kick Ass in a way, where it’s the type of thing that could happen, but without being a terrible and offensive comic.

I may be bit biased towards Deadly Class, since I’m genuinely a big fan of Remender’s work. But I had zero exceptions of this book going into it and I ended up loving it. It’s arguably he’s strongest creator owned work since Fear Agent, and I wish I read more of Wes Craig’s work prior to this trade. If you don’t mind some ultra violence and adult language, it’s definitely a book worth your time.

 

 

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The Woods/Batman/Paladin Super Signing October 7th at 6pm

October-7th-GifOn October 6th at 7 o’clock, Forbidden Planet is going to have a whole slew of amazing creators in-store. Writer James Tynion IV (The Woods, Batman Eternal) and artist Michael Dialynas ( The Woods) will be here as well as writer Marguerite Bennett (Batgirl, Batman), writer Chris Antzoulis (Paladin) and artist Fabio Valle (Paladin) will all be here to sign copies of their respective books. Woo.

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Super Stoked on SuperTrash

Last Monday when I got to work, fellow manager Justin greeted me with a “There’s a book for you coming out this week.” Which can mean one of two things… either there is actually something that I will be excited about, or it’s something really stupid that can be used to make fun of my interests. My taste is simple but specific. I like sex, violence, horror, exploitation and satire. Find me some media with the right mix of all those things and I’m beyond stoked! Unfortunately for every honestly suggested upcoming release (Dinosaurs Attacks, Rue Morgue Special), the crew likes to mock my interests with a skewed version of what you could call a “Matt D book” with less than exciting suggestions (Zombie Tramp, GFT anything). This time was a bit of both…

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Justin continues “SuperTrash Hermaphro Chic, Movie Fetish, 21st Century Anxiety. At first I thought it was a book about Hermaphrodite Porn, but it’s a sequel to a movie poster book. Either way I figured you would buy it.” Hermaphrodite Porn joke aside, he was right! I thought Jacques Boyreau’s Portable Grindhouse The Lost Art of the VHS was fine, was blown away by his Sexytime The Post-Porn Rise of the Pornosseur and I loved his Trash The Graphic Genius of Xploitation Movie Posters, the book that first put Boyreau on my radar. A sequel  to Trash? … how could I not give the fine people at Fantagraphics my money. Well I obviously already knew SuperTrash was hitting shelves soon, and yet still thanked Justin for the backhanded suggestion.

STP1

Fast-forward to Tuesday afternoon as we open the Diamond shipment and uncover the anticipated tome. SuperTrash delivers! I’m talking a pop culture cornucopia packed from cover to cover with vibrant violent pulp images! Consisting of movie posters, trading cards, magazine covers, comic book art, record sleeves and so much more from the realm under appreciated forms of art, throw in some words of wisdom explaining the Art Trash mindset so even the most mainstream minded can try to wrap their head around the concept of Hermaphro Chic and you have more of an experience than an art book. To me, a flip through SuperTrash is kinda like hanging out at a really cool old school comic shop and just rapping about all the weird items you uncover in those boxes that are under other boxes that are used to prop up the new release shelf.

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I’ve been working here at Forbidden Planet for what seems to be almost nine years…. I think, and recently my imprint on the store has been summed up in two words scrawled next to my name on a piece of paper taped to the wall above the desk in the shipping department. To put the words in context, the paper is a list of what type of e-mails should be forwarded to who or what department… it reads as follows.

Buying/Books -Jeff
Toys – Toys (Alec)
Donations – Garbage
Esoteric Stuff – Matt D

I take that as a compliment I guess…

Maybe I should pitch Fantagraphics a book that contains photos of my collection. Well until you can grab a copy of Matt Desiderio’s Esoteric Stuff dig into SuperTrash!

Photos are from the Fantagraphics facebook page.

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Troy’s Toys, but with Comics: So many things

Before I start screaming about this month’s issue of Saga, I just wanted to give y’all (all 3 of you) a head’s up with what to expect over the next few weeks. Aside from weekly reviews, expect to see a few advanced reviews, a NYCC preview, and hopefully a toy review or two in the coming weeks. I’m excited to share all of this with you the reader, because I like to talk about some (hopefully) cool shit.

Saga-23-90332Saga #23

Brian K Vaughan/Fiona Staples

Image $2.99

SPOILER WARNINGS: HEAVY SPOILERS IN THIS REVIEW BE WARNED.

First off, I just wanted to say how much I dig the use of yellow on the front, back and interior covers of this book. It looks really sharp and stands out a lot. Aside from being a well crafted comic, Saga is also a brilliantly designed book, something I appreciate bunches.

So if you’re caught up with this book (HERE COME THE SPOILERS Y’ALL), Brain K Vaughan and Fiona Staples have been teasing the split up of our leads for the last few months. Ever since the announcement via narration, they’ve been dropping a ton of hints of how it was going to go down, killing me slowly. Well this is the issue that is goes down, and when it looks something we’ve been expecting to happen to go down…

Vaughan and Staples pull a 360.

The split still happens I’m sad to say. But not in a way you’re (probably) expecting. And it hurts, believe you me, but the bait and switch does leave some hope. It’s brilliant, as we see why Vaughan used certain words in the way he did. And then the ending hits and we’re given something that’s been building since issue one. It’s an awesome ending that sets the stage of this volume’s end next month all to well.

And while BKV delivers top notch dialogue, Fiona Staples continues to show why she’s won a bunch of awards for this book. The body language, page and panel composition, the colors, the facial expressions-EVERYTHING-is done for a reasons and executed flawlessly. It’s fantastic.

It’s no surprise that Saga #23 delivers. Every issue of has Saga has delivered so far, so why would things be any different this month. It’s HOW the book delivers that makes it stand apart from previous installments of the book. Another flawless installment by arguably the only  perfect comic series on the stand today, I cannot stress enough how great this book is.

 

ENDS OF SPOILERS DON’T WORRY YOU CAN READ THE REST OF THE COLUMN!

background (1)Secret Avengers #8

Ales Kot/Micahel Walsh/ Matthew Wilson

Marvel $3.99

SHAMELESS PLUG: This book’s writer (Ales Kot) will be signing his new Marvel title (Bucky Barnes: The Winter Soldier) at the store this Wednesday at 6pm. You should probably swing by and tell him how much you love his work and buy a bunch of his comics.

So yeah, in case the cover didn’t tip you off, it’s a MODOK heavy issue of Secret Avengers, one that fills in some gaps between the previous series and this one. It also reveals some answers to questions raised in the first seven issues of this book, reveals some cosmic horror and has some genuinely laugh out loud moments (especially with that last page).

Something I like about this title is how weird it can be at times without pointing it out. Ales Kot, Michael Walsh and Matthew Wilson (who’s does some amazing things with colors this months) blend espionage with humor and some really gonzo elements of the Marvel Universe that remind you that this is a spy comic that takes place in a world of spandex wearing heroes. It’s not afraid to not take itself seriously at times, and look great while doing so.

Secret Avengers is a book that feels like Warren Ellis and Jim Steranko tackled a Avengers book set in the movie’s continuity but were given free range to do whatever they wanted. The end results are as equally bizarre as they are amazing.

 

 

 

 

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Scott Snyder Wytches Midnight Release

SCOTT-SNYDERWEBYou read right, folks. On Tuesday October 7th, Forbidden Planet will shut it’s doors at 10 p.m. and will be re-opening them at 11:30 p.m. for our signing with Scott Snyder that will start at 12:01 a.m. Wednesday October 8th. It’s a midnight release party for Wytches #1!!!

‘Nuff said.

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Troy’s Toys but with Comics: Spider-Gwen, X-men, and The Wicked + The Divine

4049035-edge_of_spider-verse_2_coverEdge of Spider-Verse #2

Jason Latour/Robbi Rodriguez/Rico Renzi

Marvel $3.99

As someone who got into comics when he was younger due to Spider-Man, it’s funny how very little I actually read about the Wall-Crawler these days. I haven’t bought a physical issue of a Spider-book in some time, and I’m only catching up on Superior Spider-Man now via the Marvel Unlimited app.

That being said, when Gwen Stacy: Spider-Woman was first announced, I was more than ready to spend money on this comic. The design by Robbi Rodriguez was hot to death, and the concept of having Gwen get bit instead of Peter really appealed to me. I’m not to interested in Spider-verse all that much, but I figured picking up this one shot couldn’t hurt.

Now that I have the issue in my hand and have read it a few times over, I have to admit I’m a little disappointed by it. I hate to toss shade at writer Jason Latour, but he played it a little too safe this debut issue. There’s a lot of cool stuff introduced and I lot of concepts I like, I’m just bummed out that we may not see any of play out fully in the near future. I know Spider-Gwen is going to be popping up all over the Spider-Verse event and the tie ins, but I want to know more about her world. It’s a good script, and it did a find job of leaving me wanting more, I just wish I was a little more satisfied with what I got to begin with.

That being said, visually the book looks great. Robbi Rodgriguez and Rico Renzi were the perfect artists to handle this one shot, as this story has all the pop and flair you want form a Spider-book. Gwen looks fantastic in action, and her amazing (UGH BAD PUN) costume really stands out. On a visual level I couldn’t be more satisfied with EoSM 2.

But yeah. Edge #2 is a good comic, but I was expecting a great comic. Hopefully Latour, Rodriguez & Reniz will have a chance at Spider-Gwen again sometime in the future.

portrait_incredible (2)Uncanny X-men #26

Brian Michael Bendis.Kris Anka

Marvel $3.99

Chris Bachalo‘s cover is easily one of the best UXM has been grace with since this 2013 relaunch. I really like it,(it serves as an excellent looking methaphor for the inner demons Cyclops is battling), so it may sound weird that I’m about to say that I’m glad he didn’t handle the interior art for this issue.

Uncanny X-men #26 addresses the fallout from 25 and how it’s gonna haunt the modern X-men. An uneasy alliance form, and questions and doubts rise in a really emotional issue of Uncanny X-men.

Which is why I’m glad Kris Anka drew this issue. Anka’s the type of artist you want to convey emotion in your comic, and he does a great job of selling Brian Michael Bendis‘ dialogue. He managed to hit the action pieces just as well, and the end result is a finely crafted comic, especially when you factor in how great the coloring is too.

Bendis by the way does an excellent job of writing an side of Bobby Drake we’ve never seen, as well as a Cyclops at his lowest. This was the sort of emotional baggage that should have been addressed sooner, but with Anka and Bendis handling it so well now, I’m okay with the wait.

If you hit the shop this week you may noticed that All New X-men dropped as well. I’m done with the book for this time being opting to go the trade route with it. Uncanny X-men, on the other hand, has become the X-book I don’t want to trade wait for. Between the 2 different art teams and Brian Michael Bendis’ solid scripts, it’s easily the superior X-book on the stands.

tumblr_inline_nc1v0wN2sX1r77eonThe Wicked + The Divine

Kieron Gillen/Jamie McKelvie/Matthew Wilson/Clayton Cowles

Image $3.50

Getting real tired of coming up with ways to praise this book. Part of me just wanted to leave it at “buy this book I already hit 500 words, just trust me”, but that’s kinda half assing things. So instead I’ll do a handy little checklist as you why you should read it if you’re not.

Is Wicked+ Div still a gorgeous looking book thanks to the talents of  Jamie McKelvie & Matthew Wilson? YES

Is Kieron Gillen‘s dialogue still incredibly clever and hilarious? YES

Is Wic+Div still the type of book that asks a little more from it’s reader instead of dumbing it down for mass appeal? YES

Is the murder mystery involving gods still incredibly compelling? Also are said gods also super interesting and insanely well designed? YES, although this issue is heavy on the Tron homage.

So yeah, The Wicked + The Divine is still great, in case I wasn’t clear enough above. It’s American Gods meets Phonograms, which is the type of mash up I live for. It arguably has the most diverse cast in comics outside of Saga or Mighty Avengers, and some of the best character interactions in comics today.

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