America’s Deadliest Home Video DVD release party!

America’s Deadliest Home Video DVD release party!ADHVAD

Alternative Cinema home entertainment and Lunchmeat VHS Magazine will team up with NYC’s leading comic, dvd and collectibles store Forbidden Planet to host an in-store event for the release of America’s Deadliest Home Video. We plan to jam-pack this event with raffles, free-bees, and autographs!

On Thursday May 12th from 7 to 9 PM come to FPNYC to celebrate the release of this amazing and obscure slice of cult cinema with producer/actor Mick Wynhoff and Josh Schafer the publisher and editor-in-chief of Lunchmeat VHS Magazine.

Josh Schafer of Lunchmeat Magazine? Why would he be there? Well I’ll tell you why! Not only will America’s Deadliest Home Video be released on DVD for the first time ever, it will also be available in a limited edition VHS collectors edition which was produced by the Meat-Man himself, Josh Schafer, so you know it’s gonna be a groovy package!

Wait! Did you just read all that and get really bummed out because you have a previous engagement the night of our release party? Well don’t sweat it cause FP has got your back… as usual. That’s right you can pre-order the DVD, the VHS or both and we will make sure to get them signed by all the guests attending our event on May 12th before we ship it out to you. So even if you live in Abu Dahbi or just planned to wash your hair that night, you can still get your hands on an autographed copy of Americas Deadliest Home Video!

Pre-order the DVD by clicking right here!

Pre-order the limited edition VHS by clicking right here!

Collector’s Limited Edition VHS contains new bottom load sleeve, bumper sticker, custom key chain, original poster and VHS sleeve autographed by Jack Perez, Gretchen Bonaduce and Mick Wynhoff.

ADHVAD2

Before Man Bites Dog.  Before The Blair Witch Project.  Before Paranormal Activity…there was America’s Deadliest Home Video, the original found footage shot-on-video shocker written and directed by Jack Perez (Some Guy Who Kills People), produced by Mick Wynhoff, and starring ‘The Partridge Family’’s own Danny Bonaduce and Melora Walters (Dead Poets Society).

Lost for 25 years, the original found-footage shocker written and directed by Jack Perez (Some Guy Who Kills People), produced by Mick Wynhoff and starring Danny Bonaduce (TV’s The Partridge Family).

Prepare yourself for a rip-roaring ride through the incredibly raw and realistic shot-on-video found footage shocker that started them all! America’s Deadliest Home Video unreels the story of Doug (Danny Bonaduce), an overzealous home video enthusiast who decides to ditch his unfaithful wife for the open road with his beloved camcorder in tow. Doug’s troubles triple when he inadvertently records three criminals known as The Clint Dryer Gang deep-sixing their latest escape vehicle. The egotistical leader Dryer (Mick Wynhoff) then abducts Doug, forcing him to record their atrocious blood-spilling exploits and eventually coercing Doug into joining their heinous crime spree inciting deadly results.

This once obscure but now considered seminal SOV feature abounds with violence, sleaze and sexual tension topped off with a deft touch of comedy from writer / director Jack Perez (Some Guy Who Kills People), and it’s now available on DVD for the first time ever loaded with illuminating extras!  Experience ADHV and see if you can survive the ride!!

So one more time…

What: America’s Deadliest Home Video release party!
Who: Director Jack Perez, Actor/Producer Mick Wynhoff and Lunchmeat VHS Magazine’s Josh Schafer.
When: May 12th from 7 to 9 PM.
Where: Forbidden Planet 832 Broadway New York, NY 10003
Why: In the words of Josh Schafer “Keep cult flicks alive!”

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Chris’ Comics: All-New Hawkeye #6 & Captain Marvel #4

2016-04-21-allnewhawkeyeAll-New Hawkeye #6

Jeff Lemire, Ramon Perez, Ian Herring

Marvel $3.99

Hey it’s the finale issue of All-New Hawkeye! Again!

This ending is FOR REAL though, as it’s apparently the last installment in this series by the team of Jeff Lemire, Ramon Perez and Ian Herring. And while I’ve found this run a little uneven at times, issue #6 (which is the 12th issue for this team, but you know, COMICS!) offers the reader a lot, and actually changes things up for Team Hawkeye in a major way.

While I haven’t been the biggest fan of the flashback material Lemire and Perez have been doing throughout this run, this issue completely justifies the use of that narration device. Exploring Kate Bishop’s past was a good call, and the events in this issue does something real fascinating with Kate that I dare not spoil. It clarifies some things that date back to Kate’s earliest appearances in Young Avengers, and  hopefully retcons something extremely outdated & problematic from those stories as well. This carries over to the present day stuff, which I imagine will be used to launch whatever the next incarnation of Hawkeye will be in the coming months.

If there’s been on constant thing about this team throughout the last 12 issues, it’s been Ramon Perez and Ian Herring’s work. The two artists have been great time and time again, and this finale really sees them come into their own as story tellers, mixing some cool silver age aesthetics in the flashback material with some lush and vibrant pages for the modern day sections of the book. Perez and Herring really had their work cut out for them coming into this book, and it’s been super enjoyable watching them grow and experiment over the last year.

We don’t know what lies in store for Team Hawkeye in the coming months, but All-New Hawkeye was a interesting exploration of the lives of Clint Barton and Kate Bishop. Lemire, Perez and Herring didn’t exactly have the critically acclaimed run their predecessors had, but it was a fun story none the less. Hopefully it won’t be too long before we see the Hawkeyes in action again.

portrait_incredible (7)Captain Marvel #5

Michele Fazekas, Tara Butters, Kris Anka, Felipe Smith, Matthew Wilson

Marvel $3.99

It’s slightly ironic that we’re discussing Captain Marvel, and to a lesser extent Abigail Brand, on 4/26/16, aka Alien Day (#brands). Earlier issues of this arc definitely felt like a homage to the classic Sci-Fi property, and this issue has 2 female character very much getting their Elena Ripley on.

Captain Marvel #5 sees writers Michele Fazekas and Tara Butters make Carol Danvers current scenario go from bad to worse, as Alpha Flight’s attempts to deal with this “new” alien threat don’t go so well. Oh and that pesky traitor is still in their ranks, mucking things up. What’s bad for Carol and company is great for readers, and we’re treated to 20 pages of high stakes actions, beautifully depicted by Kris Anka, Felipe Smith and Matthew Wilson. I don’t think I’ve seen two artist who manage to blend their respected styles as well as Anka and Smith, and Wilson’s colors are a sight to behold. I love how Wilson sets such vibrant characters against dark backgrounds, giving the book a refreshingly modern and sharp look.

The Elena Ripley comparison feels spot on with Carol and Abigail never say die attitudes. Both character, despite their VERY comic book genealogy, feel so human, but never weak. It’s inspiring in several ways, and makes for a pair of characters that are easy to root for. I particularly like a very Shonen Manga influenced scene, where Carol’s staff let their leader know they’re with her in this high risk scenario. It’s a nice upbeat moment that gives the reader something to rally behind as the crisis at hand gets worse.

Captain Marvel #5 is the type of penultimate chapter you want from a 6 issue arc. The stakes of raised to the point where it genuinely feels no one is safe. It’s an impressive feet, given how predictable cape comics and can often be, and it’s just another reason why Captain Marvel is one of the best super hero titles coming out from Marvel currently.

 

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Val’s Toy Chest- Star Wars Black In the House!

If you’ve read my past columns, you know that I’ve been a casual Star Wars fan since I was a little kid. I haven’t been a fan of the entire saga, choosing to mostly ignore the prequels as they didn’t appeal to me. I did give the latest film a shot and really loved it- it helped immensely that there was a strong female protagonist in Rey and characters I loved like Chewbacca, Han Solo and Leia Organa were back. On that note, after a long wait, we have finally started seeing some new pieces from Hasbro’s 6″ Black Series line. There have also been a couple of restocks including one of my very favorite figures of the entire series thus far.

Fans of the Original Trilogy, The Force Awakens, Star Wars: Rebels and even the prequels should be thrilled with the assortment of figures just released by Hasbro. From the very first movie, A New Hope, comes the Luke Skywalker figure dressed in his famous white and beige outfit. Luke comes with his signature blue lightsaber and a pair of binoculars which clip on to his belt. His white tunic is made out of cloth and he features several points of articulation. The Force Awakens still gets the lion’s share of the Star Wars Black line for the moment- at least until Star Wars: Rogue One comes out later in the year. Figures out in this recent assortment include First Order Snowtroopers and Flametroopers, plus Han Solo as he appeared in this seventh installment of the fan-favorite film series. Each of the troopers comes clad in their respective armors with multiple points of articulation and character-specific accessories. Han comes with his blaster and is also fully poseable.

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Star Wars: Rebels has been a fairly popular animated series on the Cartoon Network and took over the reigns of the now defunct Clone Wars series. Hasbro has taken the character designs from the animated series and has given them a realistic look to fit in with the aesthetic of the regular Star Wars 6″ Black line. The first of the 6″ Rebels figures to arrive are Jedi Kanan Jarrus, the character played by Freddie Prinze, Jr. and fan-favorite character and original Clone Wars character, Ahsoka Tano, who has recently shown up on Rebels. Each figure comes with their distinctive lightsabers and follows the same poseability model as previous Star Wars Black figures. Finally- prequel fans get one of the cooler looking characters with the release of the Jango Fett 6″ Figure. Jango has his silver and blue Mandalorian armor, a removable helmet, his jetpack and two blasters.

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Back in stock from Star Wars Black is the premier villain of the entire Star Wars universe, Darth Vader. I’d argue that this is probably my favorite figure in the entire Star Wars Black line, even over the Leia in Boushh disguise figure. Vader comes dressed in his iconic black armor with a sweeping black fabric cape, his famous helmet and his red-bladed lightsaber. The blade is detachable and the helmet is removable, which helps you to recreate the scene at the end of Return of the Jedi where he reveals his scarred face to Luke. Definitely one of the best 6″ figures at this price point. Also back in- one of the newest heroes from the Force Awakens, Finn. Finn is dressed in the outfit he crashed on Jakku in. Still available are X-Wing Pilot Poe Dameron and Constable Zuvio, whose character ended up on the cutting room floor.

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Other toys scheduled to arrive this week include some Star Wars 3 3/4″ figures from the recent film, plus a restock on items from the wildly popular DC Collectibles Batman: The Animated Series line. Characters such as Bane, Batgirl, Killer Croc, The Joker, Harley Quinn, plus Batman and Robin should all be gracing our DC toy shelves again sometime this week. Newly arrived is the next figure in NECA’s popular videogame line, The Terminator 2 T-800 figure as seen in the 1991 T2 Video Game. Decorated to resemble his 8-bit pixelated appearance in the game, the figure is fully articulated and comes with interchangeable heads and a shotgun.

On a quick note, I’ve been listening to a lot of Prince this week due to his untimely passing. Prince may not have had a deep comics connection other than his soundtrack contributions to Tim Burton’s 1989 Batman film and a rare Piranha Press one-shot comic book, but he was an icon nonetheless and was definitely a memorable part of my youth. R.I.P. Purple One and thanks for “Manic Monday,” “When Doves Cry,” “Purple Rain” and so much more.

 

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Chris’ Comics: Howard the Duck #6 & Spider-Man/Deadpool #4

Hey, sorry for the delay in reviews, but I was out of town for the last few dues on account of PAX East, which was relatively light on comics content. But now I’m back, so let’s get on with the hot comic TAKES yes?

portrait_incredible (1)Howard the Duck #6

Chip Zdarsky, Ryan North, Joe Quinones, Joe Rivera, Marc Deering, Jordan Gibson

Marvel $3.99

Hey look, I’m reviewing a Howard the Duck comic again, this is somewhat comforting! Also, mine is a sad existence.

The 2nd part of the “Animal House” crossover sees Ryan North join the creative team of Chip Zdarsky, Joe Quinones, and several inkers and colorists for an issue where our heroes and several guest stars deal with a villainess who’s into cosplay and hunting man-beasts. There’s also a squirrel with Wolverine’s M.O.,  because of course there is.

It’s a little jarring to see Squirrel Girl drawn by Joe Quinones at first, as his style is a little more realistic than SG’s regular artist Erica Henderson. But once you grow accustom to it, it’s real easy to get caught up in the books visuals. It’s just a little unfortunate that the 3 inkers working on the book, Joe Rivera, Marc Deering and Quinones himself don’t mesh up as well as say as Jordan Gibson helping Joe on the coloring. It’s a minor thing, which doesn’t really derail the comic that much, but it’s noticeable none the less, especially in some of the later panels.

That being said, the dialogue and jokes are really strong in this issue. North and Zdarsky manage to do some nice world building with both their books, while injecting a ton of humor into the story. It’s quite the romp, and it’s the type of fun I don’t get enough of in comics.

Howard The Duck #6 is a fun read that closes out the brief crossover with The Unbeatable Squirrel Girl on a high note. Hopefully this is not the last time these creators collaborate again, because after reading the last 2 issues of both series, I’m left wanting more for all the right reasons.

Spider-Man_Deadpool_Vol_1_4_TextlessSpider-Man/Deadpool #4

Joe Kelly, Ed McGuinness, Mark Morales, Jason Keith

Marvel $3.99

Here we have another Marvel book that’s a crossover sorts. The key difference is that maybe you keep this one from the kids (once again I apologize to the small child and his father who thought it would be fun to look over my shoulder while I was reading this on the 7 train this past Wednesday).

Spider-Man/Deadpool #4 is the comic that not only gives Ed McGuinness a chance to draw Thor, which he excels at. It also gives the artist a chance to draw Spider-Man and Deadpool reenacting Dirty Dancing in their underwear. There’s a solid reason for both, because Joe Kelly is a hell of a writer, who does some extremely strange and wonderful stuff in this issue, despite Deadpool being THE WORST.

Spider-Man/Deadpool is a comic with prides itself on being a high energy read that constantly surprises reader in the most heartbreaking ways possible. Issue 4 is a prime example of that, as this issue that’s high on laughs ends on the most dour note possible. But Kelly, MxGuiness and inker Mark Morales and colorist Jason Keith excel at making funny and super enjoyable comics with some real depth to them, so I’m sure issue #5 will be just as fun.

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Val’s Toy Chest- The Eighties Will Never Die

If you’re familiar with me, you’ll know that I have been obsessed with 80’s pop culture since like forever. If you hear a familiar tune from the decade of excess playing in the store, it most likely will be my playlist. Why do I bring up the ’80’s you ask? Well there’s some cool 80’s-related memorabilia in stock or coming in this week. So put on your legwarmers or bandannas, pop in the Huey Lewis or Ray Parker Jr.  song of your choice into your tape deck and let’s see what we’ve got.

I spent most of the day today receiving our restock of Funko’s ReAction figures in the basement and there’s a ton of 80’s goodness there. Horror fans especially have something to look forward to here as the two biggest 80’s horror franchise villains are represented. In one corner- the man of your dreams is back- Freddy Krueger has returned to give the rest of your 3 3/4″ action figures their worst nightmares.  In the other corner is Camp Crystal Lake’s most notorious murderer- the man with the machete- Jason Voorhees. You can pit the two against each other ala 2003’s Freddy Vs. Jason or add them to your respective A Nightmare on Elm Street and Friday the 13th collections. Bloody horror wasn’t all the 80’s had to offer and Funko has the perfect solution- time to cue up “The Power of Love” on your Walkman and chill out with the Back to the Future ReAction figures of everyone’s favorite time travellers- Marty McFly and Doc Brown as skillfully played by Michael J. Fox and Christopher Lloyd respectively. Finally if you love furry critters with plenty of rules attached to them, you might want to take a gander at the Gremlins line, everyone’s favorite Mogwai, Gizmo is back in stock and we still have a handful of his human friend Billy left as well as a Gremlin in a bandit mask. ReAction figures may not be as articulated as modern figures but the throwback style to vintage Kenner action figures and inexpensive price range make these a fun addition to your collection.

If ReAction figures aren’t your scale or style, turn up Ray Parker Jr’s. “Ghostbusters” to 11 and check out Diamond Select’s latest series of Ghostbusters Action Figures. Which characters make up this second wave of figures? The lineup is solid with Bill Murray’s Peter Venkman, Harold Ramis’ Egon Spengler and Sigourney Weaver’s Dana Barrett(Zuul possessed version) all releasing this week. Each figure in the series stands approximately 7″ tall and feature multiple points of articulation and come with pieces to build a giant rooftop diorama.  Still in stock from the first series are Ernie Hudson’s Winston Zeddemore and Rick Moranis’ Louis Tully(Vinz Clortho possessed version). Future pieces in the line will include Gozer, the first ever Annie Potts as Janine Melnitz figure and more. Definitely a step-up from Mattel and NECA’s earlier lines.

If these ’80’s throwbacks aren’t outrageous enough for you, we’ve also got my second favorite all-female band(after the Bangles) returning to comics shops with a brand new issue. Jem and the Holograms #14 releases on Wednesday and is the next part in the current “Dark Jem” storyline. Can the Holograms disconnect Synergy and stop the infectious dark sound from spreading or are they too late? And if you’re behind on the series overall, the second trade of Jem and the Holograms will also be out Wednesday. This volume collects issues #7-10 of the ongoing plus the 2015 annual and holiday special.

There’s so much more 80’s nostalgia peppered throughout our shelves, whether it be trade versions of famous comic book events like Crisis on Infinite Earths and Secret Wars or even DVDs and Blu-Rays of obscure and cult-classic 80’s horror films to t-shirts,  magnets, housewares and more based on properties like Teenage Mutant Ninja Turtles, Masters of the Universe and beyond. You should check it out! As for me, I’m going to “Walk Like An Egyptian” right out of this column for this week and catch all of you next time!

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Chris’ Comics: Gotham Academy #17

Gotham_Academy_Vol_1-17_Cover-1_TeaserGotham Academy #17

Brenden Fletcher, Adam Archer, Sandra Hope, Annie Wu, Michael Dialynas,, David Peterson, Serge Lapointe

DC $2.99

 

One of the best things about the Yearbook arc is the variety in tone and genre the stories in each issue are. I knew nothing about the creators contributing to Gotham Academy #19, originally thinking it was the conclusion of this storyline. This month I was pleasantly surprised to see the issue kick off with a story that more or less crosses over Black Canary for example, another title that Brenden Fletcher writes.

We get a lot of content from issue #19, which see the girls set out to get their scrapbook from returning guest star Robin (Damian Wanye). It acts as the bridge between the other 3 tales, and again, not a bad bit of storytelling, I just get a little irked everything artist Adam Archer draws Olivia and company’s heads too large or too lumpy. I’m also not a fan of 2how it looks like Damian’s costume is too big for him.

The Annie Wu drawn crossover story sees the GA kids run into Heathcliff, who first showed up in this book and then started showing up as a supporting character in Black Canary. This is probably my favorite story of the bunch, as it looks great, and I really like the way Fletcher handles the reunion between Heathcliff and Pomeline. Wu is colored by Serge Lapointe, who’s washed out and neon color palette is perfect for a story involving relationships and music.

From there we get Michael Dialynas, who’s worked on The Woods for Boom Studios, telling the story of that one time Maps and Olivia ran into a demon cat on campus. This 6 page story starts off with a cool horror vibe to it, but then gets a little cuter once we find out who’s responsible for said cat. It’s the story has a Batman: The Animated series vibe to it, and I love how Dialynas can manage to pull off horror and adorable with his art.

By assembling so many different on this title the last few months,Gotham Academy has exposed me to a variety of creators I occasionally have little to no prior experience with. That statement is especially true come the end of this comic, where Mouse Guard creator David Peterson tells a story set in Gotham Academy’s past. He creates a quartet of 4 new GOTHAC_17_3characters, and the story revolves around the oft-mentioned “Sorcery & Spells” game that Maps loves so much. Aside from being absolutely gorgeous to look at, I love how it’s inspired by the 1980s Dungeon and Dragons panic, in which the game was believed to have some sort of Satanic ties. Also, the way Peterson tackled the project is super impressive, and I encourage you all to go visit his site and read up on how he approached this story.

“Yearbook” has been a incredible arc for Gotham Academy, and no issue proves that more than this one. The range of talent involved in every issue is insane, and it’s impressive how much mileage each creator can get from a book that only had a dozen or so issues under it’s belt before this arc started. Brenden Fletcher, along with Karl Keschel and Becky Cloonan have created a fantastic playground for this guest creators, and seeing the character celebrated like this month after month has been great.

 

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Chris’ Comics: X-men ’92 #2

5148021-02X-men ’92 #2

Chad Bowers, Chris Sims, Alti Firmansyah, Matt Milla

Marel $3.99

As someone who’s read a ton of Chris Sims’ work over the years, I’m actually a little ashamed I didn’t see the final page of this comic coming. Way to make me feel like a real dumb-dumb sir.

X-Men ’92 #2 doesn’t just embrace the fact that they can now tell stories that are TOO HOT FOR (1992) TV this month. Oh no, writers Sims and Chad Bowers rub our faces in it, practically screaming “HEY LOOK AT ALL THE THINGS WE CAN DO NOW, LOOK LOOK, LOOK!”, but in a fun and excited sort of way. Which is fair, because while this book definitely hits some notes that are DARK AND EXTREMEEEEEEEEEEE, it remain a delightful read that’s a bit over the top in all the right ways. If you told me that we’d see a plot point taken from Marvel’s defunct Midnight Sons line in a comic in 2016, I would have called you a liar. In the writer’s defense, they successfully create a narrative in which this relic from the 90s works for the story. And speaking of weird story beats, Bowers and Sims decide to pay tribute to a more recent but weird as all hell X-men story, once again merging the past with a more recent weird X-men story. It’s the best kind of fan service for any devout X-men fan, especially if they dig the odder bits of continuity.

Also Rogue can’t stop hitting bears is a new running gag of sorts that I am 1000% okay with.

Artist Alti Firmansyah really comes into her own this month, cutting back on the references in the art and doing her own thing with the layouts. I’m more than fine with this, as is results in some dynamic storytelling, complete with some very expressive faces, and some extremely well “choreographed” fight scenes. There’s a scene that’s surprisingly violent in this issue, which Firmansyah handles by blacking out the characters involved for a panel, making it X-Men-92-2-4way less graphic, but still coherent enough for readers to figure out what’s going on. Also I love how timeless she can mast her characters look, even though several of them have some rather dated and peculiar character designs. My only real complaint with the art is that Maverick loses his eyes for several panes in this book, although I’m uncertain if that’s on Alti or colorist Matt Milla. That snafu aside,  I love how bright and dynamic the colors are in this book, especially come the final pages of the issue.

X-men ’92 remains a engaging and entertaining read. By being set in it’s own continuity, the creators can pull from so much, and completely surprise readers. Sims and Bowers’ dialogue is very whimsical, and helps to make the stakes feel high, even while being a tad silly. And Firmansyah and Milla do an exceptional job of invoking the styles of the 90s, and updating them in a way that just feels right. As I said time and time again, X-men ’92 is a great book that’s self contained and scratches so many itches while only being 20 pages. It’s the perfect read for someone who only wants to read 1 X-men title a month, and not have to worry about other events in the Marvel Universe interfering with the story.

 

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Val’s Toy Chest- Avengers Incoming- Happy 500!

It is a fairly light week in FP’s toy department. There are a few items on their way in to us however and I’ll tell you about them now. It’s also our 500th issue of the Weekly Planet, so I’ll talk about my all-time favorite DC Comics Anniversary Issues. If you want my thoughts on last week’s Arrow debacle, please refer to fpusadailyplanet.com where I have my final say on what they did to Black Canary.

A couple of the stragglers from the Avengers: Age of Ultron Hot Toys series will be making their appearance in-store soon. Fans of the film can look forward to figures of Aaron Taylor-Johnson’s Quicksilver and Paul Bettany’s Vision joining their growing cast of movie Avengers. The Hasbro Marvel Legends Civil War Series 2 figures should also be making their way in sometime soon. The hot figure from this assortment is sure to be the Black Panther, who makes his feature film debut in Captain America: Civil War this May, portrayed by actor Chadwick Boseman. Black Panther was also recently announced as a Hot Toys figure. There will also be a small Funko restock of various ReAction figures and Star Wars Wacky Wobblers on their way into the store shortly as well. If you still have Star Wars fever, we will be getting the Rey, Kylo Ren, Captain Phasma and other Wacky Wobblers back in.

So it’s our 500th Weekly Planet issue, I can’t believe it’s already at 500, I remember when I used to shop here(as opposed to working here) and when the newsletter had just started. It was a fun bonus to read with my comic purchases and for a while I had amassed a collection of them, I’ve moved several times since and can’t remember where any of the really early issues could be- maybe at my childhood apartment. I never dreamed that one day I would be writing for it myself.  When I think of Anniversary issues, I think of some of the ones I bought as back issues when I was a kid and since I was always a DC fan, I had a bunch of those.  Batman #400 was one I bought at the newsstand in 1986, I enjoyed the story which had pretty much everyone of importance to Batman involved (with two surprising omissions) and was drawn by several of that era’s finest comic book artists.  The cover itself was striking with the Bill Sienkiewicz artwork, the purple and yellow Batman logo and the Gold DC Bullet and Anniversary Logo. Great story about Batman’s enemies all being sprung from Arkham Asylum in a plot by Ra’s Al Ghul to corrupt the Batman. This was essentially a  done in one “Knightfall” 7 years earlier and to date has not been reprinted.

B400

Another particularly memorable issue for me was 1982’s Justice League of America #200, which I bought as a back issue. I am a massive JLA fan, I have every single one of the now discontinued DC Archives plus a good portion of the issues from the 70s and on. (I even have JLA #75, which is considered the first appearance of one Dinah Laurel Lance) JLA #200 was a pretty much perfect issue, although again, someone prominent was missing from the storyline for some reason. The tale was again illustrated by a bunch of DC’s finest talent of that era and featured the 7 founding  members of the JLA facing off against the new kids- so you had battles between Superman and Hawkman, Aquaman and Red Tornado, Wonder Woman and Zatanna, plus a great Brian Bolland-illustrated Batman Vs. Green Arrow and Black Canary portion amongst other tales. Why are they fighting? I’ll let you read the story. This was reprinted in a now out of print George Perez JLA Hardcover.

Next up is Action Comics #600 from 1988 which I loved as a huge Wonder Woman fan back in the day. This was the issue where the lead story finds Post-Crisis Superman and Wonder Woman trying to figure out if they should pursue a romance, but run afoul of Darkseid and his minions on Olympus during this first date. Great tale by Perez and John Byrne. Speaking of romantic Anniversary issues, Tales of the Teen Titans #50 springs to mind with the nuptials of Donna Troy and Terry Long, attended by Titans past and present as well as some other familiar faces, all mostly out of costume. The Action tale is reprinted in Man of Steel Volume 8, while the Donna Troy(HI JULIA!) story is reprinted in New Teen Titans: Who Is Donna Troy?

There’s many more Anniversary issues out there, but these are the ones that have stuck with me from childhood til today. Hope I jogged some of your nostalgia for some of these old DC tales and I hope you enjoyed this 500th issue of The Weekly Planet! Catch you next time!

 

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Chris’ Comics: Batgirl #50

BG_Cv50Batgirl #50

Cameron Stewart, Brenden Fletcher, Babs Tarr, Roger Robinson, John Timms, Elonora Carlini, James Harvey, Serge Lapointe

DC $4.99

I’ll be blunt, Batgirl #50 is a little bit of a disappointment.

While it’s not entirely the creative team’s fault, this is a $5 comic that feels more like an annual. What was suppose to be the final issue for all 3 members of Team Batgirl (Cameron Stewart, Brenden Fletcher & Babs Tarr,who are off to do creator owned stuff for Image), the comic actually features several additional guest artists, once again making the title feel more like a art jam project.  Babs Tarr does draw the bulk of these pages (20 aka the amount of your average DC/Marvel book), which is where the book really shines. If this was the springboard for the new Birds of Prey book, the additional pages by the guess artists would make a ton of sense. But seeing how none of those character except Batgirl & Black Canary are appearing in that title come this summer, it feels like an excuse to pad the book’s page count. I’m genuinely curious if the decision to make the comic double sized was editorial or the creative teams, because it feels incredibly disjointed.

To be fair to the guest artist, their work is certainly solid. Roger Robinson, John Timms, Elonora Carlini, and James Harvey have all pitched in on art duties before on the character, so they certainly feel familiar on the book. They all manage to ape Tarrs’ sBatgirl-50-11tyle quite well, so the book looks good all throughout the issue. And while I may complain about the presence of multiple guest artists, I really do dig the Street Fighter-influenced Vs. pages that break up the chapters. And it’s cool to see Babs working off of Cameron Stewart’s layouts again, as we can see how much she’s grown since she last worked off of them.

The book is at it’s best when it towards the ending, as you can really see where the team was trying to take Barbara. It’s where the real meat of the story is, and it does some really cool things with Babs and the cast of supporting characters the team has assembled. It’s a shame that there’s not more time spent on that sort of thing, versus the amount of time spent with the guest artists and guest stars dealing with other villains. The book ends up feeling back-loaded, which is a batgril-50-teamshame, because again, while I don’t dislike the artist, but there’s a lot of fat to chew through to get to the good stuff.

Batgirl #50 has some genuinely good moments in it, but this book will test your patience. A shame really, because the team had spent a considerable amount of time taking Babs into her this new and exciting direction. They do ultimately succeed in blazing some new paths with the character, and set things up for the next creative team to do some real interesting things with the character, but I just wish the execution could have been a little better.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Chris’ Comics: The Fix #1

TheFix_01-1The Fix #1

Nick Spencer, Steve Lieber, Ryan Hill, Nic J Shaw

Image $3.99

I am grateful for Marvel’s The Superior Foes of Spider-Man for a number of reasons, some of the being the head of crime boss Silvermane in both KISS make up and on top of a remote control car. But the biggest reason I loved that book was seeing creators Steve Lieber and Nick Spencer work together and create a comedy comics with lead characters who are quite the jerks. With SUP FOES ending last year, the creative team has reunited and created The Fix, which is published through Image, and debuted this past week. While Superior Foes excelled while playing within the confines of the Marvel Universe, The Fix being creator owned allows Spencer and Lieber to do and say things that are VERY not main Marvel continuity approved.

The Fix’s premise is very at home for anyone who loved SUP FOES; only thing time around, instead of super villains, we get 2 small time criminals who are also cops. A pair of Boomerangs if you will (i.e. likable, but also the worst type of people), Roy and Mac are trying to make an easy buck in a number of illegal ways; robbing nursing home residents, pqeleyk6dqxzsbtu0walillegal robot fights, letting a “producer” off the hook after a bath salt induced rampage for a cut of his profits. Somehow, they’re super charismatic despite all of this, but I guess that’s because they’re surrounded by folk who are somehow worse. Come the end of the book, we’re finally introduced to a character who is actually morally upstanding, but there’s bit of bit of twist involved that’s super hilarious.

Nick Spencer is an excellent writer who does a lot of  genres quite well, but I find him the most enjoyable when he’s writing crime comedy. It’s a little off-putting at first to see him drop F-bombs and tell stories about accidentally swallowing things that I can’t mention here, but it’s so funny that you’ll get over it fast. Nick is definitely one of the smartest 002_thefix01dudes I currently follow on Twitter, so this script and the dialogue being as clever as it is comes as no shocker (no pun intended). Read the pages where we meet crime boss Josh and see what I mean.

Steve Lieber’s art is as equally inspiring. There’s a flashback involving a Bath Salt induced rampage, and there’s maybe all of 2 dudes in comic who could even come close to capturing this short of insanity/depravity as well as he does. His ability to convey comedy is spectacular, and I absolutely adore how Steve draws facial expressions. In short, Lieber’s art is absolutely terrific. Coloring Lieber’s art is  Ryan Hill, whom I’m not too familiar with, but absolutely kills in this first issue. He manages to nail the sleeze and grit you would expect from a crime drama extremely well, but keeps things bright enough to remind you that this whole shebang takes place in sunny California.

The Fix is incredible. I’ve loved a lot of Image #1s over the last few years. but it’s been a good while since I’ve been tickled by a book this much. If there’s any justice in the world, The Fix will be the next big thing at Image, so you should get on it NOW.

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Chris’ Comics: The Wicked + The Divine #18

1The Wicked + The Divine #18

Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles

Image $3.50

Hooray, The Wicked + The Divine is back! Quick, come grab a copy for yourselves immediately, shoving and or trampling anyone who dares get in your way!

DISCLAIMER: It is impossible to discuss this book without mentioning some spoilers, so if you aren’t caught up on WicDiv, skip this review.

The title for The Wicked + the Divine #18 is “Don’t Call it a Comeback”, which is WAY too appropriate. Series lead Laura Wilson returns, reborn as the Goddess Persephone, and she has a score to settle. Writer/co-creator Kieron Gillen made a joke that this arc was the WicDiv equivalent of Civil War (The Marvel version, not the historical one), and that’s a pretty fair description of the event of this issues. This issue also sees the return of Artist/Co-creator Jamie McKelvie, who will remain on art duties for the book until it ends. More details on that over the coming months. Both returns are welcomed, as the artist and colorist Matthew Wilson create one of the most action packed issues in quite some time. It’s McKelvie meets Shonen Manga in the best sort of ways, as Wilson’s bright, Wiced+Divine18_002energetic colors give the book a cool look that also reminds me of the action scenes in Edgar Wright’s Scott Pilgrim adaption. The use of pinks, greens and blues are the types of colors usually not associated with action scenes is a nice touch, and really gives the book a distinct look.

Kieron Gillen also said that Taylor Swift’s Bad Blood video serve as inspiration for this comic. That much is obvious, given Laura’s dialogue, and the way McKelvie draws her. Before her “death” Laura came off a naive, an excited fangirl walking amongst gods. Now she’s drawn with more confidence and swagger, obviously looking to settle the score with Ananke and her co-conspirators.  I love the way McKelvie handles body language, and the devil may care smile on Laura’s face is fantastic.  Also look how he arranges the panels on the 2 preview pages I posted; you can switch the first two on each page, and the comic still makes sense. And the range of emotions McKelvie can draw is some next level stuff, and I’m thrilled to see his return to this title being nothing short of spectacular.

Kieron Gillen seems oddly restrained in this issue. That’s not so much a critique as it is an observation, which makes sense, as this issue really feel like more of a celebration of the art team. That’s not to say that Gillen doesn’t make any worth contributions to the issue.There’s still plenty of good to be mined from the dialogue, especially the scenes Wiced+Divine18_003involving Baal and Baphomet. Seeing two lovers scorned go out it twice in this comic gives it some really emotional weight. Well more emotional weight, can’t forget Laura’s return and all that. The team also begins to shine some light on X, who’s probably the least developed of Parthenon, and it’s revealed that she’s in a really unique position due to her age.  There’s a lot to enjoy from this issue, which is no surprise, given how good this creative team can build worlds.

I really missed the lack of The Wicked + The Divine in my life, and am over the moon that is came back as strong as it did. It’s a title that’s gone from something I was really digging, to someone that gets read immediately once the newest issue drops. The way Gillen, McKelvie and Wilson choose to explore fandoms and icons makes for an fabulous read, and issue 18 is more proof that they’re one of the most consistent, creative,  and thought-provoking teams working in the industry today.

 

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Val’s Toy Chest Extra- R.I.P. Arrow 2012-2016

THIS PIECE DOES NOT NECESSARILY REFLECT THE VIEW OF FPNYC JUST YOURS TRULY

A few years ago, I found myself at Target on Thanksgiving night and saw season 1 of the CW series Arrow on sale, so I decided to give it a shot- one since I was a massive DC fan, two since I am and always will be a fan of Dinah Laurel Lance, the Black Canary whom I knew was a regular character on the series. It helped that an actress(Katie Cassidy) that I liked from previous roles was cast as Laurel, which was the name they called her by on the show and I also knew she wasn’t Black Canary yet. I didn’t watch the series right away, but when I did, I was hooked. It had action, a strong male and female lead, easter eggs to DC characters minor and major and an intriguing femme fatale in Oliver’s own mother. Before I read reviews online, I had no idea how badly Laurel’s character had been received on the series, I loved her and thought she was for the most part fairly well-written. Others despised her because she was frequently antagonistic to Oliver, although in most contexts she had every reason to be. Many of the show’s fans were instead drawn to a new character named Felicity Smoak, who in the earlier seasons fulfilled the awkward sweet tech girl role and was a fun character and they decided that they wanted to see her with Oliver, which in and of itself is fine, Ollie and Laurel didn’t need to be together throughout the series.

Season 2 was a great season which found Oliver facing off against Deathstroke and introduced us to Laurel’s sister, Sara- who was going by the Canary in her costumed persona. That was also fine, Laurel has always been the second person to use the Canary persona, inheriting it from a relative. Katie Cassidy had a strong character arc for Laurel during season 2 where she found herself hitting the bottle and clashing with her family and Oliver before she picked herself out of her funk and started to become a stronger character from it, setting the stage for her taking on her comic book destiny as the Black Canary. Laurel also had her own nemesis during season 2 in the form of Brother Blood, which folded in nicely with the larger story of the season, especially as she found out Oliver’s identity as the Arrow and exposed Brother Blood in conspiring with Deathstroke to kill Ollie’s mother.

Season 3 had different showrunners at the helm and found Sara assassinated and falling right into Laurel’s line of view, causing her to take up her sister’s mantle and become the Black Canary, saving the city with Oliver’s team as he had gone missing after fighting Ra’s Al Ghul and continuing in the role into the next season. Season 4 found Laurel still fighting the good fight but relegated to a background character for much of the season. It also teased that someone would die 6 months from the premiere. Despite the fact that Black Canary has a strong comic book pedigree and nearly 70 years of stories that could be told, the people in charge of the show decided to kill off Laurel Lance instead of drawing from the rich catalog of stories that they could have. Showrunner Marc Guggenheim didn’t even have a good reason for murdering off the last authentic comic book character other than Oliver, just that he had to fulfill the promise of killing someone off and that Laurel’s death would make in his opinion, the best storyline. There were other things he said that led to their choice of Laurel, but they reek of BS. The kicker is that they’ve also dismissed the comic book fans by saying that they are aware of the comics but ultimately think they are making the best story, which they really aren’t. They also revealed that they never had any intention of pursuing the Laurel/Oliver pairing again which is also another slap in the face to comic book fans, whom without there wouldn’t even be these characters to write about in the first place. You don’t need to be a slave to the comics but you need to at least honor the source material and not kill characters that are intrinsically tied to the main character across different forms of media. Plus the way she went out didn’t even honor her as a heroine as she is killed to send a message to her father and to make Diggle and Oliver feel guilty.

Here’s what I would have done with the characters they said they couldn’t kill off:

Thea Queen– I would have left her alone, she is still one of the best characters on the show and I will miss her.

Quentin Lance– He was grave candidate number one for me. I would have killed him off and had that trigger the next round of stories including Laurel improving herself and growing more into her Black Canary role. He also would have propelled Felicity’s story since he is dating her mother as well as Oliver whom he had a strained father figure/son relationship with. They could have found a way for Thea and Diggle to be affected as well. This also fits in well with the theme of parents sacrificing themselves for their children that the season seemed to be writing towards.

John Diggle– since his brother betrayed him, it would have made sense for Dig to pay the ultimate price. This would have affected all of the Team as well.

Felicity Smoak– Is a shrill and abusive girlfriend and frankly the way they’ve written her this season makes any sensible person want her in the grave, alas she was shown as safe during the midseason premiere.

In all, I would have preferred that they left the entire team alone since I generally like all of them, including Shrillicity when she’s written well.

That boneheaded decision finds me breaking up with a series that I used to love and support. I’ve talked about Arrow in my weekly column quite frequently. I’ve met Stephen Amell and Katie Cassidy and I still have a ticket for the next Heroes and Villains Con which I’m not as excited for unless Katie attends.  I’ve bought the tie-in comics, the action figures, DVDs and trading cards but that ends here. The last thing I will buy that is Arrow related is the forthcoming Laurel Lance/Black Canary action figure, since she was the one that was wronged and she is and always will be my favorite.The only way you’ll get me watching the show again and buying the merchandise is to reverse the death, I can live with the Oliver/Felicity pairing though I despise it, but Laurel should never have died in the first place.

I’ll leave with a Laurel quote dedicated to a show I once felt something for:

“It’s hard to remember a time when I was ever in love with you…”

R.I.P. Laurel Lance and Arrow. She deserved better.

If you are upset as I am, I want to hear from you on Twitter: ValentineC1979 and you can also tweet #NoLaurelNoArrow, if you’re appalled by this decision.

 

 

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Chris’ Comics: Saga #35

First and foremost, a shameless plug!  I’m putting out a web comic that costs you all of zero dollars to read. It’s titled “In the Name of Thy Mother”, and I’m writing it with art by Ing. It’s exclusively on Tumblr for now, and if you like stuff in the vein of Sailor Moon but wish it was given a bit of a modern horror touch, you’re in luck. Thanks for reading that, let’s get to the review yes?

Saga_35-1Saga #35

Fiona Staples, Brian K Vaughan

Image $2.99

Come for the space hijinks, stay for BKV trying to figure out what to call Ghus fans ( Ghus-steppers is definitely a bad look man)! Also see Forbidden Planet NYC be called a “fine retailer”, which is 100% true, on the ad page for the Limited Edition TALKING Lying Cat plush, which you should totally pre-order right this minute.

Surprising no one, there’s a lot to like in Saga #35, the penultimate issue for this arc (something I was wrong about last month). My Ghus-feels aside, issue 35 offers the usual selection of wonder you would expect from this creative team: exotic locations with new characters (like a Lying Cat dressed as royalty!), sharp dialogue peppered with profanity, and stunning art by Fiona Staples. Which by the way, let’s talk about that cover for a minute. The composition is solid, really drawing you eyes towards the characters, and anyone who’s familiar with what the new tattoo symbolizes Saga35acan have themselves nice cry. Also the gray back ground is a nice choice to offset the more colorful characters.

Seeing these characters interact with each other. Here comes spoilers for anyone not caught up with volumes 4 & 5, but seeing Marko and Alanna bounce off of Prince Robot is hoot. Villains being forced to align with the heroes is nothing new to comics, but the Prince’s history with Marko and Alanna really sets it apart, especially once you consider he’s been in a situation similar to their’s.  It’s a nice bit of character growth, which makes him a little more likely, oppose to the Will, who’s definitely going down a dark path.

I’ve said it before, and I probably won’t stop saying it until the series is over, but I love all the various body types and characters that Fiona Staples creates. It really feels like no character is regulated to just a background role, not unlike the Simpsons. The facial Saga-35-i2-640x600expression she draws in this issue are also particularly striking, especially in the first few pages that involves the most stylish use of drugs I’ve ever seen. The fact that she colors and inks everything as well speaks of how extremely talented she is.

Saga #35 is another gorgeous issue in a series that rarely ever disappoints. Brian K Vaughan‘s dialogue is on point, as we ramp up to a battle that will probably make me feel really bad real quick. It’s business as usual, but in a way that I welcome, and rarely feels repetitive. It’s a another great issue of a great read, and I cannot wait to see how this arc ends next month.

 

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Val’s Toy Chest- The Cat and The Canary

DO NOT READ THIS IF YOU WANT TO AVOID POTENTIAL ARROW/FLASH/LEGENDS OF TOMORROW SPOILERS.

Hey guys- at the beginning of this season on Arrow, a mysterious death that is supposed to stick was teased on the show to take place sometime during the back half of the season. That mystery looks to be solved in this week’s episode and if all the leaked pictures are to be believed, including shots of SPOILER Dinah Laurel Lance’s SPOILER grave from the Legends of Tomorrow first season finale, Star City is about to have one less vigilante and it is a bone-headed decision. That being said, further spoilers for the penultimate episode of The Flash Season Two seem to show us a completely new iteration (i.e. Earth-2) of said character, portrayed by the same actress appearing to either fight alongside Barry or against. I don’t know what to believe anymore, but I think the CW DC TV shows will go down as a massive joke if they kill an iconic character and one as important to the Green Arrow and Justice League mythos such as the Black Canary without some sort of way out. I will drop Arrow out of protest, though I haven’t watched the past two episodes anyway. I will continue to support Katie Cassidy’s career if she is the one being written off the show and still hold out a brief glimmer of hope that her Flash stint could become permanent. I’ve already dismantled my Arrow toy shelf in anticipation of the big death. If Laurel survives, then I will gladly eat crow.

END SPOILERS

bc

That bit of news aside, there’s a couple of neat items to discuss this week- both featuring everyone’s favorite feline femme fatale. The first is the Tweeterhead/Sideshow Batman Returns Catwoman piece. Based on Michelle Pfeiffer’s likeness, this statue finds Selina Kyle atop a rooftop base, whip in hand, ready to strike the Batman. 040232300646The other Catwoman piece is a statue from Diamond Select Toys which like its predecessor, Batgirl, is based on the now 50-year-old Adam West Batman 1966 TV series. Catwoman is sculpted to resemble Julie Newmar and comes standing atop a base with the classic Batman TV logo emblazoned upon it.699788813287

Other Catwoman items in-stock now include the Batman 1966 Catwoman bust, also based on Julie Newmar’s likeness, the Cover Girls of the DC Universe Catwoman statue and the Batman: The Animated Series Catwoman bust designed after her look in the 1992-1995 series. If Catwoman isn’t your thing, but you love 1966 Batman, we’ve still got a number of items in stock from that era of Batmania. This includes the Batman, Robin and Batgirl three-pack, the Batmobile with Batman and Robin figures, the To The Batcave set with Bruce Wayne and the Batcomputer and the Tweeterhead Yvonne Craig as Batgirl Maquette. Tweeterhead also released one other awesome piece recently, particularly if you enjoy Batman comics from the 1950s- the Kathy Kane Batwoman maquette recently arrived and she is in all her retro glory.

040232344503

As I started working on this column, we received a limited refresh on Batman: The Animated Series figures which probably won’t last too long. Harley Quinn, The Mad Hatter, The Penguin, The Riddler, Robin, The Joker and Man-Bat from the original Animated Series are all back in stock as well as Batgirl, Poison Ivy, Killer Croc, Robin, Bane, Scarecrow, The Creeper and Mr. Freeze from The New Batman Adventures. The Batman and Phantasm two pack completes our restock of animated style action figures.

I got to see Batman V Superman last week and I mostly enjoyed it. It isn’t the best superhero movie in the world, but I had fun watching it. Brief thoughts on the film- it was a little disjointed at times, Batman was a massive jerk, Superman was fine, Wonder Woman is AMAZING! Gal Gadot’s portayal of the Amazon Princess, no matter how brief made the film for me. Whether it was the thrill of finally seeing her on the big screen for the first time or because I just love Wonder Woman, she was a breath of fresh air. If you’re feeling like you need merchandise from the film, we’ve gotten a restock of action figures of the DC Trinity as they appear in the movie back on our shelves. You too can own a Ben Affleck Batman, Henry Cavill Superman, and Gal Gadot Wonder Woman if your heart desires. Each figure from Mattel has a piece to build Batman’s Grapple Gun and are fully articulated so you can pose them for your own adventures. If Barbie dolls are more to your liking, we also just received the Batman and Superman Barbie Brand dolls from the movie. No Diana yet, sadly.

Next week: the 500th issue of the Weekly Planet. Catch you guys then!

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Chris Comics: X-Men ’92 #1

X-Men-92-1-2016X-men ’92 #1

Chad Bowers, Chris Sims, Alti Firmansyah, Matt Milla

Marvel $3.99

I have not read an X-Men comic since Uncanny#600 dropped a few months back. Nothing against the current creative teams (especially the ones working on All New X-Men, who’s first volume I have pre-ordered), but the current direction of those titles is pretty dark. And after several years of bleak X-Men comics, I need something a little different to lighten the mood. Luckily, due to popular demand, the X-men ’92 Secret Wars mini has graduated into an on-going, meaning I can enjoy my favorite* mutants without having to stomach Inhuman related nonsense.

*My actual favorites won’t be showing up again until issue 5, but you get what I’m saying.

Chris Sims and Chad Bowers return to X-Men ’92, free to tell stories without having to worry about Battleword or Doctor Doom, which is something they embrace rather quickly. X-Men-92-9as the book brings in several Russian characters and locales. I applaud the duo for embracing some really obscure 90s X-men characters, although I’m not surprised to see the presence of one that possess a MUTANT DEATH FACTOR. The book continues to be a celebration of the 90s of course, and once again Sims and Bowers pay tribute to the Morrison 2001-era X-characters showing up in some fun cameos. It’s also nice to see the X-men in a proper school environment, something I haven’t seen since Wolverine and the X-men.

The art by Alti Firmansyah and Matt Milla couldn’t be any more different than the art team of the previous volume of this book, but it’s very fitting. Firmansyah’s style is very much softer and animated, similar to the infamous cartoon, but definitely not as dated. It’s very expressive, and he does some great stuff with the character’s body language. What he does do like former X-Men ’92 artist Scott Koblish is reimagining iconic X-men covers and imagery for panels, which is a nice inside joke that I adore. There’s also small several nods to the 90s in the art that really helps sells the setting of this book without overdoing it. Milla’s colors are superb, very bright, and perfectly XM922016001-int3-2-2b0c7capture the feel or the show just as well as the art. It’s the best possible look for a book like this, and I’m eager to see them draw familiar character over the coming months.

The dialogue in this book is also phenomenal. Aside from capturing the feel of these character perfectly, it also manages to invoke the era properly as well, without feeling dated or force. It’s a perfect blend of the Claremont meets Saturday morning characters, especially in the cases of Gambit, Wolverine and Rogue. It’s over the top and cheesey in all the right ways, making it a complete blast.

X-Men ’92 isn’t anything genre defining, but it’s an excellent alternative to the all-too-serious X-books that exist “in-continuity”. It continues to be a bonkers celebration of the X-men during one of their most popular periods in comics, but with a story that’s a little more coherent and free of crossovers with a dozen other X-books. This debut issue was a ton of fun, and I’m glad to have this sort of X-Men book back in my life

 

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